quarta-feira, 30 de junho de 2010

Stoneground - Stoneground (1971 US Rock West Coast Psych)

BANDA AMERICANA HIPPIE COM GRANDE DESTAQUE PARA VOZ, VIOLÃO A CARGO DO EX-BEAU BRUMMELS "SAL VALENTINO"!! A BANDA NO INÍCIO ERA UM POWER TRIO MAS DEPOIS JUNTOU-SE OUTROS COMPONENTES PARA GRAVAR ESSE DISCO DE ESTRÉIA, QUANDO TEVE QUATRO CANTORAS E NÃO MENOS DO QUE SEIS VOCALISTAS DIFERENTES NAS DEZ FAIXAS DO ALBUM!! AS CANÇÕES SE REVEZAM NUMA SONORIDADE BLUES ROCK, RYTHM BLUES, BALADAS PODEROSAS E UMA TENDÊNCIA WEST COAST HIPPIE COM GUIATARRAS FUZZ BEM TÍPICO DAS BANDAS CALIFORNIANAS DOS ANOS 70!! BOM E RECOMENDADO VENENO!!

The self-titled debut from the East Bay groovers Stoneground is a solid effort blending accomplished straight-ahead rock & roll with a distinct bluesy vibe similar to many of the group's San Fran contemporaries. The band's revolving-door personnel centered on a Concord, CA, trio featuring Luther Bildt (guitar), Tim Barnes (guitar), and Mike Mau (drums). Through Bay Area music mogul Tom Donohue, the trio hooked up with former Beau Brummels leader Sal Valentino (vocals). In turn, John Blakely (guitar/bass) arrived via Donohue, and by the time that both Valentino and Blakely had settled in, Stoneground was also sporting a quartet of female vocalists. While Annie Sampson, Lydia Phillips, and Deirdre LaPorte were virtually unknown, Lynne Hughes had been in a seminal version of Dan Hicks' Hot Licks as well as in the short-lived Tongue and Groove. The band continued to expand when it toured England in the Medicine Ball Caravan (1970) tour, picking up future Jefferson Starship and Hot Tuna member Pete Sears (keyboards) in the process. With occasional help from former Mystery Trend member Ron Nagle (keyboards/percussion/inspiration), the sprawling combo that would contribute to Stoneground (1971) was intact. Part of the band's quaintly indefinable sound can be attributed to the inclusion of more than half a dozen different lead vocalists on the album's ten tracks. While Valentino supplied a majority of the originals, the disc is highlighted by some truly exemplary cover tunes as well. These include a gospel-rock reading of Rev. Gary Davis' "Great Change Since I Have Been Born" and the refined East Bay funk rendition of the Kinks' "Rainy Day in June," as well as the slide guitar blues of John D. Loudermilk's "Bad News." Arguably, best of all is the rousing "Don't Waste My Time," which shows off the full force of Stoneground's cohesiveness. The power ballad "Brand New Start" is masterfully driven by the gospel inflections of Sampson. The Valentino compositions -- "Looking for You," the quirky "Added Attraction (Come and See Me)," and "Stroke Stand" (which is notable for an ensemble vocal) -- bear repeated listens and hint at this group's truly great potential. ~ Lindsay Planer, All Music Guide

01. Looking For You 4:33
02. Great Change Since I've Been Born 3:05
03. Rainy Day In June 2:39
04. Added Attraction (Come And See Me) 3:04
05. Dreaming Man 4:46
06. Stroke Stand 4:02
07. Bad News 3:17
08. Dont Wast Ny Time 3:39
09. Colonel Chicken Fry 4:20
10. Brand New Start 3:57

http://www.megaupload.com/?d=U78IDB7B

domingo, 27 de junho de 2010

Mary Butterworth - Mary Butterworth (1969 US Prog Rock Psych)

ALTÍSSIMA RARIDADE!!
HIGH RARITY!!
BANDA AMERICANA QUE FAZIA UM SOM DE ALTO PADRÃO E COM DOSES FORTES DE TECLADO E BATERIA!! BANDA FORMADA EM 1968 NO SUL DA CLAIFORNIA E QUE GRAVOU SOMEN TE ESSE ALBUM E QUE FOI VENDIDO APENAS ANTECIPADAMENTE PARA FÃS AMIGOS!! DEPOIS DA GRAVAÇÃO NUNCA MAIS TOCARAM JUNTOS!! O ALBUM FICOU TÃO RARO QUE POR TRÊS VEZES FOI PIRATEADO E VENDIDO EM OUTROS PAÍSES COMO PEÇA DE COLECIONADOR!! A PIRATARIA ACABOU FAZENDO COM QUE O VINIL ORIGINAL ULTRAPASSASSE MIL DÓLARES!! DEVIDO A ESSAS PIRATARIAS OS MEMBROS ORIGINAIS DA BANDA FIZERAM UMA CAMAPNHA PARA A REEDIÇAÕ DO ALBUM EM CD!! EXCELENTE VENENO ALTAMENTE RECOMENDADO PELA RARIDADE E PELO SOM!!

The Story:
In the Spring of 1968 the Mary Butterworth band was formed. They enjoyed playing a variety of engagements around the Southern California area and in 1969, the recorded the one and only album entitled Mary Butterworth. This original, vinyl album was pre-sold to fans and friends only-- it was never available to the general public. Shortly thereafter, the group split up and never performed together again.

Years passed and rumors spread that Mary Butterworth had made it big. However, that was not the case. What did happen was that one of those original vinyl albums made it into the hands of "bootleggers" in another country. They thought enough of the music to reissued the album, and they began a sales campaign of their own. It didn't stop there. The Butterworth album has been bootlegged at least three other times in two different countries.

The bootlegging has created a Mary Butterworth following and pushed the price of the original vinyl album to over $1,000.00 per vinyl album. The Psychedelic Rock Music of the '60's is still regarded, even today, as some of the greatest live music ever created -- and Mary Butterworth will be a lasting part of that history. This CD also includes many photos of the group. The CD, like the original vinyl album, is bound to be a collector's item. Now you can find out why.

Mike Ayling Brewer (Bass, Vocals, and Flute)
Jim Giordano (Electric Guitar)
Michael Hunt (Drums)
Mike Eachus (Hammond B-3)

01 - Phase IΙ
02 - Optional Blues
03 - It's A Hard Road
04 - Make You Want Me
05 - Feeling I Get
06 - Week In Eight Days


http://www.mirrorcreator.com/files/0YT5IVZD/MaryButterworth_VenenosdoRockr.rar_links
or
http://www.mediafire.com/?ejg556o4ufg1bki

sábado, 26 de junho de 2010

REQUEST: Fleetwood Mac - First Album 1968 (Japan Remastered)

PETER GREEN E SUA FLEETWOOD MAC EM SEU PRIMEIRO E EXCELENTE ALBUM AGORA COM BONUS TRACKS E REMASTERIZADO NO JAPÃO!! ESSENCIALMENTE BLUES DA GEMA, BLUES FEITO POR GENTE QUE ENTENDE DO RAMO!! FOI UM DOS PRIMEIROS DISCO EM VINIL QUE COMPREI E TENHO POR ELE UM VALOR INESTIMÁVEL!! A GRANDE MAIORIA JÁ CONHECE BEM A BANDA, TALVEZ NÃO ESTE ALBUM, ALIÁS, TEM GENTE QUE ATÉ HOJE PENSA QUE O FLEETWOOD MAC SÓ FAZIA UM SONZINHO POP AÇUCARADO COMO COMEÇOU A FAZER NOS ANOS 80 E NEM TEM IDÉIA QUE ESTA BANDA FOI UMA DAS MAIORES E MELHORES DO BLUES!! EU CONSIDERO ESTE ALBUM DISCOTECA BÁSICA PRA QUALQUER BLUESEIRO ENVENENADO QUE SE PREZE!! ESTE VENENO É UM FRASCO BÁSICO!! SE LIGA NA HARMONICA DA FAIXA "LONG GREY MARE" E "LOOKING FOR SOMEBODY"!! QUE PATAÇO NA NUCA!! ALTAMENTE RECOMENDADO!!
Fleetwood Mac é um grupo britânico, formado em 1967, quando o baterista e compositor Peter Green e o baixista John McVie deixaram o John Mayall’s Bluesbreaker para formar seu próprio grupo. A formação completou-se com o vocalista e guitarrista Jeremy Spencer, fortemente influenciado por Elmore James e o baterista Mick Fleetwood. Apareceram pela primeira vez no British National Jazz & Blues Festival, em agosto daquele ano, com o nome de Peter Green’s Fleetwood Mac, assinando em seguida com o empresário/produtor de blues Mike Vernon, do selo Blue Horizon, Peter Green já era conhecido como cantor de blues e guitarrista, e o Fleetwood Mac, como passou logo a ser chamado, tornou-se pioneiro no movimento de blues na Inglaterra, tendo sucesso imediato.

No final de 1968, Peter Green introduziu no grupo seu protegido, o jovem guitarrista Danny Kirwan; o Fleetwood Mac se tornou aasim, a única banda com tres guitarristas, sendo eles capazes de criar e tocar seu próprio repertório. Estavam entre os maiores sucessos da Grã-Bretanha, embora ainda não conseguissem atingir o mercado norte-americano.

Em 1969, o estilo de Peter Green começou a revelar um afastamento do Blues puro e, em maio de 70, num acesso de misticismo, ele resolveu deixar o grupo e a vida musical. Com sua estrutura profundamente abalada, o Fleetwood Mac se afastou por alguns meses, voltando no fim do ano com o álbum ” Kiln House “, que seria o trampolim para seu futuro sucesso nos EUA.

No ano seguinte, foi a vez de Jeremy Spencer; durante uma turnê pelos EUA, ele desapareceu em Los Angeles, sendo encontrado dias depois num templo da seita filhos de Deus, disposto a ficar por lá e abandonar a carreira musical. Sua decisão fora tomada após ter sido abordado na rua por um membro da seita, e era mais surpreendente devido ao fato dele ser um verdadeiro humorista de palco, fazendo memoráveis sátiras de Elvis Presley e Boddy Holly, e normalmente alheio à religiosidade.

Depois de novo afastamento devido a este último golpe, o grupo voltou. Mas devido as muitas alterações ocorridas no grupo e o fracasso dos LP lançados então, chegou a dissolução. Foi nessa época, em 1972, que o empresário Clifford Davis criou um outro Fleetwood Mac, sem nenhum dos integrantes originais, para substitui-los. Mas John McVie entrou com uma ação na justiça contra o grupo falso e ganhou.
A partir daí, novos ventos sopraram sobre o verdadeiro grupo: o casal Nicks e Buckingham se associou ao grupo e, com nova formação (Chistine McVie nos vocais e teclados, Mick Fleetwood na bateria, John McVie no baixo, Stevie Nicks nos vocais e Lindsey Buckgham na guitarra), o grupo voltou a ocupar seu lugar nas paradas de sucesso e a ganhar discos de ouro e platina.

Merece destaque, nessa época, o álbum Rumours, lançado em 1977, no qual os membros da banda deixaram aflorar a carga emocional experimentada anteriormente. Esse álbum tornou-se o mais vendido daquele ano, passando quase 6 meses no topo das paradas dos EUA, tendo recebido o Grammy de Melhor Álbum do Ano. Nele, figuram sucessos como Dreams, Go On Your Way e The Chain. Até 2003, Rumours vendeu mais de 19 milhões de cópias somente nos Estados Unidos e um total de 30 milhões de cópias pelo mundo, tornando-o um dos mais vendidos de todos os tempos.

Posteriormente a esse grande sucesso, Mick Fleetwood e Lindsey Buckingham lançaram LP’s individuais em 1982: ” The Visitor “, e ” Law And Order “, respectivamente.

01. My Heart Beats Like A Hammer
02. Merry Go Round
03. Long Grey Mare
04. Shake Your Moneymaker
05. Looking For Somebody
06. No Place To Go
07. My Baby's Good To Me
08. I Loved Another Woman
09. Cold Black Night
10. World Keeps On Turning, The
11. Got To Move
12. My Heart Beat Like A Hammer (Take 1)
13. Merry Go Round (Take 1)
14. I Loved Another Woman (Takes 1,2,3 & 4)
15. I Loved Another Woman (Takes 5 & 6)
16. Cold Black Night (Takes 1,2,3,4,5 & 6)
17. You're So Evil
18. I'm Coming Home To Stay

https://www.mediafire.com/?v55zvd0tb70nvt2

quinta-feira, 24 de junho de 2010

REPOST: Oxford Circle - Live at the Avalon (1966 Psychedelic Garage Rock)

REPOSTAGEM A PEDIDO DE MINHA QUERIDA E ENVENENADA AMIGA BRUNA!!!

VENENASSO GARAGEIRO E PSICODÉLICO!! BANDA DE GARAGEM ALTAMENTE COMPETENTE E QUE FAZIA UM SOM BEM AO ESTILO E ACIMA DA MÉDIA DAS GRANDES BANDA DE GARAGEM DA ÉPOCA, COM HARMÔNICA "RASGANDO" E UM VOCAL EXTREMAMENTE COMPETENTE E CANTADO COM A ALMA, FATO QUE VALORIZO MUITO NOS VOCAIS DESSA ÉPOCA ONDE OS CARAS LITERALMENTE "SOLTAVAM A VOZ", ABRIAM A ALMA!! PROVA DISSO QUE ESTOU DIZENDO JÁ COMEÇA A SER PERCEBIDO NA PRIMEIRA FAIXA "MYSTIC EYES" COM MAIS DE 9 MINUTOS DE DURAÇÃO EM QUE O VOCALISTA ARREBENTA NO VOCAL E CUJO SOM FICA MUITO LOUCO COM RIFFS PSICODÉLICOS QUE DEIXAM, AO MEU VER E AO MEU CÉREBRO, A CERTEZA DE QUE ESTAMOS DIANTE DA MELHOR E MAIS PIRADA VERSÃO PRA "MYSTIC EYES"!! CONFIRAM!! E O VENENO CONTINUA FIRME NO RESTANTE DO DISCO!! CONFIRAM A VERSÃO PRA "HOOCHIE COOCHIE MAN" E SINTAM O BLUES "RASGANDO SUAVE" NO CEREBRO!! A VERSÃO PARA "BABY PLEASE DONT GO" ARREBENTA, ESTRAÇALHA!! ÓTIMO VENENO E ALTAMENTE RECOMENDADO!! GARAGEM DE LUXO PRA ESTACIONAR O CÉREBRO E CURTIR!!

Although the Oxford Circle are remembered by hardcore psychedelic collectors as a San Francisco psychedelic band due to their shows on the city's ballroom circuit in 1966 and 1967, they actually formed in Davis, about an hour to the east. The group played energetic garage-psychedelia that was heavily derivative of British bands such as the Yardbirds and Them, and managed to release just one single, "Foolish Woman"/"Mind Destruction," for the tiny World United label. The flipside was a feedback-drenched piece of raw psychedelia, but it would not be appropriate to place the Oxford Circle in such rarefied air as unheralded Northern California psychedelic legends like the Great Society or even the Final Solution. The group's original material was unexceptional, owing more to punkish blues-rock than groundbreaking psychedelic sounds.

Drummer Paul Whaley joined Blue Cheer, which sowed the seeds of the Oxford Circle's breakup, though oddly enough, future blues star Joe Louis Walker played with the group briefly. Gary Lee Yoder, the Oxford Circle's principal songwriter, formed Kak (which recorded for Epic) and also showed up in a late version of Blue Cheer. An entire 1966 concert, in surprisingly excellent fidelity, formed the basis for an Oxford Circle CD in 1997 that also included their single and a couple of unissued cuts. ~ Richie Unterberger, All Music Guide.

Fourteen of the 18 tracks on this disc were recorded live in San Francisco in 1966, in fidelity that was good even by the standards of 1997. As such, it's a godsend for psychedelia fans, as the band released only two official tracks, which were themselves hard to find on reissue. That said, the music doesn't quite live up to the legend, though one can see that it was sufficiently exciting for live audiences of the era. It's split fairly evenly between British Invasion covers of groups like the Yardbirds, Them and the Animals, and group originals in a similar style. Though there are flashes ofmore… psychedelic mayhem in the guitar work particularly, it isn't as weird as the B-side "Mind Destruction" (a largely formless instrumental built around feedback) might have led collectors to expect, and the original tunes aren't so memorable. The set is embellished by both sides of the "Foolish Woman"/"Mind Destruction" single, as well as a couple of unreleased studio tracks from 1967 that have sessionman Mac Rebennack (aka Dr. John) on organ.

1 Mystic Eyes (Live)(#) 9:11
2 Since You've Been Away (Live)(#) 2:15
3 You're a Better Man Than I (Live)(#) 5:00
4 Soul on Fire (Live)(#) 2:33
5 I Got My Mojo Working (Live)(#) 3:44
6 Baby Please Don't Go (Live)(#) 5:16
7 Foolish Woman (Live)(#) 3:52
8 Troubles (Live)(#) 5:13
9 We Gotta Get Out of This Place (Live)(#) 3:33
10 Today (Live)(#) 4:07
11 Silent Woman (Live)(#) 3:53
12 Little Girl (Live)(#) 4:43
13 (I'm Your) Hoochie Coochie Man (Live)(#) 4:44
14 I'm a Man (Live)(#) 3:50
15 Foolish Woman (Studio) 2:33
16 Mind Destruction (Studio) 5:15
17 The Raven (#) 2:42
18 Troubles (#) 2:37

http://www.megaupload.com/?d=BMID1VWI

quarta-feira, 16 de junho de 2010

BAND OF LIGHT - Total Union (1973 Australian Hard Blues Rock)

VENENASSO ALTAMENTE RECOMENDADO!!BANDA AUSTRALIANA ACIMA DA MÉDIA E QUE FAZIA UM HARD BLUES ROCK DE PRIMEIRÍSSIMA LINHA!! RIFS DE GUITARRA SLIDE TRABALHANDO BONITO A CARGO DE "NORM ROUE" QUE DEPOIS IRIA TOCAR EM OUTRA GRANDE E FAMOSA BANDA AUSTRALIANA CHAMADA BUFFALO!! O VOCAL LEGAL FICA POR CONTA DE "PHYL KEYS" QUE ERA DA BANDA LA DE DA'S!! BANDA AUSTRALIANA COM ALTO PEDIGREE E UM VENENO QUE NÃO DEVE SER CONSUMIDO COM MODERAÇÃO!! NA VEIA!!
EXCELLENT POISON!!
NOT MODERATE CONSUMPTION!!
DIRECTLY INTO A VEIN!!
Operated between 1972-75 with their distinctive slide guitar sound. Vocalist / guitarist Phil Keys had previously spent eight years with The La De Da's before forming this band. Other original members were former Fraternity drummer Tony Buettel, ace slide guitarist Norm Roue (previously of Gutbucket) and former La De Da's bassist Peter Roberts, who was quickly replaced by Ian Rilen. Rilen had earlier been in Space and was later in Blue Aliens, Blackfeather, Rose Tattoo, Sardine V, Illustrated Man, Songs Of Exile, The Big Rider and Hell To Pay.

Phyl Keys - Vocal, Guitar
Tonny Buettel - Drums
Norm Roue - Slide Guitar
Peter Roberts - Bass

01. My First Home
02. Free Them From Hunger
      http://youtu.be/ueRoZPC1z7U
03. Spaces Of Time
04. If
05. Earthbound Blues
06. Four Horsemen Of The Apocalypse
07. Destiny Song
08. Over 'B'
09. Moonstruck
10. Messin' With The Kid
11. Cat

http://www.mediafire.com/download/dqab950o6mdcdky/BandofLight-Venenos.rar

domingo, 13 de junho de 2010

Creepy John Thomas - Brother Bat Bone & Same (1969-70 UK Blues Hard Psych)

VENENASSO!! GREAT POISON!!
DOIS VENENASSO EM UM FRASCO SÓ!!
EXCELENTE BANDA BRITÂNICA FORMADA POR UM AUSTRALIANO, O GUITARRISTA JOHN THOMAS, EM 1969!! OS CARAS FAZIAM UM BLUES HARD ROCK COM PITADAS PSICODÉLICAS MUITO LEGAL!! LEMBRA UM POUCO CAPTAIN BEEFHEART!! O PRIMEIRO ALBUM É BEM MELHOR MAS O SEGUNDO TAMBÉM É RECOMENDADO!! VENENO BLUES HARD ALTAMENTE RECOMENDADO!! SONZAÇO!!

TWO POISONS IN A BOTTLE ONLY!! GREAT BRITISH BAND FORMED BY AN AUSTRALIAN, GUITAR JOHN THOMAS IN 1969!! THE GUYS DID A HARD ROCK BLUES WITH PSYCHEDELIC TOUCH VERY COOL! REMEMBER SOME CAPTAIN BEEFHEART!! THE FIRST ALBUM GOOD IS BETTER BUT THE SECOND IS ALSO RECOMMENDED! POISON BLUES HARD HIGHLY RECOMMENDED!

"Creepy" John Thomas (lead vocals, guitar)
Andy Marx (lead guitar, bass)
Helmut Pohl (drums)
Dave Hutchins (bass)
Roy O'Temro (drums)

Brother Bat Bone (1969)
01 Down In The Bottom 5:11
02 What's The Matter With The Mill 3:16
03 Brother Bat Bone 9:06
04 This Is My Body 3:28
05 Standing In The Sunshine 8:34
06 100 Lib. Noomy 2:29

Creepy John Thomas (1970)
07 Gut Runs Great Stone 4:03
08 (Do I Figure) In Your Life 2:46
09 You've Got To Hide 2:34
10 One Way Track Blues 2:09
11 Trippin' Like A Dog 4:19
12 Ride A Rainbow 3:05 5.65
13 Green Eyed Lady 3:35
14 Sun And Woman 3:38
15 Lay It On Me 3:21
16 Bring Back The Love 3:23
17 Moon And Eyes Song 3:43

http://www.megaupload.com/?d=W7OW99LO

sábado, 12 de junho de 2010

Morpheus - Rabenteur (1976 German Jazz Rock Fusion)

MAIS UM DA SÉRIE GARDEN OF DELIGHTS!!
EXCELENTE BANDA ALEMÃ FORMADA A PARTIR DOS "RESTOS MORTAIS" DA BANDA OPOSSUM!!
OPOSSUM TINHA SEIS INTEGRANTES, DOIS QUERIAM FAZER JAZZ LIVRE E OS OUTROS QUATRO QUERIAM UM JAZZ ROCK!! ACONTECEU QUE O QUARTETO DO ROCK SAIU PRA FORMAR EM 1975 A BANDA MORPHEUS!! O SOM DOS CARAS É UM JAZZ ROCK PROGRESSIVO INSTRUMENTAL REGADO A SAX, FLAUTA E RIIFS DE GUITARRAS BEM LEGAL!!APENAS 500 CÓPIAS FORAM EDITADAS E LOGICAMENTE QUE TORNOU-SE PEÇA DE COLECIONADOR!! FELIZMENTE, GRAÇAS MAIS UMA VEZ AO SELO GARDEN OF DELIGHTS, O DISCO FOI RELANÇADO EM CD A PARTIR DAS MASTER TAPES ORIGINAIS E AINDA POR CIMA CORRIGINDO UM PROBLEMA QUE HAVIA COM O LP QUE NA ÉPOCA HAVIA SIDO LANÇADO COM O SOM UM POUCO BAIXO PARA OS PADRÕES NORMAIS!!

They were formed from the former band Opossum, founded in 1971.
"Rabenteuer” is an all-instrumental jazz-rock album with lots of saxophone and bits of flute, similar in style to early KRAAN with perhaps a nod or two to MISSUS BEASTLY. Being partly improvised, the music has an almost ‘live’ feel to it; it is warm and features great guitar riffing as well as strong melodies. The CD version comprises a bonus track, a terrific 20-minute jam session salvaged from the master tapes. The band’s more recent album "For a Second”, released in 2002, may sound a bit laid-back in comparison but is still redolent of the old MORPHEUS charm, with plenty of trippy sax and catchy hooks.

Peter Blömeke (bass, flute, percussion)
Gerold Adler (guitar, effects)
Heinrich Holtgreve (alto sax, percussion)
Alfred Franke (drums, percussion)

1. Rabenteuer (9:55)
2. Brandung (5:00)
3. Breitmaulfrosch (5:15)
4. Oktober '74 (2:16)
5. Tanz der Morphine (3:10)
6. Abflug (15:00)
7. Morpheus Jam (20:00)

http://www.megaupload.com/?d=ZTPA0YBH

Stonehouse - Stonehouse Creek (1971 UK Hard Rock)

ÓTIMA BANDA INGLESA QUE UTILIZAVAM MUITO O PIANO ACUSTICO COMO BASE MAS SEM QUE ESSE INSTRUMENTO SEJA DOMINANTE!! É HARD ROCK SETENTISTA COM PITADAS PROGRESSIVAS MUITO LEGAL!! EDIÇÃO LIMITADA EM LP E A INFORMAÇÃO É DE QUE FOI SOMENTE PRENSADO NO REINO UNIDO E NA NOVA ZELÂNDIA!! VENENO INGLÊS RECOMENDADO!!

Reissued and housed in a digi pack of the album by this UK progressive hard rock band. Originally released on RCA 1971. Apart from the acoustic title tracks this album consists of bludgeoning hard rock.
Peter Spearing (guitar, vocals)
James Smith (vocals)
Ian Snow (drums)
Terry Parker (bass)

01 - Stonehouse Creek
02 - Hobo
03 - Cheater
04 - Nightmare
05 - Crazy White Folk
06 - Down Down
07 - Ain´t No Game
08 - Don´t Push Me
09 - Topaz
10 - Four Letter Word
11 - Stonehouse Creek (Reprise)

http://www.megaupload.com/?d=Q2VRIUNM

quinta-feira, 10 de junho de 2010

Weed - Weed (1971 German Acid Hard Rock)

BANDA DE "KEN HENSLEY", O MESMO CARA DA BANDA URIAH HEEP, E AINDA COM PARTICIPAÇÃO DE MEMBROS DA BANDA VIRUS!! OS CARAS FAZIAM UM SOM ACIDO COM UM INSTRUMENTAL MUITO BACANA!! UM HARD ROCK COM PITADAS BLUES E PROGRESSIVAS COM DUAS GUITARRAS ROSNANDO E UM PODEROSO ORGAN HAMMOND!! PELO NOME DA BANDA JÁ DÁ PRA VER QUE OS CARAS ERAM "MALUCOS" MESMO!! WEED!! TRADUZINDO: ERVA - FUMO!! NA CAPA UMA "COROA" FEIA SE DELICIANDO E OFERECENDO A "ERVA DANINHA"!! VENENO ALEMÃO RECOMENDADO!!
WEED: 1971 Philips 6305 096 This album related to an infamous rock'n'roll habit ! Unfortunately the album sleeve didn't list the line-up, but it seems likely that Ken Hensley (vocals,organ, slide guitar) of Uriah Heep fame had a leading role. He recorded the Weed album during March 1971 in between the Uriah Heep albums "Salisbury" and "Look at yourself". Some members of the 1970/71 Virus line-up were also involved, Bernd Hohmann and Werner Monka at least and possibly their rhythm section as well. All six tracks were credited to concert promoter Bobo Albes and Philips household producer Rainer Goltermann made sure the sessions in the Windrose Studios were preserved for posterity. The album comprised straight-forward heavy progressive blues rock with twin guitars and organ to the fore, culminating in the excellent, long instrumental title track. Weed can be compared to other German heavy progsters of the era, such as Zarathustra, Blackwater park, Epitaph and Armaggedon, as well as Ken Hensley's similarly obscure "Head Machine" album "Orgasm" dating from 1969 or 1970. The sleeve of the Weed album is quite noteworthy - a somewhat disgusting, middle-aged house wife is pictured, offering some "weed" of an unknown nature! A fine album, but very rare and accordingly high priced at the collector's market."

Ken Hensley - lead vocals, guitar, keyboards
Peet Becker - drums
Reinhold Spiegelfeld - bass guitar
Bernd Hohmann - flute
Werner Monka - guitar
Rainer Schnelle - keyboards

• Sweet Morning Light (Albes) 5.47
• Lonely Ship (Albes) 3.12
• My Dream (Albes) 6.32
• Slowin' Down Albes) 4.30
• Before I Die (Albes) 3.45
• Weed (Albes) 7.12

https://www.mediafire.com/?64d1cx2455athvg

segunda-feira, 7 de junho de 2010

Grateful Dead - Live at Fillmore Auditorium on 1966-07-16

EXCELENTE DISCO COM UMA DAS GRAVAÇÕES MAIS ANTIGAS DA BANDA GRATEFUL DEAD QUE SE TEM CONHECIMENTO!! É GRATEFUL DEAD NO INÍCIO, NA INFÂNCIA TOCANDO NO FILLMORE EM SAN FRANCISCO NO VERÃO DE 1966!! MUITO LEGAL MESMO!! VALE A PENA OUVIR OS CARAS CANTANDO "BIG BOSS MAN", "NOBODY'S FAULT BUT MINE" E OUTRAS CANÇÕES NUM CLIMA MEIO JUVENIL!! VENENO DEAD RECOMENDADO PELA HISTÓRIA, RARIDADE E PELO SOM!! O AUDIO TAMBÉM É ÓTIMO!! ACHO QUE ESSE É UM DOCUMENTO HISTÓRICA DA BANDA E MERECE ESTAR ENTRE OS VENENOS!!
I THINK THAT THIS IS A HISTORICAL DOCUMENT OF BAND!! RECOMMENDED BY HISTORY, BY THE RARITY AND THE SOUND! THE AUDIO IS GREAT!!
Let’s go way back in time for the earliest Dead recording yet to be seen here – The Grateful Dead in their infancy at the Filmore in San Fran in the summer of 66'. This is pure, early Dead, still filled with the influences of Bluegrass, Jug Music, and Americana. These influences would later be blended into the ether with Rock and Roll, Psychedelia, Classic Rock, and 80's short shorts. This summer set consists of mostly early covers and traditional numbers only featuring one Dead original, ‘Cream Puff War’. While part of Boss Man and Dancin’ are cut, this is a pristine recording – both the download and the stream. Groovy.

01 - Big Boss Man
02 - Standing On The Corner
03 - Beat It On Down The Line
04 - In The Pines
05 - Cardboard Cowboy
06 - Nobody's Fault But Mine
07 - The Next Time You See Me

domingo, 6 de junho de 2010

Elfenbein - Made In Rock (1977 German Hard Prog Rock)


ALTA RARIDADE!! 


HIGH RARITY!!
EXCELENTE POWER TRIO ALEMÃO QUE FAZIA UM HARD ROCK PROGRESSIVO COM ALGUMAS MUSICAS QUE PUXAM PELO HARD CLASSICO, OUTRAS COM MELODIAS MUITO AGRADÁVEIS E ATÉ PITADAS DE BLUES TEM NO SOM DOS CARAS!! UM VENENO ALEMÃO RARO E ALTAMENTE RECOMENDADO!! CERTAMENTE UMA DOSE DESSE VENENO SERÁ BEM AGRADÁVEL!!

EXCELLENT GERMAN POWER TRIO THAT DID A PROGRESSIVE ROCK HARD with some music A LEGITIMATE CLASSIC HARD AND OTHERS melodies VERY NICE! A GERMAN POISON RARE AND HIGHLY RECOMMENDED! CERTAINLY ONE DOSE THAT WILL POISON WELL NICE!

Elfenbein "Made in Rock" CD reissue. These were an obscure 70's Anglo-American styled hard-rock band, and in fact possibly one of the straightest you'11 find .Really, their song-based kind of boogie rockin' style draws comparison to many an ex-Man band, like The Neutrons or Judas Jump. (Crack in the Cosmic Egg)

Jack B. Menzel (vocals, bass)

Michael Dertscheny (guitars, vocals)
Clemens Mueller (drums, percussion)

01. Tired Anyway 03:07
02. Witch Is Burning 05:27
03. Stranger To Myself 05:25
04. Spider - Blues 05:21
05. Lazy Daisy 01:58
06. You've Done Me Wrong 04:42
07. Can't Find My Way Home 05:47
08. Lost Son 04:00
09. One More... Little Song 03:24


http://uploadmirrors.com/download/1POVRVU5/Elfenbein_-_VenenosdoRock.rar

sábado, 5 de junho de 2010

ROLLING STONES - Get Your Leeds Lungs Out 1971 (Bootleg)

ÓTIMO BOOTLEG DOS STONES COM AUDIO EXCELENTE E QUE FOI GRAVADO EM 1971 NA LEEDS UNIVERSITY NA INGLATERRA UM MÊS ANTES DO LANÇAMENTO DO DISCO "STICKY FINGERS"!! ESSE BOOTLEG FOI REMASTERIZADO DIGITALMENTE ATRAVÉS DA MASTER TAPE ORIGINAL!! AQUI ESTÃO INCLUÍDO OS MUSICOS "BOBBY KEYS" NO SAXOFONE, "JIM PRICE" NO TROMPETE E "NICKY HOPKINS" NO PIANO!! ROUPAGEM DIFERENTE EM ALGUNS CLÁSSICOS DA BANDA!! BEM LEGAL!! EXCELENTE E RECOMENDADO BOOTLEG!! VENENASSO STONIANO DO BOM E RECOMENDADO!!Get Your Leeds Lungs Out! - Revisited is a crystal clear bootleg from the U.K. leg of the Sticky Fingers tour back in 1971, and has been digitally remastered from the original analog master tapes. The Stones are inspired throughout, so the whole show is one big highlight, starting with the smooth country of "Dead Flowers." Also included is a fiercely swinging take of the Jagger-attitude testimony, "Bitch," a slower and more spacious "Satisfaction," and a version of "Brown Sugar" that is no less sleazy and lustful than the original. Keith Richards and Mick Taylor show why many Stones enthusiasts considered this lineup their best, as the duo spin and weave their guitar lines together and trade off solos with each other throughout the show. Also included are sidemen Bobby Keys (saxophone), Jim Price (trumpet), and Nicky Hopkins (piano), who help augment the compositions. "Let It Rock" is a forgotten Stones cover of a Chuck Berry song (it was only issued as a B-side to "Brown Sugar" and has never been included on any of their compilations) that turns out to be a good old rowdy rave-up. The problem with Get Your Leeds Lungs Out! is that it contains a total of six songs that were issued (in quite similar versions) on the official live album Get Yer Ya-Ya's Out just two years prior. And there are two versions of "Let It Rock" included, one being a supposedly different "stereo version"; in reality, they are identical. Still, the Stones were hot that night. If the overly produced and studio-enhanced Get Yer Ya-Ya's Out leaves you feeling a bit cold, hunt down a copy of the rough and rocking Get Your Leeds Lungs Out! - Revisited to cure your blues. ~ Greg Prato, All Music Guide
1. Dead Flowers
2. Stray Cat Blues
3. Love In Vain
4. Midnight Rambler
5. Bitch
6. Band Introductions
7. Honky Tonk Women
8. Satisfaction
9. Little Queenie
10. Brown Sugar
11. Street Fighting Man
12. Let It Rock
Bonustrack13. Roll Over Beethoven (LiVe Hamburg 1970)

https://www.mediafire.com/?6uzk44stpjqkas7

sexta-feira, 4 de junho de 2010

REPOST: Message - From Books and Dreams (1973 German Prog Hard Rock)

ÓTIMA ALEMÃ QUE FAZIA UM SOM QUE PODERIA SER DEFINIDO COMO PROGRESSIVE HARD ROCK COM PITADAS PSICODÉLICAS!! ESTE É O SEGUNDO ÁLBUM DA BANDA E BEM MAIS OBSCURO QUE O PRIMEIRO QUE ESTÁ LOGO ABAIXO NA POSTAGEM ANTERIOR!! ABAIXO ESTÁ O REVIEW DE TODAS AS FAIXAS QUE FOI FEITA POR ALGUM ANÔNIMO NA NET, MAS QUE RETRATA FIELMENTE O QUE É O DISCO!! EXCELENTE E RECOMENDADO VENENO!!
A half-British, half-German affair (the same line-up that would record the eponymous masterpiece Message), From Books and Dreams is a dark, hard-rocking psychedelic album. The production makes for a very spacy, dirty and blurry atmosphere that serves the album well. I recommend listening to this album in the evening (preferably an autumn evening), light up a few candles, unplug the phone, sit back, lie down or whatever, and listen...

1 - Sleep : Not really a song, more of an introduction. A feeling of intense, wrenching vertigo, similar to the moment before falling into subconsciousness and the dream realm, is well depicted here. Blurry, psychedelic, a perfect mood setter.

2 - Dreams and Nightmares (Dreams) - One of the two very high points (personnaly I can't find any weak points) of this album. Starts where Sleep left off, with an hypnotic guitar theme, repeated for a while (the German influence, I guess) and built up until a riff change and vocals kick in. Now, some may not like Tom McGuigan's voice, I know I really love it. Not always on tone, he more than makes up for it with intensity and theatricality. Alan Murdoch shines all through the song, with amazing hard-rocking catchy riffs and a main theme that will be stuck in your head for days, months, maybe years. The rythm section, not as creative as on the eponymous album, is nonetheless very tight and enjoyable to listen to. A great support for Murdoch's riffs. Lyrically, the song dabbles in the nonsense of dreams (as does the whole album), therefore do not expect lyrics to make much sense, all the while still making sense (as dreams do). The song segues into :

3 - Turn Over! : A dark, psychedelic guitar pattern graces the song, serving as background to Tom McGuigan's saxophone wailing. This closed side one of the vinyl, as the words 'Turn Over' are repeated quite a few times at the end of the song, when the needle reaches the end of the lp (this trick was also used by Ange on Le Cimetière des Arlequins, and probably by countless others in that period).

4 - Sigh : Another psychedelic rocking number, but less dark than anything on side one. The majority of the chords are happy sounding, but that doesn't make the song less interesting. Once again, Murdoch's guitar lines are the focus of the song, and McGuigan's vocal melodies are also very interesting.

5 - Dreams and Nightmares (Nightmares) : The other high point of the album. The inclusion of keyboards makes for a haunting effect. Catchy dark riffs all the way through, interesting chord progressions... a great track. This is my second Message album, and even though it is a bit less progressive than the eponymous, it is nonetheless an amazing album. Might not be a masterpiece, but it is damn close to being one. 4.5 stars. A shame these guys did not get the recognition they deserved at that time.

Track Listings
1. Sleer (2:51)
2. Dreams And Nightmares (Dreams) (12:45)
3. Turn Over (4:02)
4. Sigh (8:07)
5. Dreams And Nightmares (Nighmares) (13:13)

Total Time: 42:18

Line-up/Musicians
- Gunther Klinger / drums
- Tom McGuigan / vocals, woodwinds, synthesizers, Mellotron
- Allan Murdoch / guitar
- Horst Stachelhaus / bass

https://www.mediafire.com/?5qqjn4g2w6mok5o

Message - The Dawn Anew Is Coming (1972 German Prog Rock)

PRIMEIRO ALBUM DESSA ÓTIMA BANDA ALEMÃ QUE NA VERDADE ERA FORMADA POR MÚSICOS ALEMÃES E BRITÂNICOS!! OS CARAS FAZIAM UM HARD ROCK PSYCH COM RIFFS PESADOS DE GUITARRA, BAIXO PESADO, TECLADOS E HARMÔNICA!! MUSICALMENTE TRÁZ ALGUMAS ALUSÕES A BANDA NEKTAR, ATÉ MESMO PELA PRESENÇA DE TAFF FREEMAN TOCANDO MELOTRON!! O SEGUNDO ALBUM DOS CARAS VEM NA PRÓXIMA POSTAGEM LOGO ACIMA!! VENENO ALEMÃO ALTAMENTE RECOMENDADO!!
Reissue of classic 1972 progressive rock album featuring German and British musicians. German progressive / psych band's first (out of seven) album - originally released in 1972. until recently, I was vaguely even aware of this group. Tunes here that make this CD a keeper are the eight-minute title track "The Dawn Anew Is Coming" {liked the several changes in tempo and mood}, the quite 1972-ish jamming & well-played "When I'm Home" and "Heaven Knows". Personnel: Billy Tabbert - guitar & vocals, Allan Freeman - synthesizer & vocals, Allan Murdoch - guitar, Horst Stachelhaus - bass, Tom McGuigan - mellotron, woodwinds & vocals and Gunther Klinger - drums. Might appeal to (I'm second guessing) fans of Quatermass, Nektar or possibly Nosferatu.

- Allan Freeman / synthesizers, vocals
- Gunther Klinger / drums
- Tom McGuigan / vocals, woodwinds, synthesizers, Mellotron
- Allan Murdoch / guitar
- Gerhard Schaber / percussion
- Horst Stachelhaus / bass
- Billy Tabbert / guitar, vocals

1. Changes (3:35)
2. The Dawn A New Is Coming (8:35)
3. Evil Faith and Charity (3:55)
4. Heaven Knows (9:42)
5. When I'm Home (7:40)

https://www.mediafire.com/?syevu8mvf47aunf