segunda-feira, 11 de abril de 2011

Tongue and Groove - Same (1969 US Blues Psych Rock)


BANDA QUE SE ORIGINOU DO DESDOBRAMENTO DA LENDÁRIA BANDA HIPPIE DE SAN FRANCISCO CHAMADA "CHARLATANS"!! AQUI TEMOS O PIANISTA "MIKE FERGUSON" E O BAIXISTA "RICHARD OLSEN" QUE ERAM MEBROS OFICIAIS DA CHARLATANS, MAIS A VOCALISTA "LYNNE HUGHES", QUE EMBORA NUNCA TENHA SIDO CONSIDERADA MEMBRO OFICIAL DO GRUPO, CANTAVA OCASIONALMENTE COM A BANDA!! DEPOIS ELA AINDA PARTICIPARIA DA BOA BANDA "STONEGROUND", CUJO ALBUM JÁ TÁ POSTADO AQUI NO BLOG!! 

O DISCO DA TONGUE AND GROOVE FOI LANÇADO PELA GRAVADORA FONTANA E FOI PRODUZIDO POR "ABE KESH" QUE ERA TMABÉM PREODUTOR DE BANDAS COMO "BLUE CHEER" E "HARVEY MANDEL"!! A SONORIDADE AQUI É UM BLUES COM TENDÊNCIAS PSICODÉLICAS E COM DESTAQUE PARA O BOM VOCAL DA FÊMEA "LYNNE HUGHES" NA MAIORIA DAS CANÇÕES!! VENENO AMERICANO RARO E RECOMENDADO!!


Tongue & Groove were something of an offshoot of the legendary, but little-recorded, early San Francisco hippie group the Charlatans. Singer Lynne Hughes had occasionally sung with the Charlatans onstage in the mid-1960s (although she was never an official member), and even appears, on vocals and guitar, on a few cuts they recorded for Kama Sutra in 1966 (eventually seeing release on the CD compilation The Amazing Charlatans). Pianist Mike Ferguson, who occasionally sang lead with Tongue & Groove as well, was a bona fide original Charlatan, although he left by the time their one proper 1960s album was issued. Richard Olsen, another Charlatan, played bass on Tongue & Groove's one LP; Hughes and Ferguson wrote much of the material, and yet another ex-Charlatan, Dan Hicks, contributed one composition as well. Tongue & Groove's self-titled album, released in the late 1960s on Fontana, was produced by Abe "Voco" Kesh, who also worked with several other second-tier sixties Bay Area acts, such as Blue Cheer and Harvey Mandel; top session musicians James Burton (on dobro) and Earl Palmer (on drums) also contributed to the recording. As could be expected given their ancestry, the record had much in common with the Charlatans' fusion of old-timey saloon music, vaudevillian blues, and rock. The key differences were that a woman (Hughes) took most of the lead vocals, and that the lysergic tinge of much of the Charlatans' material was virtually absent. The numbers featuring Hughes' saucy vibrato vocals, which mine the territory between Janis Joplin and Mae West, are certainly the highlights of the album, a fitfully engaging footnote to late-sixties San Francisco rock. ~ Richie Unterberger, All Music Guide

01. Devil
02. Come on in My Kitchen
03. Mailman's Sack
04. Cherry Ball (Shake Shake Mama)
05. The Shadow Knows
06. Sidetrack
07. Motorhead Baby
08. Duncan & Brady
09. Rocks for My Pillow (Livin' with the Blues)
10. Fallin' Apart

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