terça-feira, 30 de agosto de 2011

Pan Y Regalis + Eduardo Bort (Spanish Psychedelic Prog Rock)




EXCLUSIVIDADE DO VENENOS DO ROCK ESSES DOIS VENENASSOS ESPANHÓIS NUM FRASCO SÓ!! 



Pan y Regaliz - Pan Y Regaliz (1971 Spanish Psych Prog Rock)

GREAT ALBUM, GREAT BAND, GREAT MUSIC!! PETARDO PROGRESSIVO ESPANHOL DE ALTÍSSIMA QUALIDADE (VOCAL EM INGLÊS)!! OS CARAS USAVAM A FLAUTA DE MANEIRA MALUCA, UMA MARCA EM QUASE TODAS AS CANÇÕES!! UM PETARDO SONORO E UM VENENO DE EFEITO DELIRANTE!! GRANDE BANDA, GRANDE SOM, GRANDE ALBUM!!

One of the rarest psych/prog albums recorded by a Spanish band in the early seventies. A world class item featuring spaced vocals, effects, astonishing guitar work, flute...Orginally released in 1971 on the Dimension label it has a ghostly, surreal atmosphere and is reminiscent of early Pink Floyd with acid folk chucked in for good measure/madness.

Guillen Paris (voz, flauta)
Alfons “Muiti” Bou (guitarra)
Artur Domingo (bajo)
Pedro Van Eeckout (batería)

01. One More Day - 3.29
    http://youtu.be/oevUJU_6Ri4
02. Waiting In The Munster's - 3.11
03. Dead Of Love - 3.15
04. Thinking On Mary - 3.29
05. A Song For The Friends - 2.21
06. When You Are So bring Down - 3.14
07. Todaz It Is Raining - 9.17
08. I Can Fly - 3.38
09. Magic Colors - 2.53

Eduardo Bort - Eduardo Bort (1974 Spanish Prog Folk Psych)

EXCELENTE VENENO ONDE EDUARDO BORT, UM EXÍMIO E RENOMADO GUITARRISTA, CERCADO DE ÓTIMOS MÚSICOS, NOS BRINDA COM ESTE BELO LP RECHEADO DE GUITARRAS PSICODÉLICAS, MELOTRON E VIOLÃO ACÚSTICO FANTÁSTICO!! TODAS AS CANÇÕES CANTADAS EM INGLÊS CARREGADAS DE SPACEY ROCK E PASSAGENS FOLKS!!

"Eduardo BORT is a Spanish guitarist/composer who recorded two LPs of progressive psychedelic art rock in the mid 1970s. One is known to have been issued: a self-titled album from 1974/75 that went mostly unnoticed, though in Spain it did get some due credit. It is only now receiving acclaim as one of the best releases in the Spanish prog/psych of the period. The other record, 'Sylvia', is not documented at the present. 'Eduardo Bort' is a warm blend of mystical guitar-based folk, Hendrix-style rock, space, and a healthy dose of the music of Eduardo's homeland. BORT sings, plays all the guitars and leads a band - including drummer/keyboardist Vicente Jimeno who arranged much of the material - on the historic recording which was re-released in 2003 & '06. A rich stew of ethnic progressive rock led by a passionate guitar player, Eduardo BORT's debut is a sweet find for all prog archaeologists."

- Eduardo Bort / guitars, vocals
- Marcos Mantero / keyboards
- Alfonso Gimeno /keyboards
- Vicente Alcañiz / drums
- Marino Hernández / bass
- Miguel Galán / guitar
- Max Sunyer / guitar

01. Thoughts, Pt. 1 & 2 (7:57)
    http://youtu.be/qwbiYLYhXyQ
02. Walking on the Grass (9:03)
03. Pictures of Sadness (5:59)
04. Yann (12:23)

--------------------------------------

http://www.megaupload.com/?d=ECMUGEEZ

segunda-feira, 29 de agosto de 2011

SCHIZO - Red Lounge 7" EP (1972 France Experimental Psych Rock)


SCHIZO ERA UMA BANDA EXPERIMENTAL FRANCESA, LIDERADA PELO GUITARRISTA RICHARD PINHAS, SENDO ESSE EP RARÍSSIMO DE TRÊS FAIXAS O PRIMEIRO E ÚNICO REGISTRO DA BANDA!! DEPOIS DISSO PASSOU A SE CHAMAR HELDON, CONSIDERADA POR LÁ UMA MELHORES BANDAS FRANCESAS DOS ANOS 70!! A SONORIDADE É UM ROCK OBSCURO, PESADO, PSICODÉLICO, EXPERIMENTAL E COM GUITARRA TRIPPY ALUCINANTES!! VENENO RARÍSSIMO E RECOMENDADO!! 


"Reissue of incredible first single by pre-Heldon formation led by Mr. Richard Pinhas, who personally gave permissions to use these tracks for re-release. This three track EP features some of the heaviest psychedelic rock outings ever. Young Mr. Pinhas blows you away with some amazing guitar trippery. Sounds like a heavy danceable Psychedelic with Motorhead vocals, originally released in 1974, long before there was Motorhead. B-side 'le Voyageur' features French philosopher Gilles Deleuze on vocals on a more trippy piece."


Members Richard Pinhas (guitar)
Patrick Gauthier (piano)
Georges Grunblatt (synthesizer)
Coco Roussel (drums)
Pierrot Roussel (bass)
Olivier Pamela (vocals)

01 - And The Little Girl  3:37
02 - Paraphrenia Praecox  4:04
     Extra Track by Venenos do Rock
03 - Le Voyageur  4:23

sexta-feira, 26 de agosto de 2011

The Far Cry - The Far Cry (1968 US Psych Blues Jazz Rock)



EXCELENTE VENENO!! EXCELLENT POISON!!
BANDA FORMADA EM BOSTON COM UMA SONORIDADE QUE PASSEIA ENTRE UMA ESTRANHA MISTURA ENTRE FREE JAZZ, FUSION, PSICODELIA E O BLUES!! A PRIMEIRA COISA QUE VEM A MENTE COM O VOCAL SINISTRO É CAPTAIN BEEFHEART!! SAX E TECLADOS PASSEIAM LIVRES NAS CANÇÕES!! VENENO PODEROSO E RECOMENDADO!!

Fuzz Acid & Flowers:
From Boston, this was a heavy psychedelic outfit with free jazz influences. Except for the classic blues track, Sweet Little Angel, all the songs on their album were penned by the group and sung in a very rasping voice by Jere Whiting. The album was produced by Danny Weiss (Everything Is Everything) and recorded in New York. It's one of the few records issued on Vanguard Apostolic, the label managed by John Townley (from Family Of Apostolic).


Jere Whiting - vocals, harmonica
Paul Lenart- guitar
Dick Martin - tenor sax and conga drum
David Perry - guitar and vocal
Larry Luddecke - organ and piano
Sean Hutchinson - bass
Victor McGill - drums and vibes

01. Shapes 4:27
02. Midnight Juice 7:18
03. Dream? 9:52
04. Hellhound 3:41    
05. Earthlight 3:36
06. Sweet Little Angei 8:02
07. Listen To The Walls 6:49


http://yadi.sk/d/SQwWsYS94lxjc

http://www.mediafire.com/?c76mr3emtmeo6d5

http://www.mirrorcreator.com/files/0L3TEDEJ/The_Far_Cry_-_Venenos.rar_links

quinta-feira, 25 de agosto de 2011

PRECISO DA AJUDA DE TODOS - I NEED HELP FOR ALL



Envenenados!! Preciso de ajuda de todos!! Tem um amigo meu de São Paulo que está procurando o EP da banda gaúcha "O Circo dos Absurdos"!! É muito raro e eu particularmente não tenho ele e nunca tive!! Se alguém souber quem tem e esteja interessado em vendê-lo em bom estado, por favor me comunique!! É uma missão e tanto hein pessoal!!!!

Poisoned! I need help of all! Has a friend of St. Paul who wants to buy the brazilian band's EP "O Circo dos Absurdos"! It is very rare and I particularly do not have it and never had! If anyone knows who has and is interested in selling it in good condition, please let me know! It is a personal mission and much huh!!

quarta-feira, 24 de agosto de 2011

LINCOLN STREET EXIT - Drive It (1969 US Hard Psych Blues Rock) + Psych Out Rare EP


LP + RARE EP!!
POSTAGEM QUE DESFAZ A INJUSTIÇA HISTÓRICA DESSE BLOG AO NUNCA TER POSTADO ESSE VENENO!! BANDA FORMADA NO NOVO MEXICO COM FORTES RAÍZES INDÍGENAS, POIS TODOS OS MEMBROS ERAM SIOUX!! A SONORIDADE É HARD GARAGEIRO PSICODÉLICO, CALCADO NO BLUES ROCK E GRANDE TRABALHO DE TECLADOS!! O GRUPO LUTOU POR SEIS ANOS DE POUCO RECONHECIMENTO E GRAVARAM APENAS TRÊS SINGLES DURANTE ESSE OBSCURÍSSIMO PERÍODO!! SINGLES QUE ESTÃO NO RARÍSSIMO EP QUE DISPONIBILIZO LOGO ABAIXO!! DEPOIS DO ALBUM "DRIVE IT" ELES MUDARAM DE NOME PARA XIT E LANÇARAM MAIS ALGUNS DISCOS!! VENENASSO ALTAMENTE  RECOMENDADO!!

A Sioux Indian band based in Albuquerque, New Mexico. "The Bummer" is a fine upbeat rocker, whilst "Sunny Sunday Dream" is much more trippy with lots of keyboards. Changing their name to Xit the band made several albums in support of the cause of the American Indian during the 1970s. The "Lincoln St. Exit" album is essentially blues-based and does not include their non-Mainstream 45s. It is now a very sought-after collectors item and has been counterfeited. Much of their earlier material was officially reissued on the "Xit LP Entrance" (Canyon 7114) 1974, which has also become rare.


Lee Herrera - Drums 
R.C.Gariss - Lead Guitar 
Michael Martin - Lead Guitar, Vocals 
Mac Suazo - Bass 

01. Man Machine
02. Dirty Mother Blues
03. Got You Babe
04. Teacher Teacher
05. Soulful Drifter
06. Time Has Come Gonna Die
07. Going Back Home
08. Straight Shootin' Man
09. Phantom Child


----------------------------------------------------------------------------------------
Lincoln Street Exit - Psych Out Rare EP 1968


ALTÍSSIMA RARIDADE!!
EP COM GRAVAÇÕES RARÍSSIMAS DA BANDA!

- Michael Henry Martin / vocals, guitars
- Jomac Suazo / bass
- R.C. Gariss Jr. / guitars, keyboards, vocals
- Leeja Heerera / drums, vocals

01. Half a Dream
02. Sunny Sunday
03. Whatever Happened to Baby Jesus

terça-feira, 23 de agosto de 2011

Huckle - Wild Blue Yonder (1976 Canadian Hippie Folk Psych Rock)



SEGUNDO E RARO ALBUM DO CANTOR E COMPOSITOR CANADENSE CONHECIDO COMO HUCKLER!! APENAS 300 CÓPIAS FORAM PRENSADAS DESSE DISCO QUE FOI GRAVADO DE FORMA INDEPENDENTE!! SONORIDADE EXCELENTE E UM EXEMPLO PERFEITO DE COSMIC FOLK HIPPIE ROCK!! AS LETRAS FALAM DE AMOR, TOLERÂNCIA, VIDA LIVRE E DE VIAGENS!! ROAD MUSIC!! VIOLÃO ACUSTICO E VIOLINO BEM LEGAL, FLAUTA DE BAMBU, TABLAS E HARMONIA VOCAL FLUINDO NATURAL!! O DISCO FOI GRAVADO EM VÁRIOS LUGARES NO CANADÁ E A MUSICA "FLOWER TO THE SUN" FOI NA GUATEMALA!! VENENO DE EFEITO TRANQUILO E SEM ALUCINAÇÕES!! RECOMENDADO!!

Recorded at various places in Canada, one song recorded in Guatemala, "flower to the sun" was taped at the Courtenay Faire w/Medicine Wheel and a cast of hundreds! Full-band sound w/subtle acoustic/ electric tapestries; a 100% privat-press job ("independently produced in Canada").

This is Huckle's second album, recorded live and in studio, and is the rarer of the two Huckle LP's with only 300 copies pressed. Released privately in 1976, this has been described as Cosmic Flowing Hippie Folk Psych with help from Sky Sylamuth on guitar. Excellent music for the road, this rare and hard to find album is a perfect example of folk and rock made by a bunch of hippies in the seventies. The words are of love and tolerance, and free life and travelling, while the music suits the words well and transcends all of their messages flawlessly. Acoustic guitar and haunting fiddle, tablas and vocal harmonies of great and natural honesty of happiness from both the male and the female parts. Ths is a must have classic! 


Huckle: guitar, mandolin, voice 
Paul Gellman: piano, fiddle, guitar 
Wendi Sinclair: voice 
Tommy Agostino: bass, vocals 
Bob Walshaw: drums 
Straw: wooden stick drums 
Sky Sylamuth: : guitar (on flowers to the sun) 

01. Wild Blue Yonder
02. Rolling River
03. I Surrender
04. Flower To The Sun
05. She's Coming Home
06. Beautiful You Are
07. High For Sky
08. Gather The Children
09. Wild Night

quarta-feira, 17 de agosto de 2011

Star Spangled Banger - Same (1973 Australian Psych Hard Prog Rock)



DISCO RARO DE UMA BANDA DE TIRO CURTÍSSIMO E QUE RESULTOU EM APENAS UM ALBUM!! O LANÇAMENTO FOI RAPIDAMENTE ELIMINADO DO MERCADO E AÍ VIROU UM CULT DAS RARIDADES AUSTRALIANAS!! ISSO SÓ FOI RESOLVIDO POSTERIORMENTE COM A REEDIÇÃO EM CD!! O CLIMA É ECLÉTICO, MEIO PROGRESSIVO, COM BONS TECLADOS, NUM ESTILO QUE "LEMBRA" FAMILY E CRESSIDA, ALGUMAS BALADAS REFLEXIVAS REGADAS A UM BOM PIANO E UMAS BOAS PITADAS DE LOUCURAS E HUMOR DO TIPO "BONZO DOG BAND"!! UM BOM E RARO VENENO!!!

"Star Spangled Banger was a short-lived studioproject that resulted in a sole, self-titled album and single on theMelbourne Havoc Records label in 1973. With Havoc closing soon afterits release, the album was quickly deleted and, over the years, hasgrown in stature, becoming one of the rarest Australian records ever.We are happy to rectify this problem with our deluxe CD reissue of thishugely enjoyable mix of English-flavored progressive rock (Family,Cressida), reflective piano ballads, with a hint of Bonzo Dog DooDahBand like lunacy. Principal songwriter John Brownrigg (vocals, guitar),Ron Walters (vocals, piano, organ) and drummer Paul Doo formed StarSpangled Banger in 1972 from the ashes of their former band, The Sect.Brownrigg originally hailed from Liverpool and had played in severalbands during the Merseybeat boom of the early '60s -- as his own brickon the Cavern Club wall of fame attests. Signed to Havoc in late 1972,the band were put into the studio with engineer/producer (and soon tobe Aztec) Gil Matthews. Armed with a stack of sound effects records,the album was recorded at odd hours (in between Matthew's day job atHavoc and his night-time one as new drummer for the Aztecs) andresulted in an eclectic mix of progressive rock, protest songs andballads -- with a healthy dose of humor (witness: 'Fancy Underpants!').Added to this mix are: explosions, backwards tapes, crazy keyboards,nuclear explosions, crashing aeroplanes and fuzzed-out psych guitar.The title track, released as a single, is a long lost progressiveclassic and we have added a previously-unreleased edit of it as a bonustrack. 


- John Brownrigg: vocals, guitar
- Ron Walters: vocals, piano, organ
- Paul Doo: drums

01. Fear Of The Night – 3:52
02. Question Of The Country – 4:15
03. Run – 2:26
04. Fancy Underpants – 1:03
05. Suite 3 – 5:26
06. Protestor Man – 1:53
07. Sailing – 3:10
08. Country Son – 1:54
09. Pull Together – 3:01
10. One Out, Two In – 3:43
11. Continental – 4:51
12. Don’t You – 3:32
13. Thanks To You – 3:40
14. Star Spangled Banger – 5:05
15. Star Spangled Banger (Bonus) – 4:20

segunda-feira, 15 de agosto de 2011

Mon Dyh - Murderer (1980 German Hard Blues Rock)


BANDA ALEMÃ OBSCURA FORMADA EM BERLIN EM 1979 E QUE TOCAVA REGULARMENTE EM CLUBES LOCAIS!! A SONORIDADE É UM BRITISH BLUES ROCK PESADO COM ALGUMAS PITADAS PROGRESSIVAS!! MAIS OU MENOS NO ESTILO DE GROUNDHOGS!! NO BÔNUS TRACK DO CD TEM UMA BELA VERSÃO PRA MUSICA "ALL ALONG THE WACHTOWER" E UMA BOA VERSÃO PARA O BLUES "HAVE YOU EVER LOVED A WOMAN" AMBAS GRAVADAS AO VIVO!! BOM, RARO E RECOMENDADO VENENO!!

An obscure Berlin rock band, formed in 1979, and regulars on the local club scene for some years. Mon Dyh were very indebted to British styled blues and heavy rock, strongly song-saturated, in the early Groundhogs territory. Still unusual on occasions, and with some progressive touches, their gruff German accented Bruce Springsteen cum Tony McPhee styled vocalist takes some getting used to! Their reputation as a scorching heavy rock band is totally unfounded, unless they were more raucous in concert, that is!


Markus Worbs (drums),
Harald Künemund (acoustic guitars),
Andreas Pröhl (vocals, guitar),
Harald Frohloff (bass)

01. Don't You Break My Heard 4:51
02. Murderer 3:57
03. Trying 4:58
04. Magic Piano 6:01
http://youtu.be/RSc-1ZZLvBQ
05. Just A Minute 3:46
06. Neetle Must Not Lay Down 4:31
07. One Second Man 2:49
08. Encounterd The Edge 5:58
09. All Along The Watchtower 4:51
10. Have You Ever Loved A Woman 6:08

FREEDOM - Freedom at Last (1970 UK Hard Rock)


REPOSTAGEM ATENDENDO A VÁRIOS PEDIDOS DE ENVENENADOS!! TÁ AÍ ENTÃO PESSOAL!! EXCELENTE BANDA INGLESA QUE FAZIA UM HARD ROCK DE TIRAR O FOLEGO!! TEM UMA VERSÃO DE "TIME OF THE SEASON" DA BANDA ZOMBIES, "BUILT FOR COMFORT" DO MESTRE BLUESEIRO HOWLIN WOLF, UMA VERSÃO MUITO FURIOSA PRA "DIRTY WATER" DA BANDA DOS ANOS 60 STANDELLS E AINDA UMA VERSÃO PARA "CRY BABY CRY" DOS BEATLES!! NO MAIS O DISCO É HARD ROCK COM UMA HARMONIA PERFEITA QUE POR CERTAS VEZES, EM ALGUMAS FAIXAS, CONTÉM PITADAS DE BLUES E FOLK, MAS NADA EM ABUNDÂNCIA, NADA QUE TIRE A CRUEZA E ORIGINALIDADE DO BOM E VELHO HARD ROCK SETENTISTA DAQUELE BOM MESMO!! EXCELENTE VENENO QUE É UMA DIRETA NA VEIA E ALTAMENTE RECOMENDADO!! 

"A origem da banda remonta ao ótimo Procol Harum de Gary Brooker, conhecido pelo mega hit “A Whiter Shade of Pale”, que foi lançado em 1967 e trazia em sua formação o baterista e vocalista Bobby Harrison e o guitarrista Ray Royer. Estes dois músicos se juntaram ao tecladista Wike Lease e ao baixista Steve Shirley na primeira encarnação do Freedom." Após indas e vindas, embalado pela onda de power trios como Cream e Jimi Hendrix Experience e fortemente influenciados pelo blues rock do Led Zeppelin, Harrison junta-se ao guitarrista Roger Saunders e ao baixista Walter Monaghan para formar a segunda versão do Freedom, responsável pela fama do grupo.

Freedom At Last, o segundo LP do Freedom - e primeiro com esta formação - é um trabalho de primeira linha quando o assunto é rock and roll. O disco abre com “Enchanted Wood”, faixa que já mostra a pegada da banda, destacando o vocal com grande qualidade de Harrison, o baixo no melhor estilo e a guitarra a todo momento. Uma maravilha de música! A próxima é a versão para um blues de Howlin Wolf chamado “Deep Down in The Bottom”, aqui totalmente revisitado no melhor estilo zeppeliniano. Novamente a banda demonstra a garra que lhe era peculiar.

“Have Love Will Travel” é mais popzinha, porém destaca uma pegada bem legal. A próxima faixa é de matar: trata-se de uma versão estupenda da balada “Cry Baby Cry”, dos Beatles, cuja versão original está no White Album de 1968. Vale ouvir para perceber a diferença do vocal de Bobby Harrison. Se no White Album “Cry Baby Cry” está “perdida” entre as trinta músicas do álbum, em At Last o Freedom conseguiu criar um clima de grande destaque e fortes emoções.

Para aumentar a emoção, a banda ainda teve inspiração para recriar outro clássico e transformá-lo em algo mais forte que sua versão original. Trata-se da linda “Time of the Season”, música retirada do clássico absoluto Odessey and Oracle, lançado em 1968 pelo grupo inglês The Zombies. Atenção especial para os solos de guitarra e para o acompanhamento do baixo.

Na sequência temos novamente o blues dando a tônica do disco. Primeiro “Hoo Doo Man”, e na depois um hino de Willie Dixon, a regravadíssima “Built for Comfort”. “Fly”, a próxima, é muito interessante, bem no estilo em voga na época. Em seguida surge “Never Loved a Girl”, de Dell Shanon, uma beleza de balada com destaque novamente para o belo vocal de Harrison. A décima faixa é “My Life”, cantada numa levada incrivelmente similar com a que David Bowie faria em discos como Hunky Dory e The Rise and Fall of Ziggy Stardust and the Spiders From Mars. Teria Bowie, antes de alcançar a glória, sido influenciado pelo Freedom?

Nesta altura o álbum já venceu a prova da qualidade, mas ainda não acabou. “Can’t Stay” encaminha o trabalho para o final com um refrão que, sinceramente, emociona. Para encerrar, “Dusty Track”, que deixa uma vontade de começar tudo de novo. - Wagner Xavier -


Freedom's first album after drummer/singer Bobby Harrison totally revamped the lineup was typical lumpy British hard rock circa 1969, with nothing in the way of interesting songwriting or instrumental innovation to grab one's attention. In a way, they made for an ideal support act for an emerging and insecure headliner; they weren't going to upstage anyone. Sometimes they would leave off the generic blues-flavored hard rock for poppier or folkier material with harmonies, but melody and originality were not present in abundance. And it's playing a losing game to record covers of the Beatles' "Cry Baby Cry" and the Zombies' "Time of the Season," both of which had just been released, in much better and more popular versions of course, by the original artists; the Howlin' Wolf covers don't do the master much credit, either. (Review from OrexisofDeath)

Bobby Harrison - Drums, Percussions and Vocal
Roger Saunders - Electric & Acoustic Guitars, Piano, Organ and Vocal
Walter Monaghan - Bass Guitar, Electric Guitar, Piano, Melotron and Vocal
Guest:
Sam: Piano on "Hoo Doo Man"

01-ENCHANTED WOOD
02-DEEP DOWN IN THE BOTTOM
      https://youtu.be/qd8ZmmBtye8
03-HAVE LOVE WILL TRAVEL
04-CRY BABY CRY
05-TIME OF THE SEASON
06-HOO DOO MAN
07-BUILT FOR COMFORT
08-FLY
09-NEVER LOVED A GIRL
10-MY LIFE
11-CAN'T STAY WITH ME
12-DUSTY TRACK
13-DIRTY WATER
14-AIN'T NO CHANCE TO SCORE

quinta-feira, 11 de agosto de 2011

TRANSATLANTIC RAILROAD - Express to Oblivion (US 1968 West Coast Prog Psych Hard Jazz Rock)


BANDA AMERICANA MUITO LEGAL QUE FAZIA UM SOM COM INFLUÊNCIAS DO HARD ROCK COM DESTAQUE PARA GUITARRA E O TECLADO FURIOSO!! NA VERDADE, SE LEVARMOS EM CONTA A AUDIÇÃO MAIS ATENTA DO DISCO,NOTAMOS A PRESENÇA FORTE DO BLUES, PROGRESSIVO, PSICODELIA, E DO JAZZ!! AS LONGAS SUITES NOS REMETEM ÀS VIAGENS DO GRATEFUL DEAD!! VENENO RECOMENDADO!!

# "Camp Towanga" abre o álbum e incorpora rock, jazz e blues, mas raramente todos os segmentos em separado!! "Blues Fried Chicken" é um excelente blues com base numa guitarra ácido!! Na verdade é a guitarra e os teclados que se destacam neste álbum, com a maioria das faixas tendo alguns bons exemplos de ambos, como a longa suíte "Tehama Street Song" que é uma faixa de blues lento muito boa!! "Irahs" é um interlúdio agradável entre as pirotecnias de guitarra, e "Good Times" termina o álbum com uma balada similar ao Electric Prunes!! #



These circa 1967-1968 (the liner notes aren't entirely specific) recordings by this very obscure Marin County band are very much of their time and place. It's fairly heavy psychedelic rock with a fairly heavy blues influence, apt to jump into free-form passages and multi-sectioned, lengthy tracks with an improvisational feel and a stoned vibration to the lyrics. In the structural sense, then, they're pretty similar to the early Grateful Dead and Quicksilver Messenger Service, and to the freakier aspects of Jefferson Airplane, Country Joe & the Fish, and Big Brother & the Holding Company.

 
Previously unreleased Westcoast psych album from the early days with 5 long tracks. Furious organ and guitar jams that'll blow your mind. 'Camp Towanga' opens the album with a song that incorporates rock, jazz and blues, but unusually all in separate segments. 'Fried Chicken Blues' is more what I expected from this album, this being an excellent up-tempo blues based song with some fine acid guitar. In fact, it is the guitar and keyboards which stand out on this album, with most tracks having some great examples of both, the lengthy 'Tehama Street Song' being a slow blues based track which demonsrates this admirably. The jugband sound of 'Irahs' is a nice interlude between the guitar pyrotechnics, and 'Good Times' ends the album with an up-tempo ballad similar to The Electric Prunes. 

Ken Housman: Rhythm guitar, lead vocals
Jamie Kindt: Bass guitar, Backgrounds vocals
Ron Banvianchi: Drums, Backgrounds vocals
Stephen Meyers: Lead guitar
Geoff Mayer: Organ

01 - Camp Towanga - 3:17
02 - Fred Chicken Blues - 3:29
03 - Tehama Street Song - 7:33
04 - Elephant - 12:16
       https://youtu.be/rSsodeJa0kA
05 - Old English 800 - 5:54
06 - Irahs - 2:36

Continuum - Autumn Grass (1971 Hungarian Prog Jazz Classic Rock)



ÓTIMA BANDA HUNGARA, CUJO IDEALIZADOR É "YOEL SCHWARCZ" QUE MUDOU-SE PARA AMSTERDAN E DEPOIS...BEM...O RESTANTE DA HISTÓRIA ESTÁ NA POSTAGEM ANTERIOR!! ESSE É O SEGUNDO ALBUM DA BANDA!! UM DOS LADOS DO DISCO CONSISTE EM TRÊS FAIXAS GRAVADAS AO VIVO E O TRABALHO DE ORGAN É DOMINANTE!! A MUSICA "VIVALDI SYNTHESIS" É UMA ÓTIMA ADAPTAÇÃO DE VIVALDI E QUE DEPOIS FOI REGRAVADA POR STEVE HOWE EM SEU PRIMEIRO ALBUM SOLO!! A SONORIDADE É BASICAMENTE IGUAL AO DO PRIMEIRO ALBUM COM A FLAUTA MARAVILHOSA DE "YOEL SCHWARCZ"!! VENENO RECOMENDADO E OBRIGATÓRIO PRA QUEM GOSTA DO ESTILO!!

"Autumn grass" is a criminally underrated album from the early 1970's, featuring jazz influenced prog played by four highly proficient musicians. The feature (title) track was at the time of the album's release one of the longest single tracks to appear on one side of an LP (but by no means the longest), running to some 26 minutes. The band was the brain-child of Yoel Schwarcz. Despite the fact that they only ever made two albums, he is the only person to be a band member for both (although the others who played on the first album appear as guests here) . The line up for "Autumn Grass" includes the highly proficient keyboard player Tim Rice (no relation to Andrew Lloyd-Webber's mate).

Side one consists of three tracks, all developed through live performances before being committed to vinyl. The opening "Byrd Pavan" is an improvisation on Byrd's "Earl of Salisbury pavan" combined with Purcell's "Air on a ground bass". The band add a jazz dimension to the Elizabethan flavoured "pavan", with the organ work of Rice being particularly dominant. "Vivaldi synthesis 2" is an adaptation of Vivaldi's "Guitar concerto", with synthesised strings backing. This pleasantly relaxing piece was later revived by Steve Howe on his "Steve Howe album". The final track on side one is "Overdraft", the only band composition on the album. This piece is the most jazz based of the four tracks, and also the weakest.

As mentioned previously, the inordinately long title track occupies side two. Composed by Patric Standford specifically for the band, the sleeve described the track as "a ritualistic invocation". Various guest musicians contribute to the suite, notably the Olympus Strings cello section. The highlight though is the wonderful flute of Yoel Schwarcz. About midway through the track, he picks out a baroque melody with sparse accompaniment. This theme is used as the basis for a developing improvisation with ever increasing backing driving the flute to a frantic crescendo, before the main theme restores order.


Yoel Schwarcz: Guitar, Flute, Harmonica, Saxophone
Tim Rice: Organ, Piano
Peter Billam: Bass & Electric Guitar
Harvey Troupe: Drums

01. Byrd Pavane /Hartley 9:30
02. Vivaldi Synthesis Two /Continuum, Hartley 2:28
03. Overdraft /Continuum 11:24
04. Autumn Grass /Patric Standford 27:15

http://www.megaupload.com/?d=0BACF30O

terça-feira, 9 de agosto de 2011

Continuum - Continuum (1970 Hungarian Prog Jazz Classic Rock)



ÓTIMA BANDA HUNGARA, CUJO IDEALIZADOR É "YOEL SCHWARCZ" QUE MUDOU-SE PARA AMSTERDAN E DEPOIS LONDRES ONDE NESSES DOIS LUGARES ESCOLHEU OS OUTROS MUSICOS DA BANDA!! BASEADO NISSO PODE-SE DIZER QUE TRATA-SE DE UMA BANDA IDEALIZADA NA HUNGRIA, CONCEBIDA NA HOLANDA E FORMADA NA INGLATERRA!! O DISCO É EXTREMAMENTE ECLÉTICO E SUA INFLUÊNCIAS FOLK, CLÁSSICA, BLUES, PROGRESSIVO, JAZZ E O MEDIEVAL TORNA DIFÍCIL UMA CLASSIFICAÇÃO SONORA CORRETA!! O CLÁSSICO AQUI É RETRABALHADO DE FORMA OUSADA E CRIATIVA COM A FLAUTA CORRENDO SOLTA E MAGISTRAL DURANTE AS CANÇÕES!! A FAIXA BOUREÉ FOI RETRABALHADA DE FORMA SENSACIONAL!! BACH FOI RETRABALHADO E FICOU EXCELENTE!! UM DISCO MUITO MAIS QUE CURIOSO!! É QUASE UMA OBRIGAÇÃO OUVIR!! MUITO BOM E GOSTOSO!! EXCELENTE E RECOMENDADO VENENO!! EM BREVE POSTO O SEGUNDO ALBUM DOS CARAS!!

The real conceiver of this band is Hungarian instrumentalist Yoel Schwarcz who went to Amsterdam and mainly London, meeting other musicians. Continuum can be seen as a multi-national UK based band.

This band is an Unidentified Flying Group, that is all too forgotten. This extremely eclectic debut is only partly in the rock realm, but its folk, classical, pre-classical, blues, jazz and avant-garde influences is making it one of the hardest album to classify. This international quartet founded by Hungarian wind and acoustic guitar player Yoel Schwarcz, but based in Netherlands and England, certainly took a rather bold turn in reworking the classics, like Ekseption and Trace and much later Sky would, but here the interpretation are bold, daring, dazzling and inventive, mostly because the group built on the piece (Bach and Handel mostly) instead of adapting and electrifying them. Continuum even takes the risk of re-working Bourée and as you would've guessed, it does not match Tull's, but does stand on its own.

If the first side is somewhat conventional and presents jazz, blues and folk workouts from Bach pieces and as said above is rather excellent, but stays partly conventional, the second side is much more adventurous and the group enters the atonal and dissonant realms, using scales and an advanced use string quintet that are rather unfamiliar to the mainstream crowds.

The side-long suite Legend Of Childe Harold (written by Richard Hartley) where the voyage of Childe Harold and its tribulations and misadventures are described musically. Ranging from a pedestrian blues with jazzy solos ala early-Tull (Release) to the almost medieval and dissonant intro (Revelate) to the almost-dronal semi-medieval and semi- contemporary Judgment Approach, with the finale's frankly dissonant intro, this suite was quite an achievement for the year of recording. I wouldn't be surprised if Art Zoyd and Univers Zero heard this album's finale. Clearly this album is the resultant of hundreds of influences, but it is safe to bet many progressive musicians also heard and inspired themselves from this album. This album is much more than a curiosity, it is a must hear for classical-loving progheads.


- Yoel Schwarcz: classical guitar, flute, recorder, harmonica
- John Warren: classical guitar
- Mike Hart: double bass
- Dick Wildman: drums and percussion

01. Invention
02. Allamande and blues
03. Allegro
04. Bouree
05. Legend of Childe Harold
    a)Revelate
06. Dance of destruction
07. Release
08. Approach of judgement
09. Apodosis

http://yadi.sk/d/9RMpnq5r4fF61

http://www.mediafire.com/?19l3afvcar7ugxc

REPOST: OTIS WAYGOOD - Simply (1971 South African Blues Prog Psych)


REPOSTAGEM DESTE QUE É O SEGUNDO ALBUM DESTA SENSACIONAL BANDA SUL AFRICANA!! TODOS OS OUTROS DOIS JÁ ESTÃO POSTADO AQUI NO BLOG!! SIMPLY É NA MESMA LINHA DO PRIMEIRO DISCO!! SIMPLESMENTE UM VENENO DO BOM E ALUCINANTE!!

"Simply Otis Waygood" was the band's second album that saw the blues based sound of their debut mutate into a more acid rock direction. The songs are longer and structured to allow for more improvisation on tracks like "In the sun" and "The Messenger". This reissue includes six bonus tracks from their third and final album "Ten light claps and a scream".

Rob Zipper: Vocals, guitars, saxophones
Ivor Rubenstein: Vocals, percussion
Leigh Sagar: Guitars, organ
Martin Jackson: Vocals, flute
Alan Zipper: Bass

01.In The Sun [8.00]
02.Feelin' The Good [3.20]
03.Feel It In Me [5.30]
04.Have Some Fun [2.56]
05.No Time People [5.56]    
06.In Alan's Car [2.52]
07.The Messenger [6.34]
08.Sometimes I Feel Like A Motherless Child [4.08]

Bonus on 2003 CD re-issue
from Ten Light Claps And A Scream):
09.A Madman's Cry
10.Straight Ahead
11.I Left My Skull In San Francisco
12.Easy Way
13.The Higher I Go
14.S.H.a.K.

domingo, 7 de agosto de 2011

Surprize - Keep on Truckin (1972 US Psych Acid Rock)


BANDA AMERICANA OBSCURA E UM DISCO BEM RARO!! UMA BOA MISTURA DE ESTILOS COM BONS TECLADOS E VOCAIS DOMINANDO!! ROCK, BALADAS, PSICH COM PITADAS ACIDAS DÃO TOM DO DISCO!! NÃO SE TEM QUASE NADA DE INFORMAÇÕES SOBRE A BANDA, POR ISSO APELO NOVAMENTE AOS ENVENENDADOS QUE SOUBEREM QUALQUER COISA SOBRE OS CARAS QUE POSSA SER ACRESCENTADO QUE SE MANIFESTE!! VENENO BOM E RARO!!

AMERICAN BAND It's a very RARE! A GOOD MIX OF STYLES WITH GOOD Mastering keyboards and vocals! Rock, ballads, Psyche ACID WITH RINGS! NOT HAVE ALMOST NOTHING OF INFORMATION ON THE BAND, SO AGAIN TO APPEAL been poisoned THAT KNEW ANYTHING ABOUT THE GUYS WHO MAY BE ADDED THAT MANIFEST! POISON GOOD AND RARE!

It is a mix of styles, mostly middle of the road, with keyboards and vocals dominant. Some rockers, some ballads. The discordant intro to the first song is the only thing that struck me as psych.


Pete Accardi: Lead Vocals, Percussion, Harmonica 
Mark Shapiro: Guitar, Vocals
Rick Martin: Bass, Vocals
Frank Bissel: Keyboards, Vocals
Fred Kieffer: Percussion

01. Earth Odyssey (6:35) 
02. Sweet Love (4:10)
03. Keep On Truckin’ (5:06) 
04. Ev’ry Day (4:03)
05. See The Light (6:22)
06. Try A Little More (6:17)

Lamp Of The Universe - The Cosmic Union (2001 New Zealander Psych Spacey Acid Folk)


BANDA PSICODÉLICA DA NOVA ZELANDIA COM UMA SONORIDADE TRIPPY PSICODÉLICA, ESTILO ORIENTAL, ÁCIDO, HIPNÓTICO E RELAXANTE!! NA VERDADE TRATA-SE DE UM PROJETO SOLO DO BAIXISTA E VOCALISTA DA BANDA "DATURA", "CRAIG WILLIANSON"!! GUITARRAS ELÉTRICAS COM MUITO WAH-WAH, SINTETIZADORES, INFLUENCIA RAGA INDIANO COM PRESENÇA DE TABLA, CÍTARA E OUTROS INSTRUMENTOS INDIANOS!! A MÚSICA SOA INCRIVELMENTE SPACEY COM TODOS OS INSTRUMENTOS ENCHARCADOS DE REVERBERAÇÃO E LONGAS SUÍTES!! VENENASSO VIAJANTE QUE FAZ BEM PRA ALMA E ESPÍRITO!!

Lamp Of The Universe is a solo project from Datura bassist and vocalist Craig Williamson. What a surprise! For those of you who don't know them, Datura are a heavy Stoner rock band, while Lamp Of The Universe is a gorgeously lulling cosmic trip into a paisley colored psychedelic land of celestial ragas from Williamson's guitars, sitar, synths, and tablas. We're talking track titles like "Lotus Of A Thousand Petals" and "Tantra Asana". Believe me, these describe the music on The Cosmic Union perfectly. Lightly strumming acoustic guitars and sitars drift throughout as the tablas and other percussion keep a simple but effective psychedelic pace. Williamson's vocals are equally light and drifting making for the perfect marriage with his music. Lots of beautifully meandering jams that will open your mind for exploring the alternate realms that you travel with Williamson to. There are aggressive moments too, particularly on "In The Mystic Light" which sounds like a jam off Amon Düül's Yeti album. And love that organ and shimmering guitar on "Freedom In Your Mind".

Actually, though this might seem to be a 360 degree flip from Datura, that band really is far more psychedelic than most Stoner bands, and the epic track "Mantra" on Datura's Visions For The Celestial CD is in many ways really a heavier version of what we hear on The Cosmic Union. HIGHLY recommended to fans of deep space flower power psychedelia. 

01.Born in the Rays of the Third Eye
02.Lotus of a Thousand Petals
03.In the Mystic Light
04.Give Yourself to Love
05.Freedom in Your Mind
06.Her Cosmic Light
07.What Love Can Bring
08.Tantra Asana

quinta-feira, 4 de agosto de 2011

Gospel Oak - Gospel Oak (1970 UK Folk with Blues influences)


ALBUM ÚNICO E RARO DESSA OBSCURA BANDA AMERICANA MAS QUE VIVIA NO REINO UNIDO E QUE TINHA "MATTHEW KELLY", EX-GUITARRISTA DA BANDA HORSE, BANDA QUAL TINHA COMO VOCALISTA O ATOR DON JOHNSON, AQUELE MESMO DA SÉRIE MIAMI VICE!! KELLY ALÉM DE GUITARRISTA É UM ÓTIMO GAITISTA E JÁ HAVIA CHAMADO ATENÇÃO NA CENA ROCK DE SAN FRANCISCO TOCANDO BLUES!! "MATTHEW KELLY" LOGO FOI PRA INGLATERRA!! AO MESMO ALGUNS OUTROS MUSICOS AMIGOS DE INDIANA FORAM ENCONTRA ELE EM TERRAS INGLESAS!! ELES DE ALGUMA FORMA CONSEGUIRAM ATRAIR A ATENÇÃO DO PUBLICITÁRIO DOS BEATLES, TONY BARROW, QUE OS GERENCIOU E USOU SUAS CONEXÕES QUE LEVARAM A BANDA A ASSINAR UM CONTRATO COM A KAPP RECORDS!! AÍ VEIO ESSE ALBUM COM UMA SONORIDADE FOLK TINGIDA DE BLUES, COM BONS ARRANJOS DE GUITARRAS, ORGAN, BAIXO, HARMONICA E PEDAL STEEL!! O ALBUM É AGRADÁVEL E OS CARAS PODERIAM TER MELHOR SORTE!!


Matthew Kelly was a Californian who'd previously attracted attention playing blues harmonica and touring with the likes of Mel Brown, John Lee Hooker, and T-Bone Walker. The man clearly had some chops to be supporting names like that. Kelly soon found himself caught-up in San Francisco's burgeoning rock scene. He added electric guitar to his repertoire and started playing with Chris Herold and Dave Torbert. In 1969 the three of them were hired to play in the band Horses which was fronted by sometimes actor and lead singer Don Johnson (yeap, the Miami Vice guy). Horses recorded one self-titled album before collapsing.  

Musically "Gospel Oak" was all over the genre map.  With Rapp and Le Gate responsible for most of the material, tracks like 'Recollections of Jessica' and 'Big Fat White Man' were decent country-rock complete with nice melodies and catchy group harmonies. Showcasing Kelly's harmonica and Le Gate's lead guitar 'Brown Haired Girl', 'Common Expressions' and the instrumental 'South Bleach' offered up a harder edged blues sound, while 'Go Talk To Rachel' and 'O.K. Sam' found the group taking a stab at a more conventional and accessable rock attack.  Propelled by some nifty Le Gate guitar, best of the lot was the album-closer 'St. Anne's Pretension'.  The album was never less than enjoyable, but by the same token it lacked anything to distinguish it from the competition.  The album's certainly likeable which makes it too bad if didn't sport one or two slightly stronger compositions.  With those ingredients these guys could have been major players.  Kapp also tapped the album for a single in the form of 'O.K. Sam' b/w 'Go Talk To Rachel' (Kapp catalog number 2115). 

Matthew Kelly (guitar, harmonica, vocals)
Bob Le Gate (guitar, vocals)
John Rapp (guitar, bass, vocals)
Kerry Gaines (drums)
Gordon Huntley (pedal steel guitar)

01. Brown Haired Girl 
02. Common Expression 
03. Recollections Of Jessica 
04. South Bleach 
05. Big Fat White Man 
06. Why We Came 
07. Go Talk To Rachel 
08. O.K. Sam 
09. St. Anne's Pretension

quarta-feira, 3 de agosto de 2011

The McCoys - Psychedelic Years (1968-69 US Psych Prog Rock Blues Jazz)


DEPOIS DE FAZER SUCESO COM O HINO ADOLESCENTE "HANG ON SLOOPY" A BANDA AMADURECEU E ENTROU NA PSICODELIA PROGRESSIVA COM PITADAS DE BLUES E JAZZ!! ESSE DISCO TEM PRATICAMENTE OS DISCOS "INFINITE McCOYS" E "HUMAN BALL"!! O GUITARRISTA "RICH ZEHRINGFER" DEPOIS TROCA DE NOME E COMEÇA A SE CHAMAR E SER CONHECIDO COMO "RICK DERRINGER", AQUELE MESMO QUE TOCOU COM JOHNNY WINTER E QUE É AUTOR DA CLÁSSICA MUSICA "ROCK N ROLL HOOCHIE KOO"!! NO DISCO HÁ ÓTIMOS MOMENTOS JAZZY E BLUES, SAX BEM LEGAL, BONS ARRANJOS E VOCAIS, MAS NUMA PEQUENA PARTE É IRREGULAR!! NEM SEMPRE MANTÉM A QUALIDADE, APESAR DE EM GRANDE PARTE SER ÓTIMO E NUNCA DESCAMBAR PARA A VALA COMUM!! UM BOM VENENO QUE DESNUDA A FACE PSICODÉLICA DESSA BANDA QUE FICOU CONHECIDA APENAS PELOS SEUS RYTHM BLUES POP E ADOLESCENTES NOS ANOS 60!!

Some rock & roll acts slid easily into the psychedelic era, and did well with it -- the Beatles, the Pretty Things, the Who, the Rolling Stones (overlooking Satanic Majesties'), even the Rascals (sort of). Unfortunately, the McCoys weren't one of them -- the band that turned "Hang on Sloopy" into a teen anthem just wasn't that good mixing psychedelic rock, blues, country, and jazz, with brass and saxes in their instrumental mix. This CD combines all but two songs off of the 1968 vintage Infinite McCoys and Human Ball albums. There is some good playing by Rick Zehringer (aka Derringer) and keyboard man Robert Peterson, and some interesting jazzy moments too ("Resurrection"), where it is just them, but you've got to be patient to get to them and listen to some really pretentious crap in the meantime, not to mention ignore the trumpets, trombones, and saxes (arranged by Fred Lipsius) that get you there. There is a near-absence of decent tunes ("Open Your Eyes" is an exception), or memorable hooks, and the best piece of blues here ("Stormy Monday Blues") isn't worth the wait to get to. For completists only.

Rick Zehringer (guitar, celesta, organ, timpani)
Fred Lipsius (alto saxophone)
Randy Brecker (trumpet)
Jerry Weiss, Dick Halligan (trombone)
Robert Peterson (piano, harpsichord, organ, vibraphone, marimba, tambourine)
Randy Zehringer (celesta, drums, tabla, tambourine)
Randy Jo Hobbs (bells).

01. Faces
02. Jesse Brady
03. Resurrection
04. Rosa Rodriguez
05. Genesis Through A Window
06. Song For Janie
07. He Likes It
08. Open Your Eyes
09. Eldorado
10. Union City Waltz
11. Human Ball Blues
12. Only Human
13. Epilouge
14. All Over You
15. Daybreak
16. It Really Doesn't Matter
http://youtu.be/FwlPDRxDSFY
17. Love Don't Stop
18. Clergy Blues
19. Stormy Monday

RORY GALLAGHER - Firs Album ( 1971 Ireland Rock Prog Blues) FLAC


ALBUM RIPADO EM FLAC DE ALTA QUALIDADE!!
 
MAIS UMA POSTAGEM DA SÉRIE "PRA ETERNIZAR O VENENO"!! SEI QUE ESSE DISCO NÃO É TÃO RARO ASSIM, MAS É CERTAMENTE UM VENENO DE EFEITO GARANTIDO, POR ISSO NÃO PODERIA DEIXAR DE RECEITAR!! PRIMEIRO DISCO SOLO DESTE GRANDE GUITARRISTA DEPOIS QUE SAIU DA BANDA TASTE!! PRA MIM O MELHOR DE SUA ADMIRÁVEL CARREIRA SOLO!! ÁLBUM IMPRESCINDÍVEL EM UMA COLEÇÃO QUE SE PREZE!! HÁ QUEM DIGA QUE É O MELHOR GUITARRISTA DA HISTÓRIA DO ROCK, O PAI BRANCO DO BLUES, DECLARAÇÕES QUE EU NÃO CONTESTARIA DE MODO ALGUM!! VENENO PURO E DE QUALIDADE!! TODAS AS FAIXAS SÃO MUITO, MAS MUITO BOAS, MAS DESTACO A FAIXA 2 QUE É UMA BALADA INCOMPARÁVEL E A FAIXA 4 QUE É UMA BALADA BLUES COM PIANO MUITO CHAPANTE!! E O PIANO E TECLADOS FICA POR CONTA DE NADA MAIS NADA MENOS DO QUE VINCENT CRANE, O MESMO DO ATOMIC ROOSTER!! O DISCO É SEM DÚVIDA UM VENENASSO!!! 

FLAC ripped ALBUM IN HIGH QUALITY!
POSTING ANOTHER SERIES "to eternal poison"! KNOW THAT THIS IS NOT SO HARD SO RARE, BUT IT IS CERTAINLY A POISON EFFECT GUARANTEED, SO COULD NOT FAIL TO PRESCRIBE! FIRST SOLO ALBUM THIS GREAT GUITARIST LEFT THE BAND AFTER TASTE! TO ME THE BEST OF HIS SOLO CAREER BRAVE! ESSENTIAL ALBUM IN A COLLECTION worth its salt! Some say it is the best guitarist in rock history, THE FATHER OF THE BLUES WHITE, I DO NOT BEAT THAT STATEMENTS IN ANY WAY! POISON PURE QUALITY! ALL BANDS ARE VERY GOOD, BUT THAT 2 highlight the track is a ballad UNPARALLELED TRACK AND 4 WHAT IS A BALLAD BLUES PIANO WITH VERY CHAPANTE! PIANO AND KEYBOARDS AND ON BEHALF OF IS NOTHING MORE NOTHING LESS THAN VINCENT CRANE, THE SAME ATOMIC ROOSTER! DISC is certainly a VENENASSO!

01. Laundromat 04:39
02. Just the Smile 03:41
      http://youtu.be/zVhdT0kRNZg
03. I Fall Apart 05:12
04. Wave Myself Goodbye 03:30
05. Hands Up 05:26
06. Sinner Boy 05:06
07. For the Last Time 06:35
08. It's You 02:39
09. I'm Not Surprised 03:37
10. Can't Believe It's True 07:16

https://www.mediafire.com/?s3sqbfdqumugnbx

terça-feira, 2 de agosto de 2011

OTIS WAYGOOD - Ten Light Claps And A Scream (1971 South Africa Hard Prog Blues Rock)


VENENO RARO!! RARE POISON!!
MAIS UM VENENO DESSA ÓTIMA BANDA DA AFRICA DO SUL E TALVEZ UM DOS MAIS RAROS DA TRIOLOGIA!! ESSE É O TERCEIRO ALBUM DOS CARAS E DEVO DIZER QUE OS DOIS ANTERIORES JÁ FORAM POSTADOS AQUI NO BLOG E SÃO DE ALTÍSSIMA QUALIDADE!! FLAUTA, SAX, PERCUSSÃO CONTINUAM FIRMES SÓ QUE NESSE TERCEIRO ALBUM ELES CAEM UM POUCO MAIS PARA UM MIX ENTRE HARD, PROGRESSIVO, BLUES ROCK, MAS MANTENDO AINDA ALGUMAS PITADAS DA PSICODELIA!! VENENO RARO E RECOMENDADO!!


"Originally released in 1971 on EMI Parlophone, this is South Africa's once-famous Otis Waygood and their third record, Ten Light Claps And A Scream. Emerging during the height of political and social tension in the white suburbs of Johannesburg, Otis Waygood came from the north in the summer of '69, armed with long hair and scarabs, to slay the youth of the nation with an arsenal of murderous rock tunes. They became pretty much the hugest band South Africa had ever seen, and after two albums released on EMI S.A., this record was to blow them completely out of the water, becoming the best they'd ever produced and the most sought-after by collectors. The music is influenced by the British underground (Bloodwin Pig, Steamhammer, etc.) with great guitars and gruff vocals, blues-influenced, spacey underground rock, sax, organs and well-crafted compositions and arrangements, making this album a unique, proggy masterpiece. Produced by Julian Laxton of Freedom's Children under the direction of Clive Calder."

Rob Zipper - Vocals, guitars, saxophones
Leigh Sagar - Guitars, organ, Hawaiian guitar
Benny Miller - Guitars
Alan Zipper - Bass
Ivor Rubenstein - Vocals, percussion

01. A Madman's Cry 4:23
02. Straight Ahead 2:55
03. I Left My Skull in San Francisco 3:49
04. Easy Way 5:18
05. The Higher I Go 1:42
06. S.H.A.K. 3:05
07. Devil Bones 2:40
08. You Can Do, Pt. 1 4:19
09. You Can Do, Pt. 2 4:37

https://mega.nz/#!ho1hkBpY!chUqIP7OJoxj_JsYdw6qyN8_cve1eXMkgoP8yaooy7Q
or
https://www.4shared.com/s/f3UpzlRqwei

segunda-feira, 1 de agosto de 2011

Detroit - Detroit (1972 US Hard Rock R&B)


CONTINUAÇÃO DA MITCH RYDER & THE DETROIT WHEELS QUE ERA UMA ÓTIMA BANDA DE RYTHM BLUES!! A DETROIT CONTINUOU NO CLIMA DE R&B MAS COM UMA SONORIDADE MAIS HARD ROCK E COM ALTA ENERGIA!! PURA ADRENALINA! OU SEJA, HARD COM R&B É O QUE TEMOS AQUI E COM MUITA COMPETÊNCIA!! A BANDA ERA LITERALMENTE MUITO MALUCA, POIS OS CARAS ERAM VORAZES CONSUMIDORES DE DROGAS PESADAS, O QUE DE CERTA FORMA PODEMOS PERCEBER NA SONORIDADE!! O DISCO FOI PRODUZIDO POR BOB ERZIN QUE ENTRE OUTROS TRABALHOU COM ALICE COOPER E LOU REED NO VELVET UNDERGROUND!! "BRETT TUGGLE", APESAR DE AQUI SER GUITARRISTA, MAIS TARDE FOI SER TECLADISTA DAS BANDAS STEPPENWOLF E WHITESNAKE!! VENENO RECOMENDADO!!

The vocalist Mitch Ryder (real name William Levise) founded Detroit after his solo carrer in the mid-60's, where released the albums "What Now My Love", in 1967, and "The Detroit-Memphis Experience", in 1969. Before his solo carrer, Mitch was in the bands The Peps, Billy Lee & The Rivieras and Mitch Ryder & The Detroit Wheels. In 1971, after the release of the Detroit's self-titled album, Mitch left the music scene temporarily due to throat problems, only returning in the year of 1978 in solo carrer again, issuing many of boogie rock albums until today. Also following your own way, drummer John Badanjek and the guitarist Jim McCarthy found Rocket. Althought Brett Tuggle has been the guitarist in the Detroit band, he were most known as the keyboard player of David Lee Roth, Steppenwolf, Joe Satriani and Whitesnake.


Mitch Ryder - Vocals
Steve Hunter - Guitar
Brett Tuggle - Guitar
Harry Phillips - Organ
W.R. Cooke - Bass
Johnny Badanjek - Drums

01. Long Neck Goose
http://youtu.be/-OliH7nUBDM
02. Is It You (or Is It Me)
03. It Ain't Easy
04. Rock n' Roll
05. Let It Rock
06. Drink
07. Box of Old Roses
08. I Found a Love