quinta-feira, 30 de setembro de 2010

WSNB - Jomo Swamp Root Boogie (2006 US Blues Rock Boogie)

VENENASSO BLUES!! TRATA-SE DE UM DISCO DE PRODUÇÃO INDEPENDENTE E RARÍSSIMO NO MERCADO!! OS VENENOS ABREM UMA EXCESSÃO E COLOCAM UM LANÇAMENTO DOS ANOS 2000 AQUI NO BLOG PRA MOSTRAR QUE AINDA HÁ LUZ NO FIM DO TUNEL!! NEM TUDO ESTÁ PERDIDO NO ROCK!! O SOM DOS CARAS É UM BLUESROCK COM UMA BATIDA IMPRESSIONANTE, COM PITADAS DE SOUL MUSIC E UMA HARMONICA RASGANDO A MILHÃO!! A BANDA É MUITO BOA!! VENENO BLUES ALTAMENTE RECOMENDADO!!

QUEM QUISER COMPRAR O DISCO DOS CARAS E AJUDAR FINANCEIRAMENTE A BANDA É SÓ ACESSAR O SITE: http://www.wsnbmusic.com/fr_merch.cfm

WHO WANTS TO BUY THE DISC AND FINANCIALLY HELP THE BAND IS ONLY ACCESS SITE:
http://www.wsnbmusic.com/fr_merch.cfm

Swampy rock and roll and soul - with deep blues root running through its core. Like a train coming through your front door - WSNB will make your hips shake, your feet move, and your big toe jump up in yo' boot.

"This music does somethin to the soul. no matter where your at in life this music can relate to you good or bad.. BEST BAND EVER!!! Raw, gritty blues, smokin harmonica...This is an AWESOME CD by an AWESOME band! Can't wait for the new one! These guys are great!!! Highly recommended!"

"Like a locomotive, WSNB is coming right at you. JOMO SWAMP ROOT BOOGIE ...sounds like its name. It is a very good, well-recorded work by a very good band. It has blues dripping from all tracks. The lyrics are intellegent, occasionally witty, and about life's vicissitudes: love, lust, death, insanity, the war in Iraq. The music has that Delta/Chicago blues feel...Get a copy or several. Enjoy its spell!"

Members:
Willie Shane Johnston- Lead Vocals, Harmonica
Nate Brown- Guitar
Clay Ford- Bass guitar
Jason Gardner- Drums

01 - Rusted 5:10
02 - Riverman 5:37
03 - Pass You By 3:11
04 - 3 O'Clock 5:03
05 - True Love 3:54
06 - Casilla 4:48
07 - Stir Crazy 4:51
08 - Honeywell 4:07
09 - Mask 4:35
10 - Bangland 3:34
11 - Sink or Swim 4:19
12 - In a Bowl 5:09
13 - Come Back 6:44
14 - Breaking You Down 4:42
15 - Down in Stone 3:11

http://www.megaupload.com/?d=5DCEO8NC

quarta-feira, 29 de setembro de 2010

Sammy - Sammy (1972 UK Hard Rock Prog)

SAMMY ERA UM SUPERGRUPO, AO MENOS NO QUE DIZ RESPEITO AOS SEUS COMPONENTES, QUE ERAM EX-MEMBROS DAS BANDAS "AUDIENCE", "QUATERMASS", "THE HERD", "SILVERHEAD", "EPISODE SIX" E "GINHOUSE"!! ALÉM DISSO O ALBUM FOI PRODUZIDO POR "IAN GILLAN" DO DEEP PURPLE!! ALTO PEDIGREE PORTANTO!! LANÇARAM ESSE SEU UNICO ALBUM EM 1972 DE POUCA OU QUASE NENHUMA REPERCUSSÃO, EMBORA TENHA EXCURSIONADO MUITO POR DOIS ANOS!! O SOM DOS CARAS ERA UM HARD ROCK PROGRESSIVO COM ADIÇÃO DE SAX E FLAUTAS O QUE DEIXA O SOM COM PITADAS DE JAZZ E BLUESROCK!! TEM UM POUCO DE AUDIENCE, DEEP PURPLE, MAS O MELHOR MESMO É IMAGINAR O SOM DA BANDA URIAH HEEP ACRESCIDO DE SAXOFONE E VOCÊ TERÁ UMA IDÉIA DO QUE ERA O SOM DOS CARAS!! CERTAMENTE PELO TIME DE ESTRELAS ERA DE SE ESPERAR MAIS, MAS TRATA-SE SIM DE UM BOM DISCO!!
Co-produced by Louie Austin and Deep Purple's Jon Lord, 1972's "Sammy" offered up a competent, if slightly worn set of mid-1970s hard rock. Sammy were a short lived supergroup featuring ex-members of Audience, Quatermass, The Herd, Silverhead, Episode Six and Ginhouse. Sporting a brass driven hard rock sound, the band released their sole album in 1972 to an apathetic record buying public. Though the band toured relentlessly for two years, their efforts were not met with success and the band folded by the end of 1974. In retrospect, this was a stellar effort despite the two pointless prog interludes that are featured here. At times the band sounded a bit like Audience and there were elements of Deep Purple scattered throughout. This isn't a surprise, considering the album was produced by Ian Gillan. In fact, drummer Mick Underwood would later join Gillan's solo project for a number of years. He would also form Strapps and a revamped Quatermass in the 90's.

BAND MEMBERS- Keith Gemmell -- sax, flute (1972-73)
- Mick Hodgekinson -- vocals, keyboards (1972-73)
- Geoff Sharkey -- vocals, lead guitar (1972-73)
- Paul Simmons - bass, backing vocals (1972-73)
- Mick Underwood -- drums, percussion (1972-73)

RELATED ACTS- Audience (Keith Gemmell)
- Episode Six (Mick Underwood)
- Ian Gillan Band (Mick Underwood)
- Ginhouse (Geoff Sharkey)
- The Herd (Mick Underwood)
- Billy J. Kramer (Mick Hodgekinson)
- Quartermass (Mick Underwood)
- Raw Glory (Mick Underwood)
- Stackridge (Keith Gemmell)
- The Roy Young Band (Keith Gemmell,
Mick Hodgekinson, and Paul Simmons))

01 Give Me More 4:48
02 I Ain't Never Loved a Woman 5:05
03 Sioux-Eyed Lady 3:44
04 Boogle (Instrumental) 0:55
05 70 Days 4:15
06 Get Into a New Thing 4:29
07 Jo Anne 4:38
08 Boggled (Instrumental) 0:55
09 Who Do You Really Love 4:31
10 Lady Lover 3:50

http://www.mediafire.com/download/id8u6p1i6t33wxx/SAMMY-Venenos.rar

segunda-feira, 27 de setembro de 2010

Jesse Harper - Guitar Absolution Under the Shade of a Midnight Sun (1969 New Zealand Psych Acid Rock)

VENENASSO VINDO DA NOVA ZELANDIA ALTAMENTE RECOMENDADO!! NÃO CONSUMA COM MODERAÇÃO!!
"Durante meados dos anos sessenta, na Nova Zelândia, as principais bandas tinham exímios guitarristas. Human Instinct tinha Billy Ticket, o Underdogs e a Space Farm tinham Harvey Mann e a banda Brew tinha Doug Jerebine. Harvey Mann tinha aprendido muito de sua técnica e estilo de Doug Jerebine da banda Brew. Quando a banda Brew acabou, Doug Jerebine foi pra Inglaterra e começou a escrever e gravar com o nome de Jessie Harper. Quando a banda Human Instinct fez uma breve visita à Inglaterra, eles se encontraram com Jessie e ele deu a banda algumas de suas canções. Na verdade, sete das canções do primeiro album da Human Instict foram escritos por Jessie Harper. Que poder tinha o cara hein pessoal. Ainda na Inglaterra Jessie Harper gravou um álbum cheio de material original que foi finalmente lançado em 1992 pela Kissing Spell. O álbum foi chamado de Guitar Absolution In The Shadow Of The Midnight Sun". Harper depois disso saiu da cena musical para se juntar ao movimento Hare Krishna, mas não antes de deixar um legado musical muito legal e de excelente qualidade."

During the mid sixties in New Zealand, the leading bands all included strong lead guitarists. Human Instinct had Billy TK, Ticket had Eddie Hansen, the Underdogs had Harvey Mann and the Brew had Doug Jerebine. Harvey Mann had learned much of his technique and style from Doug Jerebine. The Underdogs and Human Instinct were good competition for each other, both fighting for the ultimate cult following. When the Brew folded, Doug went to England and began writing and recording under the name Jessie Harper. When the Human Instinct made a brief visit to England, they met up with Jessie and he provided them with a number of his songs. In fact seven of the songs on the Human Instinct's first two albums were written by Jessie Harper. While in England Jessie Harper recorded an album full of original material, and this music was finally released in 1992 by Kissing Spell. The album was called "Guitar Absolution In The Shadow Of The Midnight Sun". The cover image is "The Agony In The Garden, Studio Of El Greco, 16th Century". The first album by underground New Zealand band THE HUMAN INSTINCT included four numbers written by JESSE HARPER who released one solo album of his own. Rumour has it that JIMI HENDRIX on hearing the Jesse Harper album back at the start of the 70's offered Harper a place in his band with Hendrix offering to play bass so that Harper could take over the lead guitar role. How true this story might be is now a big unknown. Harper quit the music scene to join the Hare Krishna movement but not before leaving a musical legacy that New Zealand's Human Instinct turned into a piece of underground history.
01. Jug-a-Jug Song
02. Blues News
      http://youtu.be/rOAKrxBBdaw
03. Other Side of Time
04. Circles
05. Keep Cool
06. Midnight Sun
07. Hole in his Hand
08. Fall Down
09. Ashes and Matches
10. Love Song

http://www.megaupload.com/?d=655XHPRY

sábado, 25 de setembro de 2010

Love Sculpture - Blues Helping & Form and Feelings (1968-1969 UK Blues Rock Prog Psych)

DOIS VENENASSOS NUM FRASCO SÓ!! OS DOIS PRIMEIROS DISCOS DA BANDA DE DAVID EDMUNDS!! O PRIMEIRO, BLUES HELPING, É MAIS PROG PSYCH!! O SEGUNDO DISCO, FORM AND FEELINGS, É MAIS BLUES ROCK PSYCH!! VENENOS ALTAMENTE RECOMENDADOS!!
Love Sculpture formed in Cardiff in 1966 out of the remnants of another local band called The Human Beans, and disbanded in 1970, although Edmunds went on to enjoy solo success in the 1970s. The band itself was essentially a showpiece for Edmunds' considerable technical ability on the guitar. Love Sculpture mostly performed blues standards, slightly revved-up, but still largely reverent to the originals, releasing their debut album, Blues Helping with such songs as "Summertime", "Wang Dang Doodle" etc. They are best known for their 1968 novelty hit in the UK Singles Chart, a high speed cover version of the classical piece "Sabre Dance", by Aram Khachaturian, released on the Parlophone label (R 5744). The recording was inspired by Keith Emerson's classical rearrangements.[3] "Sabre Dance" became a hit after garnering the enthusiastic attention of British DJ John Peel.[3]

This was followed by a second album Forms and Feelings, with songs including: "In The Land of the Few", "Farandole", "People People", "Seagull" and the equally fast cover of Chuck Berry's "You Can't Catch Me". They recorded three times for BBC Radio 1's John Peel sessions in 1968 (twice) and 1969.[4] Love Sculpture split up after a U.S. tour, having recorded two albums. Edmunds shortly went on to further number one hit success with "I Hear You Knocking", and collaborated heavily with ex-Brinsley Schwarz bassist Nick Lowe, eventually forming the band Rockpile with him

Tommy Riley - drums, vocals
Dave Edmunds - guitar, keyboards, vocals
John Williams - vocals, bass, keyboards
Bob Jones - drums, vocals
Terry Williams - drums
Mickey Gee - guitar

http://www.megaupload.com/?d=0MNDBCLE

quinta-feira, 23 de setembro de 2010

JOSEPH - Stoned Age Man (1970 US Hard Psych Rock)

MAIS UM DA SÉRIE DE REPOSTAGENS "PARA ETERNIZAR O VENENO"!! ESSE VENENO NÃO DEVE EXPIRAR NUNCA!! MERECE SER ETERNIZADO AQUI NO BLOG!! UNICO DISCO E UMA RELIQUIA DE COLECIONADOR!! É UMA MESCLA DE ROCK PSICODÉLICO E HARD ROCK DE MUITA QUALIDADE!! SÓ COMO DICA: DÁ UMA ESCUTADINHA NA FAIXA 7 UMA VERSÃO DO CLÁSSICO "HOUSE OF THE RISING SUN"!! E PRESTE ATENÇÃO NA FAIXA 2 QUE É UM BELO COICE DE MULA!! UM VENENASSO MORTAL E ALTAMENTE RECOMENDADO!!
 
This is an obscure classic that lovers of blues rock should not hesitate to have in their collection. Originally released on the Scepter label in 1970 and recorded in Memphis at the legendary American Sound Studios. ..Classic Stoner (heavy fuzz) blues rock!

This is a rare album indeed and much sought after, originally released on the Scepter label (SPS 574) in 1970 and recorded in Memphis at the legendary American Sound Studios. The 'Joseph' was in fact Joseph Long or Joseph Longeria, discovered by the album's producer and A & R man Steve Tyrell playing in Houston in a battle of the blues competition. This is the only known foray into recording that Longeria made and he was a superb guitar player to boot. Stoned Age Man contains some of weirdest lyrics ever written. Check out 'I Ain't Fattenin' No More Frogs for Snakes' and the eastern 'Cold Biscuits and Fish Heads.' This is an obscure classic that lovers of blues rock should not hesitate to have in their collection... the voice you may ask... well think Roky Erickson, Jim Dandy and Beefheart....you can't really go wrong can you???? Highly Recommended!!!
1. Trick Bag
2. I AiníT Fattení No More Frogs For Snakes
3. Cold Biscuits & Fish Heads
4. Stoned Age Man
5. IíM Gonna Build A Mountain
6. Mojo Gumbo
7. House Of The Rising Sun
8. Gotta Get Away
9. Come The Sun Tomorrow

https://www.mediafire.com/?lyonbtnio0u4j9d

domingo, 19 de setembro de 2010

REPOST: Sweet Pain - Sweet Pain (1969 UK Bluesy Rock Psych)

ÚNICO ALBUM DESTA EXCELENTE BANDA DE BLUES ROCK QUE ENTRE OUTRAS ESTRELAS TINHA COMO COMPONENTES "JUNIOR DUNN" BATERISTA DO AYNSLEY DUNBAR E O SAXOFONISTA "DICK HECKSTALL-SMITH" QUE ENTRE OUTRAS BANDAS PARTICIPOU DA "GRAHAM BOND ORGANIZATION" JUNTO COM JACK BRUCE E GINGER BAKER, NA BANDA "COLOSSEUM", DA BANDA "ALEXIS KORNER BLUES INCORPORATED" E TAMBÉM NA FAMOSA BANDA "BLUESBREAKERS" DE JOHN MAYALL!! OS VOCAIS FICAM LEGAIS NA VOZ DA FÊMEA "ANNETTE BROX"!!

An all star English blues album featuring Dick-Heckstall Smith, pre COLUSSEUM, GRAHAM BOND and BLUESBREAKERS. Have 11 tracks of guitar based rough blues rock with female Annette Bronx on vocals.

Excellent bluesy playing of that time blues stars. Recommended to all fans of Colosseum and Dick Heckstall-Smith. ** Thanks site http://www.megadisc.pl/ for back cover art!!!

Annette Brox - Vocals
Stuart Cowell - Guitar
Sam Crozier - Perc, Vocals, Keyboards, Trumpet
Junior Dunn - Drums
Alan Greed - Vocals
Dick Heckstall-Smith - Sax
John O'Leary - Harmonica
Keith Tillman - Bass

01.The Steamer
02.Changin' Your Mind
03.Rubbin' And Scrapin'
04.Sick And Tired
05.The Rooster Crows At Midnight
06.Troubles' Trouble
07.Don't Break Down
08.It's A Woman's Way
09.General Smit
10.Trouble In Mind
11.Song Of The Medusa

http://www.megaupload.com/?d=IL53VOMT

REPOST: Shag - Shag (1969 US Rock Psych)

EXCELENTE BANDA AMERICANA QUE FAZIA UM HARD ROCK PSICODÉLICO CARREGADO DE GUITARRAS FUZZY, FLAUTA MUITO BEM ENCAIXADA E UM VOCAL POTENTE BEM AO ESTILO DE "GRAND FUNK RAILROAD"!! O DISCO JÁ COMEÇA COM UM PATASSO NA NUCA!! O PRIMEIRO SOM TEM UMA FLAUTA MUITO POWER E QUE LEMBRA "IAN ANDERSON" NOS BONS TEMPOS DA FLAUTA MALUCA DO JETHRO TULL!! VENENO RARÍSSIMO E ALTAMENTE RECOMENDADO!!
The band laid down a batch of excellent psychedelic tracks loaded with heavy fuzz guitar and these recordings have remained hidden until now. Shag's use of the flute was similar to Jethro Tull whilst the heavy guitar work and powerful vocals recalls early Grand Funk.

This Milwaukee band is remembered for its 1967 psych 7" "Stop & listen". what is not known about them is their 1969 studio recordings in San Francisco. The band layed down some excellent psychedelic tracks at the time the Grateful Dead were finishing their "Workingman's dead".

These recordings have never been released before and their use of the flute was similar to Jethro Tull's popularisation of this instrument. Recorded in 1969 at the same studio the Grateful Dead were laying down their classic "Workingman's Dead" LP. This Wisconsin band had a minor hit with "Stop & Listen" in 1967. Great late 60's Psych with a tasteful assortment of flute, fuzz guitar, and organ!!

01. Gypsies In The Forest - 3.06
02. Mad Hatter - 2.58
03. Riddle - 2.47
04. Anyone´s Song - 2.46
05. Cold Duck Wino - 6.17
06. Lavendar Tab, Ooh Dilly Dilly - 7.26
07. Lovely Lady - 4.08

http://www.megaupload.com/?d=QLL07ZCX

sexta-feira, 17 de setembro de 2010

Phil Sawyer - Childhood's End (1971 Australian Psych Folk Rock)

VENENO RARÍSSIMO E PSICODÉLICO DE PHIL SAWYER QUE TEM PEDIGREE MUSICAL!! O CARA ERA DA "LES FLEUR DE LYS", "SHOTGUN EXPRESS" E DA "SPENCER DAVIS GROUP"!! O SOM DO CARA NESSE SEU UNICO LP É UMA MISTURA DE PSICODELIA COM FOLK ROCK REGADO A MELODIAS DE MUITA QUALIDADE!!

A magical discovery from the down-under '70s psychedelic scene, Phil Sawyer's 1971 album Childhood's End, originally released in Australia on the Sweet Peach label, remains pretty unknown to most collectors. This is a wonderful album that will please anyone into psychedelia, rock and folk. Totally electric, great production, great songwriting -- and the warm, uneducated voice of Phil himself gives a slightly looser feel to it at times. The album contains some fantastic mid-tempo psychedelic folk-rock ballads, and the title track is an incredible slice of pure psychedelia, with lots of tasty psychedelic sound effects. The original is a very rare and collectable item (Hans Pokora gives it a 5-disc rating). This first-ever reissue is licensed from the original label and the sound is taken from the master tapes. (http://www.forcedexposure.com)

** Capa do LP não foi escaneado por mim, mas retirado da internet!!
** The cover was not scanned by me, but it is the internet!!

•September woman
•Nightbirds
•The other side of silence
•Childhood's end
•Where did everybody go
•Electric children
•The chase
•Stranger in the street
•Letters to Seraphina.

http://www.megaupload.com/?d=FV5OXEKL

quarta-feira, 15 de setembro de 2010

REPOST: The Beat Of The Earth - Same (1967 US Psych Prog Acid Rock)

MEU AMIGOS ENVENENADOS: QUE SOM CHAPANTE!! É VIAGEM PROFUNDA!! DEEP TRIP!! BANDA AMERICANA QUE FAZIA UM SOM COM FAIXAS LONGAS, EXTREMAMENTE TRABALHADAS E COM EXPERIMENTALISMOS ALTAMENTE ACIDOS E PSICODÉLICOS!! UMA VERDADEIRA INOVAÇÃO MUSICAL É QUE SE HOUVE NESTE DISCO!! COLOQUE O DISCO, SENTE NUM SOFÁ CONFORTÁVEL, SIRVA O VINHO E FIQUE VIAJANDO POR CERCA DE 40 MINUTOS TOTALMENTE FORA DO PLANETA!! "PHIL PEARLMAN" DEPOIS FORMOU OUTRA ÓTIMA BANDA CHAMADA "RELATIVELY CLEAN RIVERS", CUJA POSTAGEM ESTÁ LOGO ABAIXO!! VENENO PURO E COM EFEITOS COLATERAIS ALUCINANTES!! ALTAMENTE RECOMENDÁVEL PRA QUEM GOSTA DE LONGAS SUÍTES PSICODELICAS!!

"The music was free-form, original, and unrehearsable, since it was all spontaneous. I remarked to Phil that it was the steady thrum one experienced when you went to a Love-In. All these small groups of musicians playing guitars, tambourines, flutes, auto-harps, bongos, anything that made sound, all simultaneously, created a type of orderly orchestral sound. The combined beats were primitive, primal, the beat of the earth..."
The Beat Of The Earth: "Phil Pearlman, whose Relatively Clean Rivers album has received universal acclaim, assembled Beat Of The Earth in 1967 with this, their first, eponymous album, appearing on the Radish label (AS0001) in the same year. BOTE is often compared with their illustrious East coast counterparts, The Velvet Underground, an apt comparison given the Velvet's penchant for long, unstructured jams using a myriad assortment of acoustic and electronic instruments. This is the earliest incarnation of the band, and the one that is most familiar to collectors fortunate enough to own a copy of this incredibly rare album. The album consists of a single track per side, and this, the band's recording debut, is considered an unusual and singular item of significance from the California '60s alternative rock scene. Although guitarist Pearlman managed to keep Beat Of The Earth together for much of the remainder of the '60s, it is fair to say that no more "proper" recordings were made, although Pearlman continued to add to his personal collection of studio recordings, drafting in new musicians for impromptu after-hours recording sessions arranged at short notice. Another fascinating psych album from a true musical innovator.

Members:
Phil Pearlman, Karen Darby, Ron Collins, J.R. Nichols, Phil Phillips, Sherry Phillips

Tracks:
01. This Is An Artistic Statement 1 - 21:01
02. This Is An Artistic Statement 2 - 20:56

http://www.megaupload.com/?d=490I55WB

terça-feira, 14 de setembro de 2010

REPOST: Relatively Clean Rivers - Same (1975 US West Coast Psych)

RARIDADE E UMA EXCELENTE BANDA TÍPICA "WEST COAST" AMERICANA COM UM SOM DE HARMONIA INCOMPARÁVEL!! SOLOS DE GUITARRA ACUSTICA PERFEITAS, FLUTAS E UM VOCAL TRANQUILO E SEM ESFORÇO, FAZEM DESTE DISCO UMA PEÇA, ALÉM DE RARA, ABSOLUTAMENTE BRILHANTE!! O ALBUM DOS CARAS TINHA A PRODUÇÃO DE NEIL YOUNG E O LIDER DA BANDA ERA PHIL PEARLMAN QUE ANTES JÁ TINHA FUNDADO A PIRADEX BANDA BEAT OF THE EART!! O ALBUM ORIGINAL GANHOU EM 1975 UMA PRENSAGEM DE APENAS 500 EXEMPLARES E MUSICAS DE ALTA QUALIDADE!! ALTAMENTE RECOMENDADO!!

I was introduced to this record after getting into one of Phil Pearlman's other bands, Beat of the Earth, and the great record label, Radioactive Records. Absolutely brilliant west coast rock, with a slick mid 70's Neil Young like production. This should be a great album for everyone to dig this summer. Love! First ever reissue. Former "Beat Of The Earth" leader Phil Pearlman assembled Relatively Clean Rivers in the early '70s and eventually recorded this excellent rural rock album in 1975.

Although it should be easy to pigeonhole the sound of Relatively Clean Rivers, it is actually anything but. At times sounding like The Grateful Dead in all their American Beauty pomp, or CSNY circa Déjà Vu, this tight, richly talented ensemble produces an album of almost majestic quality. The sound is superb, and clearly no time or expense were spared to produce an album which is probably the most flawless snapshot of Californian '70s under ground music that you will ever here.

Originally there were 2 pressings of this unique album, each of only 500 copies each, and this is the first time that this, or any of Pearlman's other recordings has been reissued. An album highly recommended to anyone even remotely interested in '70s West Coast music or simply top-notch music in general. (Forced-Exposure)
Phil Pearlman: guitar, bass, vocals, flute, harmonica and synthesizer
Kurt Baker: guitar, vocals
Dwight Morouse: drums, effects

01. Easy ride
02. Journey through the valley of O
03. Babylon
04. Last flight to Eden
05. Prelude
06. Hello sunshine
07. They knew what to say
08. The persian caravan
09. A thousand years

http://www.megaupload.com/?d=5S12HQ90

domingo, 12 de setembro de 2010

Krokodil - Swamp (1970 Swiss Rock Psych)

SEGUE A SEQUENCIA DE REPOSTAGENS DOS VENENOS EXTRAÍDOS DE UM CROCODILO MALUCO!! VENENASSO!!
Compared to the band's debut album, "Swamp" presents a less blues orientated sound. This time the Swiss KROKODILes put much more emphasis on virtuosity. Thus Hardy Hepp's violin and far-eastern sitar sounds gained more importance. The timeless melodic writing also brought a different kind of appeal. A great artistic development for the band without ever drifting into the mellow waters of pop clichés! All recordings are digitally re-mastered,
and in addition there a two unreleased tracks and a rare soundtrack title as a bonus.
- Walty Anselmo / bass, sitar, vocals
- Dude Durst / percussion, drums
- Veit Feiden / keyboards, vocals (backing vocals)
- Herdy Hepp / violin, keyboards
- Rainer Marz / guitar
- Terry Stevens / bass, guitar, vocals
- Mojo Weideli / flute, harmonica

01. Get Your Personality Together
02. Light Of Day
03. Sunlights Beautiful Daughter
04. Tell Me What You Want (Tell Tale)
05. Blue Flashing Circle
06. Snow White And Blue
07. Human Bondage
08. Gipsy Man - Bonus Track
09. That's What I Do - Bonus Track
10. Stehaufmadchen (Trailer) - Bonus Track

https://www.mediafire.com/?xqvzaywe8adv88j

Krokodil - Sweat And Swim (1973 Swiss Prog Rock Psych)

BANDA SUÍÇA E UMA DAS MINHAS FAVORITAS!! É VENENO FORTE PARA VIAJAR NO COSMOS SEM PRECISAR DE GASOLINA!! MAIS UM EXCELENTE DISCO DA BANDA KROKODIL!! ESTE É O DISCO MAIS RARO DOS CARAS!! QUANTO A QUALIDADE NÃO TEM MUITO O QUE FALAR, POIS TODOS OS ALBUNS SÃO EXCELENTES!!

GREAT AND RARE ALBUM!!
Krokodil was a Swiss band that emerged in the late 60’s as a blues-rock band that put progressive touches into their music. Krokodil was a Swiss band that emerged in the late 60’s as a blues-rock band that put progressive touches into their music.
- Walty Anselmo / bass, sitar, vocals
- Dude Durst / percussion, drums
- Veit Feiden / keyboards, vocals (backing vocals)
- Herdy Hepp / violin, keyboards
- Rainer Marz / guitar
- Terry Stevens / bass, guitar, vocals
- Mojo Weideli / flute, harmonica

01. Talking World War 3 Blues
       http://youtu.be/yHsHObRF87g
02. All I Ever Wanted
03. Daybreak
04. Skylab
05. Two To Twelf
06. That's All Right, Mama
07. Linger
08. Little Girl
09. Billy Dee
10. There You Stand Entangled

https://www.mediafire.com/?wlfv6tcag2dje4t

sábado, 11 de setembro de 2010

C.K. Strong - C.K. Strong (1969 US Hard Blues Psych)

LP EXTREMAMENTE RARO DESSA ÓTIMA BANDA ROCK BLUES PSICODÉLICA!! O VOCAL MARAVILHOSO ERA COMANDADO PELA BELA FÊMEA "LINN CAREY", AQUELA MESMA DA BANDA MAMA LION!! VENENO RARÍSSIMO E RECOMENDADO!!

Rare album!! Great Hard Blues Psych with wonderful voice of Lynn Carey (Mama Lion)!!

Lynn Carey (vocals)
Jeff Kewley (guitar, vocals)
Geoff Westen (guitar, vocals)
Chris Brooks (bass, vocals)
Ron Grinel (drums)

01. Stormbird
02. Baby Let Me Out
03. Affairs
04. Trilogy:
(John the Baptist - Rain - Lazy Down Blues)
05. Been So Long
06. Mean Hearted Man
07. Rolling Down the Highway
08. Daddy

http://www.megaupload.com/?d=P3F64VP1

REQUEST: Big Brother And The Holding Company - How Hard It Is (1971 US Rock Prog Psych)

SABE AQUELA BANDA DA JANIS JOPLIN!! POIS É, SÃO ELES MESMOS!! JANIS SE FOI, MAS OS CARAS CONTINUARAM FAZENDO DISCOS SEM ELA!! INCLUSIVE COLOCARAM NESTE ALBUM UM VOCAL FEMININO MUITO PODEROSO DE “LISA BATTLE”, COMO É O CASO DA FAIXA 4 QUE É UMA BALADA MUITO LOUCA EM QUE O VOCAL DE LISA CASOU PERFEITO!! TEM BLUES, ROCK N' ROLL NUM DISCO BEM EQUILIBRADO!! BOM VENENO!!

01. How Hard It Is 4:21
02. You've Been Talkin' Bout Me, Baby 3:27
03. House on Fire 3:56
04. Black Widow Spider 3:32
05. Last Band on Side One 1:57
06. Nu Boogaloo Jam 3:24
07. Maui 3:26
08. Shine On 5:25
09. Buried Alive in the Blues 3:59
10. Promise Her Anything But Give Her Arpeggio 3:55

http://www.megaupload.com/?d=PYGMO3AK

sexta-feira, 10 de setembro de 2010

REQUEST: Dharma Blues Band - Dharma Blues (1969 Blues Rock)

ALBUM EXTREMAMENTE RARO DE UMA BANDA QUE FAZIA UM BLUES MUITO LEGAL COM NÍTIDAS INFLUÊNCIAS DE SONNY TERRY E BROWNIE McGHEE, DOIS DOS MAIORES GAITISTAS AMERICANOS!! VENENO BLUES ALTAMENTE RARO E RECOMENDADO!!

Details:
"Lang is still firmly rooted in the 60s/70's John Fahey/Leo Kottke blues/folk/Americana styling that he helped pioneer, and it's certainly refreshing to hear it being played this well by one of the old masters . . . Let's hope it doesn't take Lang another 20 years to produce a follow-up" DIRTY LINEN, May 2003 PETER LANG was discovered and recorded in 1972 by the legendary guitarist John Fahey who signed Lang to his own label, Takoma Records. Fahey launched the careers of other notable artists on Takoma, including Leo Kottke, George Winston, Robbie Basho, Bola Sete and others. Peter Lang toured, recorded and performed for nearly ten years, developing a reputation as one of the nations top acoustic players. In the 70's he was in good company, having recorded or performed with Ry Cooder, John Fahey, Jerry Garcia, Chet Atkins, John Hartford, The Nitty Gritty Dirt Band, Emmylou Harris, Leo Kottke, Freddie King, The Paul Butterfield Blues Band, John Hammond, Keith Jarrett, Phoebe Snow, Maria Muldaur, The Yellowjackets, Robben Ford, and many others. Long considered one of America's premier finger-style guitarists, Lang returned to music after a 20 year hiatus from recording and performing with his critically acclaimed album DHARMA BLUES, in 2001. During his separation from writing and recording, Lang managed an Animation Studio and produced films and commercials. His vocation allowed him to continue to use his talents producing national spots for companies including MTV, COKE, HERSHEY'S, TIME, TARGET. Lang's credits include: * Seven record albums (including one with Leo Kottke and John Fahey). * Grammy Nomination, 1976 (Lycurgus) * Guitar Player Magazine 1974 -
Readers Poll, " Best New Guitarist" category * Minnesota Music Awards, "Best Guitarist" 1981, 1982, 1988 * Co-author of the book 20th Century Masters of Finger-Style Guitar,1982, Stropes Editions, Ltd.

Jewels Mike King (piano)
John Hillary (vocals, guitar)
Gary Compton (harmonica, bones)

01. I Thought I Heard That Train Whistle Blow 3:45
02. How Long Blues 3:00
03. Diving Duck Blues 3:42
04. Big Road Blues 3:35
05. Bring It On Home 3:04
06. Boogie For Pete 4:12
07. Chicago Calling 4:17
08. Good Morning (Little Schoolgirl) 2:52
09. Viola Lee Blues 2:54
10. Mopper's Blues 3:07
11. Going Down Slow 3:57
12. Baby Please Don't Go 2:54

http://www.megaupload.com/?d=MZNHIG5L

terça-feira, 7 de setembro de 2010

REPOST: Mckenna Mendelson Blues - Same (1968 Canadian Blues Rock)

REPOSTAGEM ATENDENDO PEDIDO DE MINHA QUERIDA AMIGA MEL MENDES LÁ DO RIO DE JANEIRO!! UM ABRAÇO AMIGA E CONSUMA SEM MODERAÇÃO ESSE VENENO!! BLUES DA MELHOR ESPÉCIE!! BLUES COM FORÇA E O QUE CHAMO DE "POWER BLUES!! VOCAL RASGADO E POTENTE, SONORIDADE TREPIDANTE E UMA HARMÔNICA E GUITARRA SLIDE MUITO PODEROSAS!! PRA INICIAR CURTA A ENERGIA EXALADA DOS VOCAIS NA FAIXA "RAMBLIN ON MY MIND"!! DEPOIS SINTAM A PROFUNDIDADE DO BUES NA VEIA EM "BAD WOMEN ARE KILLING ME"!! O RESTANTE DO DISCO É ADRENALINA PURA!! UM PATAÇO DIRETO NA TESTA!! EXCELENTE VENENO E ALTAMENTE RECOMENDADO AOS AMANTES DO BLUES POWER!!
BeginningsMuch of McKenna Mendelson Mainline (MMM; see disambiguation at MMM)'s uniqueness stemmed from the originality of their approach to the blues genre. In the summer of 1968, Toronto, Canada blues guitarist Mike McKenna (born April 15, 1946 in Toronto), formerly of Luke & The Apostles, placed an ad in The Toronto Star in May 1968 seeking musicians for a new project. In replying to the ad, acoustic blues artist Joe Mendelson (born July 30, 1944 in Toronto) suggested to McKenna that the idea of searching for blues musicians through the want ad milieu was an exercise in naïveté. Nevertheless, the two worked well creatively and the basis of McKenna Mendelson Mainline's dynasty was formed.

Original band members
Former The Paupers bassist Denny Gerrard (born February 27, 1948 in Scarborough, Ontario) was invited to join, and The Spassicks' Tony Nolasco (born July 9, 1950 in Sudbury, Ontario) completed the quartet on drums. The band debuted at the Night Owl club in Toronto's Yorkville Village from August 5–10 and the following month recorded demos which later became the basis of a bootleg album, McKenna Mendelson Blues. Gerrard left the band in early October (immediately after a show at Massey Hall supporting The Fugs) because of artistic differences and was replaced by Mike Harrison (born November 1, 1948 in Brampton, Ontario), bassist from popular Canadian R&B band Grant Smith & The Power. What came to be known as "the original line up" was now in place. In November 1968, MMM opened for The Jeff Beck Group at the Grande Ballroom in Detroit, USA, and garnered several standing ovations. The die was cast.

Early success in the UKIn December 1968, MMM reversed the trend of English bands coming to North America, and proceeded to England to gig and hopefully to pursue a major record deal. The band hit the stage almost immediately, their first show being at the Utrecht Pop Festival on December 27/28, 1968, filling a prime timeslot just vacated by Jimi Hendrix and his duo (Noel Redding and Mitch Mitchell). MMM started soon thereafter gigging on an English club circuit which included such notables as The Bonzo Dog Doo-Dah Band, Family (band), The Keef Hartley Band, Gun, and the newly-formed Led Zeppelin. After several false starts, they signed with Liberty/United Artists in the spring of 1969, and in April recorded their best-selling album Stink.

Back to Canada
Homesickness, dissension in the ranks, and the vagaries of youth facilitated a return to Canada in June 1969. Shortly after the July release of Stink, Allied Records released the demos recorded in September 1968 as McKenna Mendelson Blues. MMM thus became Canada's first "major label" act to be the victim of a bootlegged album. However, while in Europe and England selections from the Stink album appeared on various blues samplers and compilations. Following the success of Stink, MMM / Mainline had three subsequent releases of note - "Our Home and Native Land", "The Mainline Bump and Grind Review - Live at the Victory" (a well known, somewhat risqué Toronto burlesque theatre), and "No Substitutes". Following the release of "No Substitutes", Mainline disbanded and McKenna and Mendelson never played together again.

Mainline Today
The Mainline reunion of the late 1990s gave rise to their best known "recent" gig at Toronto's El Mocambo Tavern, which closed its doors for the last time in November 2001. A reformed Mainline, without Mendelson, but with Mike McKenna (guitar, slide guitar, vocals), Tony Nolasco (drums, lead vocals), Mike Harrison (bass, vocals), Ted Purdy (acoustic guitar, vocals) and Bob Adams (harmonica) played to a sold-out crowd on the Elmo's. A CD, Last Show @the Elmo, was subsequently released, and is available from Bullseye Records.


01 - Drive You - 3.03
02 - Ramblin´ On My Mind - 3.42
03 - Toilet Bowl Blues - 2.04
04 - Bad Woman Are Killing Me - 11.23
05 - Pretty Woman - 3.39
06 - Born Under Bad Sign - 5.55
07 - Help Me - 10.27

https://www.mediafire.com/?8ihabzw227q69m4

Johnny Jenkins - Ton-Ton Macoute! (1970 US Blues Soul R&B)

UM BOM E INTERESSANTE VENENO!! JOHNNY JENKINS E SEU LENDÁRIO ALBUM ONDE REUNIU UMA BANDA COM ALGUNS DOS MELHORES MUSICOS DA ÉPOCA, CUJO GRANDE DESTAQUE ERA O GUITARRISTA E VOCALISTA "DUANE ALLMAN"!! DAS DEZENAS DE ALBUNS QUE DUANE ALLMAN PARTICIPOU EM SESSÕES COMO GIOTARRISTA ESTE ESTÁ VERTAMENTE ENTRE OS MELHORES!! O CARA DETONA NA GUITARRA SLIDE, ELÉTRICA E ACÚSTICA!! A SONORIDADE PASSEIA ENTRE O BLUES, FUNK, SOUL E SOUTHERN ROCK!! VALE LEMBRAR QUE JOHNNY JENKINS INFLUENCIOU GRANDES NOMES DA MUSICA COMO OTIS REDDING, JIMI HENDRIX E ALLMAN BROTHERS BAND!! VENENO RECOMENDADO!!

Ton-Ton Macoute foi originalmente gravado em 1969-70 e é re-lançado em CD com duas faixas inéditas - "I Don't Want No Woman" e "My Love Will Never Die". N verdade o CD foi lançado originalmente como um disco solo de Duane Allman. Mas Duane, obviamente, preferiu concentrar sua energia no recém-formado Allman Brothers Band e o resto, como dizem, é história. Só por curiosidade: Ton-Ton Macoute no folclore haitiano significa uma figura mítica que assombra as crianças que não obedecem a seus pais. O título parece dar o tom do CD e enquadra-se bem para as letras das canções "Gilded Splinters" que é uma versão da musica de Dr. John, "Blind Bats & Swamp Rats" e "Voodoo In You". Além disso, enquanto Duane optou por não considerar este como um projeto solo , ele aparece em seis das 11 músicas tocando sua slide guitar e double guitar. Os vocais são tratados com competência por Johnny Jenkins, e ele e Duane estão unidos no disco por Butch Trucks na bateria, Paul Hornsby no piano, entre outros grandes nomes.

Johnny Jenkins legendary "swamp blues" style, combined with a back up band of some of the best musicians ever assembled - Duane Allman - guitar & vocals, Berry Oakley - bass, Jaimoe - timbales, Paul Hornsby - piano and rhythm guitar, Johnny Sandlin - drums. Duane's acoustic slide guitar on "Rolling Stone" and "Down Along the Cove" is out of this world! Anyone who enjoys Duane Allman's guitar work or just some riveting blues, you will no doubt enjoy "Ton-Ton Macoute"!

Personnel: Johnny Jenkins (vocals, guitar, harmonica); Ella Brown, Southern Comfort (vocals, background vocals); Pete Carr (guitar, acoustic guitar, electric guitar); Duane Allman (guitar, slide guitar, dobro); Paul Hornsby (guitar, piano, Wurlitzer organ, keyboards); Jim Nalls (guitar); Johnny Sandlin, Butch Trucks (drums); Eddie Hinton (cowbells, percussion); Robert Popwell (shaker, timbales, wood block); Johnny Wyker (shaker, wood block, percussion); Jaimoe Johnson (timbales, percussion); Tippy Armstrong (percussion).

01.I Walk on Gilded Splinters
02.Leaving Trunk
03.Blind Bats & Swamp Rats
04.Rolling Stone
05.Sick and Tired
06.Down Along the Cove
07.Bad News
08.Dimples
09.Voodoo in You
10.I Don't Want No Woman
11.My Love Will Never Die

http://www.megaupload.com/?d=PTA5TXF2

domingo, 5 de setembro de 2010

Black Wednesday - Black Wednesday (1979 Germany Prog Hard Rock Psych)

ALTÍSSIMA RARIDADE!!
HIGH RARITY!!
VENENASSO ALEMÃO E UM ALBUM COM EDIÇÃO PRIVADA!!
HARD, PROG, PSYCH E MOMENTOS DE TRANQUILIDADE MUSICAL FAZEM DESSE ALBUM UMA OBRA DO KRAUTROCK ALEMÃO!! POUCA OU NADA DE INFORMAÇÃO SOBRE A BANDA, POIS A RIPAGEM É DE VINIL E NELE NADA DE INFORMAÇÕES!! FUI PROCURAR NA NET ALGO SOBRE A BANDA MAS POUCO ACHEI PRA ACRESCENTAR!! MAS SE NÃO TEM A INFORMAÇÃO AO MENOS TEM O SOM, POR ISSO, ACHEI IMPORTANTE POSTAR ESSE LP PROS ENVENENADOS CONHECEREM MAIS UMA OBRA DOS ALEMÃES MALUCOS DOS ANOS SETENTA!! ÊTA ALEMOADA QUE PRODUZIU MUITO NOS ANOS SETENTA HEIN!! VENENO ALTAMENTE RECOMENDADO!!

GERMAN POISON AND AN ALBUM WITH PRIVATE EDITION!! HARD, PROG, PSYCH AND MUSICAL MOMENTS OF TRANQUILITY MAKE SUCH A MASTERPIECE LP KRAUTROCK THE GERMAN!! LITTLE OR NOTHING FOR INFORMATION ON THE BAND BECAUSE RIPPING VINYL IS NOTHING IN IT AND INFORMATION!! SEARCH THE NET WAS SOMETHING ABOUT THE BAND BUT FOUND LITTLE PRA ADD!! BUT IF YOU DO NOT HAVE THE INFORMATION HAS SOUND, THEREFORE FOUND IMPORTANT POST FOR THIS LP POISONING DISCOVERED A WORK OF GERMAN FREAKS OF SEVENTY YEARS!! POISON HIGHLY RECOMMENDED!!

Michael Scholz: guitar,vocals
Wolfgang Ober: guitar,vocals
Wolfgang Heidenmeyer: bass,vocals
Wolfgang Scholz: drums

1.Skylab
2.Sittin' By A Pillow
3.Sounds From The Basement
4.Funky Nice
5.Loch Ness
6.Can't Get Along
7.I Got To Go
8.Why Not
9.My Strongest Love

https://www.mediafire.com/?ge65d71m4xb445z

Space Farm - Space Farm (1972 New Zealand Hard Blues Rock)

E AQUI ESTÁ A CONTINUAÇÃO DA BANDA THE UNDERDOGS QUE FOI POSTADA LOGO ABAIXO!! APESAR DE SER ÓTIMO VENENO NÃO É TÃO PODEROSO QUANTO O ALBUM DA UNDERDOGS, MAS MESMO ASSIM MANTÉM A QUALIDADE MUSICAL E CONTINUA SENDO UM VENENO RECOMENDADO!!

In February 1971, when the Underdogs, whom at that time consisted of Harvey Mann, Glen Absolum and Neil Edwards, released their "Wasting My Time" album, and it failed to sell in great numbers, Neil Edwards decided to leave the group and join Human Instinct. Harvey and Glen added a new bass guitarist, Billy Williams, and to beef up the sound, Bob Gillett was added on saxophone. Also required was a new name, so they became the Australasian Rock Squad. Bob Gillett had been playing with Breeze prior to joining. Billy Williams came from Classic Affair.

In September 1971, Bob Gillett decided to become a part-time member of the group, so they rechristened themselves Space Farm. Space Farm only recorded one album for Zodiac. It was self-titled and released in 1972. This album was re-issued on the Little Wing label in 1989 under the name "Going Back To Eternity". The album was largely ignored by the public, but Space Farm continued to pull crowds and they remained at the forefront of the underground movement until their demise in 1973. Towards the end of the band, there had been drastic changes within. Harvey began to forego drugs and alcohol and these changes were reflected in his song writing and performances. After the group ended, Harvey took a sabbatical and when he returned to the scene it was as a member of the Krishna faith. He later joined Living Force with Glen. Billy Williams joined Ticket and Blerta before heading to Australia and great success in a number of Australian groups. In 2000 Ascension Records released their original album on CD. (New Zealand Music)

1. Space Farm - 3:14
2. Homeward Bound - 3:54
3. Infinity Way - 3:22
4. Waking Dream - 3:36
5. On The Loose - 3:09
6. Flying - 4:21
7. Gypsy Queen - 6:19
8. Wheel - 4:11
9. Lover Not A Dancer - 3:33

- Glen Absolum - Drums
- Harvey Mann - Guitar
- Billy Williams - Bass
- Bob Gillette - Saxophone

http://www.megaupload.com/?d=2YKXISSX

quinta-feira, 2 de setembro de 2010

REPOST: Hallelujah - Hallelujah Babe (1971 German Psych Prog Rock)

ALTA RARIDADE!! HIGH RARITY!!OBSCURA E RARA BANDA QUE NA VERDADE ERA UM DUO ANGLO-ALEMÃO, POIS OS CARAS FUGIRAM PRA INGLATERRA PARA GRAVAR O DISCO, MAS ESTRANHAMENTE O ALBUM SÓ TEVE SUCESSO MESMO NA ALEMANHA E POR ISSO HOJE É CONSIDERADA UMA BANDA ALEMÃ!! OS CARAS FAZIAM UM SOM QUE MISTURA PSICODELIA, PROGRESSIVO E, PELOS SEUS TOQUES FOLKS, PERCEBE-SE UMA PEQUENA INFLUÊNCIA DO PINK FLOYD DA ERA SYD BARRETT!! "PAUL VINCENT" E "KEITH FORSEY" ERAM FIGURAS BEM CONHECIDAS DA CENA PSICODÉLICA E DO ROCK UNDERGROUND DE MUNIQUE!! Já E OS INGLESES NATIVOS "RICK KEMP" E "PETE WOOD" ERAM MUSICOS TOP DA CENA MUSICAL INGLESA!! VENENO RARÍSSIMO E RECOMENDADO!!
Hallelujah were in fact an Anglo-German duo, split off from Doldinger's Motherhood. They absconded to England to make their album, and sought the aid of much travelled top session-musicians Rick Kemp and Pete Wood. Incidentally, Pete Wood had somewhat of a global career in subsequent years with Al Stewart ('Year Of The Cat'). And good, old Rick Kemp had heads turning, at least in the British Isles with his group, "Steeleye Span". But, strangely the album only gained release in Germany! Adventurous and creative, though quite wordy in the song department, Hallelujah's influences were wide: a touch of the Beatles' "A Day In A Life", a hint of Wonderland, and lots of Pink Floyd folky Roger Waters influence -- an accessible blend of progressive and psychedelic styles.

* Paul Vincent - guitars, vocals
* Keith Forsey - drums, vocals
* Pete "Funk" Wood - keyboards
* Rick Kemp - bass

01. Hallelujah
02. Signs Of Strange
03. Z. i. p.
04. The Winter Song
05. English Rain
06. Mini Funk
07. Waterloo
08. Friend
09. Ode To A Little Knight

https://www.mediafire.com/?f5pasilcaym8yab

quarta-feira, 1 de setembro de 2010

Hanuman - Hanuman (1971 German Prog Jazz Rock)

HANUMAN FOI UMA BANDA ALEMÃ FORMADA PELO FLAUTISTA, SAXOFONISTA E VOCALISTA PETER BARTH E QUE TINHA ENTRE SEUS COMPONENTES O TECLADISTA WOLF-RUDIGER UHLIG QUE DEPOIS VIRIA A FORMAR A BOA BANDA "MURPHY BLEND"!! A BANDA FAZIA UM BOM PROGRESSIVO JAZZ-ROCK COM UMA FLAUTA AGRADÁVEL, SOLOS FURIOSOS DE SAX E ORGAN HAMMOND, VOCAL EM ALEMÃO E LONGAS SUITES INSTRUMENTAIS!! QUANDO WOLF-RUDIGER UHLIG FOI PARA A MURPHY BLEND ELE FOI SUBSTITUIDO POR RALF SCHULTZE E COM ISSO MUDARAM O NOME DA BANDA PARA "LIED DES TEUFEL" QUE É EXATAMENTE O NOME DA FAIXA 3 DO ALBUM DA HANUMAN!! ÓTIMO E RARO VENENO ALEMÃO!! MUITO RECOMENDADO PRA QUEM GOSTA DO ESTILO!!
Progarchives: Early 70's krautrock band from Berlin, Hanuman was formed by Peter Barth (flute, sax, vocals), Jörg Hahnfeld (bass), Thomas Holm (drums) and Wolf-Rüdiger Uhlig (organ, piano, vocals). In 1972 the band will change the name to Lied des Teufels. Rüdiger Uhlig will join the legendary heavy progressive rock band Murphy Blend. The band released an unique album in 1971, largely made of extravagant, colourful, tastefull hybrid rockin' compositions with discreet influences from Van Der Graaf Generator.
The Crack In The Cosmic Egg: Berlin band formed by Murphy Blend organist Wolf-Rüdiger Uhlig in May 1971 at a festival in Munich, along with a trio of jazz and blues musicians. Hanuman took the Murphy Blend sound, sans the classical style, hinting at Out Of Focus, but more lyrical and offbeat. The odd German vocals can be off-putting to non-Germans! Without Uhlig, Hanuman transmuted into Lied Des Teufels. Wolf-Rüdiger Uhlig (organ, piano, vocals), Peter Barth (flute, alto sax, vocals), Jörg Hahnfeld (bass), Thomas Holm (drums)
My Favourite Records: First period of this rare Kraut-rock group from Berlin was named Hanuman and between the members played Wolf-Rüdiger Uhlig, keyboard player from next famous Kraut-rock group from Berlin, Murphy Blend. In 1972, when Uhlig was replaced with guitar player & singer Ralf Schultze, they renamed their name to Lied Des Teufels (Song For Devil), what was a name of one short track from Hanuman LP. Music of both groups is very good, with a nice flute & sax solos and with long instrumental places. In Hanuman they used most of Uhlig's keyboards, but Lied Des Teufel was guitar orientated. They sang in german language.

01 - Schädelstätten 10:42
02 - Machtwechsel 09:41
03 - Lied des Teufels 03:13
04 - Taue der Fremdheit 03:48
05 - Sonnenaufgang 11:28

https://www.mediafire.com/?qd8n1l8dl9rw41l

REPOST: The Moving Sidewalks - Flash (1968 US Rock Blues Psych)

SABE AQUELE BARBUDO EXTRAVAGANTE DA BANDA "ZZ TOP"? POIS É ELE QUE TÁ AQUI NESTA BANDA CHAMADA MOVING SIDEWALKS!! ANTES DE ESTOURAR COMERCIALMENTE COM O ZZ TOP O GUITARRISTA BILLY GIBBONS COMANDAVA ESTA EXCELENTE BANDA DE ROCK PROG PSYCH QUE FAZIA UM SOM DE PRIMEIRA QUALIDADE!! BILLY GIBBONS COMEÇOU A PIRAR A CABEÇA DEPOIS DE ESCUTAR O SOM DA BANDA "13th FLOOR ELEVATORS" E FOI ISSO QUE FÊZ ELE CORRER ATRÁS DE UMA BANDA QUE TIVESSE O MESMO ESTILO QUANDO ACHOU A BANDA "THE COACHMEN" QUE PRECISAVA DE UM GUITARRISTA!! NÃO DEMOROU MUITO PRA QUE GIBBONS TOMASSE CONTA DA BANDA E MUDASSE O NOME PARA "THE MOVING SIDEWALKS"!!

A BANDA ERA FORMADA POR TOM MOORE NO ÓRGÃO, DON SUMMERS NO BAIXO E DAN MITCHELL NA BATERIA, ALÉM DE GIBBONS NA GUITARRA!! OS CARAS FAZIAM UM SOM QUE BEIRAVA ENTRE O ROCK E O BLUES GARAGEIRO!! O MAIOR DESTAQUE DA BANDA FOI QUANDO ABRIRAM DIVERSOS SHOWS DO "THE JIMI HENDRIX EXPERIENCE" NA PRIMEIRA TOUR AMERICANA DA BANDA!! JIMI HENDRIX À ÉPOCA CHEGOU A DECLARAR QUE OS CARAS ERAM A SUA BANDA DE GARAGEM PREFERIDA!! PRESTEM ATENÇÃO NO COVER DE "I WANT TO HOLD YOUR HAND" DOS BEATLES, CUJA VERSÃO SAIU SUJA, CHAPADA E ARRASTADA!! TOTALMENTE INFLUENCIADO PELO BLUES LISÉRGICO DE JIMI HENDRIX ELES LANÇARAM ESTE SEU PRIMEIRO E ÚNICO DISCO CHAMADO FLASH!!

ESTE ALBUM É COM 5 BONUS TRACKS, DIFERENTE DE OUTROS QUE RODAM PELA NET, O QUE É IMPORTANTE PORQUE NA VERDADE SÃO CANÇÕES DOS COMPACTOS QUE FORAM INSERIDAS COMO BÔNUS DESTA VERSÃO EM CD!! O SOM DOS CARAS É UMA PANCADA GARAGEIRA BEM DISTORCIDA E DE PRIMEIRA QUALIDADE!! VENENO!!


The sole album by the Moving Sidewalks is as fascinating as it is unremarkable. As the birthing ground for legendary blues-rock guitarist Billy Gibbons, one would expect at least a taste of what would later make ZZ Top one of the best touring and recording bands on the planet; sadly, the album offers little in the way of revelation in its 15 tracks.

Admittedly, at the time of ZZ Top's 1970 debut, Gibbons' transformation from a journeyman bandleader into a boogie-blues demigod was still not fully realized, but his chops were miles away from what is heard here. Part of that lies in the fact that ZZ Top was less about psychedelia than straight blues; whatever psychedelic touches made their way onto the studio albums were largely an accessory. (They would eventually fully integrate on 1979's Deguello.)
The Moving Sidewalks, on the other hand, were psychedelic rockers whose songs hinted at the blues without fully diving in. The songs show little of Gibbons' future promise, and in fact are so thoroughly mediocre (both in writing and playing) that it's amazing to think he was only a few years away from international success. "Pluto-Sept. 31st" shows a clear Hendrix influence (the two guitarists openly admired each other), and as a bonus, Akarma's reissue includes five bonus singles that are some of the strongest material on the album, especially "Need Me," "I Want to Hold Your Hand," and the legendary single "99th Floor." ~ Jim Smith, All Music Guide

Bill Gibbons - guitar, vocal
Tom Moore - keyboards
Don Summers - bass
Dan Mitchell - drums

1 Flashback 4:46
2 Scoun da Be 2:07
3 You Make Me Shake 3:04
4 You Don't Know the Life 3:56
5 Pluto-Sept. 31st. 5:13
6 No Good to Cry 4:32
7 Crimson Witch 3:06
8 Joe Blues 7:37
9 Eclipse 3:37
10 Reclipse 2:30
11 99th Floor 2:17
12 What Are You Doing to Do 2:29
13 I Want to Hold Your Hand 3:20
14 Need Me 2:14
15 Every Night a New Surpise 2:58

http://www.megaupload.com/?d=COQU68EF