tag:blogger.com,1999:blog-15034600583415909442024-03-18T00:01:40.351-03:00VENENOS DO ROCKMenegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.comBlogger1350125tag:blogger.com,1999:blog-1503460058341590944.post-48181268965305947712024-01-31T19:30:00.001-03:002024-01-31T19:30:00.141-03:00FIFTY FOOT HOSE - Ingredients [1966-1967 US Psychedelic Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6KwPqjS8suvTSfdhVB96O8eQkFJkg1AMNRndhe3cLvFaG91l_T3zLT_ajT8IryQwgslF_kxi2uvuIRAxSp3unltFzw66HUPw_m1oFMaAR2gj_qhv7OoF0xk7i5XDm4mWndTsoViNZcTl_RpF49NHqKoTj5XAc4brlwrkNy9DXFMeMXdO5RQn2MFlBPR0/s1114/Fifty%20Foot%20Hose%20-%20Ingredients%20(frontb).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1114" data-original-width="1110" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6KwPqjS8suvTSfdhVB96O8eQkFJkg1AMNRndhe3cLvFaG91l_T3zLT_ajT8IryQwgslF_kxi2uvuIRAxSp3unltFzw66HUPw_m1oFMaAR2gj_qhv7OoF0xk7i5XDm4mWndTsoViNZcTl_RpF49NHqKoTj5XAc4brlwrkNy9DXFMeMXdO5RQn2MFlBPR0/w638-h640/Fifty%20Foot%20Hose%20-%20Ingredients%20(frontb).jpg" width="638" /></a></div><br /><div style="text-align: justify;"><span style="color: #fcff01; font-family: Creepster; font-size: x-large;">CUIDADO!! ESSA AUDIÇÃO PODE PODE DAR CÂIMBRA NO CÉREBRO!!</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><span style="font-size: large;"><u><a href="https://mega.nz/file/F9cCBS6Z#-j-QiZcBh-hNLmjVuFdQgz-u02m8CZkVskykLHTmOFE">MATERIAL RARO</a></u></span><span style="font-size: medium;"> DESSA DE UMA DAS BANDAS MAIS INCOMUM DE SÃO FRANCISCO DOS ANOS 60!! A BANDA FICOU MAIS CONHECIDO ENTRE OS COLECIONADORES PELO SEU ÁLBUM CAULDRON, DE 1968, E AQUI ESTÁ UM MATERIAL ANTES AINDA DO LANÇAMENTO DE CAULDRON E OUTRAS DUAS MÚSICAS FORAM TIRADAS DO EP QUANDO ELES AINDA SE CHAMAVAM ETHIX EM 1966!! ESSAS SETE MÚSICAS FORAM GRAVADAS ANTES DO ÁLBUM CALDRON E SÃO MAIS CRUAS EM FORMA E EXECUÇÃO DO QUE O MATERIAL DO CALDRON. QUATRO DELAS APARECEM COMO FAIXAS BÔNUS NA REEDIÇÃO DO CD CALDRON DA BIG BEAT - INCLUINDO O MELHOR NÚMERO, O JAZZÍSTICO "FLY FREE" - MAS TRÊS NÃO. DESSAS TRÊS FAIXAS, "GOOD MORNING GIRL" E "LOW DOWN MOSTLY" ESTÃO MUITO MAIS NA VEIA PSICODÉLICA NORMAL DE SAN FRANCISCO 1967, INFLUENCIADA PELO BLUES-ROCK, DO QUE A MAIOR PARTE DO MATERIAL DE FIFTY FOOT HOSE, ENQUANTO "WAR" É UM FREE-FREE ELETRÔNICO MAIS TÍPICO!! VENENO MALUCO, INSANO E PSYCH QUE PODE DAR CÂIMBRA NO CÉREBRO!!</span></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;">Fifty Foot Hose evoluiu de uma banda chamada The Ethix, que foi um dos pilares da “cena da península de São Francisco em 1965 e 1966”. Como alguns outros artistas da época (principalmente nos Estados Unidos da América), eles tentavam fundir os sons contemporâneos do rock com instrumentos eletrônicos e ideias composicionais de vanguarda. Apenas um álbum resultou do ambicioso empreendimento, e esse disco (Cauldron, 1968) ainda permanece desconhecido para todos, exceto para os colecionadores hardcore. Embora fosse um trabalho errático, era intrigante por sua mistura de músicas jazzísticas de rock psicodélico com efeitos sonoros eletrônicos que antecipavam modelos futuros de sintetizadores, mas soavam mais ferozes e primitivos. </span><span style="color: #ffa400; font-family: Josefin Sans; font-size: large;"><b>O Fifty Foot Hose foi fundado pelo baixista Cork Marcheschi, que já havia participado de uma banda convencional de rock/R&B, o Ethix. Sob o estímulo de Marcheschi, em 1967, o Ethix lançou um single descontroladamente atonal, "Bad Trip", cuja violenta música concreta prenunciou as posturas de vanguarda de seu grupo subsequente (na verdade, "Bad Trip" era mais vanguardista do que qualquer coisa. Foot Hose gravaria). Aparentemente, foi tocado uma vez em uma estação de rádio underground local e nunca mais. Interessado nas ideias de compositores experimentais como Edgar Varese, John Cage, Terry Riley e George Antheil, Marcheschi construiu seu próprio instrumento eletrônico a partir de uma combinação de elementos como Theremins, caixas de fuzz, um tubo de papelão e um alto-falante de um avião-bombardeiro da Segunda Guerra Mundial.</b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;">Fifty Foot Hose foi preenchido pelo guitarrista David Blossom e sua esposa vocalista Nancy, que trouxe influências psicodélicas e jazzísticas para a banda, e alguns músicos que tocaram com Marcheschi em outras bandas. Uma demo caseira demonstrou com sucesso sua fusão de efeitos eletrônicos e músicas que estavam em sintonia com a vibração psicodélica de São Francisco. Isso levou a um acordo com a Limelight, uma subsidiária da Mercury que se concentrava mais na música experimental do que no rock convencional e no pop.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;">O álbum CAULDRON talvez fosse mais interessante por suas texturas experimentais do que pelas composições às vezes rotineiras - estranhas investidas e solavancos eletrônicos flutuavam no fundo e no primeiro plano das faixas, aprimorados por técnicas como colocar instrumentos em um transmissor FM. As músicas mais jazzísticas e assustadoras funcionaram melhor do que os itens de hard rock mais blues, mas foi um esforço admiravelmente arriscado. Mas, em última análise, um álbum bastante pouco comercial - embora eles tenham conseguido alguns trabalhos ao vivo em São Francisco, o álbum foi ouvido por poucos na época de seu lançamento. Fifty Foot Hose foi finalizado, ironicamente, pelas tentações de um projeto muito mais comercial - quando o musical Hair chegou a São Francisco, a maioria dos membros juntou-se à produção para satisfazer sua necessidade de uma renda mais confiável. O interesse pelo grupo ressurgiu na década de 1990, quando eles foram reconhecidos como precursores dos sons do rock eletrônico de grupos como Throbbing Gristle. Marcheschi é hoje um escultor respeitado, especializado em obras públicas utilizando néon, plástico e características cinéticas.</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #fcff01; font-family: Creepster; font-size: x-large;">DANGER!! THIS HEARING CAN CAUSE BRAIN CRAMPS!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><u><span style="font-size: large;"><a href="https://mega.nz/file/F9cCBS6Z#-j-QiZcBh-hNLmjVuFdQgz-u02m8CZkVskykLHTmOFE">RARE MATERIAL</a></span></u></b><span style="font-size: medium;"> FROM THIS MOST UNUSUAL BAND FROM SAN FRANCISCO FROM THE 60s!! THE BAND BECAME BEST KNOWN AMONG COLLECTORS FOR THEIR 1968 ALBUM CAULDRON, AND HERE IS MATERIAL FROM EVEN BEFORE THE RELEASE OF CAULDRON AND TWO OTHER SONGS WERE TAKEN FROM THE EP WHEN THEY STILL CALLED THEMSELVES ETHIX IN 1966!! THESE SEVEN SONGS WERE RECORDED BEFORE THE CALDRON ALBUM AND ARE RAWER IN FORM AND EXECUTION THAN THE CALDRON MATERIAL. FOUR OF THEM APPEAR AS BONUS TRACKS ON THE RE-ISSUE OF BIG BEAT'S CALDRON CD - INCLUDING THE BEST NUMBER, THE JAZZISTIC "FLY FREE" - BUT THREE DON'T. OF THESE THREE TRACKS, "GOOD MORNING GIRL" AND "LOW DOWN MOSTLY" ARE MUCH MORE IN THE NORMAL PSYCHEDELIC VEIN OF SAN FRANCISCO 1967, BLUES-ROCK INFLUENCED THAN MOST OF THE MATERIAL ON FIFTY FOOT HOSE, WHILE "WAR" IS A MORE TYPICAL ELECTRONIC FREE-FREE. CRAZY POISON AND PSYCH THAT CAN CAUSE THE BRAIN!!</span></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: x-large;">A collection of 10 previously unpublished dating back to '66 and '67 (pre-Cauldron) and two songs are taken from the 7 "of Ethix (pre Fifty) out of Mary Jane in '66!!</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #ffa400; font-size: medium;"><b>VOCÊ NÃO PODE DEIXAR DE LER A HISTÓRIA MALUCA DA BANDA AQUI NESTE LINK:</b></span></div><div style="text-align: justify;"><span style="color: #ffa400; font-size: medium;"><b>YOU CAN'T MISS READING THE BAND'S CRAZY STORY HERE AT THIS LINK:</b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><a href="https://www.shindig-magazine.com/?p=5491">https://www.shindig-magazine.com/?p=5491</a></span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq4A0mzbh3PuQv-qhH9rbRzvgxsi5Tejbd5Fhf94hUJrI-NTGmm4qMeVHkNDAAmSKwpU3VPQQWGKbTkFhJTQ6a7jLv_RG-GxRtL1MBLjLximDJ00HsNSUc1xo78aXduLitdhkIsYZzSxrGnBhYRF7EP-LPdPzxu4tL7o23SZXBBZJ9CBYEzEmFUHAXEa0/s1126/Fifty%20Foot%20Hose%20-%20Ingredients%20(back).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1124" data-original-width="1126" height="319" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq4A0mzbh3PuQv-qhH9rbRzvgxsi5Tejbd5Fhf94hUJrI-NTGmm4qMeVHkNDAAmSKwpU3VPQQWGKbTkFhJTQ6a7jLv_RG-GxRtL1MBLjLximDJ00HsNSUc1xo78aXduLitdhkIsYZzSxrGnBhYRF7EP-LPdPzxu4tL7o23SZXBBZJ9CBYEzEmFUHAXEa0/s320/Fifty%20Foot%20Hose%20-%20Ingredients%20(back).jpg" width="320" /></a></div><div><br /></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">01 - War Is Over 13:16</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">02 - Good Morning Girl 6:05</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;"> <a href="https://youtu.be/I5vOqo2XzBI">https://youtu.be/I5vOqo2XzBI</a></span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">03 - Fly Free 2:41</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">04 - Skins 2:38</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">05 - Bad Trip 2:44</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">06 - Desire 11:40</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;">07 - Low Down Nasty 5:01</span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com2tag:blogger.com,1999:blog-1503460058341590944.post-3986070622925244232024-01-27T17:52:00.004-03:002024-01-27T18:31:05.555-03:00AUM - Live at Avalon Ballroom (US Blues 1969)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbvjd3w2Avzf6jDWtCY010QQYhE-sd4tkeglRNqzJB1qzqwYX8Cbp8BdGs__iUG40EoVllvfkQutFsKe8uTiUWtHKBgGlWP_YqslIfwVwN_Thf_O9mmiGG6MgaGfibcpopsqiT8WNVwIBMn9tgy5m6kHsRVdUxiq0ROMzSK1laYvhBb2no50ifPv27pJw/s714/Aum%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="714" height="576" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbvjd3w2Avzf6jDWtCY010QQYhE-sd4tkeglRNqzJB1qzqwYX8Cbp8BdGs__iUG40EoVllvfkQutFsKe8uTiUWtHKBgGlWP_YqslIfwVwN_Thf_O9mmiGG6MgaGfibcpopsqiT8WNVwIBMn9tgy5m6kHsRVdUxiq0ROMzSK1laYvhBb2no50ifPv27pJw/w640-h576/Aum%20-%20Front.jpg" width="640" /></a></div><br /><div style="text-align: justify;"><a href="https://mega.nz/file/9l1DTaaB#S9ApSMwQBmE_AAFOnsJQWV19R3Fb_TTSz97UsMmQY0g" target="_blank"><span style="font-size: large;"><b>RARIDADE MÁXIMA!!</b></span></a><span style="font-size: medium;"> <span style="font-family: Merienda;">UMA DAS GRANDES BANDAS MENOS CONHECIDAS DE SÃO FRANCISCO, AUM ERA UM POWER TRIO DE ROCK CLÁSSICO, INSPIRADO EM NOMES COMO JIMI HENDRIX EXPERIENCE E CREAM!! LIDERADO PELO TALENTOSO MULTI-INSTRUMENTISTA E CANTOR WAYNE CEBALLOS. A BANDA CHAMOU A ATENÇÃO DE BILL GRAHAM PELA PRIMEIRA VEZ PELO PRINCIPAL FOTÓGRAFO DE SÃO FRANCISCO, JIM MARSHALL!! COM UM ÁLBUM LANÇADO NO INÍCIO DE 1969 (JÁ POSTADO AQUI NO BLOG), A BANDA FOI ESCALADA PARA UMA DAS AUDIÇÕES AO VIVO DE GRAHAM "SOUNDS OF THE CITY", COMUMENTE REALIZADAS NAS NOITES DE TERÇA-FEIRA NO FILLMORE WEST!! EM SUA PRIMEIRA NOITE DE APRESENTAÇÃO, NO ENTANTO, AUM REALMENTE DERRUBOU O PÚBLICO, GANHANDO TRÊS ENCORES E A MAIS LONGA OVAÇÃO DE PÉ NA HISTÓRIA DESSAS AUDIÇÕES!! ELES LOGO SE TORNARAM UMA BANDA DE ABERTURA POPULAR E SEMPRE APRESENTAVAM UM SET DE ALTA ENERGIA!!</span></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #ffa400; font-family: Luckiest Guy; font-size: large;">ESTE SET, GRAVADO NO AVALON BALLROOM EM UM PROJETO COM THE FLYING BURRITO BROTHERS E GRATEFUL DEAD, NÃO É EXCEÇÃO!! ABRINDO O SET COM UMA FAIXA INÉDITA, “I NEED YOU”, WAYNE CEBALLOS IMEDIATAMENTE SE SOLTA E CHAMA A ATENÇÃO DO PÚBLICO!! O RESTANTE DO SET INCLUI UMA VERSÃO AO VIVO DE "LITTLE BROWN HEN" E UMA JAM ALTAMENTE IMPROVISADA EM "BYE BYE BABY" - DUAS FAIXAS DE SEU LANÇAMENTO RESURRECTION, DA FILLMORE RECORDS - ALÉM DE UMA EXPLORAÇÃO DE 13 MINUTOS EM "A LITTLE HELP FROM YOU", UMA FAIXA INCLUÍDA EM SEU ÁLBUM DE ESTREIA, BLUESVIBES!!</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow; font-size: medium;"><b>ONE OF SAN FRANCISCO'S LEAST KNOWN GREAT BANDS, AUM WAS A CLASSIC ROCK POWER TRIO, INSPIRED BY NAMES SUCH AS JIMI HENDRIX EXPERIENCE AND CREAM, AND LED BY THE TALENTED MULTI-INSTRUMENTIST AND SINGER WAYNE CEBALLOS. THE BAND FIRST CAUGHT BILL GRAHAM'S ATTENTION BY SAN FRANCISCO'S LEADING PHOTOGRAPHER, JIM MARSHALL. WITH AN ALBUM RELEASED IN EARLY 1969 (ALREADY POSTED HERE ON THE BLOG), THE BAND WAS CAST FOR ONE OF GRAHAM'S "SOUNDS OF THE CITY" LIVE AUDITIONS, COMMONLY HELD ON TUESDAY NIGHTS AT FILLMORE WEST. ON HIS FIRST NIGHT OF PERFORMANCE, HOWEVER, AUM REALLY BROKE THE AUDIENCE, EARNING THREE ENCORES AND THE LONGEST STANDING OVATION IN THE HISTORY OF SUCH AUDITIONS. THEY SOON BECAME A POPULAR OPENING BAND IN 1969, AND ALWAYS PLAYED A HIGH-ENERGY SET.</b></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow; font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow; font-size: medium;"><b>THIS SET, RECORDED AT THE AVALON BALLROOM ON A PROJECT WITH THE FLYING BURRITO BROTHERS AND GRATEFUL DEAD, IS NO EXCEPTION. OPENING THE SET WITH A NEW TRACK, “I NEED YOU”, WAYNE CEBALLOS IMMEDIATELY LOOSES UP AND CALLS THE AUDIENCE’S ATTENTION. THE REMAINDER OF THE SET INCLUDES A LIVE VERSION OF "LITTLE BROWN HEN" AND A HIGHLY IMPROVISED JAM ON "BYE BYE BABY" - TWO TRACKS FROM THEIR FILLMORE RECORDS RELEASE RESURRECTION - PLUS A 13-MINUTE EXPLORATION ON "A LITTLE HELP FROM YOU", A TRACK INCLUDED ON HIS DEBUT ALBUM, BLUESVIBES.</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRyRW8Sxmd9F7jMicAsxqCq3_mWm4MlBjad3fZhe10vNSqGs_xGNl-iHaM8ztd6whXd0RANAUAoezDlhfGfRKJJwGe4Kyt7R8kqz1w1SP2oiP9knZtJ7UJkVKj3Udnk3K51-zyMHef6BwqRQDXRQcuLeNhZVuh-CQ7Tq_JgLNVgP6Fa3WLQ-0RnhcEAXc/s547/Aum%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="547" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRyRW8Sxmd9F7jMicAsxqCq3_mWm4MlBjad3fZhe10vNSqGs_xGNl-iHaM8ztd6whXd0RANAUAoezDlhfGfRKJJwGe4Kyt7R8kqz1w1SP2oiP9knZtJ7UJkVKj3Udnk3K51-zyMHef6BwqRQDXRQcuLeNhZVuh-CQ7Tq_JgLNVgP6Fa3WLQ-0RnhcEAXc/s320/Aum%20-%20Back.jpg" width="320" /></a></div></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Wayne Ceballos - guitar, organ, lead vocals, harmonica;</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Ken Newell - bass, vocals;</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Larry Martin - drums, vocals</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: large;">1. I Need You 5:20</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: large;"><a href="https://youtu.be/cohi8E-QNeY">https://youtu.be/cohi8E-QNeY</a></span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: large;">2. Little Brown Hen 2:53</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: large;"><a href="https://youtu.be/85hzm2kZsO4">https://youtu.be/85hzm2kZsO4</a></span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: large;">3. A Little Help From You 13:14</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: large;">4. Bye-Bye Baby 11:45</span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com1tag:blogger.com,1999:blog-1503460058341590944.post-79946917272191380362023-12-01T18:51:00.003-03:002023-12-01T18:51:43.888-03:00ÑU – 1er Calella Camping Rock [1977 Spain Hard Rock Prog]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidjqq4eoHJA3iSnAmccK3JzrPB_UxPgDaYaNoqezIefJEceBhEBBuQ3GtbHFqPPTqXJxG3zBzhy2oJpa_5nlRO5TNhX7O4kiaY0TKyDF1qFKeorEQCEQAg8w1TmPHe5I6ss_MimRGWlBSsvvXS4c8Yk8hdXDHhmsTLkJptHvtNtbtTt_YI25sUqo4pFYQ/s1118/%C3%91u%20-%20Front.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1103" data-original-width="1118" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidjqq4eoHJA3iSnAmccK3JzrPB_UxPgDaYaNoqezIefJEceBhEBBuQ3GtbHFqPPTqXJxG3zBzhy2oJpa_5nlRO5TNhX7O4kiaY0TKyDF1qFKeorEQCEQAg8w1TmPHe5I6ss_MimRGWlBSsvvXS4c8Yk8hdXDHhmsTLkJptHvtNtbtTt_YI25sUqo4pFYQ/w400-h395/%C3%91u%20-%20Front.JPG" width="400" /></a></div><br /><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><span style="color: red;"><a href="https://mega.nz/file/980VkLoR#E3DtMNJEuvgr0SOpnQD2yD3X2UJHytKK62VBPxInxsM" target="_blank">UM QUARTETO ESPANHOL LENDÁRIO</a></span> FORMADO EM 1974 EM MADRID!! COM UM SOM POTENTE AQUI ESTÁ O SEU ÁLBUM AO VIVO GRAVADO EM 1977 NO 1º CALELLA CAMPING ROCK, UM FESTIVAL HIPPIE IMPORTANTE DE BARCELONA QUE DUROU 3 DIAS COM APRESENTAÇÃO DE 20 BANDAS DE ROCK PROGRESSIVO E PSICODÉLICO!!</b></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><span style="color: red;">A EDIÇÃO É LIMITADA EM 1000 CÓPIAS!!</span> O LÍDER E O CARA DA BANDA ERA JOSÉ CARLOS MOLINA, QUE ARREBENTA NA FLAUTA BEM AO ESTILO JETHRO TULL!! ARREBENTA TAMBÉM NOS VOCAIS E NOS PALAVRÕES!! EM CADA MÚSICA O CARA SAÍA COM ALGUMA PÉROLA, COMO POR EXEMPLO, NA MÚSICA FLYING IN SOCIETY ELE GRITA "ESSA É DEDICADA A TODOS OS FASCISTAS QUE HOJE VIERAM DISFARÇADOS"!!</b></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><span style="color: red;">O SOM</span> É UM HARD ROCK COM GRANDES TOQUES PROGRESSIVOS, UM POUCO DE PUNK ROCK, NUM CRUZAMENTO ENTRE BACK SABBATH, BLACK WIDOW E JETHRO TULL!! VENENO AO VIVO HISTÓRICO E RECOMENDADO!!</b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #fcff01; font-family: Fredoka One; font-size: medium;">AQUI UM DEPOIMENTO SOBRE DE MOLINA SOBRE O LANÇAMENTO DESSE ÁLBUM:</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Courgette; font-size: large;">“Isso é único porque é registrado na tabela. É um documento muito interessante para os seguidores do grupo. Peguei a gravação e esmaguei um pouco os vocais, porque na época soava muito alto e muito distorcido nas mesas. Eu juntei mais com música. Eu tinha feito duas mixagens diferentes e no final escolhi uma e levei para alguns fãs editarem. Tiramos rapidamente, porque não queria que acontecesse conosco como num show que fizemos em Madrid naquela época, quando chegou a alguém e tirou em vinil antes de nós", explica José Miguel Molina, cantor e flautista do grupo Segundo ele, o disco não reflete com precisão como Ñu soava naquela época, mas tem um charme especial: “Ao vivo soávamos mais ou menos como soa no disco, mas me parece que na maioria das apresentações tivemos um um pouco mais de junco, estávamos mais acordados. Em Calella tocamos às 7 da manhã e fomos anunciados às 12 da noite, e esse cansaço é perceptível na gravação. Mas Calella foi um concerto irrepetível. Nunca tocamos nesta época ou num festival com estas características”.</span></div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV640VcAXDIBf39WJRBj7d91n8kwqXKSBLo4OIz5IHiXoscGVeCV7IaeOIGjSocEIxjnzF3kkhfnlvYq9k4laKJgqVZQVxaSGrZRukdatNBlyRJwYl6OcrCuPXBmCRF1ThHNWUnjHE2vW49zTBh8yO4Keq8x-7K8nR-grxJcN-n_sHeLu2kxL8MwjNQRU/s1240/%C3%91u%20-%20Back.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1240" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV640VcAXDIBf39WJRBj7d91n8kwqXKSBLo4OIz5IHiXoscGVeCV7IaeOIGjSocEIxjnzF3kkhfnlvYq9k4laKJgqVZQVxaSGrZRukdatNBlyRJwYl6OcrCuPXBmCRF1ThHNWUnjHE2vW49zTBh8yO4Keq8x-7K8nR-grxJcN-n_sHeLu2kxL8MwjNQRU/s320/%C3%91u%20-%20Back.JPG" width="320" /></a></div><div><br /><div style="text-align: center;"><span style="font-family: "Luckiest Guy"; font-size: large;"><span style="color: red;">Bass</span> – Juan Almarza</span></div><span><div style="font-size: large; text-align: center;"><span style="font-family: "Luckiest Guy";"><span style="color: red;">Drums</span> – Enrique Ballesteros</span></div><span style="font-family: Luckiest Guy; font-size: large;"><div style="text-align: center;"><span style="color: red;">Flute, Vocals</span> – José Carlos Molina</div><div style="text-align: center;"><span style="color: red;">Guitar</span> – Rosendo Mercado</div></span><div style="font-size: large; text-align: center;"><br /></div><span style="font-family: Bebas Neue; font-size: large;"><div style="text-align: center;">1 - Señora Bien</div><div style="text-align: center;">2 - Que Nadie Escape De La Evolución</div><div style="text-align: center;">3 - La Explosión Del Universo</div><div style="text-align: center;">4 - El Tablero De Ajedrez</div><div style="text-align: center;"><a href="https://youtu.be/lV6G54mwrFU">https://youtu.be/lV6G54mwrFU</a></div><div style="text-align: center;">5 - La Fiesta De Los Muertos</div><div style="text-align: center;"><a href="https://youtu.be/peNRtOZ5v3E">https://youtu.be/peNRtOZ5v3E</a></div><div style="text-align: center;">6 - Ejecución</div><div style="text-align: center;">7 - El Juglar</div><div style="text-align: center;">8 - Volando En Sociedad</div><div style="text-align: center;">9 - El Tren</div></span></span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com2tag:blogger.com,1999:blog-1503460058341590944.post-20355130161092704482023-07-02T18:34:00.000-03:002023-07-02T18:34:47.727-03:00REPOST: CEREBRUM - Eagle Death (1970 Spain psych blues acid rock)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIJdMGT6cY94pYucAqfXXhVP_VBwkt4gPrKg5pMfJiymtfaaG6Sy_DEX6zFvVlysVo9ZmYoUJYBrpQ1GmNjhvp-Q3ZflY2OPFvBnrppCn40CVQS5NrO-5TIiD8iOd1g6Kb5tBwO-WVmQK0U460fwRLW-qtLB8rsOv-Q5ozoULWkXCbkaXSfKcbdeDe1vE/s1074/Cerebrum%20-%20Eagle%20Death%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1064" data-original-width="1074" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIJdMGT6cY94pYucAqfXXhVP_VBwkt4gPrKg5pMfJiymtfaaG6Sy_DEX6zFvVlysVo9ZmYoUJYBrpQ1GmNjhvp-Q3ZflY2OPFvBnrppCn40CVQS5NrO-5TIiD8iOd1g6Kb5tBwO-WVmQK0U460fwRLW-qtLB8rsOv-Q5ozoULWkXCbkaXSfKcbdeDe1vE/w400-h396/Cerebrum%20-%20Eagle%20Death%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><span style="font-family: Luckiest Guy; font-size: large;"><a href="https://mega.nz/file/E00WCbhQ#QCvVAAGyBYsGiB-rN8JTi-mgIxnggq0M3R25GwkHrHQ" target="_blank">REPOSTAGEM ATUALIZADA </a><span style="color: red;">EM "ARQUIVO FLAC" E AGORA COM A EDIÇÃO COMPLETA, INCLUINDO TODAS AS SUAS CANÇÕES GRAVADAS EM 1969 E 1970!!</span> </span><span style="font-family: Merienda; font-size: large; font-weight: bold;">CEREBRUM ERA UMA ÓTIMA BANDA ESPANHOLA COM VOCAIS EM INGLÊS E FAZIA UMA PSICODELIA SELVAGEM COM GUITARRAS ESTRIDENTES, GAITA DE BOCA E MUITAS DISTORÇÕES!! EDIÇÃO LIMITADA A 500 CÓPIAS!! </span><span style="color: #fcff01; font-family: Merienda; font-size: large; font-weight: bold;">VENENO RARÍSSIMO E RECOMENDADO!!</span></div><p></p><p style="text-align: justify;"><span style="font-family: PT Sans Narrow;">Um álbum único, bluesy, gaita pesada com algumas guitarras extremamente confusas e vocais sinistros encharcados de efeitos!! Muitas vezes dois elementos muito não relacionados ocorrem simultaneamente (como o piano limpo e a guitarra difusa freakout na faixa-título), e os resultados são realmente ótimos!! Muito psicodélico, e mais um álbum que prova o poder e o mérito do lançamento de arquivo!! E uma das melhores capas de álbuns produzidas!! </span></p><p style="text-align: justify;"><span style="font-family: PT Sans Narrow;">Quando se achava que seus dois singles iniciais eram os únicos registros, começou a aparecer mais material dos caras!! Alguém aparentemente rastreou o guitarrista, que ainda tinha todas essas músicas salvas!! E Thomas Hartledge, dono do Shadoks (abençoe sua alma), estava mais do que de acordo em liberar esse material!! A versão de "Eagle Death" encontrada aqui é a versão original não editada, mais de um minuto a mais do que a encontrada no single original!! As outras três faixas lançadas anteriormente são como aparecem nos singles!! As cinco faixas restantes foram gravadas em 1969, ao vivo em estúdio!! Alguns deles são mais voltados para o blues rock do que os o hard psych lançados anteriormente!! Mas a maioria ainda incorpora guitarra fuzz extensa, mantendo-se nos moldes do resto dela!! As três últimas faixas são todas covers!! Uma preciosidade!! Essencial para todos os fãs do psych hard blues acid rock!!</span></p><p style="text-align: justify;"><span style="font-family: Merienda;"><b><a href="https://mega.nz/file/E00WCbhQ#QCvVAAGyBYsGiB-rN8JTi-mgIxnggq0M3R25GwkHrHQ" target="_blank">UPDATED REPOST</a> IN "FLAC FILE" AND NOW WITH THE COMPLETE EDITION, INCLUDING ALL THEIR SONGS RECORDED IN 1969 AND 1970!! CEREBRUM WAS A GREAT SPANISH BAND WITH ENGLISH VOCALS AND MADE A WILD PSYCHODELIA WITH FUZZY GUITARS, HARMONICA AND A LOT OF DISTORTION!! LIMITED EDITION TO 500 COPIES!! VERY RARE AND RECOMMENDED POISON!!</b></span></p><p style="text-align: justify;"><span style="font-family: PT Sans Narrow;">A unique, bluesy, harmonica heavy album with some extremely confusing guitars and effects drenched ominous vocals!! Often two very unrelated elements occur simultaneously (like the clean piano and the fuzzy freakout guitar on the title track), and the results are really great!! Very psychedelic, and yet another album that proves the power and merit of archival release!! And one of the best album covers produced!!</span></p><p style="text-align: justify;"><span style="font-family: PT Sans Narrow;">Just when it was thought that their two initial singles were the only records, more material from the guys started to appear!! Someone apparently tracked down the guitarist, who still had all these songs saved!! And Thomas Hartledge, owner of Shadoks (bless his soul), was more than okay with releasing this material!! The version of "Eagle Death" found here is the original unedited version, over a minute longer than that found on the original single!! The other three previously released tracks are as they appear on the singles!! The remaining five tracks were recorded in 1969, live in the studio!! Some of them are more blues rock oriented than the hard psych ones released before!! But most still incorporate extensive fuzz guitar, keeping in the mold of the rest of it!! The last three tracks are all covers!! A gem!! Essential for all psych hard blues acid rock fans!!</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUlYr7wWqMmv6vF70ECUnUTroaaNkqem_QMjOFgUnECxosG7TNjk9fh12xdZoevEWlSSPFPPQLk1LkRJCF8vv795hYsF8y4mNZZFT2j1hjLoAzzUtf1enHrOGzUigAvapR6AaOg0mtbQaYQQxk7Llu4ty4SO_oQv5Q8XOOvKuExSCEawSOHe3K3Cf3W0w/s1235/Cerebrum%20-%20Eagle%20Death%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1059" data-original-width="1235" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUlYr7wWqMmv6vF70ECUnUTroaaNkqem_QMjOFgUnECxosG7TNjk9fh12xdZoevEWlSSPFPPQLk1LkRJCF8vv795hYsF8y4mNZZFT2j1hjLoAzzUtf1enHrOGzUigAvapR6AaOg0mtbQaYQQxk7Llu4ty4SO_oQv5Q8XOOvKuExSCEawSOHe3K3Cf3W0w/s320/Cerebrum%20-%20Eagle%20Death%20-%20Back.jpg" width="320" /></a></div><br /><div style="text-align: center;"><span style="font-family: Luckiest Guy;">HISTÓRIA COMPLETA DA BANDA:</span></div><div style="text-align: center;"><span style="font-family: Luckiest Guy;">COMPLETE HISTORY TO THE BAND:</span></div><div style="text-align: center;"><a href="https://eltugurioderick.blogspot.com/2016/06/espana-70s-de-vuelta-al-desierto.html">https://eltugurioderick.blogspot.com/2016/06/espana-70s-de-vuelta-al-desierto.html</a></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">Jose Maria Pellico "Chema" - Bass</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">Pedro Moreno (2) - Drums</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">Javier Esteve - Guitar</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">Perry (20)- Organ (tracks: 3, 4 7 to 9)</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">Luis Navarro (3) - Vocals, Harmonica</span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Bebas Neue;">Notes</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue;">Recorded in 1969-1970:</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue;">tracks 1, 2, 5, 6 recorded at studio Gema, Barcelona, 1970</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue;">tracks 3, 4, 7, 8, 9 demos recorded live at the studio of Spanish National Radio (RNE), Madrid, 1969</span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">01.Eagle Death 6:18</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">02.Read A Book 5:39</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">03.Seven Days 4:38</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">04.One Kind Favor 7:26</span></div><div style="text-align: center;"><a href="https://youtu.be/hgBg_PIsIGo"><span style="font-size: medium;"><b>https://youtu.be/hgBg_PIsIGo</b></span></a></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">05.Times Door 2:53</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">06.It's So Hard! 3:44</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">07.Amphetamine Annie 4:50</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">08.Murder In My Heart For The Judge 3:02</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">09.You Don't Love Me 2:29</span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com9tag:blogger.com,1999:blog-1503460058341590944.post-47780486868041409072023-06-20T19:00:00.001-03:002023-06-20T19:00:00.139-03:00BOOGIE - In Freak Town (LP Version) [US 1968 Hard Blues Rock] FLAC<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcI1nzZgDS9zWqvTIuVTedCGWcXzMCiQxC6lXOkD5y1ToAsxcD2O5VWgynspuNqxb2CqCnME9RHWej-bcvZv1zyYiuPuaJnF2pokKl32LHduavf3-eG04jPe9gi-YDyS0Ux6Y2-pZFYO9kLenDTN_95dJ4VoXFR9A0jVagPbr35PG8poeszcLsLbJ5qtw/s1200/Boogie%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcI1nzZgDS9zWqvTIuVTedCGWcXzMCiQxC6lXOkD5y1ToAsxcD2O5VWgynspuNqxb2CqCnME9RHWej-bcvZv1zyYiuPuaJnF2pokKl32LHduavf3-eG04jPe9gi-YDyS0Ux6Y2-pZFYO9kLenDTN_95dJ4VoXFR9A0jVagPbr35PG8poeszcLsLbJ5qtw/w400-h400/Boogie%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="font-family: Creepster; font-size: xx-large;"><span style="color: red;">POSTAGEM EM FLAC E COM 8 BONUS TRACKS </span></span></div><div><div style="text-align: center;"><span style="font-family: Creepster; font-size: xx-large;"><span style="color: red;">EXCLUSIVOS VENENOS DO ROCK!!</span></span></div><br /><div style="text-align: justify;"><span style="font-family: Merienda;"><b><a href="https://mega.nz/file/J01TERKD#LpbebOAXGAqNx35Gy8d7F_ii3Fb_roQjq8nnVFliaC0" target="_blank">GRAVAÇÕES INÉDITAS DESTE POWER TRIO PODEROSO</a>, NITIDAMENTE INFLUENCIADO POR CREAM, BLUE CHEER E JIMI HENDRIX!! BOOGIE FOI PROVAVELMENTE O PRIMEIRO GRUPO DE HARDS BLUES ROCK QUE SURGIU EM SAN FRANCISCO, SENDO FORMADO POR GRANDES NOMES DO ROCK AMERICANO!! TINHA BARRY "THE BEE" BASTIAN (CANNED HEAT), JOHN BARRETT (THE RYTHM DUKES) E FUZZY JOHN OXENDINE (ROKY ERICKSON & THE ALIENS)!! TOCARAM EM TODOS OS LENDÁRIOS PALCOS DO ROCK COMO THE ARK, AVALON, FILLMORE E MUITOS OUTROS, DIVIDINDO O PALCO COM BANDAS COMO BUFFALO SPRINGFIELD, QUICKSILVER, ACE OF CUPS, FLAMIN GROOVIES E COUNTRY JOE & THE FISH!! DESTAQUE PARA O SHOW EXPLOSIVO QUE FIZERAM NO SKY ROCK FESTIVAL, EM AGOSTO DE 1968, PARA UM PÚBLICO DE 150 MIL PESSOAS, SENDO O PRIMEIRO FESTIVAL DE ROCK MULTIBANDAS AO AR LIVRE REALIZADO NOS ESTADOS UNIDOS!!</b></span></div><span style="font-family: Merienda;"><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>INFELIZMENTE A HISTÓRIA CONTURBADA DA BANDA, COM MUITOS PROBLEMAS DE CONDUTA, QUE INCLUI TRAFICANTES DISFARÇADOS E ATÉ APREENSÕES DE MACONHA, ACABOU DEIXANDO ELES SEM CONTRATO COM UMA GRAVADORA!! SE METERAM EM MUITA ENCRENCA E NINGUÉM QUIS BANCAR OS CARAS!! A BOA NOTÍCIA É QUE UMA DEMO DE ESTÚDIO GRAVADA EM 1968 NO PACIFIC HIGH RECORDERS SOBREVIVEU!! E É EXATAMENTE ISSO QUE TEMOS AQUI NESSA POSTAGEM!! É O PRIMEIRO LANÇAMENTO EM VINIL DESSE MATERIAL!! ANTES DISSO SÓ HAVIA UM CD PRIVADO LANÇADO POR BARRY BASTIAN!! E O MELHOR!! AQUI TEM MAIS 8 MÚSICAS EXTRAS EXCLUSIVAS, SENDO ALGUMAS AO VIVO QUE ERA ONDE OS CARAS MAIS PERFORMAVAM!! AO VIVO ERAM AINDA MAIS DOIDOS E FURIOSOS!! VENENO PODEROSOS E ALTAMENTE RECOMENDADO!!</b></div></span><br /><div style="text-align: justify;"><b style="font-family: "PT Sans Narrow";"><i><u><span style="color: #fcff01;">BARRY BASTIAN DEFINE ASSIM AS CANÇÕES DESSE LP:</span></u></i></b></div><span style="font-family: PT Sans Narrow;"><div style="text-align: justify;"><b><u><span><span style="color: red;">‘In Freak Town’:</span><span style="color: #cfe2f3;"> </span></span></u></b><span style="color: #cfe2f3;">Essa música foi meu reflexo de Haight-Ashbury quando cheguei a San Francisco, as pessoas perdidas e as drogas. Essa avaliação suavizou com o tempo. Percebi que aquele era um momento muito especial e que essas pessoas, todos nós, estávamos em busca de uma nova verdade pela qual viver. Abençoe todos eles.</span></div><b><div style="text-align: justify;"><span><b><i><u><span style="color: #cfe2f3;">‘</span><span style="color: red;">To Me’: </span></u></i></b><span style="color: #cfe2f3;">Uma canção de verdade e luz.</span></span></div></b><span><div style="text-align: justify;"><span style="color: red;"><span><b><i><u>‘Wade In The Water</u></i></b></span>’:</span><span style="color: #cfe2f3;"> Antiga melodia de domínio público com uma espécie de toque oriental de Ali Akbar Khan. Principalmente eu apenas toquei o que senti naquele momento no solo.</span></div></span><span><div style="text-align: justify;"><b><i><u><span style="color: red;">‘Prelude To Boogie’: </span><span style="color: #cfe2f3;"> </span></u></i></b><span style="color: #cfe2f3;">Nós sempre começamos nossos shows com uma jam instrumental de aquecimento. Era sempre uma nova criação naquele momento. Sempre foi o 'Prelude to Boogie', mesmo que fosse diferente a cada vez. Esta gravação foi o último ‘Prelude To Boogie’ que tocamos.</span></div></span><span><div style="text-align: justify;"><b><i><u><span style="color: red;">‘Chico Smoke El Ropo’: </span><span style="color: #cfe2f3;"> </span></u></i></b><span style="color: #cfe2f3;">Era a nossa música profissional de maconha.</span></div></span><span><div style="text-align: justify;"><b><i><u><span style="color: #cfe2f3;">‘</span><span style="color: red;">I’d Hate To Lose You’: </span><span style="color: #cfe2f3;"> </span></u></i></b><span style="color: #cfe2f3;">Foi um blues de amor para uma garota que partiu meu coração.</span></div></span><span><div style="text-align: justify;"><b><i><u><span style="color: #cfe2f3;">‘</span><span style="color: red;">Wade In The Water’ (alternate version) – original Unedited: </span></u></i></b><span style="color: #cfe2f3;">Este e outros disponíveis em cartão de download/incluído no disco LP.</span></div></span><span><div style="text-align: justify;"><b><i><u><span style="color: red;">‘Merchant of Dreams’ (acoustic): </span></u></i></b><span style="color: #cfe2f3;">Outra música de traficante de drogas como 'In Freak Town'. Essas duas músicas foram tocadas em uma afinação especial. Acho que o criei. Solte a 5ª corda de A para G. Permitindo que você toque a raiz do baixo na tonalidade de G.</span></div></span><span><div style="text-align: justify;"><b><i><u><span style="color: #cfe2f3;">‘</span><span style="color: red;">In Freak Town’ (acoustic): </span></u></i></b><span style="color: #cfe2f3;">Gravado no final de 1981-1982 com violão.</span></div></span></span><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><span style="color: #fcff01; font-family: Merienda;"><u>HISTÓRIA E CURIOSIDADES DA BANDA:</u></span></b></div><span style="font-family: Merienda;"><div style="text-align: justify;"><b><span style="font-family: Merienda;">BOOGIE #1 (FEBRUARY 1968 - MAY 1, 1969)</span></b></div><div style="text-align: justify;"><b><span style="font-family: Merienda;">1) Barry Bastian vocals, guitar</span></b></div><div style="text-align: justify;"><b><span style="font-family: Merienda;">2) John Barrett vocals, bass</span></b></div><div style="text-align: justify;"><b><span style="font-family: Merienda;">3) 'Fuzzy John' Oxendine vocals, drums</span></b></div></span></b><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><i><u><span style="color: #ffa400; font-family: PT Sans Narrow;">Fevereiro de 1968: The Ark, Gate 6, Sausalito, Marin County, Califórnia</span></u></i></b></div></b><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">Na noite seguinte, depois que Barry Bastian ligou para John Barrett para informá-lo sobre o novo baterista, o recém-nascido Boogie, sem ensaio, estreou ao vivo no The Ark como banda de abertura para Buffalo Springfield. “No show, fui apresentado ao nosso novo baterista e à namorada dele (uma boa amiga até hoje)”, lembra John Barrett. “Eu nunca conheci Fuzzy antes, e estava preocupado porque não tínhamos nenhum ensaio e íamos tocar músicas que Barry escreveu. Correu muito bem, fiquei preocupado com a bateria, mas ele se saiu bem, foi excelente, como se estivesse conosco há anos.” A Arca era um velho barco a vapor convertido (o Charles Van Damme, construído em 1916) que transportava passageiros de Richmond para San Rafael por mais de 20 anos. Depois de ser desativada e despojada de suas partes, a velha balsa ficou sem litoral, ainda exibindo sua roda de pás, na orla de Sausalito, no meio da próspera comunidade flutuante da cidade onde, por exemplo, o grande falecido Otis Redding estava morando quando escreveu seu hit , '(Sittin' On) The Dock of the Bay' em agosto anterior. A infame restauradora de North Bay, Juanita Musson, hospedou seu jantar noturno, Juanita's Gallery, lá por três anos antes de levar sua famosa clientela e hijinks irreverentes para Sonoma Valley. Fred 'Marti' Martinez e Frank McGinnis então compraram o Van Damme, limparam o interior do barco e, em 1965, o transformaram em uma boate luxuosa chamada The Ark. 20h ou 21h e 2h e depois das 2h às 6h (quando o café da manhã era servido) e, ocasionalmente, matinê de fim de semana das 14h às 18h. Embora existam muitos pôsteres e folhetos legais anunciando os shows, em muitos casos foi uma ilusão ou o boca a boca que levou os artistas nomeados a serem incluídos. Como o The Ark raramente tinha dinheiro para pagar os artistas, todos recebiam um café da manhã Huevos Rancheros de cortesia pela manhã em troca de uma compensação financeira. Como tal, tornou-se um clube noturno para algumas das bandas de San Francico (notavelmente Moby Grape - que também o usou como local de ensaio durante a última parte de 1966 e fez sua estreia ao vivo lá). A propósito, foi supostamente naquela mesma noite, no meio de seu show de estreia, que o ex-baixista da California Memorial Band, Mark Ryan, sentou-se com a banda e "ele quebrou meu alto-falante de baixo, um amplificador Fender Dual Showman". também lembra John Barrett. “O transformador de saída estragou ao brincar com o gabinete desconectado. Há uma segurança para isso se desconectado do lado do amplificador, mas não do lado do alto-falante.”</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="color: #ffa400; font-family: PT Sans Narrow;"><b><i><u>fevereiro de 1968: </u></i></b></span><span style="font-family: "PT Sans Narrow";">Logo após sua estreia ao vivo, Boogie ensaiaram juntos pela primeira vez. “Tivemos nosso primeiro ensaio na Burry Olson's Leather Shop, no Portão 6, ao lado do The Ark”, relembra Barry Bastian. “Foi definitivamente um evento cósmico e foi sem dúvida a primeira banda de blues/heavy metal/rock a sair da cena de San Francisco. Eu estava hospedado em uma pequena casa flutuante do outro lado da água da loja de Burry. Naquela noite, fui para a cama enquanto visões de sucesso dançavam em minha cabeça. Fui então acordado por uma chamada frenética de que a Burry Olson's Leather Shop estava pegando fogo. Olhei pela janela e estava em chamas. Eu apenas rolei e dormi, foi demais para o meu cérebro. No dia seguinte, fui até a loja, JB e Fuzzy chegaram na mesma hora. Caminhamos pelas cinzas; pegou os toques da bateria e os quadros dos alto-falantes e percebeu o que realmente significava começar do começo. Nós apenas olhamos um para o outro e dissemos: ‘Ok! Acho que somos uma banda.' Nós brigamos por equipamento para usar. O Fender Showman de JB foi torrado, meu novo protótipo de amplificador TNT que eu estava usando com Lee Michaels estava nas cinzas e a boa bateria de Fuzzy estava em colapso. JB tinha um amplificador novo, Fuzzy tinha seu set mais antigo e eu tinha meus antigos Fender Bassmen e algumas buzinas que ajudavam a projetar os agudos nos grandes auditórios. E assim começamos. Nós mais ou menos montamos a banda com nossos primeiros shows no The Ark. Em seguida, fomos autorizados a usar o espaço de ensaio do Moby Grape no heliporto em Sausalito, pelo que ficamos muito gratos.” “Burry nos deixou montar entre os cintos, coletes e outras coisas que ele estava fazendo”, lembra também John Barrett. “Alguns dias depois, alguém me ligou da Arca e disse que a loja de Burry estava pegando fogo. Queimado no chão. Perdemos todos os amplificadores (incluindo meu Fender Dual Showman), bateria e outros equipamentos. Tínhamos nossas guitarras conosco, então elas sobreviveram. Amigos ajudaram, Don Wehr tinha uma loja de música e nos ajudou a conseguir novos amplificadores e baterias. Comprei um amplificador Sunn personalizado. Barry comprou um amplificador Sunn personalizado com alto-falantes de 6 a 12 polegadas. Então eu tenho uma guitarra Martin também. Um de nossos patrocinadores, Bob Black, também conhecido como 'Blackie', me deu o $$ para obtê-lo. Também conseguimos outro quarto no heliporto e um ótimo roadie, Bill Leidenthal. Ao lado estava o Blue Cheer, e do outro lado do corredor estava o Electric Flag, ao lado deles estava o Sons of Champlin. “Foi quando Bill Champlin e eu nos tornamos amigos”, lembra Fuzzy John. “Boogie and the Sons praticavam na mesma instalação e nos víamos 5 dias por semana.”</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><i><u><span style="color: #ffa400;">Sexta-feira, 22 de março - sábado, 23 de março de 1968: The Ark, Gate 6, Sausalito, Marin County, Califórnia:</span> </u></i></span><span style="font-family: "PT Sans Narrow";">Boogie tocava das 2h às 6h todos os dias. Também no projeto: The Whispering Shadows. “Tínhamos um show constante no Ark”, lembra John Barrett. “Todo fim de semana tocando no horário das 2h às 6h, também conhecido como 'o show do café da manhã'. Bandas terminando no Fillmore e Avalon vinham depois de seus shows e tocavam conosco. Lembro-me de uma noite em que o Grateful Dead veio e trouxe todos os Fillmore com eles, cerca de 300 pessoas. Estava tão cheio que pensei que a Arca fosse afundar na lama para sempre! Todos os corpos subiram a temperatura até 37 graus (98,6F)! Tão quente que um dos meus calos quebrou meu dedo e o baixo ficou muito difícil de tocar. Onde antes havia um bom calo, agora havia uma mancha vermelha dolorida em meu dedo. Havia muito poucos pôsteres, se é que havia algum, para esses shows.”</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="color: #ffa400; font-family: PT Sans Narrow;"><b><i><u>Sábado, 6 de abril - domingo, 7 de abril de 1968: 'A Benefit', estacionamento fora da Arca, Portão 6, Sausalito, Condado de Marin, Califórnia: </u></i></b></span><span style="font-family: "PT Sans Narrow";">Boogie tocou em um baile beneficente, que durou das 10h às 20h todos os dias, para arrecadar dinheiro para cinco pessoas ainda presas após as recentes batidas antidrogas no condado de Marin. Buda, que está organizando os eventos, pede que não haja entradas gratuitas para que todos os cinco possam ser liberados. Também no projeto de lei: Quicksilver Messenger Service, Ace of Cups, Freedom Highway, Phoenix, Pacific Flash, Morning Glory, The Smoke, Dino Valenti, Clover, Gail Garnett e Gentle Rain, e muitos mais. “Tínhamos uma casa em Marin, perto da rodovia, para podermos praticar”, lembra John Barrett. “Depois da festa beneficente, lembro-me claramente de ir àquela casa para mais uma festa. De lá, nos mudamos para Fairfax no final de 1968.”</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="color: #ffa400; font-family: PT Sans Narrow;"><i><u>S<b>egunda-feira, 8 de abril de 1968: Pacific High Recording Co., Gate 6, Sausalito, Marin County, Califórnia: </b></u></i></span><span style="font-family: "PT Sans Narrow";">Boogie entrou no Pacific High, um estúdio de gravação muito pequeno aberto alguns anos antes pelo engenheiro musical Peter Weston, e gravou três canções: 'Wade In The Water', 'To Me' e 'In Freak Town'. Essas faixas não foram lançadas até 22 de abril de 2022, quando surgiram no álbum póstumo da banda, 'In Freak Town' (Out-Sider Records OSR090).</span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bC4jwDVRKlDwLGs8yBb0hPDUW2F27KYZ4f7yllT-SKrFmUynXovfRJWi8GJbFNacGUg8NA-nc7Or8JSl-p-v7aMjfhLDfUmpnuVs-7xJBHJ1ozptn6npT9mAcM0mlQ09M6XP4vqjgka2henqrOPkDzbBlcrkPVAwGKQ9Jc_fFTjwkufgMmHTWXY2Vms/s911/Boogie%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="886" data-original-width="911" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9bC4jwDVRKlDwLGs8yBb0hPDUW2F27KYZ4f7yllT-SKrFmUynXovfRJWi8GJbFNacGUg8NA-nc7Or8JSl-p-v7aMjfhLDfUmpnuVs-7xJBHJ1ozptn6npT9mAcM0mlQ09M6XP4vqjgka2henqrOPkDzbBlcrkPVAwGKQ9Jc_fFTjwkufgMmHTWXY2Vms/w400-h389/Boogie%20-%20Back.jpg" width="400" /></a></div><b><br /></b><div><span style="font-family: "PT Sans Narrow"; text-align: justify;"><a href="https://mega.nz/file/J01TERKD#LpbebOAXGAqNx35Gy8d7F_ii3Fb_roQjq8nnVFliaC0" target="_blank"><b>POSTED IN FLAC AND WITH 8 EXCLUSIVE VENENOS DO ROCK BONUS TRACKS!!</b></a></span></div><div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b>BRAND NEW RECORDINGS FROM THIS POWERFUL POWER TRIO, CLEARLY INFLUENCED BY CREAM, BLUE CHEER AND JIMI HENDRIX!! BOOGIE WAS PROBABLY THE FIRST HARDS BLUES ROCK GROUP THAT ARISED IN SAN FRANCISCO, BEING FORMED BY BIG NAMES OF AMERICAN ROCK!! HAD BARRY "THE BEE" BASTIAN (CANNED HEAT), JOHN BARRETT (THE RYTHM DUKES) AND FUZZY JOHN OXENDINE (ROKY ERICKSON & THE ALIENS)!! PLAYED ON ALL THE LEGENDARY ROCK STAGES LIKE THE ARK, AVALON, FILLMORE AND MANY OTHERS, SHARING THE STAGE WITH BANDS LIKE BUFFALO SPRINGFIELD, QUICKSILVER, ACE OF CUPS, FLAMIN GROOVIES AND COUNTRY JOE & THE FISH!! HIGHLIGHT ON THE EXPLOSIVE SHOW THEY PLAYED AT THE SKY ROCK FESTIVAL, IN AUGUST 1968, TO AN AUDIENCE OF 150,000 PEOPLE, BEING THE FIRST OUTDOOR MULTIBAND ROCK FESTIVAL HELD IN THE UNITED STATES!!</b></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b>UNFORTUNATELY, THE BAND'S TROUBLED HISTORY, WITH MANY PROBLEMS IN CONDUCT, WHICH INCLUDES DISGUISED DRUG DEALERS AND EVEN MARIJUNA ARREST, ENDED UP LEAVING THEM WITHOUT A RECORD CONTRACT!! THEY GOT INTO A LOT OF TROUBLE AND NOBODY WANTED TO BANK THE GUYS!! THE GOOD NEWS IS THAT A STUDIO DEMO RECORDED IN 1968 AT PACIFIC HIGH RECORDERS SURVIVES!! AND THAT'S EXACTLY WHAT WE HAVE HERE IN THIS POST!! THIS IS THE FIRST VINYL RELEASE OF THIS MATERIAL!! BEFORE THAT THERE WAS ONLY ONE PRIVATE CD RELEASED BY BARRY BASTIAN!! AND THE BEST!! HERE ARE 8 MORE EXCLUSIVE EXTRA SONGS, BEING SOME LIVE WHICH WAS WHERE THE GUYS PERFORMED THE MOST!! LIVE THEY WERE EVEN CRAZIER AND FURIOUS!! HIGHLY RECOMMENDED!!</b></span></div><div><br /></div><div><span style="color: #fcff01; font-family: PT Sans Narrow;"><b>BARRY BASTIAN DEFINES THE SONGS ON THIS LP THIS WAY:</b></span></div><div><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b><u><span style="color: red;">‘In Freak Town’:</span> </u></b></span><span style="font-family: "PT Sans Narrow";">This tune was my reflection of Haight-Ashbury when I first arrived in San Francisco, the lost people and drugs. That appraisal softened over time. I came to realize that this was a very special time, and that these people, all of us, were searching for a new truth to live by. Bless them all.</span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>‘To Me’: </u></b></span><span style="font-family: "PT Sans Narrow";">A song of truth and light.</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">‘<b><u><span style="color: red;">Wade In The Water’</span>: </u></b></span><span style="font-family: "PT Sans Narrow";">Old public domain melody with a kind of Eastern Ali Akbar Khan twist. Mostly I just played what I felt in that moment in the solo.</span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>‘Prelude To Boogie’: </u></b></span><span style="font-family: "PT Sans Narrow";">We always started our gigs with a warm up instrumental jam. It was always a new creation at that moment. It was always the ‘Prelude to Boogie’, even though it was different every time. This recording was the last ‘Prelude To Boogie’ we ever played.</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><span style="color: red;">‘</span><b><u><span style="color: red;">Chico Smoke El Ropo’:</span> </u></b></span><span style="font-family: "PT Sans Narrow";">Was our pro cannabis tune.</span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>‘I’d Hate To Lose You’: </u></b></span><span style="font-family: "PT Sans Narrow";">Was a love blues to a girl that broke my heart.</span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;">‘<b><u>Wade In The Water’ (alternate version) – original Unedited: </u></b></span><span style="font-family: "PT Sans Narrow";">This and others available on download card/ included with LP record.</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b><u><span style="color: red;">‘Merchant of Dreams’ (acoustic):</span> </u></b></span><span style="font-family: "PT Sans Narrow";">Another circus-like dope dealer tune like ‘In Freak Town’. These two tunes were played in a special tuning. I guess I created it. Drop the 5th string A to a G. Allowing you to drone the bass root in the key of G.</span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>‘In Freak Town’ (acoustic): </u></b></span><span style="font-family: "PT Sans Narrow";">Recorded year’s later 1981- 1982 with acoustic guitar. ‘Merchant of Dreams’ as well.</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="color: #fcff01; font-family: PT Sans Narrow;"><b><u>HISTORY AND CURIOSITIES OF THE BAND:</u></b></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b><u>BOOGIE #1 (FEBRUARY 1968 - MAY 1, 1969)</u></b></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">1) Barry Bastian vocals, guitar</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">2) John Barrett vocals, bass</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">3) 'Fuzzy John' Oxendine vocals, drums</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>February 1968: The Ark, Gate 6, Sausalito, Marin County, California: </u></b></span><span style="font-family: "PT Sans Narrow";">The very next night after Barry Bastian called John Barrett to inform him about the new drummer, the newly born Boogie, without rehearsal, debuted live at The Ark as opening act for Buffalo Springfield. “At the gig, I was introduced to our new drummer, and his girlfriend (a good friend to this day),” recalls John Barrett. “I never met Fuzzy before, and I was worried because we had no rehearsal at all, and were going to play songs that Barry wrote. It went great, I was worried about the drums, but he did fine, he was excellent, like he had been with us for years.” The Ark was an old converted steamboat (the Charles Van Damme, built in 1916) that shuttled commuters from Richmond to San Rafael for over 20 years. After being decommissioned and stripped of its parts, the old ferry sat landlocked, still sporting its paddlewheel, on Sausalito's waterfront, in the middle of the town's thriving houseboat community where, for example, the great late Otis Redding was living when he wrote his hit, ‘(Sittin’ On) The Dock of the Bay’ the previous August. Infamous North Bay restaurateur Juanita Musson housed her late-night diner Juanita's Gallery there for three years before taking her famous clientele and irreverent hijinks to Sonoma Valley. Fred ‘Marti’ Martinez and Frank McGinnis then bought the Van Damme, cleaned up the boat's interior, and by 1965 they turned it into a plush after-hours nightclub called The Ark. It was run on a somewhat ad hoc basis, scheduling shows between 8pm or 9pm and 2am and then from 2am to 6am (when breakfast was served), and occasionally weekend matinee shows from 2pm to 6pm. Although there are lots of nice posters and handbills advertising the shows it was in many cases either wishful thinking or word of mouth that led to the artists named being included. As The Ark rarely had the money to pay performers, they were all fed a complimentary Huevos Rancheros breakfast in the morning in exchange for financial compensation. As such it became very much an after hours club for some of the San Francico bands (notably Moby Grape - who also used it as a practice venue during the latter part of 1966 and made their live debut there). By the way, it was supposedly that same night, in the middle of their debut gig, that the California Memorial Band's former bass player Mark Ryan sat-in with the band and “he broke my bass speaker, a Fender Dual Showman amp,” also recalls John Barrett. “The output transformer got cooked by playing with the cabinet unplugged. There is a safety for that if unplugged at the amp side, but not the speaker side.” </span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"> </span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>February 1968: </u></b></span><span style="font-family: "PT Sans Narrow";">Soon after their live debut, Boogie rehearsed together for the first time. “We had our first rehearsal at Burry Olson's Leather Shop at Gate 6 next door to The Ark,” recalls Barry Bastian. “It was definitely a cosmic event and was no doubt the first blues / heavy metal / rock band to come out of the San Francisco scene. I was staying in a little houseboat just across the water from Burry's shop. That night I went off to bed while visions of success danced in my head. I was then awakened by a frantic call that Burry Olson's Leather Shop was on fire. I look out the window and it was ablaze. I just rolled over and slept, it was too much for my brain. The next day I walked over to the shop, JB and Fuzzy arrived about the same time. We walked through the ashes; pickup up drum rings and speaker frames, and came to realize what starting from the beginning really meant. We just looked at each other and said: ‘Ok! I guess were a band.’ We scuffled around for equipment to use. JB’s Fender Showman was toast, my new TNT proto type amp that I had been using with Lee Michaels, was in the ashes, and Fuzzy’s good drum kit was in meltdown. JB had some how scored a new amp, Fuzzy had his older set, and I had my old Fender Bassmen, and some driver horns that helped project the highs in the big auditoriums. And so we begin. We more or less put the band together with our first gigs at The Ark. We were then allowed the use of the Moby Grape rehearsal space at the Heliport in Sausalito, for which we were most grateful.” “Burry let us set up amongst the belts, vests, and stuff he was making,” also recalls John Barrett. “A few days later, someone called me from the Ark and said Burry's shop was on fire. Burned to the ground. We lost all amps (including my Fender Dual Showman), drums and other equipment. We had our guitars with us so they survived. Friends helped, Don Wehr had a music store and helped us get new amps and drums. I bought a custom made Sunn amp. Barry got a custom Sunn amp with 6-12 inch speakers. Then I got a Martin Guitar too. One of our sponsors, Bob Black, aka ‘Blackie,’ gave me the $$ to get it. We also got another room at the Heliport and a great roadie, Bill Leidenthal. Next door was Blue Cheer, and across the hall was Electric Flag, next to them was the Sons of Champlin.” “This was when Bill Champlin and I became friends,” also recalls Fuzzy John. “Boogie and the Sons practiced at the same facility, and we saw each other 5 days a week.”</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b><u><span style="color: red;">Friday, March 22 - Saturday, March 23, 1968: The Ark, Gate 6, Sausalito, Marin County, California:</span> </u></b></span><span style="font-family: "PT Sans Narrow";">Boogie played from 2am to 6am each day. Also on the bill: The Whispering Shadows. “We had a steady gig at the Ark,” recalls John Barrett. “Every weekend playing the 2am to 6am slot, aka ‘the breakfast show.’ Bands finiship up at the Fillmore and Avalon would come over after their gigs and jam with us. I remember one night the Grateful Dead came and brought all the Fillmore with them, about 300 people. It was so packed that I thought the Ark was going to sink into the mud forever! All the bodies rose the temperature up to 37 degrees (98.6F)! So hot that one of my callouses broke off my finger and the bass became very difficult to play. Where a nice callous once was, now was a sore red spot on my finger. There were very few posters, if any, for these gigs.”</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><b><u><span style="color: red;">Saturday, April 6 - Sunday, April 7, 1968: 'A Benefit', parking lot outside The Ark, Gate 6, Sausalito, Marin County, California:</span> </u></b></span><span style="font-family: "PT Sans Narrow";">Boogie played at a benefit dance, which lasted from 10am to 8pm each day, to raise money for five persons still in jail following the recent drug raids in Marin County. Buddha, who is organizing the events, asks that there be no free admissions in order that all five can be released. Also on the bill: Quicksilver Messenger Service, Ace of Cups, Freedom Highway, Phoenix, Pacific Flash, Morning Glory, The Smoke, Dino Valenti, Clover, Gail Garnett and Gentle Rain, and many more. “We had a house in Marin, next to the freeway so we could practice,” recalls John Barrett. “After the benefit, I distinctly remember going to that house for more party. From there we moved to Fairfax in late 1968.” </span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="color: red; font-family: PT Sans Narrow;"><b><u>Monday, April 8, 1968: Pacific High Recording Co., Gate 6, Sausalito, Marin County, California: </u></b></span><span style="font-family: "PT Sans Narrow";">Boogie entered Pacific High, a very small recording studio opened few years earlier by music engineer Peter Weston, and recorded three songs: 'Wade In The Water', 'To Me', and 'In Freak Town'. These tracks remained unissued until April 22, 2022, when they surfaced in the band’s posthumous album, ‘In Freak Town’ (Out-Sider Records OSR090). </span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><b><u><span style="font-family: Merienda;">SIDE 1: RECORDED AT PACIFIC HIGH RECORDING CO. 1968</span></u></b></div><div style="text-align: center;"><span style="font-family: Merienda;">01.In Freak Town 4:35</span></div><div style="text-align: center;"><span style="font-family: Merienda;">02.To Me 5:32</span></div><div style="text-align: center;"><span style="font-family: Merienda;">03.Wade in the Water 7:04</span></div><div style="text-align: center;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: center;"><span style="font-family: Merienda;"><b><u>SIDE 2: LIVE AT NEW DREAM BOWL 1969</u></b></span></div><div style="text-align: center;"><span style="font-family: Merienda;">04.Prelude to Boogie 13:31</span></div><div style="text-align: center;"><span style="font-family: Merienda;">05.Chico Smoke Elropo 3:03</span></div><div style="text-align: center;"><span style="font-family: Merienda;">06.I'd Hate to Lose You 6:24</span></div><div style="text-align: center;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-family: Merienda; font-size: medium;"><b><u>EXCLUSIVE VENENOS DO ROCK BONUS TRACKS</u></b></span></div><div style="text-align: center;"><span style="font-family: Merienda;">07.Wade In The Water (alternate version)</span></div><div style="text-align: center;"><span style="font-family: Merienda;">08.Merchant of Dreams (Acoustic)</span></div><div style="text-align: center;"><span style="font-family: Merienda;">09.In Freak Town (Acoustic)</span></div><div style="text-align: center;"><span style="font-family: Merienda;">10.Sweet Cheese Luna</span></div><div style="text-align: center;"><span style="font-family: Merienda;"><b>11.Barritt's Buddy's Boogie</b></span></div><div style="text-align: center;"><span style="font-family: Merienda;"> <a href="https://youtu.be/MEAy3buI9y4">https://youtu.be/MEAy3buI9y4</a></span></div><div style="text-align: center;"><span style="font-family: Merienda;">12.Everybody Wants You</span></div><div style="text-align: center;"><span style="font-family: Merienda;">13.School Kids On Yonders Wall</span></div><div style="text-align: center;"><span style="font-family: Merienda;"><b>14.Self Affection</b></span></div><div style="text-align: center;"><span style="font-family: Merienda;"> <a href="https://youtu.be/QpJbMwZYJFM">https://youtu.be/QpJbMwZYJFM</a></span></div></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com3tag:blogger.com,1999:blog-1503460058341590944.post-13064059592944789432023-06-07T18:19:00.001-03:002023-06-07T18:19:29.070-03:00NEMESIS - Rare Undiscovered [UK 1971 EP Hard Rock Psych Blues Acetate]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitpiaQir65CnBzazdkvcOcWULQdloHbiNhtXctT_S9Cc5G6RZAsJHxyKvnK4TwGJyPuy05GnjSmMkpu0ecstei1fZyFksdrFED4QkYpLkBj1X-Sf8_gaA1HvabS0ZOGJ9Q3F2zJrCh55W7PpxRfBhNoZobMc58JrYR6SRAVHWy1c4qnZKy8aW9iEXl/s2986/Nemesis%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2986" data-original-width="2836" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitpiaQir65CnBzazdkvcOcWULQdloHbiNhtXctT_S9Cc5G6RZAsJHxyKvnK4TwGJyPuy05GnjSmMkpu0ecstei1fZyFksdrFED4QkYpLkBj1X-Sf8_gaA1HvabS0ZOGJ9Q3F2zJrCh55W7PpxRfBhNoZobMc58JrYR6SRAVHWy1c4qnZKy8aW9iEXl/w380-h400/Nemesis%20-%20Front.jpg" width="380" /></a></div><br /><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: x-large;">ALTÍSSIMA RARIDADE!!</span></div><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: x-large;">EXCLUSIVIDADE VENENOS DO ROCK!!</span></div><br /><div style="text-align: justify;"><span style="font-family: Josefin Sans; font-size: large;">RARA OU NENHUMA INFORMAÇÃO SOBRE ESSA OBSCURÍSSIMA BANDA, A NÃO SER QUE ESSE ACETATO DEMO FOI DESCOBERTO NAS PROFUNDEZAS DA GRAHAM CLARK STUDIOS EM 1971!! O QUE TEMOS AQUI É UM BOM SOM DE GUITARRAS CRUAS E UM HARD ROCK BLUES PSYCH FEITO SEM COMPROMISSO, COM BONS VOCAIS E QUE ALGUNS MOMENTOS LEMBRA (APENAS LEMBRA), O VOCALISTA DA BANDA JOSEFUS!! <b><span style="color: red;">VENENO OBSCURO E RARO LÁ DAS PROFUNDEZAS DA MINA DE OURO DO ROCK E QUE VOCÊ SÓ ENCONTRA AQUI NO BLOG VENENOS DO ROCK!!</span></b></span></div><br /><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: large;">HIGH RARITY!!</span></div><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: large;">EXCLUSIVITY OF THE BLOG VENENOS DO ROCK!!</span></div><br /><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;">RARE OR NO INFORMATION ABOUT THIS VERY OBSCURITE BAND, UNLESS THIS ACETATE DEMO WAS DISCOVERED IN THE DEPTHS OF GRAHAM CLARK STUDIOS IN 1971!! WHAT WE HAVE HERE IS A GOOD SOUND OF RAW GUITARS AND A HARD ROCK BLUES PSYCH MADE WITHOUT COMPROMISE, WITH GOOD VOCALS AND THAT SOME MOMENTS REMEMBER (JUST REMEMBER), THE SINGER OF THE BAND JOSEFUS!! <b><span style="color: red;">OBSCURE AND RARE DEMO FROM THE DEPTHS OF THE GOLD MINE OF ROCK AND THAT YOU CAN ONLY FIND HERE ON THE BLOG VENENOS DO ROCK!!</span></b></span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT5AfAnhIw0T9auhTWAXg3aKA6vNzRCwcriXWhZHoBaOcNoG0pM71wue8siiedmWUPS6m9QFBCl5-RY8JGcp5t5p6Ur1bHBGhkdzHfjIg7_1tPi6BXRtMcArL4zYPHFj0TedBAt9XidXfK3oUoIEhebx0vhk7Hqjl_VdNQ3FsC_IFcQ1mgD41b7PEY/s1024/Nemesis%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT5AfAnhIw0T9auhTWAXg3aKA6vNzRCwcriXWhZHoBaOcNoG0pM71wue8siiedmWUPS6m9QFBCl5-RY8JGcp5t5p6Ur1bHBGhkdzHfjIg7_1tPi6BXRtMcArL4zYPHFj0TedBAt9XidXfK3oUoIEhebx0vhk7Hqjl_VdNQ3FsC_IFcQ1mgD41b7PEY/s320/Nemesis%20-%20Back.jpg" width="320" /></a></div><br /><div><br /></div><div><div style="text-align: center;"><span style="font-size: large;">1. Drift With The Tide </span></div><div style="text-align: center;"><span style="font-size: large;">2. Country Boy</span></div><div style="text-align: center;"><span style="font-size: large;"> <a href="https://youtu.be/F3oLjRRFFdc">https://youtu.be/F3oLjRRFFdc</a></span></div><div style="text-align: center;"><span style="font-size: large;">3. Unknown Title </span></div><div style="text-align: center;"><span style="font-size: large;">4. Unknown Title </span></div></div><div style="text-align: center;"><span style="font-size: large;"><br /></span></div><div style="text-align: center;"><span style="font-size: large;"><a href="https://mega.nz/file/Io0F1JwJ#EcoyBs6T8ZNJiLLJ6iaShteWjS49nGfHb-b2nAmygg4">https://mega.nz/file/Io0F1JwJ#EcoyBs6T8ZNJiLLJ6iaShteWjS49nGfHb-b2nAmygg4</a></span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com4tag:blogger.com,1999:blog-1503460058341590944.post-77816318189624088342023-05-28T11:09:00.001-03:002023-05-28T12:27:21.173-03:00VA-Those Shocking Shaking Days (Indonesia 1970-1979 Hard Psych Prog Funk Rock)<div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6kdCmaM_PlFRE9rIY6CGktSQSPcoOKw9RMdo7O1M00CuKjjhfznRH0xqIiAWcxzp26QHs7GRwhV4zJ-pBvZyXUAJS7w9qkHUekaMZVKA8kJNlhO1yz0x6V95UyYMBDpaySbOEFkgzH1L9qVxP5aninv9TnPIwWaQxIrjNCo-SqYaSnCnubuPcfbKB/s1425/Those%20Shocking%20Shaking%20Days%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1425" data-original-width="1425" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6kdCmaM_PlFRE9rIY6CGktSQSPcoOKw9RMdo7O1M00CuKjjhfznRH0xqIiAWcxzp26QHs7GRwhV4zJ-pBvZyXUAJS7w9qkHUekaMZVKA8kJNlhO1yz0x6V95UyYMBDpaySbOEFkgzH1L9qVxP5aninv9TnPIwWaQxIrjNCo-SqYaSnCnubuPcfbKB/w400-h400/Those%20Shocking%20Shaking%20Days%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: large;"><a href="https://mega.nz/file/J8U3TJrB#cD44oGxc-MFHL-MpJmNIt5oIzt843yP0jVZx3QLVokU" target="_blank">VENENO RARÍSSIMO</a> DESNUDANDO O ROCK INDONÉSIO DOS ANOS 70!!</span></div></div><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: large;">POSTAGEM ATÉ O MOMENTO INÉDITA EM BLOGS!!</span></div><div style="text-align: center;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b>A CENA MUSICAL PROGRESSIVA NA INDONESIA DOS ANOS 70 ERA AMPLAMENTE UNDERGROUND, COMO RESULTADO DA CENSURA RÍGIDA IMPOSTA PELO DITADOR SUHARTO!! CERTAMENTE ESSE PAÍS É MAIS CONHECIDO PELO CAFÉ QUE EXPORTA DO QUE PELA SUA MÚSICA, MAS ESSA SITUAÇÃO FOI REMEDIADA PELOS BOOTLEGS DE BANDAS JUVENIS QUE PONTILHAVAM A PAISAGEM PSICODÉLICA DA INDONESIA NAQUELE PERÍODO!! <span style="color: red;"><u>E AQUI TEMOS VERDADEIRAMENTE O SUPRA SUMO DO BOM ROCK PRODUZIDO POR LÁ NAQUELES DIAS CHOCANTES E CALADOS PELA DITADURA SUHARTO!!</u> </span></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><span style="color: red;"><u>UMA SELEÇÃO FANTÁSTICA DE BANDAS QUE MOSTRA A AMPLITUDE E A PROFUNDIDADE DA CENA MUSICAL DOS ANOS 70 DA INDONÉSIA!! AQUI TEMOS ROCK AND ROLL COM GUITARRAS FUZZ IMPLACÁVEIS, LETRAS POLITICAMENTE CARREGADAS, RITMOS FORTES E MÚSICA DE REBELDIA PURA!!</u> </span>EXPLORA O QUE SERIA DE FATO UMA VEIA RICA DESSAS JÓIAS RARAS!! COMO O PRÓPRIO TÍTULO DA COLETÂNEA SUGERE: RARAS CANÇÕES PESADAS, PSICODÉLICAS, DO ROCK PROGRESIVO E DO FUNK!! </b></span><b style="font-family: Merienda;">ESTAMOS DIANTE DE UMA HISTÓRICA E IMPORTANTE COMPILAÇÃO APRESENTANDO BANDAS MUITO BOAS <i>(NÃO ESQUEÇAM QUE FALAMOS DA INDONÉSIA) </i>E ALGUMAS MÚSICAS MARAVILHOSAS QUE BEBEM MUITO DA FONTE OCIDENTAL DO ROCK!! UM VENENO INDONÉSIO BEM INTERESSANTE COM UMA SELEÇÃO MUITO BEM ELABORADA MESMO!! </b></div><div style="text-align: justify;"><b style="font-family: Merienda;"><br /></b></div><div style="text-align: justify;"><b style="font-family: Merienda;">UMA HONRA AO MÉRITO MERECE AQUI!! A MAIORIA DESSA MÚSICAS TERIA PERMANECIDO INÉDITAS SE NÃO FOSSE PELO ESFORÇO COLETIVO DO PRODUTOR DE HIP HOP DE TORONTO E DO SUDESTE ASIÁTICO DOS ANOS 60-70, O ESPECIALISTA NESSA ÁREA, JASON "MOSS" CONN, ALÉM DO PRODUTOR E COLECIONADOR DE DISCOS EGON ALAPATT, BEM COMO DA LENDA DO ROCK INDONESIO, BENNY SOEBARDJA!! APLAUSOS PARA ESSES CARAS QUE DESENTERRARAM AQUILO QUE HAVIAM ESCONDIDO E ENTERRADO NOS PORÕES DA DITADURA INDONÉSIA!! <span style="color: red;">VALE UM TÉKINHO DESSE VENENO!!</span></b></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><i>ABAIXO UMA ÓTIMA HISTÓRIA PARA SER LIDA E COMPREENDER MELHOR DO QUE ESTAMOS FALANDO NESSA POSTAGEM!!</i></b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A cena do rock indonésio floresceu não apenas nos anos 70, em particular na capital do país, Jacarta, não apenas por meio de vendas de discos, mas também por apresentações ao vivo e colaborações entre grupos, mas também, principalmente, durante esse período, a música indonésia documentou a massiva cultura e mudança política no que era agora o quarto país mais populoso do mundo. Dandgdut, o principal elemento da cena pop emergente, junto com as cenas de funk, jazz e rock de forte influência ocidental, foram todas moldadas por essas mudanças. Para entender por que essas mudanças podem ter ocorrido, é necessário mergulhar um pouco na história do país e fazer uma breve contextualização cultural.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Na década de 1960, enquanto o Ocidente curtia músicas como Beatles, Elvis e rock em geral, o governo esquerdista de Sukarno rejeitou esse “imperialismo ocidental”, proibindo a compra e venda de discos ocidentais e atacando fortemente os artistas indonésios. imitando o rock de estilo ocidental e, em vez disso, promovendo sua própria marca de música pop. O assédio, e até a prisão, era frequente, e vários grupos fugiram para a Europa, principalmente, talvez um tanto ironicamente, para a Holanda, o ex-mestre colonial da Indonésia. Tudo isso mudou, em 1965, com um golpe militar, liderado por Suharto, com Sukarno forçado a deixar o poder em 1967. Relações melhores e mais estreitas viram a indústria ocidental, finanças e cultura migrarem para a Indonésia e, como resultado, os brotos verdes da rocha emergente da Indonésia cena musical foram incentivados.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Durante o final dos anos 1960 e início dos anos 1970, a ascensão e popularidade do rock psicodélico, folk e, eventualmente, hard e rock progressivo na América e no Ocidente se refletiu na Indonésia, com grupos icônicos como AKA e Shark Move precisando responder à sua popularidade em turnê. Singapura, Malásia, Filipinas e Austrália. Sob o regime da “Nova Ordem” de Suharto, no entanto, como em qualquer ditadura desse tipo, todas as formas de cultura e arte, incluindo música, expressando uma visão antigovernamental ou insatisfação estavam sujeitas à censura, ou pior. <b><span style="color: red;">As faixas desta antologia que tratam da ‘liberdade’ em seu sentido mais amplo, são cantadas em inglês, escapando assim da censura. </span></b>De fato, em um extremo, por causa de seus vínculos com o OPM Papuan Freedom Movement,</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A banda papua <b><u><span style="color: red; font-size: medium;">Black Brothers</span></u></b> foi forçada a deixar o país, buscando e recebendo asilo político na Holanda. É neste contexto que muitas das canções aqui apresentadas podem ser consideradas não só musicalmente cativantes, mas também verdadeiramente rebeldes.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">O mencionado gênero de música indonésia, Dangdut, é, em essência, um híbrido fascinante que incorpora e é influenciado pela música de filmes indianos de Hollywood, harmonias e melodias árabes e malaias, juntamente com guitarras de rock ocidentais. Embora essa música pop dançante tenha sido evitada e ridicularizada por muitas bandas de rock da Indonésia, algumas não tiveram escrúpulos em incluir ritmos de bateria tradicionais, cítaras e melodias folclóricas malaias em suas músicas ao lado de suas guitarras elétricas difusas. <span style="color: red; font-size: medium;"><b><u>Panbers</u></b></span>, nomes conhecidos em seu país de origem, até mesmo apoiando os Bee Gees em Jacarta em 1974, são um desses grupos e abrem esta coleção com sua contribuição Haai, a fatia de rock mais psicodélica que você poderia esperar. Na mesma linha, as qualidades de raga de Didunia Yang Lain, do <span style="color: red; font-size: medium;"><b><u>Ariesta Birawa Group</u></b></span>, sugerem um grupo bebendo de uma fonte musical distante da Indonésia.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Do lado mais rock do espectro, os sons do hard rock são fornecidos pelo <span style="color: red; font-size: medium;"><b><u>Duo Kribo</u></b></span>, considerado o supergrupo da Indonésia neste gênero, enquanto o atrevido Terenchem, conhecido por exuberantes shows envolvendo kilts, caixões e cobras, fornece Jeritan Cinta, de seu segundo álbum, apresentando uma guitarra fuzz monótona e uma interação insistente de bateria e baixo. A banda de hard rock de seis integrantes <span style="color: red; font-size: medium;"><b><u>Freedom of Rhapsodia</u></b></span>, lendas em Bandung, evoca o som de Deep Purple aqui com Freedom, uma faixa cantada em inglês que escapou da censura. Fortemente influenciado por bandas britânicas, o <span style="color: red; font-size: medium;"><b><u>Golden Wing</u></b></span> criou o que eles chamaram de 'Indo Rock Sound', uma fusão de melodias indonésias e influências do rock ocidental, apresentando o país ao mini-Moog no processo. A contribuição deles aqui tem o cheiro de Uriah Heep.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Medan, no norte de Sumatra, dificilmente pode ser visto como um viveiro de rock, no entanto, gerou pelo menos um grupo de sucesso, <span style="color: red; font-size: medium;"><b><u>Rhythm Kings</u></b></span>, que se mudou para Jacarta em 1970 para gravar seu primeiro álbum de rock, do qual The Promise foi retirado. Uma faixa dominada por teclados com um trabalho de guitarra bastante empolgante. Também proporcionando um som um tanto incomum para eles, <span style="color: red; font-size: medium;"><b><u>Koes Plus</u></b></span>, que embora reconhecido como os reis do pop com uma produção prolífica gravada, exibiu um toque mais rock com sua série de álbuns Hard Beat, de onde sua faixa Mobil Tua foi tirada. Isso é quase certo graças à influência dos três irmãos Koes do baterista Murry.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Duas faixas da compilação são fornecidas por <span style="color: red; font-size: medium;"><b><u>AKA</u></b></span>, um dos grupos de hard rock mais conhecidos da Indonésia. Do What You Like, do álbum de mesmo nome, expressa sentimentos de hedonismo e rebelião, enquanto Shake Me são nove minutos de um bom funk-rock raíz. O mais funky de todos, no entanto, é o <span style="color: red; font-size: medium;"><b><u>The Rollies</u></b></span>, outro grupo formado em Bandung, aqui interpretando Bad News, de seu álbum homônimo, com os vocais estridentes de Bangun Sugito, (Gito Rollies), e Black Brothers, com Saman Doye, um funk- versão rock de uma canção folclórica tradicional da Papua, enquanto <span style="color: red; font-size: medium;"><b><u>Superkid's People </u></b></span>é a joia no molde Stevie Wonder Superstition.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Com bandas menos conhecidas como <span style="color: red; font-size: medium;"><b><u>The Brims</u></b></span>, com seu garage-pop rock Anti Gandja, o <span style="color: red; font-size: medium;"><b><u>IVO's Group</u></b></span>, que inspirou o título da compilação com seu That Shocking Shaking Day, e o obscuro <span style="color: red; font-size: medium;"><b><u>Rasela</u></b></span>, cuja faixa Pemain Bola, com sua guitarra fuzz e padrões de baixo e bateria entrelaçados prestam homenagem ao esporte favorito (o título da música se traduz como 'jogador de futebol'), uma faixa do talvez artista mais talentoso e prolífico da Indonésia, o falecido Djauhar Zaharsjah Fachrudin <span style="color: red; font-size: medium;"><b><u>"Harry" Roesli</u></b></span>, representado aqui no The A gangue de Harry Roesli, juntamente com o Pantun Lama influenciado pelo ska, do já mencionado Murry, ilustram a profundidade e o alcance da pesquisa que foi realizada para este lançamento.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Não deveria ser nenhuma surpresa que exemplos do trabalho de Benny Soebardja, anteriormente creditado, também apareçam neste lançamento. Evil War, um fuzz rock politicamente carregado, retirado do álbum de 1973 de Ghede Chokra, <span style="color: red; font-size: medium;"><b><u>Shark Moves</u></b></span>. Formado em 1972, esse grupo o consagrou como um dos músicos de rock mais progressivo do arquipélago, embora nunca tenham feito sucesso como artistas de gravação em sua terra natal. Após o fim desta banda, Benny formou Lizard, de quem a esplêndida faixa Candle Light foi tirada, antes de formar o sucesso comercial Giant Step.</div><div style="text-align: justify;">-------------------------</div><div style="text-align: center;"><b><u><span style="color: #fcff01;">EXTREMELY RARE COLLECTION EXPOSING 70'S INDONESIAN ROCK!! UNTIL THE MOMENT UNPRECEDENTED IN BLOGS!!</span></u></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Yanone Kaffeesatz; font-size: medium;">THE PROGRESSIVE MUSIC SCENE IN INDONESIA IN THE 1970'S WAS LARGELY UNDERGROUND, AS A RESULT OF STRICT CENSORSHIP IMPOSED BY DICTATOR SUHARTO!! CERTAINLY THIS COUNTRY IS MORE KNOWN FOR THE COFFEE IT EXPORTS THAN FOR ITS MUSIC, BUT THAT SITUATION WAS REMEDIED BY THE BOOTLEGS OF RUDE BANDS THAT DOTTED THE PSYCHEDELIC LANDSCAPE OF INDONESIA AT THAT PERIOD!! AND HERE WE REALLY HAVE THE SUPRA JUICE OF THE GOOD ROCK PRODUCED OVER THERE IN THOSE SHOCKING DAYS AND QUIET BY THE SUHARTO DICTATORSHIP!! A FANTASTIC SELECTION OF BANDS SHOWING THE WIDE AND DEPTH OF INDONESIA'S 1970'S MUSIC SCENE!! HERE WE HAVE ROCK AND ROLL WITH REUTHLESS FUZZ GUITARS, POLITICALLY CHARGED LYRICS, STRONG RHYTHMS AND PURE REBELLIOUS MUSIC!! EXPLORE WHAT A RICH VEIN OF THESE RARE JEWELS WOULD REALLY BE!! AS THE COLLECTION'S TITLE SUGGESTS: RARE HEAVY, PSYCHEDELIC, PROGRESSIVE ROCK AND FUNK SONGS!!</span></div><div style="text-align: justify;"><span style="font-family: Yanone Kaffeesatz; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Yanone Kaffeesatz; font-size: medium;">WE ARE BEFORE A HISTORIC AND IMPORTANT COMPILATION FEATURING VERY GOOD BANDS AND SOME WONDERFUL SONGS THAT DRINK MUCH FROM THE WESTERN SOURCE OF ROCK!! A VERY INTERESTING COLLECTION WITH A VERY WELL MADE SELECTION!! AN HONOR TO THE MERIT DESERVES HERE!! MOST OF THESE SONGS WOULD HAVE REMAINED UNRELEASED IF IT HAD NOT BEEN FOR THE COLLECTIVE EFFORT OF TORONTO AND SOUTHEAST ASIA HIP HOP PRODUCER OF THE 60'S-70'S, THE EXPERT IN THE FIELD, JASON "MOSS" CONN!! IN ADDITION TO RECORD PRODUCER AND COLLECTOR EGON ALAPATT, AS WELL AS INDONESIAN ROCK LEGEND, BENNY SOEBARDJA!! APPLAUSE FOR THOSE GUYS WHO DUG UP WHAT THEY HAD HIDDEN AND BURIED IN THE BASEMENTS OF THE INDONESIAN DICTATORSHIP!!</span></div><div style="text-align: justify;"><span style="font-family: Yanone Kaffeesatz; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: red; font-family: Yanone Kaffeesatz; font-size: medium;"><u>BELOW A GREAT STORY (written by David Pratt) TO BE READ AND UNDERSTAND BETTER WHAT WE ARE TALKING ABOUT IN THIS POST!!</u></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In the 1960s, whilst the West was enjoying the likes of the Beatles, Elvis and rock music in general, the left-leaning Sukarno government rejected this “Western imperialism”, banning the purchase and sale of Western records and coming down heavily on Indonesian artists imitating western-style rock music and instead promoting its own brand of pop music. Harassment, even imprisonment, was frequent, and several groups fled to Europe, mainly, somewhat ironically perhaps, to the Netherlands, Indonesia’s ex-colonial master. All this changed, in 1965 with a military coup, led by Suharto, with Sukarno forced from power in 1967. Improved and closer relations saw Western industry, finance and culture flock into Indonesia, and as a result, the green shoots of Indonesia’s emerging rock music scene were encouraged.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">During the late 1960s and early 1970s, the rise and popularity of psychedelic, folk, and eventually hard and progressive rock in America and the West was reflected in Indonesia, with iconic groups such as AKA and Shark Move needing to respond to their popularity by touring Singapore, Malaysia, the Philippines and Australia. Under Suharto’s “New Order” regime, however, as in any such dictatorship, all forms of culture and art, including music, expressing an anti-government view or dissatisfaction was subject to censorship, or worse. The tracks appearing on this anthology that are concerned with ‘freedom’ in its broadest sense, are sung in English, thus escaping the censors. Indeed, at an extreme, because of their links with the OPM Papuan Freedom Movement,</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Papuan band Black Brothers were forced to leave the country, seeking and receiving political asylum in the Netherlands. It is against this background that many of the songs presented here can be considered not only musically captivating but also truly rebellious.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The aforementioned genre of Indonesian music, Dangdut, is, in essence, a fascinating hybrid that incorporates, and is influenced by, Indian Bollywood film music, Arabic and Malay harmonies and melodies, together with Western rock guitars. Whilst this dance-friendly pop music was shunned and sneered at by many of Indonesia’s rock bands, some had no qualms in featuring traditional drum rhythms, sitars and Malay folk melodies into their music alongside their fuzzy electric guitars. Panbers, household names in their home country, even supporting The Bee Gees in Jakarta in 1974, are one such group and they open this collection with their contribution Haai, as psychedelic a slice of rock as you could hope for. In a similar vein, the raga-like qualities of Didunia Yang Lain, from the Ariesta Birawa Group, suggest a group drinking from a musical source far removed from Indonesia.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">From the rockier end of the spectrum hard rock sounds are provided by Duo Kribo, regarded as Indonesia’s supergroup in this genre, whilst the raunchy Terenchem, renowned for exuberant stage shows involving kilts, coffins and snakes, provide Jeritan Cinta, from their second album, featuring droning fuzz guitar and insistent drum & bass interplay. Six-piece hard rock band Freedom of Rhapsodia, legends in Bandung, evoke the sound of Deep Purple here with Freedom, a track sung in English that escaped the censors. Heavily influenced by British bands, Golden Wing created what they termed the ‘Indo Rock Sound’, an amalgamation of Indonesian melodies and Western rock influences, introducing the country to the mini-Moog in the process. Hear Me, their contribution here is redolent of Uriah Heep.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Medan, North Sumatra, can hardly be seen as a hotbed of rock music, it did, however, spawn at least one successful group, Rhythm Kings, who relocated to Jakarta in 1970 to record their first rock album, from which The Promise is taken, a keyboards-dominated track with quite blistering guitar work. Also providing a somewhat uncharacteristic, for them, sound are Koes Plus, who whilst acknowledged as the kings of pop with a prolific recorded output, displayed a rockier edge with their Hard Beat album series, from where their Mobil Tua track is taken. This is almost certainly thanks to the influence on the three Koes brothers of drummer Murry.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Two tracks on the compilation are provided by AKA, one of Indonesia’s best known hard rock groups. Do What You Like, from the album of the same name, expresses sentiments of hedonism and rebellion, whilst Shake Me is nine minutes of unadulterated funk-rock. Funkiest of all, however, is The Rollies, another group formed in Bandung, here performing Bad News, from their eponymous album, featuring the raucous vocals of Bangun Sugito, (Gito Rollies), and Black Brothers, with Saman Doye, a funk-rock rendition of a traditional Papuan folk song, whilst Superkid’s People is the jewel in the Stevie Wonder Superstition mould.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">With lesser-known bands such as The Brims, with their garage-pop rockAnti Gandja, the IVO’s Group, who provided the inspiration for the compilation’s title with their That Shocking Shaking Day, and the obscure Rasela whose Pemain Bola, with its fuzz guitar lead and intertwined bass & drum patterns pays homage to the favourite sport, (the song’s title translates as ‘football player’), a track from perhaps Indonesia’s most accomplished and prolific artist, the late Djauhar Zaharsjah Fachrudin “Harry” Roesli, represented here in The Gang of Harry Roesli, together with the ska-influenced Pantun Lama, from the already-mentioned Murry, all illustrate the depth and range of research that has been undertaken for this release.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">It should come as no surprise that examples of work of the previously credited Benny Soebardja also feature on this release. Evil War, a politically charged fuzz rocker, taken from Ghede Chokra’s, Shark Moves’ 1973 album. Formed in 1972, this group heralded him as one of the archipelago’s most progressive rock musicians, although they were never successful as recording artists in their homeland. Following the demise of this band, Benny formed Lizard, from whom the quite splendid Candle Light track is taken, prior to forming the commercially successful Giant Step.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Musically, this is an extraordinarily excellent compilation that succeeds admirably in capturing the essence and magic of the time. With not a duff track to be heard and excellent, comprehensive liner notes from Chadra Drews, it cannot be faulted from a musical perspective. The same plaudits, however, cannot be given to the package overall. By way of explanation, perhaps it would be prudent to explain that this review has been written on a product that I purchased, as opposed to being provided by a PR, record company or artist, therefore is not a case of ‘looking a gift horse in the mouth’ My triple vinyl LP set seemed to be poorly pressed, the lead-ins so short that it was difficult to place the stylus correctly, with uneven edges and small pieces of vinyl ‘burrs’ present. The paper sleeves are poor quality, and whilst the liner notes are indeed wonderfully informative, they do not exactly match the track listing on the vinyl itself and, most disappointingly, are not provided as a physical copy and have to be downloaded with a code, which in my case was corrupt, (although to their credit, Now-Again Records, in the US, did sort this out, via email within two or three days). I believe that the CD version of this release provides a physical copy, which would certainly be preferable to running off some 33 A4 pages, many of which are full-colour band photos and album covers.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Notwithstanding these issues, this is an important historical compilation featuring some wonderful music which compares very favourably with that emanating contemporaneously from the West.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-QCNSui3Uhv6eloJ8J1xeNxro-8WFmu0AlH5S-vzvvRuNySK5bjJoCHvC5umISWC3DAEnS1Mur62E3gIVDzn9-aBcTRZRPFuWBCbC90zInIR6Yap8GSFN03reslEJZzBSdMTItTpAfktNBFGthN7Mm1-vKXecXHbNA-eSFe76RCtq9nn2ekevBeg/s570/Those%20Shocking%20Shaking%20Days%20-%20Inside.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="428" data-original-width="570" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia-QCNSui3Uhv6eloJ8J1xeNxro-8WFmu0AlH5S-vzvvRuNySK5bjJoCHvC5umISWC3DAEnS1Mur62E3gIVDzn9-aBcTRZRPFuWBCbC90zInIR6Yap8GSFN03reslEJZzBSdMTItTpAfktNBFGthN7Mm1-vKXecXHbNA-eSFe76RCtq9nn2ekevBeg/s320/Those%20Shocking%20Shaking%20Days%20-%20Inside.jpg" width="320" /></a></div><br /><div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">01. <b>Panbers</b> - Haai (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;"> <a href="https://youtu.be/T05kF07p8Sg">https://youtu.be/T05kF07p8Sg</a></span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">02. <b>The Brims</b> - Anti Gandja (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">03. <b>Rollies</b> - Bad News (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">04. <b>Super Kids</b> - People (1979)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">05. <b>Shark Move</b> - Evil War (1973)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;"> <a href="https://youtu.be/LP_gFI8VU48">https://youtu.be/LP_gFI8VU48</a></span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">06. <b>Golden Wing</b> - Hear Me (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">07. <b>AKA </b>- Do What You Like (1970)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">08.<b> Ivo's Group</b> - That Shocking Shaking Day (1974)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">09. <b>Ariesta Birawa Group </b>- Didunia Yang Lain (1973)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">10. <b>Terenchem</b> - Jeritan Cinta (1971)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">11. <b>Benny Soebardja & Lizard</b> - Candle Light (1975)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">12. <b>Koes Plus </b>- Mobil Tua (1976)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">13. <b>The Gang Of Harry Roesli </b>- Don't Talk About Freedom (1973)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">14. <b>Black Brother</b> - Saman Doye (1978)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;"> h<a href="ttps://youtu.be/D3BgcqgD2cE">ttps://youtu.be/D3BgcqgD2cE</a></span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">15. <b>AKA </b>- Shake Me (1975)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">16. <b>Rasela</b> - Pamain Bola (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">17. <b>Freedom Of Rhapsodia</b> - Freedom (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">18. <b>Rhythm Kings</b> - The Promise (1972)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">19. <b>Duo Kribo</b> - Uang (1978)</span></div><div style="text-align: center;"><span style="font-family: Fjalla One; font-size: medium;">20. <b>Murry </b>- Pantun Lama (1977)</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com4tag:blogger.com,1999:blog-1503460058341590944.post-20504995945758487882023-05-06T13:24:00.000-03:002023-05-06T13:24:52.986-03:00THE CONTENTS ARE - Live Davenport, Iowa [US RAREST 1968 Hard Blues Acid Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuHhTL_nrLSgObPEYzh1bKKSfmoYL86Mx4kmJ-mfL3Vp9DNjOe-yma_3IYpFkCOdItbF6UHCBmpsCoQu3OWxBLqMPkiLO_ZNEgxof3lH5TAtfQCmvn7q0_DgTjvPRR1LlfQiCgQRRKWvvaZ365fi9bzCvRQqVUMTmMZmwBiaUb9iecJxbIbAjfDacy/s1072/The%20Contents%20Are%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="1072" height="353" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuHhTL_nrLSgObPEYzh1bKKSfmoYL86Mx4kmJ-mfL3Vp9DNjOe-yma_3IYpFkCOdItbF6UHCBmpsCoQu3OWxBLqMPkiLO_ZNEgxof3lH5TAtfQCmvn7q0_DgTjvPRR1LlfQiCgQRRKWvvaZ365fi9bzCvRQqVUMTmMZmwBiaUb9iecJxbIbAjfDacy/w400-h353/The%20Contents%20Are%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: red; font-family: Monoton; font-size: x-large;"><b><a href="https://mega.nz/file/w0MgHaIY#d7zs-WtGQsXp97uLhAlB9fDvS8dckmNsbyO9mgLuB7w" target="_blank">VENENO RARO</a> E INÉDITO ATÉ O MOMENTO EM BLOGS NA INTERNET!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b>AQUI TEMOS UMA GRAVAÇÃO AO VIVO NO "THE EAGLES LODGE DANCELAND, EM DAVENPORT, IOWA, EM 1968!! É UMA GRAVAÇÃO INÉDITA RETIRADA DAS MASTER TAPES RESTAURADAS E CUIDADOSAMENTE REMASTERIZADAS PARA DEPOIS PRENSAR EM VINIL DE 160 GRAMAS COM EDIÇÃO LIMITADA A 500 CÓPIAS, COM FOTOS INÉDITAS E UM ENCARTE INFORMATIVO!! TRATA-SE DE UM RARÍSSIMO DOCUMENTO MUSICAL DE UMA BANDA OBSCURA DOS ANOS 60, QUE FAZIA UM SOM BASEADO NA PSICODELIA, NO BLUES E COM JAMS INTENSAS!! VENENO PODEROSO E QUE VALE A PENA DAR UM TÉKINHO!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;">HERE'S A LIVE RECORDING AT "THE EAGLES LODGE DANCELAND IN DAVENPORT, IOWA, IN 1968!! IT IS A BRAND NEW RECORDING TAKEN FROM THE MASTER TAPES RESTORED AND CAREFULLY REMASTERED, THEN BEING PRESSED ON 160 GRAM VINYL, WITH BEAUTIFUL PHOTOS AND AN INFORMATION BOOKLET AND EDITING LIMITED TO 500 LPs!! THIS IS A VERY RARE MUSICAL DOCUMENT OF AN OBSCURE BAND FROM THE 60'S, WHICH MADE A SOUND BASED ON PSYCHODELIA AND BLUES AND WITH INTENSE JAMS!! AN UNPRECEDENTED POST IN BLOGS SO FAR!!</span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvjiwRkJWedCuzYmoZQ15lJ653QvfozjPXOGCCUxwtJYp41oJeesvTOLrM2qXzW9N1e7-yzSB6T_mr2wDFtNDxzTVQC87wCz9iEiCMb4fGgB7ub-6zJtGAhlrk79j_WSsLHdmV7PbIGuou5JBhEKL8_1vGbJXDsm61VLN7P8e_fzjD62jQZMLe3mf9/s772/The%20Contents%20Are%20-%20EP.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="772" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvjiwRkJWedCuzYmoZQ15lJ653QvfozjPXOGCCUxwtJYp41oJeesvTOLrM2qXzW9N1e7-yzSB6T_mr2wDFtNDxzTVQC87wCz9iEiCMb4fGgB7ub-6zJtGAhlrk79j_WSsLHdmV7PbIGuou5JBhEKL8_1vGbJXDsm61VLN7P8e_fzjD62jQZMLe3mf9/s320/The%20Contents%20Are%20-%20EP.jpg" width="318" /></a></div><div><br /></div><div style="text-align: center;"><span style="color: red; font-family: Luckiest Guy; font-size: large;">The Contents Are:</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Mick Orton - Bass Guitar, Vocals</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Paul Staack - Drums, Vocals</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Dave Neumann - Guitar, Vocals</span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: Fredoka One;">Craig Hute - Guitar, Harmonica, Vocals</span> </span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">1.Mama Sadie 02:29</span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">2.Long I Man Blues 03:49</span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">3.Any Day Of The Year 03:09</span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;"><b>4.Something's Just Begun 05:35</b></span></div><div style="text-align: center;"><span style="font-size: large;"> <a href="https://youtu.be/FvHcgGtfldo">https://youtu.be/FvHcgGtfldo</a></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">5.Going To Be Mine 03:03</span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">6.Keep In The Daytime 04:16</span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">7.Get On Home 02:25</span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;"><b>8.JTK 10:14</b></span></div><div style="text-align: center;"><span style="font-size: large;"> <a href="https://youtu.be/wLzGhRBhuGA">https://youtu.be/wLzGhRBhuGA</a></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: large;">9.Hoedown 02:14</span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com2tag:blogger.com,1999:blog-1503460058341590944.post-6058661918927422152023-05-01T19:02:00.004-03:002023-05-01T19:02:52.613-03:00TASAVALLAN PRESIDENTTI - Changing Times And Movements [Prog Jazz Rock Live in Finland And Sweden 1970-1971]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZF8Kp0ilE2ZrVvwG_BNulSqXPhJr2ji1wtiGh5oxsXCBQ_2DU-pkfRQhZtcMD7TCpOlapWz2Rp-kBmuxcHx9R13HGhn8WVI47XAdJRgECZUYbm_co9CJEidnNxkZ7ftSJNlC46PW9YI5SXrduyePdDcpCTf8n3qOG47onZ_IxqClvWt9YUtxSGw9-/s2048/Tasavallan%20Presidentti%20-%20Changing%20Times%20Movements%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="2048" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZF8Kp0ilE2ZrVvwG_BNulSqXPhJr2ji1wtiGh5oxsXCBQ_2DU-pkfRQhZtcMD7TCpOlapWz2Rp-kBmuxcHx9R13HGhn8WVI47XAdJRgECZUYbm_co9CJEidnNxkZ7ftSJNlC46PW9YI5SXrduyePdDcpCTf8n3qOG47onZ_IxqClvWt9YUtxSGw9-/w400-h400/Tasavallan%20Presidentti%20-%20Changing%20Times%20Movements%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><span style="font-family: Merienda;"><b>PROJETO DA GRAVADORA "SVART RECORDS" <a href="https://mega.nz/file/M19yHKrS#AhIDH-qsn0bdzgtjeT24hIsuwIn4FUB2TpJxbQIhABM" target="_blank"><span style="font-size: large;">ESSE É UM ÁLBUM DUPLO</span></a> COM GRAVAÇÕES DE 3 SHOWS AO VIVO DOS PRIMEIROS ANOS DA BANDA, DE 1970 A 1971,</b> COM O VOCALISTA FRANK ROBSON NO COMANDO E "PEKKA PÖYRY" NO SAX E NA FLAUTA, SUBSTITUINDO "JUHANI AALTONEN", AMBOS ERAM OS PRINCIPAIS NOMES DO JAZZ DO PAÍS!! AS PRIMEIRAS APRESENTAÇÕES DO ÁLBUM SÃO DO <b><u>FESTIVAL RUISROCK EM TURKU, FINLÂNDIA, EM 1970</u></b>, UM DOS MAIS LENDÁRIOS FESTIVAIS DE ROCK DO PAÍS!! PARA SE TER UMA IDEIA DA GRANDEZA, A<b><span style="color: red;">S BANDAS "COLOSSEUM" E "FAMILY" TAMBÉM ESTAVAM LÁ NESSE MESMO EVENTO!!</span></b> DEPOIS VEM O <b><u>FESTIVAL SKEPPSHOLMEN DE ESTOCOLMO, SUÈCIA, TAMBÉM EM 1970!! </u></b>TERMINA COM A APRESENTAÇÃO AO VIVO NO <b><u>POPPOP FESTIVAL EM LAPPEENRANTA, FINLÂNDIA, EM MAIO DE 1971</u></b>, LOGO APÓS O LANÇAMENTO DO SEGUNDO ÁLBUM DE ESTÚDIO DA BANDA!! O SHOW FAZIA PARTE DE UMA SÉRIE DE APRESENTAÇÕES COM TRANSMISSÃO DA RÁDIO BROADCASTING COMPANY PARA TODO O PAÍS!! DESTACANDO QUE NESSE SHOW, COM 5 MÚSICAS, É A PARTE MAIS INTERESSANTE DO LP PELO FATOR RARIDADE, POIS SÃO MÚSICAS INÉDITAS!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><span style="color: red;">O ÁLBUM INCLUI, ALÉM DE APRESENTAÇÕES AO VIVO DO MATERIAL DOS 2 PRIMEIROS ÁLBUNS DE ESTÚDIO, MAIS SEIS FAIXAS QUE A BANDA NUNCA GRAVOU, PORTANTO TRATA-SE DE MATERIAL INÉDITO!! </span></b>"WHIRLWIND NIGHMARE", "THE OLD WOMAN" E "GIGOLO" FORAM EVENTUALMENTE GRAVADOS PELO VOCALISTA E ROQUEIRO FINLANDÊS "KIRKA" NA LINGUA NATIVA, MAS ESTA É A PRIMEIRA VEZ QUE FORAM APRESENTADOS COMO ORIGINAIS DA TASAVALLAN PRESIDENTTI EM INGLÊS!! A FAIXA "GOING BACK" FOI UMA MÚSICA DE "FRANK ROBSON" QUE FOI ESQUECIDA E DEIXADA PARA TRÁS QUANDO ELE SAIU DA BANDA!! "IMPRESSIONS OF INDIA" ACABOU, POSTERIORMENTE, ENTRANDO NO PRIMEIRO ÁLBUM SOLO DE "JUKKA TOLONEN"!! JÁ "AIN'T YA COMING HOME" É UM COVER DA BANDA "BLODWYN PIG" QUE A TASAVALLAN TOCAVA EM SHOWS AO VIVO NA ÉPOCA, COM UM DESEMPENHO ESTENDIDO E CHEIO DE ENERGIA!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><span style="color: #fcff01;">UM VENENO EXCELENTE E RECOMENDADO, COM JAZZ ROCK INEBRIANTE</span>, ENÉRGICO, COM MUITO SAXOFONE, MAS INFELIZMENTE, AO MENOS PRA MIM, NENHUM VIOLÃO OU TECLADO É USADO NESSES 3 SHOWS!! MAS NEM POR ISSO PERDE A QUALIDADE, MUITO PELO CONTRÁRIO, AQUI TEMOS APRESENTAÇÕES DE ALTA QUALIDADE SONORA E OS ARQUIVOS CAPTAM BEM AQUELE CLIMA DE INÍCIO DE CARREIRA DA BANDA, QUANDO TINHAM UMA PRESENÇA DE PALCO INCRÍVEL!!</b></span></div><div style="text-align: justify;">----------------------------------------------------------------------------------------------</div></div><div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">LABEL PROJECT "SVART RECORDS" THIS IS A DOUBLE ALBUM WITH RECORDINGS OF 3 LIVE SHOWS FROM THE BAND'S EARLY YEARS, FROM 1970 TO 1971, WITH VOCALIST FRANK ROBSON IN CHARGE AND "PEKKA PÖYRY" IN SAX AND FLUTE, REPLACING " JUHANI AALTONEN", BOTH WERE THE TOP JAZZ NAME IN THE COUNTRY!! THE FIRST PRESENTATIONS OF THE ALBUM ARE AT THE RUISROCK FESTIVAL IN TURKU, FINLAND, IN 1970, ONE OF THE MOST LEGENDARY ROCK FESTIVALS IN THE COUNTRY!! TO GET AN IDEA OF THE GREATNESS, THE BANDS "COLOSSEUM" AND "FAMILY" WERE ALSO THERE AT THAT SAME EVENT!! THEN COMES THE SKEPPSHOLMEN FESTIVAL IN STOCKHOLM, SWEDEN, ALSO IN 1970!! ENDS WITH THE LIVE PERFORMANCE AT THE POPPOP FESTIVAL IN LAPPEENRANTA, FINLAND IN MAY 1971, SHORTLY AFTER THE RELEASE OF THE BAND'S SECOND STUDIO ALBUM!! THE SHOW WAS PART OF A SERIES OF PRESENTATIONS TRANSMITTED BY THE RADIO BROADCASTING COMPANY TO THE WHOLE COUNTRY!! HIGHLIGHTING THAT IN THIS SHOW, WITH 5 SONGS, IT IS THE MOST INTERESTING PART OF THE LP DUE TO THE RARITY FACTOR, BECAUSE THEY ARE UNPRECEDENTED SONGS!!</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">THE ALBUM INCLUDES, IN ADDITION TO LIVE PRESENTATIONS OF MATERIAL FROM THE FIRST 2 STUDIO ALBUMS, PLUS SIX TRACKS THAT THE BAND NEVER RECORDED, THEREFORE THIS IS UNPRECEDENTED MATERIAL!! "WHIRLWIND NIGHMARE", "THE OLD WOMAN" AND "GIGOLO" WERE EVENTUALLY RECORDED BY FINNISH SINGER AND ROCKER "KIRKA" IN THE NATIVE LANGUAGE, BUT THIS IS THE FIRST TIME THEY WERE PRESENTED AS TASAVALLAN PRESIDENTTI ORIGINALS IN ENGLISH!! THE TRACK "GOING BACK" WAS A SONG BY "FRANK ROBSON" THAT WAS FORGOTTEN AND LEFT BEHIND WHEN HE LEFT THE BAND!! "IMPRESSIONS OF INDIA" ENDED UP, LATER, ENTERING "JUKKA TOLOEN"'S FIRST SOLO ALBUM!! "AIN'T YA COMING HOME" IS A COVER OF THE BAND "BLODWYN PIG" THAT TASAVALLAN PLAYED IN LIVE SHOWS AT THE TIME, WITH AN EXTENDED PERFORMANCE AND FULL OF ENERGY!!</span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;">AN EXCELLENT AND RECOMMENDED LP, WITH INEBRIANT, ENERGICAL JAZZ ROCK, WITH A LOT OF SAXOPHONE, BUT UNFORTUNATELY, AT LEAST FOR ME, NO GUITARS OR KEYBOARDS ARE USED IN THESE 3 SHOWS!! BUT THAT DOESN'T LOSE QUALITY, QUITE THE CONTRARY, HERE WE HAVE HIGH QUALITY SOUND QUALITY PRESENTATIONS AND THE FILES WELL CAPTURE THAT MOMENT OF THE BAND'S BEGINNING CAREER, WHEN THEY HAD AN INCREDIBLE STAGE PRESENCE!!</span></div></div><div style="text-align: justify;"><span style="font-family: PT Sans Narrow;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigylRwsPtu4oCKuoO7TPdwzESN9IsG41Gu5TMDOA9RBZuVxQClWEuRAwyX3nyeBzm7QY4RyIzd05_XJ6TzkJJqZRqtJe0eTQ6UF7r07JaQ4mRkw268tAvP4J3_cZLcP1aO6yLL-NCMIwW7QH0o78NcOc2ycYtiflEk8EU5tyaaiOQEHOJKDuLGf8C7/s599/Tasavallan%20Presidentti%20-%20Changing%20Times%20Movements%20-%20Inlay1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="599" data-original-width="590" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigylRwsPtu4oCKuoO7TPdwzESN9IsG41Gu5TMDOA9RBZuVxQClWEuRAwyX3nyeBzm7QY4RyIzd05_XJ6TzkJJqZRqtJe0eTQ6UF7r07JaQ4mRkw268tAvP4J3_cZLcP1aO6yLL-NCMIwW7QH0o78NcOc2ycYtiflEk8EU5tyaaiOQEHOJKDuLGf8C7/s320/Tasavallan%20Presidentti%20-%20Changing%20Times%20Movements%20-%20Inlay1.jpg" width="315" /></a></div><br /><div><div style="text-align: center;"><span style="font-family: Fredoka One;">- Frank Robson: vocals, percussion</span></div><div style="text-align: center;"><span style="font-family: Fredoka One;">- Jukka Tolonen: electric guitar</span></div><div style="text-align: center;"><span style="font-family: Fredoka One;">- Pekka Pöyry: alto & soprano saxophones, flute, percussion</span></div><div style="text-align: center;"><span style="font-family: Fredoka One;">- Måns Groundstroem: electric bass</span></div><div style="text-align: center;"><span style="font-family: Fredoka One;">- Vesa Aaltonen: drums</span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="color: red; font-family: Josefin Sans; font-size: medium;"><u><b><i>Ruisrock Festival, Turku, August 22, 1970</i></b>:</u></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">A1. Going Back (3:38)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"> <a href="https://youtu.be/2xDbZJ72L3A">https://youtu.be/2xDbZJ72L3A</a></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">A2. Ain't Ya Coming Home, Babe (13:31)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">A3. Tis Me, Tis You (2:42)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-family: Josefin Sans; font-size: medium;"><b><i><u>Skeppsholmen, Stockholm, September 5, 1970:</u></i></b></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">B1. Deep Thinker (3:04)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"> <a href="https://youtu.be/xf_PQj9QDyw">https://youtu.be/xf_PQj9QDyw</a></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">B2. Tell Me More (4:10)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">B3. Introduction / Driving Through (17:25)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">C1. Tis Me, Tis You (2:11)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">C2. Ain't You Coming Home, Baby (15:08)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-family: Josefin Sans; font-size: medium;"><b><i><u>Lappeenranta, May 8, 1971:</u></i></b></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">D1. Whirlwind Nightmare (3:42)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">D2. Deep Thinker (4:05)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">D3. The Old Woman (6:31)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">D4. Impressions of India (5:34)</span></div><div style="text-align: center;"><span style="font-family: Josefin Sans; font-size: medium;">D5. Gigolo (3:29)</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com0tag:blogger.com,1999:blog-1503460058341590944.post-92176387803856209102023-04-13T19:37:00.000-03:002023-04-13T19:37:21.718-03:00SOHO ORANGE - King Of The Road [1971 Scotland Hard Proto Heavy Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHyegwky1SX4HlfLzUw7YSqiA2OWETiUmCmly4QB_kt6-WpyHKwF6KB1KcBRTyk1q1zyzIXUonoIZQslvgI4pszPdFJlCqMRZB_Q0QXRXeU-DGClO8NnLOsSYjN9pvp17cdyeBAtsPNZTBIYeXK8THf9gkfyNi6GozGRVVBWqvkTUdPuVWeFMEOVgi/s1000/Soho%20Orange%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="878" data-original-width="1000" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHyegwky1SX4HlfLzUw7YSqiA2OWETiUmCmly4QB_kt6-WpyHKwF6KB1KcBRTyk1q1zyzIXUonoIZQslvgI4pszPdFJlCqMRZB_Q0QXRXeU-DGClO8NnLOsSYjN9pvp17cdyeBAtsPNZTBIYeXK8THf9gkfyNi6GozGRVVBWqvkTUdPuVWeFMEOVgi/w400-h351/Soho%20Orange%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><span style="font-family: Merienda;"><b><a href="https://mega.nz/file/F492FbgK#VBeyhXTIz9GWjdCBejsOpF4BsPhvBoKUKCfynv4oAyY" target="_blank">O ÁLBUM FOI GRAVADO AO VIVO</a> NOS ESTÚDIOS FALKIRH, NA ESCÓCIA, MESMO AO QUAL GRAVOU O LP DA BANDA BODKIN, MAS NUNCA TEVE SEU LANÇAMENTO!! SOMENTE EM 1991 ISSO FOI FEITO PELA MESMA GRAVADORA ALEMÃ QUE LANÇOU O LP DA BANDA "GERMAN OAK", NUMA EDIÇÃO LIMITADA DE 380 CÓPIAS RETIRADO DAS MASTER TAPES ORIGINAIS DE 1971 E QUE FORAM ENCONTRADAS SOMENTE NO FINAL DOS ANOS 80!! UM OUTRO ÁLBUM SAIU EM 1989, QUE TAMBÉM JÁ FOI POSTADO AQUI, MAS COM OUTRAS MÚSICAS DIFERENTES!! A ÚNICA QUE TAVA NESSE DISCO É KINGS OF THE ROAD!! 🎸🎵</b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b>É HARD ROCK MUITO BOM, TÍPICO DO INÍCIO DOS ANOS 70, MEIO SELVAGEM COM LETRAS SOBRE DROGAS, MULHERES E LIBERDADE!! U<span style="color: red;">MA CURIOSIDADE É QUE ESSA FOTO DA CAPA É A ÚNICA EXISTENTE DA BANDA!!</span> O VOCALISTA E LÍDER "ALAN McDADE" JÁ MORREU E ESTA EDIÇÃO FOI LANÇADA COM TOTAL APOIO DE SEUS HERDEIROS E DOS OUTROS MEMBROS SOBREVIVENTES!! INFELIZMENTE POUCA HISTÓRIA TEMOS PARA CONTAR DA BANDA!! MAS O SOM JÁ É MAIS DO QUE SUFICIENTE!!</b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><br /></b></span></div><div style="text-align: justify;"><span style="color: #fcff01; font-family: Merienda;"><b><i>O ÁLBUM JÁ ABRE COM CHAVE DE OURO COM "KINGS OF THE ROAD", TOTALMENTE MOVIDO A ANFETAMINAS E TERMINA COM A CANÇÃO DE NOME EMBLEMÁTICO, "END OF THE ROAD", CARREGADA DE DESGRAÇAS, COM UM BAIXO LENTO E UM FINAL COM RIFFS MAIS VIOLENTOS!! VENENO RARO E RECOMENDADO!! VALE MUITO DAR UM TÉKINHO!!</i></b></span></div><div style="text-align: justify;">-----------------------</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b><a href="https://mega.nz/file/F492FbgK#VBeyhXTIz9GWjdCBejsOpF4BsPhvBoKUKCfynv4oAyY" target="_blank">THE ALBUM WAS RECORDED LIVE</a> AT FALKIRH STUDIOS, IN SCOTLAND, EVEN WHICH THE BAND BODKIN RECORDED THE LP, BUT IT NEVER RELEASED!! ONLY IN 1991 THIS WAS MADE BY THE SAME GERMAN LABEL THAT RELEASED THE LP OF THE BAND "GERMAN OAK", IN A LIMITED EDITION OF 380 COPIES REMOVED FROM THE ORIGINAL MASTER TAPES FROM 1971 AND THAT WERE ONLY FOUND IN THE LATE 80'S!! ANOTHER ALBUM WAS OUT IN 1989, WHICH ALSO WAS POSTED HERE, BUT WITH OTHER DIFFERENT SONGS!! THE ONLY ONE ON THIS ALBUM IS KINGS OF THE ROAD!!</b></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b>IT'S REALLY GOOD HARD ROCK, EARLY 70'S TYPICAL, KIND OF WILD WITH LYRICS ABOUT DRUGS, WOMEN AND FREEDOM!! A CURIOSITY IS THAT THIS COVER PHOTO IS THE ONLY EXISTING OF THE BAND!! SINGER AND LEADER "ALAN McDADE" IS DEAD AND THIS EDITION HAS BEEN RELEASED WITH THE FULL SUPPORT OF HIS HEIRS AND OTHER SURVIVING MEMBERS!! UNFORTUNATELY LITTLE STORY WE HAVE TO TELL ABOUT THE BAND!! BUT THE SOUND IS ALREADY MORE THAN ENOUGH!!</b></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b>THE ALBUM ALREADY OPENS WITH A GOLDEN KEY WITH "KINGS OF THE ROAD", COMPLETELY POWERED BY APHETAMINES AND ENDS WITH THE EMBLEMATIC NAME SONG, "END OF THE ROAD", LOADED WITH DISGRACE, WITH A SLOW BASS AND AN ENDING WITH MORE RIFFS VIOLENT!!</b></span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWjpea1BaunyDec3SVQiNGZXelmk6WkQu3ZqNMnnFGYnQfU9hK_LbMeOnDX0ORP83c9_ix35XHZ_fxfMT4hPa7hcI_vYcqUQ4VQ7PuQCCpkJ-puD6YBudO0SR6mWkXijz7LA4v0XuxADRvcJNmkJKVDafK9aFVU5wUSaXmwhyCvhDfpZI5xYGhsBbh/s970/Soho%20Orange%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="970" data-original-width="970" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWjpea1BaunyDec3SVQiNGZXelmk6WkQu3ZqNMnnFGYnQfU9hK_LbMeOnDX0ORP83c9_ix35XHZ_fxfMT4hPa7hcI_vYcqUQ4VQ7PuQCCpkJ-puD6YBudO0SR6mWkXijz7LA4v0XuxADRvcJNmkJKVDafK9aFVU5wUSaXmwhyCvhDfpZI5xYGhsBbh/s320/Soho%20Orange%20-%20Back.jpg" width="320" /></a></div><div style="text-align: center;"><span style="color: red; font-family: Bebas Neue; font-size: large;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-family: Bebas Neue; font-size: large;">🎼Recorded live in studio, Falkirk, Scotland, 1971</span><span style="color: red; font-family: "Bebas Neue"; font-size: x-large;">🎼</span></div><div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">Bass – Alex Gow</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">Design – Bobby Blisters</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">Drums – Ian Cochrane</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">Guitar – Brian Cairns</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">Producer – Jim West</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">Vocals – Alan McDade</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;"><br /></span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">1 King Of The Road 5:55</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">2 Voice Of Freedom 5:48</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">3 Sail On 6:08</span></div><div style="text-align: center;"> <a href="https://youtu.be/ed6NgqTqNu8"><span style="font-size: large;">https://youtu.be/ed6NgqTqNu8</span></a></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">4 Suburban Woman 4:36</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">5 Horse And Coke 3:37</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: large;">6 End Of The Road 7:40</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com9tag:blogger.com,1999:blog-1503460058341590944.post-89327961218623618262023-04-02T22:24:00.000-03:002023-04-02T22:24:08.262-03:00PROTON 1 [Varios 1974 Rare German Krautrock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUWwNnXaVB7ZqoyC0-651qZaw1_XQK_PsMrWcbuX6AIL77m04CefXIwnmo3pauV5cvtMkNIXro8oU0qjrtvTlfLDwtdnWdcbxjiCzYDsUGiKRS8VZHcMDzkQMLo3ccTO3VqRqkOf9dGWrFO4iC8I2Cj18geCuDEMjYpwlrClhVraUgsg6oLerHWbfG/s1125/Proton%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1093" data-original-width="1125" height="389" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUWwNnXaVB7ZqoyC0-651qZaw1_XQK_PsMrWcbuX6AIL77m04CefXIwnmo3pauV5cvtMkNIXro8oU0qjrtvTlfLDwtdnWdcbxjiCzYDsUGiKRS8VZHcMDzkQMLo3ccTO3VqRqkOf9dGWrFO4iC8I2Cj18geCuDEMjYpwlrClhVraUgsg6oLerHWbfG/w400-h389/Proton%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="font-family: Creepster; font-size: x-large;"><u><a href="https://mega.nz/file/d09zEBpA#2fS7tThDQgu5eHZQ75jcObVAZno6y0YMFW9_n8yk8gE" target="_blank">COLETÂNEA ALEMÃ</a> <span style="color: #fcff01;">EXTREMAMENTE RARA E RECOMENDADA!!!</span></u></span></div><br /><div style="text-align: justify;"><span style="font-family: Kaushan Script; font-size: x-large;"><b>CÓPIA ORIGINAL LANÇADA ORIGINALMENTE EM 1974 NA ALEMANHA COMO UM ÁLBUM DUPLO, COM EDIÇÃO LIMITADA DE 300 CÓPIAS E QUE HOJE É UMA SUPER RARIDADE!! PARA SE TER IDEIA AS BANDAS SUN E ZYMA SÓ FORAM GRAVAR UM LP ANOS MAIS TARDE!! AQUI TEMOS BANDAS OBSCURAS DO KRAUTROCK NA SUA ESSÊNCIA!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><u><span style="color: red;">Faixas 1 e 2:</span></u></b> São da banda Zyma e são excelentes. Nesta fase a banda tinha uma vocalista feminino e um masculino!! A sonoridade é bluesy pós rock Jefferson Airplane, lembrando um pouco de Joy Unlimited e Frumpy, mas muito mais cru e refinado!!</span></div><div style="font-size: large; text-align: justify;"><br /></div><span style="font-size: large;"><div style="text-align: justify;"><span style="font-family: Merienda;"><b style="font-weight: bold;"><u><span style="color: red;">Faixas 3-4-5:</span></u></b> São da banda Andora, batizada em homenagem ao pequeno e obscuro país entre a Espanha e a França!! Musicalmente falando, infelizmente nenhum elemento étnico está presente!! A faixa 3 é um acid rocker decente e direto com um bom trabalho de guitarra!! Na 4 é uma música curta lembrando um folk rock do tipo CSN ou Byrds. Já a faixa 5 considero o destaque dos caras e apresenta um belo groove com alguns excelentes solos de guitarra e percussão, lembrando a banda Missing Link, Nosferatu e o início do Epitaph!! Andorra mostra potencial suficiente para gravr um álbum inteiro, mas infelizmente isso nãoa conteceu!!</span></div></span><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><span style="font-size: large;"><div style="text-align: justify;"><span style="font-family: Merienda;"><b style="font-weight: bold;"><u><span style="color: red;">Faixas 6-7-8:</span></u></b> Banda Penicilina, basicamente uma banda de blues rock de língua alemã, mas comercialmente orientada!! Falando da faixa 8 é um rip clássico instrumental semelhante a Ekseption, Trace ou Amos Key!! Além de algum trabalho de órgão Hammond bem legal, no geral não há muito o que destacar aqui!! Na minha opinião é abanda mais fraca do àlbum!!</span></div></span><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><span style="font-size: large;"><div style="text-align: justify;"><span style="font-family: Merienda;"><b style="font-weight: bold;"><u><span style="color: red;">Faixas 9-10-11:</span></u></b> Aqui a banda Nexus nos leva para o reino do jazz, com flauta e sax bem interessante!! Na faixa 9 temos vocais e talvez seja a mais cativante de suas três faixas!! Na 10 temos uma peça instrumental de jazz rock absolutamente maravilhosa!! Ja´na 11 o clima é mais atmosférico, com piano elétrico, guitarra elétrica com um excelente solo de wah wah, sax e flauta!! Nexus é uma banda muito muito interessante e madura!!</span></div></span><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><span style="font-size: large;"><div style="text-align: justify;"><span style="font-family: Merienda;"><span style="color: red; font-weight: bold;"><b><u>Faixas 12 e 13</u></b>:</span> Banda Sun que mantêm um pouco o sabor do jazz estabelecido pelo Nexus!! Na faixa 12, que é a mais longa do Proton 1, tem alguns movimentos diferentes entre jazz, bluesy rock, folk melancólico e seções progressivas!! Os vocais e o órgão Hammond são bastante dominantes!! Já na 13 a banda quebra o violino!! Flauta e violão acompanham junto com vocais de harmonia, antes de partir para movimentos mais pesados!! Sun é definitivamente a banda mais progressiva presente no álbum, embora não seja tão madura ou profissional quanto Nexus ou Zyma!!</span></div></span><div style="text-align: justify;">-----</div><div style="text-align: center;"><u><span style="font-family: Creepster; font-size: x-large;"><a href="https://mega.nz/file/d09zEBpA#2fS7tThDQgu5eHZQ75jcObVAZno6y0YMFW9_n8yk8gE" target="_blank">EXTREMELY RARE</a> <span style="color: red;">AND RECOMMENDED GERMAN COLLECTION!!!</span></span></u></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">ORIGINAL COPY ORIGINALLY RELEASED IN 1974 IN GERMANY AS A DOUBLE ALBUM, LIMITED EDITION OF 300 COPIES AND TODAY A SUPER RARITY!! TO GET AN IDEA THE BANDS SUN AND ZYMA ONLY RECORDED AN LP YEARS LATER!! HERE WE HAVE OBSCURE KRAUTROCK BANDS IN THEIR ESSENCE!!</div><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><u><span style="color: red;">Tracks 1 and 2:</span> </u></b>They are by the band Zyma and they are excellent. At this stage the band had a female vocalist and a male vocalist!! The sound is bluesy post rock Jefferson Airplane, reminiscent of Joy Unlimited and Frumpy, but much more raw and refined!!</div></b><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><u><span style="color: red;">Tracks 3-4-5: </span></u></b>This is by the band Andora, named after the small and obscure country between Spain and France!! Musically speaking, unfortunately no ethnic element is present!! Track 3 is a decent straight forward acid rocker with good guitar work!! Na 4 is a short song reminiscent of CSN or Byrds type folk rock. Track 5, on the other hand, I consider the highlight of the guys and presents a beautiful groove with some excellent guitar and percussion solos, remembering the band Missing Link, Nosferatu and the beginning of Epitaph!! Andorra shows enough potential to record an entire album, but unfortunately that didn't happen!!</div></b><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><u><span style="color: red;">Tracks 6-7-8:</span></u></b> Band Penicillin, basically a German speaking blues rock band but commercially oriented!! Speaking of track 8 is a classic instrumental rip similar to Ekseption, Trace or Amos Key!! Aside from some pretty cool Hammond organ work, overall not much to point out here!! In my opinion it's the weakest band on the album!!</div></b><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><u><span style="color: red;">Tracks 9-10-11:</span></u></b> Here the band Nexus takes us into the realm of jazz, with flute and sax very interesting!! On track 9 we have vocals and is perhaps the most catchy of its three tracks!! In 10 we have an absolutely wonderful jazz rock instrumental piece!! Already in 11 the atmosphere is more atmospheric, with electric piano, electric guitar with an excellent wah wah solo, sax and flute!! Nexus is a very very interesting and mature band!!</div></b><div style="text-align: justify;"><br /></div><b><div style="text-align: justify;"><b><u><span style="color: red;">Tracks 12 & 13:</span></u></b> Sun Band who keep a bit of the jazz flavor established by Nexus!! On track 12, which is the longest on Proton 1, there are some different movements between jazz, bluesy rock, melancholy folk and progressive sections!! The vocals and Hammond organ are quite dominant!! Already at 13 the band breaks the violin!! Flute and guitar accompany along with harmony vocals, before moving on to heavier moves!! Sun is definitely the most progressive band featured on the album, although not as mature or professional as Nexus or Zyma!!</div></b><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoLtEYFttVRDPqEelcH9gOjsERcG31qFM2yhuZ7j6Bfi7l6f6cYHBtKPI6QM1kLvW-OGx_xRVrqd6cOHOhcvyh2tuJzIbAbK37syQ8EMpMwnZNpVF2mpeUYUU37e53kJBFGamWecYglcKP7MSpKzWnuKGY0NwLteAsX4Aax1eIJOHDvNZgN857POXT/s600/Proton%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoLtEYFttVRDPqEelcH9gOjsERcG31qFM2yhuZ7j6Bfi7l6f6cYHBtKPI6QM1kLvW-OGx_xRVrqd6cOHOhcvyh2tuJzIbAbK37syQ8EMpMwnZNpVF2mpeUYUU37e53kJBFGamWecYglcKP7MSpKzWnuKGY0NwLteAsX4Aax1eIJOHDvNZgN857POXT/s320/Proton%20-%20Back.jpg" width="320" /></a></div><div><br /></div><div><div style="text-align: center;"><span style="color: red; font-size: medium;"><b><u>ZYMA</u></b></span></div><div style="text-align: center;"><span style="font-size: medium;">Dorle Ferber: violin, flute, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Günter Hornung: keyboards, cemballo</span></div><div style="text-align: center;"><span style="font-size: medium;">Meinrad Hirt: keyboards, flute, violin</span></div><div style="text-align: center;"><span style="font-size: medium;">Bodo Brandl: bass</span></div><div style="text-align: center;"><span style="font-size: medium;">Udo Kübler: drums</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-size: medium;"><b><u>ANDORRA</u></b></span></div><div style="text-align: center;"><span style="font-size: medium;">Uwe Sill: guitar, mandolin</span></div><div style="text-align: center;"><span style="font-size: medium;">Ulrich Leicht: guitar, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Hans-Dieter Gatzke: bass, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Heinz-Wilhelm Heuke: drums, percussion, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-size: medium;"><b><u>PENICILLIN</u></b></span></div><div style="text-align: center;"><span style="font-size: medium;">Heinz Glass: guitar, piano</span></div><div style="text-align: center;"><span style="font-size: medium;">Michael Karch: piano, organ, synthesizer, bass</span></div><div style="text-align: center;"><span style="font-size: medium;">Rolf-Dieter Schnapka: bass, piano, trumpet</span></div><div style="text-align: center;"><span style="font-size: medium;">Fred Felder: vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Waldemar Ruth: drums</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-size: medium;"><b><u>NEXUS</u></b></span></div><div style="text-align: center;"><span style="font-size: medium;">Bobby Baur: flute, soprano saxophone, electric piano, bass</span></div><div style="text-align: center;"><span style="font-size: medium;">Mike Marek: guitar</span></div><div style="text-align: center;"><span style="font-size: medium;">Roland Gyrmadi: bass</span></div><div style="text-align: center;"><span style="font-size: medium;">Peter Garattoni: drums, percussion</span></div><div style="text-align: center;"><span style="font-size: medium;">Jutta Handrup: vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Wolfgang Freund: vocals</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="color: red; font-size: medium;"><b><u>SUN</u></b></span></div><div style="text-align: center;"><span style="font-size: medium;">Rudi Herrmann: vocals, drums</span></div><div style="text-align: center;"><span style="font-size: medium;">Bruno Mäder: saxophone, lyricon, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Harry Müller: guitar, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Gunter Hübner: guitar</span></div><div style="text-align: center;"><span style="font-size: medium;">Thomas Heldmann: bass, vocals</span></div><div style="text-align: center;"><span style="font-size: medium;">Reinhard Stephan: electric piano, organ</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;">01. Zyma - Law Like Love 7:02</span></div><div style="text-align: center;"><span style="font-size: medium;">02. Zyma - Tango Enough 6:02</span></div><div style="text-align: center;"><span style="font-size: medium;"><b>03. Andorra - I've Been Waiting 7:10</b></span></div><div style="text-align: center;"><span style="font-size: medium;"> <a href="https://youtu.be/aVlZoF3JKlA">https://youtu.be/aVlZoF3JKlA</a></span></div><div style="text-align: center;"><span style="font-size: medium;">04. Andorra - Mr. Congresman 2:47</span></div><div style="text-align: center;"><span style="font-size: medium;">05. Andorra - On My Way 4:29</span></div><div style="text-align: center;"><span style="font-size: medium;">06. Penicillin - Das Kleine Zahnrad 2:51</span></div><div style="text-align: center;"><span style="font-size: medium;">07. Penicillin - Die Fledermaus 4:39</span></div><div style="text-align: center;"><span style="font-size: medium;">08. Penicillin - Für Elise 6:07</span></div><div style="text-align: center;"><span style="font-size: medium;">09. Nexus - Always Fluffy 3:08</span></div><div style="text-align: center;"><span style="font-size: medium;">10. Nexus - Plexus 4:41</span></div><div style="text-align: center;"><span style="font-size: medium;">11. Nexus - Ignis 7:55</span></div><div style="text-align: center;"><span style="font-size: medium;">12. Sun - Leisure 10:44</span></div><div style="text-align: center;"><span style="font-size: medium;">13. Sun - To Celia 8:35</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com1tag:blogger.com,1999:blog-1503460058341590944.post-10208626870477560752023-03-26T12:06:00.000-03:002023-03-26T12:06:00.765-03:00FATTY LUMPKIN - Live at The Swinger [1973 US Hard Blues West Coast Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqxR_MYiZzqVSXiGU3gOvo3Bkb9dVlTh8A0Qsyt8FCL4qU1F-B0RZpdlVAVjtigh4YDMBrgVvXncSAsgbJ4QwrxyL8nkRsKEkGC5FNyejaP4aB6OUiOB_ls2s_5KaDK_yoed7l8wPAcXSxjQLOekvzu_8eJL56RexKBa3mfBEGDZ2id6FWQgeezOuc/s1740/Fatty%20Lumpkin%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1676" data-original-width="1740" height="385" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqxR_MYiZzqVSXiGU3gOvo3Bkb9dVlTh8A0Qsyt8FCL4qU1F-B0RZpdlVAVjtigh4YDMBrgVvXncSAsgbJ4QwrxyL8nkRsKEkGC5FNyejaP4aB6OUiOB_ls2s_5KaDK_yoed7l8wPAcXSxjQLOekvzu_8eJL56RexKBa3mfBEGDZ2id6FWQgeezOuc/w400-h385/Fatty%20Lumpkin%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><b><span style="color: red; font-size: large;">AQUI TEMOS O SUPRA SUMO DAS RARIDADES!!!</span></b></div><div style="font-size: large; text-align: center;"><b>A MAIS SUBTERRÂNEA DAS POSTAGEM AQUI NO BLOG!!</b></div><div style="text-align: center;"><b><a href="https://mega.nz/file/J9cHnIKT#_ZZxF-pls2exKQn_xxAJopHCsKUjk7lvAfzEMSdmrkk" target="_blank"><span style="font-size: x-large;">EXCLUSIVIDADE VENENOS DO ROCK!!</span></a></b></div><br /><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><b><span style="color: red;">NÃO CONFUNDIR COM A BANDA AUSTRALIANA DE MESMO NOME!! ESTA AQUI É NORTE AMERICANA DE NOVA YORK DO INÍCIO DOS ANOS 70!!</span></b> </span></div><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;">ESTAS GRAVAÇÕES SÃO OS CARAS TOCANDO NO ANTIGO BAR CHAMADO "THE SWINGER", EM ALEXANDRIA BAY, NO DIA 04 DE JULHO DE 1973!! UMA CURIOSIDADE É QUE O BAR FOI DESTRUÍDO POR UM INCÊNDIO EM SETEMBRO DE 1973, OU SEJA, CERCA DE 2 MESES DEPOIS DESSE SHOW!! AQUI TEMOS A REPRODUÇÃO DAS MASTER TAPES COM ÓTIMA QUALIDADE, MAS SEM MUITA INFORMAÇÃO SOBRE A BANDA E SUA TRAJETÓRIA!! </span><span style="font-family: Merienda;"><span style="color: #fcff01;">ESTAMOS DIANTE DE UMA DAS MAIORES RELÍQUIAS ARQUEOLÓGICAS DO MUNDO ROCK!! </span></span></div><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><b><u>FALANDO NA SONORIDADE</u></b>, O QUE A FATTY LUMPKIN NOS APRESENTA NESSE SHOW É UM HARD BLUES ROCK COM PITADAS FORTES DE WEST COAST DA MELHOR ESPÉCIE TUDO EMBUTIDO EM VÁRIOS COVERS DO ROCK, PRINICPALMENTE DE CROSBY, STILSS, NASH & YOUNG!! UM BOM ORGAN HAMMOND CORRENDO SOLTO, ALGUNS VOCAIS FEMININOS DE SUSAN HOLDEN FAZEM DESSE ÁLBUM, ALÉM DE UMA SUPER RARIDADE, UM VENENO ALTAMENTE RECOMENDADO!!</span></div><br /><div style="text-align: center;"><span style="color: red; font-size: large;"><b>HERE WE HAVE A MAXIMUM RARITY!!!</b></span></div><div style="text-align: center;"><span style="font-size: large;"><b>THE MOST UNDERGROUND POST HERE ON THE BLOG!!</b></span></div><div style="text-align: center;"><a href="https://mega.nz/file/J9cHnIKT#_ZZxF-pls2exKQn_xxAJopHCsKUjk7lvAfzEMSdmrkk" target="_blank"><span style="font-size: large;"><b>VENENOS DO ROCK EXCLUSIVITY!!</b></span></a></div><div style="font-size: large; text-align: center;"><br /></div><span style="font-size: medium;"><div style="text-align: justify;"><b><span style="color: red;">DO NOT CONFUSE WITH THE AUSTRALIAN BAND OF THE SAME NAME!! THIS HERE IS EARLY 70'S NEW YORK NORTH AMERICA!! </span></b>THESE RECORDINGS ARE THE GUYS PLAYING IN THE OLD BAR CALLED "THE SWINGER", IN ALEXANDRIA BAY, ON JULY 04, 1973!! ONE CURIOSITY IS THAT THE BAR WAS DESTROYED BY A FIRE IN SEPTEMBER 1973, THAT IS, ABOUT 2 MONTHS AFTER THAT SHOW!! HERE WE HAVE THE REPRODUCTION OF THE MASTER TAPES WITH EXCELLENT QUALITY, BUT WITHOUT MUCH INFORMATION ABOUT THE BAND AND ITS TRAJECTORY!! <b><span style="color: #fcff01;">WE ARE BEFORE ONE OF THE GREATEST ARCHAEOLOGICAL RELICS IN THE ROCK WORLD!! </span></b></div></span><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div><div style="text-align: justify;"><span style="font-size: large;">SPEAKING OF THE SONORITY, WHAT FATTY LUMPKIN SHOWS US IN THIS SHOW IS HARD BLUES ROCK WITH STRONG STRINGS OF THE BEST SPECIES OF WEST COAST ALL BUILT IN VARIOUS ROCK COVERS, MAINLY BY CROSBY, STILSS, NASH & YOUNG!! A GOOD ORGAN HAMMOND RUNNING AWAY, SOME FEMALE VOCALS FROM SUSAN HOLDEN MAKE THIS ALBUM, IN ADDITION TO A SUPER RARITY, HIGHLY RECOMMENDED!!</span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT6eZHETH1tewsZwBZvmgtlgOgYUjfaiazxTREAlVjWGfTCJcfDnR22vilNoBUAmAEktsD8QodcWAcsXxSNZPtvS26Q2cyLZBzgfohy4hmr3o4224z1YrhMmPdcTVkhWZAyo_1K0UqXy4ict_Ku_V6078uSbW4iYQVIlR3_zl7laykcW5S3R_83_vp/s1908/Fatty%20Lumpkin%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1706" data-original-width="1908" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT6eZHETH1tewsZwBZvmgtlgOgYUjfaiazxTREAlVjWGfTCJcfDnR22vilNoBUAmAEktsD8QodcWAcsXxSNZPtvS26Q2cyLZBzgfohy4hmr3o4224z1YrhMmPdcTVkhWZAyo_1K0UqXy4ict_Ku_V6078uSbW4iYQVIlR3_zl7laykcW5S3R_83_vp/s320/Fatty%20Lumpkin%20-%20Back.jpg" width="320" /></a></div><br /><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>John Kribs:</b> Guitar and Vocals</span></div><div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>Susan Holden:</b> Guitar and Vocals</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>Dave Carr: </b>Bass</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>Brian Tupper:</b> Drums and Vocals</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>Spence Ritchie:</b> Hammond Organ</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>01 - Someday Baby</b></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"> <a href="https://youtu.be/jXgzAapgaDM">https://youtu.be/jXgzAapgaDM</a></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">02 - Like Have Sound</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><b>03 - Baby Come Easy</b></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"> <a href="https://youtu.be/gb9TFVB1w8g">https://youtu.be/gb9TFVB1w8g</a></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">04 - Jam</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">05 - Long Time Gone</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">06 - Southern Man</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">07 - Medley</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">08 - Free Rider</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">09 - I'm a Man</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">10 - Down By The River</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">11 - Final Concert</span></div></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com4tag:blogger.com,1999:blog-1503460058341590944.post-89797089652314799942023-03-07T20:30:00.002-03:002023-07-14T22:27:26.662-03:00DOCTOR FEELGOOD - Something To Take Up Time [1971 USA Prog Blues Jazz Rock]<div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLs5IUKg8J1wTEQHc-QpP5QNqApHvtUHuHrrjj3ss5YSPdUoK23_yDXBANgSxiUI0M-BiNL3eSnr9PVrBV9YscRm6LbeOARRVMVlyCkaoLuSS7mYLKOqWJbTiR73jPlITKgKX74gSTY6gDu9TGR0jq344P1UeQmJrqwUtBtITgjSYV-Kk0mPCDnmSF/s3332/Doctor%20Feelgood%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2965" data-original-width="3332" height="356" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLs5IUKg8J1wTEQHc-QpP5QNqApHvtUHuHrrjj3ss5YSPdUoK23_yDXBANgSxiUI0M-BiNL3eSnr9PVrBV9YscRm6LbeOARRVMVlyCkaoLuSS7mYLKOqWJbTiR73jPlITKgKX74gSTY6gDu9TGR0jq344P1UeQmJrqwUtBtITgjSYV-Kk0mPCDnmSF/w400-h356/Doctor%20Feelgood%20-%20Front.jpg" width="400" /></a></div><br /><a href="https://mega.nz/file/lo9FTIDI#X8jZZSBw9QLIoUZyBRSU2Ke4MGWTqPfmdNeDBVZsuk4" target="_blank"><span style="font-size: x-large;">VENENASSO PODEROSO DEMAIS!!</span></a></div><br /><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><span style="color: red;">NÃO É A MESMA DOCTOR FEELGOOD BRITÂNICA</span>, DE WILKO JOHNSON, QUE TOCAVA EM PUBS E MAIS CONHECIDA!! NADA DISSO PESSOAL!! AQUI ESTAMOS FALANDO DA BANDA DE MESMO NOME, AMERICANA, INDEPENDENTE, MUITO MAIS OBSCURA E COM UM SOM MUITO MAIS PODEROSO E TRABALHADO!! É UMA MISTURA DE ROCK PROGRESSIVO COM FREE JAZZ, BLUES E PSICODELIA COM MUITOS SOLOS DE FLAUTA!! BEM NO ESPÍRITO DE JETHRO TULL EM SEUS PRIMEIROS ÁLBUNS!! LEMBRA UM POUCO DE GRAVY TRAIN E AYNSLEY DUNBAR RETALIATION!! <span style="color: #ffa400;">NÃO CONSUMAM COM MODERAÇAO!! VENENO ALTAMENTE RECOMENDADO!!</span></b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><u>Um pouco da história dos caras:</u></b></div><div style="text-align: justify;">Doctor Feelgood evoluiu da cena musical de North Shore de Boston no início dos anos 60, com Cooper, Corelle e Winters tendo tocado na banda de rock The Sensations. Mais tarde, essa banda evoluiu para Teddy And The Pandas, lançando alguns singles no Musicor e eventualmente assinando com o selo Capitol's Tower para gravar um álbum. Tocando principalmente covers, junto com alguns originais, eles conseguiram muitos shows em bailes de escolas locais. Mas descobrindo que havia outra banda chamada Sensations, uma mudança de nome foi sugerida. Olhando em um dicionário, foi Cooper quem criou os Pandas, e foi uma decisão do grupo colocar o nome de Teddy Dewart na frente dele. Cooper logo saiu, substituído pelo baterista Jerry Labrecque.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Os shows nos colégios logo se transformaram em shows universitários e em clube. Com isso a banda viajou por toda a Nova Inglaterra, melhorando sua atuação no palco, por exemplo, contratando um coreógrafo para ensiná-los alguns bons movimentos de palco. Então eles conheceram o promotor Bruce Patch, que acabaria sendo seu produtor depois de insistir que reduzissem a banda a um quinteto. Para isso se livraram de Paul Daly. Uma visita em 1965 ao Ace Recording Studio, em Boston, resultou em duas canções originais: "Once Upon a Time" com "Bye Bye (Out the Window)". O álbum - primeiro pelo selo Coristine, depois relançado pela Musicor - foi um sucesso local na WBZ e WMEX, e a banda começou a conseguir algumas datas fora da Nova Inglaterra, mas teve pouca atençãio nas paradas nacionais. Quando alguns singles seguintes não decolaram, eles se separaram da Musicor. Logo gravaram o álbum de 10 canções, de 1968, Basic Magnetism, na subsidiária da Capitol, Tower Records.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Dewart deixou a banda para ir para a faculdade e foi substituído pelo guitarrista Paul Rivers, mas Dewart contribuiu para o álbum e recebeu o crédito de "artista convidado". O álbum não deu em nada e, em 1969, Corelle e Rivers saíram para formar a banda Doctor Feelgood, reunindo-se com os membros do Sensations, Winters e Cooper, lançando um álbum, de 1971, Something To Take Up Time. Esse foi o fim dos Pandas.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A formação da Dr. Feelgood foi completada com dois dos Sensations originais, o saxofonista Dick Winters e o baterista Ralph Cooper. Na época, ambos eram membros de outro grupo de North Shore, os Warlocks. “Eles deixaram os Warlocks e nós deixamos os Pandas para começar nossa própria banda”, diz Corelle. “Quando Paul e eu partimos, os Pandas não nos substituíram. Eles simplesmente pararam de tocar.”</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Dr. Feelgood fez shows em New England por cerca de três anos, então se separou quando um acordo com a Epic Records fracassou. Eles gravaram esse ótimo álbum “Something to Take Up Time”, com o produtor Larry Patch em um selo independente. Corelle fala muito bem das contribuições de Winter para esse álbum. “Dickie aprendeu a flauta, além de sax tenor e soprano”, diz ele. “Ele tocava dois saxofones ao mesmo tempo. Não havia muitos (músicos) que tocassem dois ao mesmo tempo. Ele fez muitos solos assim no álbum. Foi incrível."</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: large;"><b><a href="https://mega.nz/file/lo9FTIDI#X8jZZSBw9QLIoUZyBRSU2Ke4MGWTqPfmdNeDBVZsuk4" target="_blank">TOO POWERFUL POST!!</a></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><span style="color: red;">NOT THE SAME DOCTOR FEELGOOD BRITISH, BY WILKO JOHNSON</span>, WHO PLAYED IN PUBS AND BETTER KNOWN!! NOTHING OF THAT!! HERE WE ARE TALKING ABOUT THE BAND OF THE SAME NAME, AMERICAN, INDEPENDENT, MUCH MORE OBSCURE AND WITH A MUCH MORE POWERFUL AND WORKED SOUND!! IT'S A MIX OF PROGRESSIVE ROCK WITH FREE JAZZ, BLUES AND PSYCHODELIA WITH LOTS OF FLUTE AND SAX SOLOS!! JUST IN THE SPIRIT OF JETHRO TULL ON HIS FIRST ALBUMS!! REMEMBER A LITTLE BIT OF GRAVY TRAIN AND AYNSLEY DUNBAR RETALIATION!! DO NOT CONSUME IN MODERATION!! <span style="color: #ffa400;">HIGHLY RECOMMENDED POST!!</span></b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><u>A little history of the guys:</u></b></div><div style="text-align: justify;">Doctor Feelgood evolved out of Boston's North Shore music scene in the early 1960s, with Cooper, Corelle and Winters having played in the rock band The Sensations. This band later evolved into Teddy And The Pandas, releasing a few singles on Musicor and eventually signing to Capitol's Tower label to record an album. Playing mostly covers, along with a few originals, they landed many gigs at local school dances. But discovering that there was another band called Sensations, a name change was suggested. Looking in a dictionary, it was Cooper who created the Pandas, and it was a group decision to put Teddy Dewart's name in front of him. Cooper soon left, replaced by drummer Jerry Labrecque.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">High school shows soon turned into college and club shows. With that the band toured all over New England, improving their stage act, for example by hiring a choreographer to teach them some good stage moves. Then they met promoter Bruce Patch, who would end up being their producer after insisting that they reduce the band to a five-piece. That's why they got rid of Paul Daly. A 1965 visit to Ace Recording Studio in Boston resulted in two original songs: "Once Upon a Time" backed with "Bye Bye (Out the Window)". The album - first on the Coristine label, then re-released on Musicor - was a local hit on WBZ and WMEX, and the band started to get a few dates outside of New England, but got little attention on the national charts. When a few follow-up singles didn't take off, they parted ways with Musicor. They soon recorded the 1968 10-song album Basic Magnetism on Capitol subsidiary Tower Records.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Dewart left the band to go to college and was replaced by guitarist Paul Rivers, but Dewart contributed to the album and received a "guest artist" credit. The album went nowhere, and in 1969 Corelle and Rivers left to form the band Doctor Feelgood, reuniting with Sensations members Winters and Cooper, releasing an album, 1971's Something To Take Up Time. That was the end of the Pandas.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The formation of Dr. Feelgood was completed with two of the original Sensations, saxophonist Dick Winters and drummer Ralph Cooper. At the time, both were members of another North Shore group, the Warlocks. “They left the Warlocks and we left the Pandas to start our own band,” says Corelle. “When Paul and I left, the Pandas didn't replace us. They just stopped playing.”</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">doctor Feelgood played shows in New England for about three years, then disbanded when a deal with Epic Records fell through. They recorded this great album “Something to Take Up Time” with producer Larry Patch on an independent label. Corelle speaks highly of Winter's contributions to this album. “Dickie learned the flute, as well as tenor and soprano sax,” he says. “He played two saxophones at the same time. There weren't many (musicians) who played two at the same time. He did a lot of solos like that on the album. It was amazing."</div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh281yFKQNZyULyoLzRCwMKr-LOmSZ-xdAWSp2Fn2dYJ-0f5U-fnUEZmM0H2fKJgAgVjmTfp6FGqYcJ1P2611XPF3jnOipFAhPsOCSrFfxKJGEkNN_fMRecup76uIUpZ_i2Z-WhVBjdH7dX_Y4QTK5Q-lKye3ocIJ7IyHeHSX8CD3IOUPUFz80S0Zy/s3277/Doctor%20Feelgood%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2944" data-original-width="3277" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh281yFKQNZyULyoLzRCwMKr-LOmSZ-xdAWSp2Fn2dYJ-0f5U-fnUEZmM0H2fKJgAgVjmTfp6FGqYcJ1P2611XPF3jnOipFAhPsOCSrFfxKJGEkNN_fMRecup76uIUpZ_i2Z-WhVBjdH7dX_Y4QTK5Q-lKye3ocIJ7IyHeHSX8CD3IOUPUFz80S0Zy/s320/Doctor%20Feelgood%20-%20Back.jpg" width="320" /></a></div><br /><div><div style="text-align: center;"><span style="font-size: medium;">Dick Winters (vocal, flauta, saxofones, maracas)</span></div><div style="text-align: center;"><span style="font-size: medium;">Ralph Cooper (bateria, congas)</span></div><div style="text-align: center;"><span style="font-size: medium;">Bill Corelle (baixo, chocalho)</span></div><div style="text-align: center;"><span style="font-size: medium;">Paul Rivers (guitarra, violão)</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;"><b>01. Number Ten 2:47</b></span></div><div style="text-align: center;"><span style="font-size: medium;"><a href="https://youtu.be/QEKvU5fZ_QI">https://youtu.be/QEKvU5fZ_QI</a></span></div><div style="text-align: center;"><span style="font-size: medium;">02. The Roach Did It 3:03</span></div><div style="text-align: center;"><span style="font-size: medium;">03. Smoke Dream 8:49</span></div><div style="text-align: center;"><span style="font-size: medium;">04. Mr. Bojangles 2:32</span></div><div style="text-align: center;"><span style="font-size: medium;">05. Medicine Man 4:04</span></div><div style="text-align: center;"><span style="font-size: medium;">06. Nasal Greens and Toe Jam 3:10</span></div><div style="text-align: center;"><span style="font-size: medium;">07. Hey Gyp 5:17</span></div><div style="text-align: center;"><span style="font-size: medium;">08. 5 x R.V.W. 6:10</span></div><div style="text-align: center;"><span style="font-size: medium;">09. Something to Take Up Time 7:41</span></div><div style="text-align: center;"><span style="font-size: medium;"><b>10. Junk 5:28</b></span></div><div style="text-align: center;"><span style="font-size: medium;"><a href="https://youtu.be/Q5OCic0Et_0">https://youtu.be/Q5OCic0Et_0</a></span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com1tag:blogger.com,1999:blog-1503460058341590944.post-60200669331807569822023-02-26T12:21:00.000-03:002023-02-26T12:21:07.129-03:00CHARLIES - Jail Sessions [Finland 1969-70 Heavy Acid Psych Blues Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJQn-wI-qxknMe67aOBdX3NqY0yiu18ulifuni4nwPLRJYs9ifDvSBdUwdbS_ffjc6oXck-HygycgiIeCrnEKXszrwUmYkO4lk1KkB_R_rOTeiSzHqV8UUwnnFNd1XOHpNEqP0x57B7F2z6JGUHYOAKPVRrHZwZqmnoDNftxENYheqZgk4oZjDFe83/s983/Charlies%20-%20Jail%20Sessions%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="958" data-original-width="983" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJQn-wI-qxknMe67aOBdX3NqY0yiu18ulifuni4nwPLRJYs9ifDvSBdUwdbS_ffjc6oXck-HygycgiIeCrnEKXszrwUmYkO4lk1KkB_R_rOTeiSzHqV8UUwnnFNd1XOHpNEqP0x57B7F2z6JGUHYOAKPVRrHZwZqmnoDNftxENYheqZgk4oZjDFe83/w400-h390/Charlies%20-%20Jail%20Sessions%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><u><span style="color: red; font-family: Creepster; font-size: x-large;">VENENO FINLANDES ALTAMENTE RECOMENDADO!!</span></u></div><br /><div style="text-align: center;"><span style="font-family: Josefin Sans;"><b><a href="https://mega.nz/file/Qw0CRS5A#wDSIYUURpc9zFiykscM8YvikNOc0GNzQHv0PuDkaXDc" target="_blank"><span style="font-size: medium;">UM PATAÇO MUSICAL GRAVADO EM 1969 E 1970 NA CADEIA LOCAL!!</span></a> </b></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">SIM!! EXATAMENTE ISSO!! NA CADEIA LOCAL!! ACONTECE QUE O PAI DO BAIXISTA "KARI LEHTINEN" ERA O POLICIAL LOCAL E AUTORIZOU A BANDA A TOCAR E GRAVAR NUMA SALA CHAMADA "DRUNK TANK", UMA ESPÉCIE DE SALA DE PRISÃO OU INSTALAÇÃO SEPARADA QUE ACOMODA PESSOAS INTOXICADAS OU ALCOOLIZADAS!! A HISTÓRIA DA PRODUÇÃO DO ÁLBUM JAIL SESSIONS É A SEGUINTE: DEPOIS QUE A BANDA TERMINOU O ÁLBUM "MUSIIKKIA ELOKUVASTA JULISTEIDEN LIIMAAJAT", DE 1970, ELES FORAM MUITO ELOGIADOS, MAS A BANDA EM SI NÃO SE CONVENCEU DE QUE ERA REALMENTE UM TRABALHO COM A CARA DA CHARLIES!! FICARAM ALGUM TEMPO TENTANDO ENTREGAR UM MATERIAL MAIS AUTÊNTICO!! AÍ TIVERAM A OPORTUNIDADE DE GRAVAR UM NOVO ÁLBUM CHAMADO "BUTTOCKS", QUE ACABOU GANHANDO UMA BOA REPUTAÇÃO!! MESMO ASSIM NUNCA SE CONTENTARAM PLENAMENTE!! FALTAVA ALGO AINDA!!</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">EIS QUE NUMA NOITE DESSAS O BAIXISTA "KARI LEHTINEN" CHAMOU OS PARCEIROS DE BANDA E DEU UMA IDEIA!! DEVERIAM FAZER UM ÁLBUM A PARTIR DAS MASTER TAPES DA "SALA DRUNK TANK", E AÍ SIM, ACHAVA QUE O RESULTADO SERIA O ESPERADO!! ENTÃO É ISSO!! "JAIL SESSIONS" É UMA GRAVAÇÃO DESSAS FITAS E O SOM COM O QUAL A BANDA FICOU ENFIM FELIZ!! É UMA SONORIDADE MUITO MAIS PESADA COM UMA GUITARRA INCRÍVEL!! PURO UNDERGROUND!! AQUI OS VOCAIS SÃO POUCO INTELIGÍVEIS!! O SOM É SOMBRIO, SUJO E VISCERAL!! ENFIM, É UM PÂNTANO SONORO!! QUANTO AOS VOCAIS INTELIGÍVEIS, ISSO MOSTRA QUE SUAS PERFORMANCES INSTRUMENTAIS ENÉRGICAS DIZEM MAIS DO QUE QUALQUER PALAVRA PODERIA DIZER!! UM EXEMPLO É A MÚSICA DE ABERTURA "MADNESS AND OTHER KIND OF INFLUENSIS", COM LETRAS ACENTUADAS E POUCO INTELIGÍVEL QUE PARECEM SERVIR MAIS A UM MEIO DO QUE A UM FIM, POIS RAPIDAMENTE DÃO LUGAR A UM SOLO DE GUITARRA EMPOLGANTE E DIFUSO QUE OCUPA QUASE METADE DO TEMPO DA FAIXA!! A BANDA CLARAMENTE PARECE TER FICADO MAIS À VONTADE PARA PERMITIR QUE SEUS INSTRUMENTOS TOMASSEM CONTA DA MAIOR PARTE DA CONVERSA!! E POR FIM, CLARAMENTE, JAIL SESSIONS CARREGA PITADAS DE BLUES ROCK, PSICODELIA, GARAGE ROCK E UMA ESPÉCIE DE PROTO-METAL NA LINHA DE BLUE CHEER!!</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b>DEPOIS DE DÉCADAS ESTE ÁLBUM É LANÇADO COM SONS INÉDITOS ATÉ ENTÃO!! BEM PRODUZIDO NUMA VERSÃO EM VINIL 180g, POSTER, QUATRO PÁGINAS INTERNAS E UMA EDIÇÃO LIMITADA A 500 CÓPIAS!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><u><span style="color: red; font-family: Creepster; font-size: x-large;">HIGHLY RECOMMENDED!!</span></u></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-family: Josefin Sans;"><b><a href="https://mega.nz/file/Qw0CRS5A#wDSIYUURpc9zFiykscM8YvikNOc0GNzQHv0PuDkaXDc" target="_blank"><span style="font-size: medium;">A GREAT LP RECORDED IN 1969 AND 1970 IN THE LOCAL JAIL!!</span></a></b> </span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">YES!! EXACTLY!! IN THE LOCAL JAIL!! IT TURNS OUT THAT THE FATHER OF THE BASS PLAYER "KARI LEHTINEN" WAS THE LOCAL POLICE OFFICER AND AUTHORIZED THE BAND TO PLAY AND RECORD IN A ROOM CALLED THE "DRUNK TANK", SOME KIND OF PRISON ROOM OR SEPARATE FACILITY THAT ACCOMMODATES INTOXICATED OR ALCOOLISED PEOPLE!! THE STORY OF THE PRODUCTION OF THE ALBUM JAIL SESSIONS IS AS FOLLOWS: AFTER THE BAND FINISHED THE 1970 ALBUM "MUSIIKKIA ELOKUVASTA JULISTEIDEN LIIMAAJAT", THEY WERE MUCH PRAISE, BUT THE BAND ITSELF WAS NOT CONVINCED THAT IT WAS REALLY A JOB WITH THE CHARLIES FACE!! THEY STAYED FOR SOME TIME TRYING TO DELIVER MORE AUTHENTIC MATERIAL!! THEN THEY HAD THE OPPORTUNITY TO RECORD A NEW ALBUM CALLED "BUTTOCKS", WHICH HAD A GOOD REPUTATION!! EVEN THEN THEY HAVE NEVER BEEN COMPLETELY SATISFIED!! SOMETHING WAS MISSING STILL!!</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">BEHOLD, ONE NIGHT LIKE THIS, THE BASS PLAYER "KARI LEHTINEN" CALLED THE BAND PARTNERS AND GAVE AN IDEA!! THEY SHOULD MAKE AN ALBUM FROM THE MASTER TAPES FROM THE "DRUNK TANK ROOM", AND THEN YES, I THOUGHT THE RESULT WOULD BE AS EXPECTED!! THEN THAT'S IT!! "JAIL SESSIONS" IS A RECORDING OF THESE TAPES AND THE SOUND WITH WHICH THE BAND WAS FINALLY HAPPY!! IT'S A MUCH HEAVIER SONORITY WITH AN AMAZING GUITAR!! PURE UNDERGROUND!! HERE THE VOCALS ARE LITTLE INTELIGIBLE!! THE SOUND IS DARK, DIRTY AND VISCERAL!! FINALLY, IT'S A SONOUS SWAMP!! AS FOR THE INTELIGIBLE VOCALS, THAT SHOWS THAT HIS ENERGETIC INSTRUMENTAL PERFORMANCES SAY MORE THAN ANY WORD COULD SAY!! ONE EXAMPLE IS THE OPENING SONG "MADNESS AND OTHER KIND OF INFLUENSIS", WITH ACCENTATED AND LITTLE INTELLIGIBLE LYRICS THAT SEEM TO SERVE MORE OF A MEANS THAN AN END, BECAUSE THEY QUICKLY GIVE WAY TO AN EXCITING AND DIFFUSED GUITAR SOLO THAT OCCUPIES ALMOST HALF THE TRACK TIME!! THE BAND CLEARLY SEEMS TO HAVE BECOME MORE COMFORTABLE TO ALLOW THEIR INSTRUMENTS TO TAKE UP MOST OF THE CONVERSATION!! AND FINALLY, CLEARLY, JAIL SESSIONS CARRIES PITCHES OF BLUES ROCK, PSYCHODELIA, GARAGE ROCK AND A KIND OF PROTO-METAL IN THE LINES OF BLUE CHEER!!</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b>AFTER DECADES THIS ALBUM IS RELEASED WITH UNRELEASED SOUNDS UNTIL THEN!! WELL PRODUCED IN A 180g VINYL VERSION, POSTER, FOUR INSIDE PAGES AND A LIMITED EDITION OF 500 COPIES!!</b></span></div><div style="text-align: justify;"><br /></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6r5domBxpEDFFOb-Q2nGN4hP-05DLMbpZHVH4_EVRtb4BGtukkHAWycADnVy4YgDDnZ5J1TE22zXfw_rbLb59P6W_bvm3nzVQlelIj-3JRJCKLqA5AI2BJzco93GAtbwpcvDpvwE2YpgT8f-dHNOM8rtewhDRWSymejXYtaI20WopJ-dxdNCQTf6t/s907/Charlies%20-%20Jail%20Sessions%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="886" data-original-width="907" height="313" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6r5domBxpEDFFOb-Q2nGN4hP-05DLMbpZHVH4_EVRtb4BGtukkHAWycADnVy4YgDDnZ5J1TE22zXfw_rbLb59P6W_bvm3nzVQlelIj-3JRJCKLqA5AI2BJzco93GAtbwpcvDpvwE2YpgT8f-dHNOM8rtewhDRWSymejXYtaI20WopJ-dxdNCQTf6t/s320/Charlies%20-%20Jail%20Sessions%20-%20Back.jpg" width="320" /></a></div><br /><div><div style="text-align: center;"><span style="font-family: Courgette; font-size: medium;"><b>Eero Ravi (guitarra)</b></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: medium;"><b>Kari Lehtinen (baixo)</b></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: medium;"><b>Ari Ahlgren (bateria)</b></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: medium;"><b>Wellu Lehtinen (vocal - harmônica)</b></span></div><div style="text-align: center;"><span style="font-family: Courgette; font-size: medium;"><b>Juha Saali (vocal)</b></span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;">01. Madness And Other Kind Of Influensis 4:58</span></div><div style="text-align: center;"><span style="font-size: medium;">02. Before You 2:08</span></div><div style="text-align: center;"><span style="font-size: medium;">03. Easy 3:36</span></div><div style="text-align: center;"><span style="font-size: medium;">04. Smoggy Story 5:32</span></div><div style="text-align: center;"><span style="font-size: medium;">05. Tuesday Song 2:57</span></div><div style="text-align: center;"><span style="font-size: medium;">06. Try Try Or You'll Never Die 5:04</span></div><div style="text-align: center;"><span style="font-size: medium;">07. Feeling That Feeling 2:51</span></div><div style="text-align: center;"><span style="font-size: medium;">08. Like The Purpose Told Me 4:48</span></div><div style="text-align: center;"><span style="font-size: medium;"><b>09. Down Together 4:02</b></span></div><div style="text-align: center;"><span style="font-size: medium;"> <a href="https://youtu.be/VddnCR-5M6M">https://youtu.be/VddnCR-5M6M</a></span></div><div style="text-align: center;"><span style="font-size: medium;">10. So Much More 4:14</span></div><div style="text-align: center;"><span style="font-size: medium;">11. Rock Me Baby 4:39</span></div><div style="text-align: center;"><span style="font-size: medium;">12. I'm So Glad 3:24</span></div><div style="text-align: center;"><span style="font-size: medium;"><b>13. Sunshine Supergirl 8:29</b></span></div><div style="text-align: center;"><span style="font-size: medium;"> <a href="https://youtu.be/VZOnvs0DV7Y">https://youtu.be/VZOnvs0DV7Y</a></span></div></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com4tag:blogger.com,1999:blog-1503460058341590944.post-59828694292952387182023-02-12T19:26:00.002-03:002023-02-12T19:32:06.835-03:00THE GOOD, THE BAD & THE UGLY - Same (US 1970 Southern Blues Rock)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBmNJrs1ICwAaN_Y3hN7zu75lLsVhRVwxD7-kiBYZG_6DwHB7Yq8NaNOuax8TECICbpWxAXZ55_jiPfKsKv8UMIIBp6i04_9EUeRyVYpWV5zppxX36ghrmSXDwxAyPZ10qSlWWW2jvE_uAGqJLkOxuyaXB41Pfk8a60M8HeXveT2K3JCZq51CKZvtE/s868/Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="868" data-original-width="857" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBmNJrs1ICwAaN_Y3hN7zu75lLsVhRVwxD7-kiBYZG_6DwHB7Yq8NaNOuax8TECICbpWxAXZ55_jiPfKsKv8UMIIBp6i04_9EUeRyVYpWV5zppxX36ghrmSXDwxAyPZ10qSlWWW2jvE_uAGqJLkOxuyaXB41Pfk8a60M8HeXveT2K3JCZq51CKZvtE/w395-h400/Front.jpg" width="395" /></a></div><br /><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: x-large;">REPOST ACCORDING TO MANY REQUESTS!! </span></div><div><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: x-large;">ALTÍSSIMA RARIDADE!! HIGH RARITY!!</span></div><p style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b><a href="https://mega.nz/file/5ksDBCzT#34A2g2Qstxh1cO5ZBnL-7pdI1sAs-LPsQXi03m74dpA" target="_blank">MUITO BOA BANDA AMERICANA</a> FORMADA EM 1969 NA LOCALIDADE DE BEAUMONT, NO TEXAS, QUE FAZIA UM SOM SULISTA ENCHARCADO DE BLUES E COM PITADAS SUTIS DA PSICODELIA!! UM EXEMPLO DE BOA BANDA SULISTA AMERICANA SUPER OBSCURA E EXTREMAMENTE RARA!! O SOM DOS CARAS É BEM LEGAL MESMO E VALE UM TÉKINHO!! VENENO RECOMENDADO!!</b></span></p><span style="font-family: Fredoka One; font-size: medium;"><div style="text-align: justify;">GOOD AMERICAN BAND!! EXTREMELY RARE!! RECOMMENDED!!</div><div style="text-align: justify;">VERY GOOD AMERICAN BAND THAT MADE A SOUTHERN SOUND WITH STRONG BLUES!! AN EXAMPLE OF A GOOD SOUTHERN AMERICAN BAND VERY OBSCURE AND EXTREMELY RARE!! THE SOUND OF THE GUYS IS VERY COOL!! VENENOS DO ROCK EXCLUSIVITY!!</div></span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSCRtGZIT-_xidWOtpSVLGyF5u9_cdgbRb6Yy625nomf-REaH_kcx0fjrhDfvYEJOZAzle6BhbabFAb1LWy7jMMCP1Lh9wztQg2fWkqRunATf7hEl0JvGzBKdCV9q_XPdVPb5V7n1yIPsIWzXY7kQSS_9Q1MQ8JK3jCqdBGZivF0YWtXwQSxktDf-t/s1429/BACK2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1429" data-original-width="1429" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSCRtGZIT-_xidWOtpSVLGyF5u9_cdgbRb6Yy625nomf-REaH_kcx0fjrhDfvYEJOZAzle6BhbabFAb1LWy7jMMCP1Lh9wztQg2fWkqRunATf7hEl0JvGzBKdCV9q_XPdVPb5V7n1yIPsIWzXY7kQSS_9Q1MQ8JK3jCqdBGZivF0YWtXwQSxktDf-t/s320/BACK2.jpg" width="320" /></a></div><br /><div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;"><u>Members</u></span></div><div style="text-align: center;"><span style="font-family: Kaushan Script; font-size: medium;">Joe Pipps (vocals, guitar, drums, organ)</span></div><div style="text-align: center;"><span style="font-family: Kaushan Script; font-size: medium;">Bubba Goode (bass, vocals)</span></div><div style="text-align: center;"><span style="font-family: Kaushan Script; font-size: medium;">Kenny Yetman (drums, 1970)</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div></div><div><div style="text-align: center;"><span style="font-family: Luckiest Guy; font-size: medium;"><u>Formed</u></span></div><div style="text-align: center;"><span style="font-size: medium;"><span style="font-family: Kaushan Script;">1969, Beaumont, TX, United States</span></span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com6tag:blogger.com,1999:blog-1503460058341590944.post-23525310952080772722022-12-04T15:51:00.001-03:002022-12-04T15:51:30.621-03:00EXPEDITION - Live 1971 [Rare Canada Blues Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSlyw_Cyhta6Tm1BRj4bds4-gEQwkxrIEzw_vtfWNEFiFqHCUfQ03CAIiYyTHw8DwCbK_iGfDKmItwQx70sqF_NyAlKZ8AMaZd7B3ybgY4XmH_2pt5OIZQyx05F3lVNt0HW5F_cba-wWeh1Em0WJ508EQ2RRB1RDhhvJdzz5H2N738yACyailpZxoo/s732/Expedition%20-%20Live%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="728" data-original-width="732" height="398" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSlyw_Cyhta6Tm1BRj4bds4-gEQwkxrIEzw_vtfWNEFiFqHCUfQ03CAIiYyTHw8DwCbK_iGfDKmItwQx70sqF_NyAlKZ8AMaZd7B3ybgY4XmH_2pt5OIZQyx05F3lVNt0HW5F_cba-wWeh1Em0WJ508EQ2RRB1RDhhvJdzz5H2N738yACyailpZxoo/w400-h398/Expedition%20-%20Live%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: x-large;"><u>RARIDADE MÁXIMA!!</u></span></div><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><a href="https://mega.nz/file/ghckzAIK#23FyzsscCKC4ltkgHW_f_CagqQWjWgjTvAhrT1tr7TQ" target="_blank"><b>MUITO BOA BANDA CANADENSE</b></a><b> FUNDADA EM 1968 E QUE NUNCA GRAVOU UM ÁLBUM DE ESTÚDIO, APENAS ESSE AO VIVO DURANTE APRESENTAÇÃO NA UNIVERSIDADE "OLD MONTREAL COLLEGE", EM 22/11/1971, PARA UM PEQUENO E ENTUSIASMADO PÚBLICO FORMADO POR ESTUDANTES!!! O MELHOR DA HISTÓRIA É QUE O ENGENHEIRO DE SOM "PETER TESSIER" GUARDOU TODO ESSE MATERIAL E ATRAVÉS DE FINANCIAMENTOS CONSEGUIU GRAVAR ESSE ÁLBUM LIVE, PRIVADO E COM UMA TIRAGEM MUITO PEQUENA!!! HOJE EM DIA NÃO PRECISA DIZER QUE SE TORNOU UMA RARA IGUARIA DO ROCK!!! A SONORIDADE DOS CARAS ERA BLUES ROCK AO ESTILO DE BANDAS QUE OS INSPIRAVAM, COMO SAVOY BROWN, CHICKEN SHACK E FLEETWOOD MAC!!! A BANDA TINHA COMO LÍDER O TALENTOSO GUITARRISTA "JEAN MILLAIRE", QUE ANTERIORMENTE ERA DA ÓTIMA BANDA "OFFENBACH"!!! SE SEPARARAM EM 1974 E FICOU SÓ NISSO!!! INFELIZMENTE!!!</b></span></div><div style="font-size: large; text-align: justify;"><br /></div><div style="text-align: center;"><span style="color: #fcff01; font-family: Luckiest Guy; font-size: x-large;"><u>MAXIMUM RARITY!!</u></span></div><div style="font-size: large; text-align: justify;"><span style="font-family: Merienda;"><b><a href="https://mega.nz/file/ghckzAIK#23FyzsscCKC4ltkgHW_f_CagqQWjWgjTvAhrT1tr7TQ" target="_blank">GOOD CANADIAN BAND FOUNDED</a></b> IN 1968 AND THAT NEVER RECORDED A STUDIO ALBUM, ONLY THIS ONE LIVE DURING THE PRESENTATION AT THE UNIVERSITY "OLD MONTREAL COLLEGE, ON 11/22/1971, FOR A SMALL AND ENTHUSIASMED PUBLIC FORMED BY STUDENTS!!! THE BEST OF THE THE STORY IS THAT THE SOUND ENGINEER "PETER TESSIER" SAVED ALL THIS MATERIAL AND THROUGH FINANCING HE WAS MANAGED TO RECORD THIS PRIVATE LIVE ALBUM WITH A VERY SMALL ISSUE!!! TODAY IT HAS BECOME A MEGA RARITY!!! THE GUYS' SONORITY WAS BLUES ROCK IN THE STYLE OF BANDS THAT INSPIRED THEM, LIKE SAVOY BROWN, CHICKEN SHACK AND FLEETWOOD MAC!!! THE BAND HAD AS A LEADER THE TALENTED GUITARIST "JEAN MILLAIRE", WHO WAS PREVIOUSLY WITH THE GREAT BAND "OFFENBACH"!!! 1974 AND IT STOPPED ON THAT!!! UNFORTUNATELY!!!</span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggopqN_1RIrxvtiyEKr_OTH2gV4NeqJDCVwhU92eDzvOBPypEhax0vkZCC053JWXja39Q0L4qe4GTF-OMKZDjjsRKdtfqdr_YN_3MisF7LfJOitxv1Ru0Sc2B5xFPgDLza4V390sha6aoUWSPit06RYDulw2iwuv3ie_HCtK2K0Q4FAUeSPjLAzXyA/s782/Expedition%20-%20Live%20-%20Inside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="457" data-original-width="782" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggopqN_1RIrxvtiyEKr_OTH2gV4NeqJDCVwhU92eDzvOBPypEhax0vkZCC053JWXja39Q0L4qe4GTF-OMKZDjjsRKdtfqdr_YN_3MisF7LfJOitxv1Ru0Sc2B5xFPgDLza4V390sha6aoUWSPit06RYDulw2iwuv3ie_HCtK2K0Q4FAUeSPjLAzXyA/w400-h234/Expedition%20-%20Live%20-%20Inside.jpg" width="400" /></a></div><div><br /></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Jean Millaire - guitar</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Richard Desaulniers - bass</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Jocelyn Lapierre - drums</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Pierre Bourdon - lead vocals</span></div><div style="text-align: center;"><span style="font-family: Fredoka One; font-size: medium;">Gilles Hamel - keyboards</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">1) Don't Know 'Bout You - 3.29</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"> <a href="https://youtu.be/Mb2n7ivTS8w">https://youtu.be/Mb2n7ivTS8w</a></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">2) Ain't Got No Money - 3.12</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">3) Miles Away - 3.52</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">4) Talkin Blues - 9.23</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">5) Tomorrow - 3.47</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">6) Wade In The Water - 4.30</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">7) Turn On Your Love Lite - 13.47</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">(b) Shake Rattle And Roll (c) Kakakekikeki (d) Stakaok</span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com5tag:blogger.com,1999:blog-1503460058341590944.post-83812793705997236822022-11-25T19:00:00.052-03:002022-12-04T14:43:27.100-03:00TSEE MUD - LSD Bacro [1969-71 Venezuela Psych Hard Acid Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIlGKqAj0QycC5VfayGFstyWEjI4Ik92yv08z0H-4rIoJdt9Cg5icZj_FWopy_0_6xpY1GfYFTo6kCauX7gwIP14DbYgiya1ehpnCmc1BdD-ePGQibpa3j9DtKVEA_JslO7xtGIkgXB8s0ySKRsBQo5zYrLMOv1el3V5w9KZfA85rwEmsWiaVubKbL/s1401/Tsee%20Mud%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1396" data-original-width="1401" height="399" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIlGKqAj0QycC5VfayGFstyWEjI4Ik92yv08z0H-4rIoJdt9Cg5icZj_FWopy_0_6xpY1GfYFTo6kCauX7gwIP14DbYgiya1ehpnCmc1BdD-ePGQibpa3j9DtKVEA_JslO7xtGIkgXB8s0ySKRsBQo5zYrLMOv1el3V5w9KZfA85rwEmsWiaVubKbL/w400-h399/Tsee%20Mud%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;"><a href="https://mega.nz/file/otEVASTQ#NPLcNaaRvwnXsfGRY9N7VREnXX4BQ2W3-jPHppyzs1k" target="_blank">ÓTIMA RARIDADE VENEZUELANA!!</a></span></div><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;">NÃO CONSUMAM COM MODERAÇÃO!!</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><b>JUNTO COM A BANDA "LADIES WC" ESSA É UMA DAS BANDAS MAIS IMPORTANTES DO HARD PSYCH ROCK DOS ANOS 60-70 DA VENEZUELA!! A BANDA LANÇOU APENAS ALGUNS SINGLES E FEZ MUITOS GRANDES SHOWS AO VIVO!! COMEÇARAM USANDO O NOME DE "LSD", PASSARAM PARA "TSEE MUD" E FINALMENTE PARA "BACRO"!! JOSEITO ROMERO ERA O CARA DA BANDA E UM DOS NOMES MAIS IMPORTANTES DO ROCK VENEZUELANO!! MOROU NOS ESTADOS UNIDOS E FEZ PARTE DA BANDA "THE DEL-VIKINGS"!! FOI FORTEMENTE INFLUENCIADO PELOS DEUSES DA GUITARRA DA SUA ÉPOCA, COMO JIMI HENDRIX E ERIC CLAPTON NA SUA ERA DO CREAM!! ESSAS INFLUÊNCIAS ESTÃO POR TODO ESSE ÁLBUM!! A SONORIDADE AQUI SÃO FAIXAS PSICODÉLICAS PESADAS COM GUITARRAS FUZZ INCRÍVEIS E FORTES PITADAS DO ACID ROCK!! NOTA-SE MUITO A INFLUÊNCIA DE HENDRIX NAS FAIXAS DA "LSD", MAS O VOCAL É UM POUCO FRACO PARA AS CANÇÕES!! JÁ NA PARTE DA "BACRO" ISSO FOI SOLUCIONADO SIMPLESMENTE DISPENSANDO OS VOCAIS!! AS MÚSICAS MAIS COMPLETAS E PRODUZIDAS FICAM POR CONTA DA "TSEE MUD"!! VENENO RARO E RECOMENDADO!!</b></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="color: #fcff01; font-family: Merienda; font-size: medium;">ABAIXO UM PEQUENO RESUMO DO ÁLBUM E DA BANDA:</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;">As músicas desta coleção são retiradas de todos os três projetos venezuelanos de Romero. LSD foi o primeiro do lote, e as músicas refletem muita influência de Hendrix, tanto no tom meloso da guitarra quanto nos vocais lânguidos. As músicas não são ruins musicalmente, com “When I Was a Boy” oferecendo um bom tom de guitarra áspero e “One Day to the Week” trabalhando bastante fuzz na mixagem. Ambas as músicas são prejudicadas por vocais fracos, no entanto. Nenhum cantor é especificado nas notas do encarte, então presumivelmente esta é a voz de Romero, e ele simplesmente não está à altura da tarefa de lutar com as guitarras furiosas e a seção rítmica implacável. Especialmente em “One Day to the Week”, seus gritos de “Save me baby!” sair como cômico mais do que qualquer outra coisa.</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">As cinco músicas da última banda de Romero, Bacro, evitam essa armadilha em particular simplesmente dispensando os vocais. Isso não foi por escolha; de acordo com as excelentes e extensas notas do encarte, as bandas recém-formadas simplesmente não haviam localizado um cantor adequado no momento em que gravaram essas faixas básicas e, portanto, permaneceram inéditas até agora. No entanto, eles são sólidos e às vezes excelentes. “I Am a Happy Man” é um destaque particular, com seu ritmo agitado e arabescos hábeis. “Abaixo a Guerra” é quase tão envolvente.</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">Provavelmente as músicas mais completas aqui, tanto em termos de composição quanto de produção, são as quatro faixas de Tsee Mud. Com Jesus Toro recrutado para os vocais desta vez, as canções são (ligeiramente) menos derivadas e mais dominantes, enquanto o conjunto tocando é mais forte do que qualquer outra coisa aqui. Romero arrasa muito bem em "Amandote Esta Dios" e "Qual é o problema com você, Jane?" enquanto "Mundo" fornece a performance vocal mais forte de todo o álbum.</span></div><div style="text-align: justify;">---------------------</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="color: #ffa400; font-family: Luckiest Guy; font-size: medium;"><a href="https://mega.nz/file/otEVASTQ#NPLcNaaRvwnXsfGRY9N7VREnXX4BQ2W3-jPHppyzs1k" target="_blank">GREAT VENEZUELAN RARITY!!</a></span></div><div style="text-align: center;"><span style="color: #ffa400; font-family: Luckiest Guy; font-size: medium;">DO NOT CONSUME IN MODERATION!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;">ALONG WITH THE BAND "LADIES WC" THIS IS ONE OF THE MOST IMPORTANT BANDS IN HARD PSYCH ROCK FROM THE 60'S-70'S IN VENEZUELA!! THE BAND JUST RELEASED A FEW SINGLES AND PLAYED A LOT OF GREAT LIVE SHOWS!! THEY STARTED USING THE NAME "LSD", PASSED TO "TSEE MUD" AND FINALLY TO "BACRO"!! JOSEITO ROMERO WAS THE MAIN LEADER OF THE BAND AND ONE OF THE MOST IMPORTANT NAMES IN VENEZUELAN ROCK!! LIVED IN THE UNITED STATES AND WAS PART OF THE BAND "THE DEL-VIKINGS"!! HE WAS HEAVY INFLUENCED BY THE GUITAR GODS OF HIS TIME, LIKE JIMI HENDRIX AND ERIC CLAPTON IN THEIR CREAM ERA!! THESE INFLUENCES ARE ALL OVER THIS ALBUM!! THE SONORITY HERE IS HEAVY PSYCHEDELIC TRACKS WITH INCREDIBLE FUZZ GUITARS AND STRONG SPITS OF ACID ROCK!! THE INFLUENCE OF HENDRIX IN THE "LSD" TRACKS IS VERY NOTICEABLE, BUT THE VOCAL IS A LITTLE WEAK FOR THE SONGS!! ALREADY IN THE "BACRO" PART THIS WAS SOLVED BY SIMPLY DISPENSING THE VOCALS!! THE MOST COMPLETE AND PRODUCED SONGS ARE ON THE ACCOUNT OF "TSEE MUD"!! RARE AND RECOMMENDED POISON!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div><div style="text-align: justify;"><span style="font-family: Merienda;">BELOW A SMALL SUMMARY OF THE ALBUM AND THE BAND:</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Venezuelan fuzz-rock outfit Tsee Mud was the brainchild of guitarist José Romero, who made his name in the 1960s playing in local bands like LSD and Bacro (whose meager output of recorded music is all included in this compilation) and in the US by a stint with the Del-Vikings. Romero was heavily influenced by the guitar gods of his day, namely Jimi Hendrix and Cream-era Eric Clapton, and those influences are all over this disc. It’s easy to forget—at least for Americans—that the cultural inventiveness and upheaval of the era spread far beyond the Anglo-American sphere, but Tsee Mud and Romero’s other projects provide ample evidence that the gospel of rock spread deep into Latin America, long before the internet made everything ubiquitous.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The songs on this collection are taken from all three of Romero’s Venezuelan projects. LSD was the first of the lot, and the tunes reflect plenty of Hendrix influence, both in the syrupy guitar tone and the languid vocals. The songs aren’t bad musically, with “When I Was a Boy” offering a nice scratchy guitar tone, and “One Day to the Week” working plenty of fuzz into the mix. Both songs are let down by weak vocals, however. No singer is specified in the liner notes, so presumably this is Romero’s voice, and he just isn’t up to the task of battling with the raging guitars and relentless rhythm section. Especially on “One Day to the Week,” his yelps of “Save me baby!” come off as comical more than anything else.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The five tunes from Romero’s last band, Bacro, avoid this particular pitfall by simply dispensing with vocals altogether. This wasn’t by choice; according to the excellent, extensive liner notes, the newly-formed bands simply hadn’t located a suitable singer by the time they recoreded these basic tracks, and so they have remained unreleased until now. Nonetheless, they are solid and sometimes excellent. “I Am a Happy Man” is a particular standout, with its chugging rhythm and dexterous fretwork. “Down with the War” is nearly as engaging.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Probably the most complete songs here, in terms of both composition and production, are the four tracks from Tsee Mud. With Jesus Toro recruited for vocals this time, the songs are (slightly) less derivative and more commanding, while the ensemble playing is stronger than anything else here. Romero shreds nicely on both “Amandote Esta Dios” and “What’s the Matter with You Jane?” while “Mundo” provides the strongest vocal performance on the entire album.</div></div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNFoCZmX9dK5Igzq9i8uq3az3hLckkeN50WhyIzp9Hjm1_7tDALAGOE5dTr8CEOkIltP0pFZmzoJpxgsRX1jQH6IxoKjT2LaO-4uIz5as2YnI7kM1-9PST2t_mBh8_9t6jAyuO_8gv-m29kM_VRJp6YWmLtpvbf6-mcj-bvpN5NJ4icnHWd_uh0K0D/s1770/Tsee%20Mud%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1386" data-original-width="1770" height="251" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNFoCZmX9dK5Igzq9i8uq3az3hLckkeN50WhyIzp9Hjm1_7tDALAGOE5dTr8CEOkIltP0pFZmzoJpxgsRX1jQH6IxoKjT2LaO-4uIz5as2YnI7kM1-9PST2t_mBh8_9t6jAyuO_8gv-m29kM_VRJp6YWmLtpvbf6-mcj-bvpN5NJ4icnHWd_uh0K0D/s320/Tsee%20Mud%20-%20Back.jpg" width="320" /></a></div><br /><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">Joseito Romero (guitarra)</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">Luis Emilio Mauri (baixo)</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">Raul Rivas (bateria)</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">Jesus Toro (vocal)</span></div> <div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">01) LSD - When I Was A Boy 2:45</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">02) Tsee Mud - Amandote Esta Dios 5:07</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">03) Tsee Mud - Waht's The Matter With You Jane 3:07</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">04) Bacro - I Am A Happy Man 4:48</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">05) Bacro - If You Want To Be Aliue 5:06</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">06) LSD - One Day To The Week 3:27</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">07) Bacro - Down With The War 4:17</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">08) Tsee Mud - This Natural Place 4:30</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;"><a href="https://www.youtube.com/watch?v=_SXFJC5TraQ">https://www.youtube.com/watch?v=_SXFJC5TraQ</a></span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">09) Tsee Mud - Mundo 2:46</span></div><div style="text-align: center;"><span style="font-family: Merienda; font-size: medium;">10) Bacro - Odelin 4:08</span></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com4tag:blogger.com,1999:blog-1503460058341590944.post-41357334558043457672022-09-27T19:00:00.001-03:002022-09-27T19:00:00.168-03:00AZNA DE L'ADER - Zabaya [1970 Niger Afro Psych Acid Rock] <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqkTMVJRJUfEQ9Vz79MuzRqV9xz37NWuM5PW5QMXg94eeaXCWhztFRowoQNukvyencBBiLS36zdNnTeze6BUtyq7WuzUTA5l4gybCRdk7hPFyMQsJuqAJJUF-mt9ZLLfKCZvOhN5Ea3mmXtObD0CMepY6L7_yR9aEqUwgTODFhhQDC97ksA7vUI3Kc/s1200/AZNA%20DE%20L'ADER%20-%20FRONT.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqkTMVJRJUfEQ9Vz79MuzRqV9xz37NWuM5PW5QMXg94eeaXCWhztFRowoQNukvyencBBiLS36zdNnTeze6BUtyq7WuzUTA5l4gybCRdk7hPFyMQsJuqAJJUF-mt9ZLLfKCZvOhN5Ea3mmXtObD0CMepY6L7_yR9aEqUwgTODFhhQDC97ksA7vUI3Kc/w400-h400/AZNA%20DE%20L'ADER%20-%20FRONT.jpg" width="400" /></a></div><br /><div style="text-align: center;"><u><b><span style="color: red; font-size: x-large;">ALTÍSSIMA RARIDADE!!</span></b></u></div><br /><div style="text-align: justify;"><span style="font-family: Merienda;"><b><span style="color: #ffa400;"><a href="https://mega.nz/file/ZkdxXJQa#m4COStS7un6q5cGc7BpdGUZjHrk1MdPwuzAtQTkgJiE" target="_blank">BANDA NIGERIANA</a> VENENOSA COM SOLOS INTENSOS E ESTRIDENTES, GUITARRA FUZZY E BATERIA PULSANTE!! </span>AZNA DE L'ADER FOI A BANDA NIGERIANA MAIS PSICODÉLICA DE TODOS OS TEMPOS. A BANDA ERA LIDERADA POR "NIGER MONA", CONHECIDO POR SUAS ROUPAS EXTRAVAGANTES E SUA GUITARRA INSPIRADAS EM HENDRIX!! É ROCK AND ROLL COM UMA MISTURA DE ROCK OCIDENTAL COM RITMOS LOCAIS!! O NOME É INSPIRADO EM "AZNA", UMA REFERÊNCIA ÀS RELIGIÕES ANIMISTAS PRÉ-ISLÂMICAS DA ÁREA CENTRAL DA NIGÈRIA E À MÚSICA INDUTORA DE TRANSE DOS CULTOS DE POSSESSÃO "BORI"!! A BANDA NUNCA TINHA LANÇADO NENHUMA GRAVAÇÃO, MAS AGORA SAIU ESSA COMPILAÇÃO DESTACANDO AS ÚNICAS GRAVAÇÕES COMPILADAS DOS ARQUIVOS DA RADIO NIGER (ORTN)!!<span style="color: red;"> CONSUMAM SEM NENHUMA MODERAÇÃO!!</span></b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">Embora não sejam muito conhecidos fora de seu país, Azna de L'Ader é uma das bandas de rock pioneiras da Nigéria. Eles tocam juntos em diferentes formações há mais de 40 anos, principalmente na região de Tahouar. A música de Azna é uma visão chocante do rock psicodélico dos anos 1970, incluindo solos de guitarra fortemente fuzzy e percussão estrondosa, que vive em uma esfera estilística semelhante à de Zamrock. A banda é liderada por Mona, um guitarrista afiado que tem sido seu único membro constante ao longo das décadas e foi apelidado de “Hendrix do Saara”. Apesar de ter grande destaque na área, eles nunca gravaram um álbum por falta de estúdios. A Sahel Sounds lançou agora Zabaya, o primeiro lançamento oficial de Azna de L'Ader. O disco de 8 músicas compila destaques das gravações da banda restauradas dos arquivos da Radio Niger (ORTN).</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><b>Falando sobre as influências ocidentais em sua música, Mona explica que tudo está ligado aos seus ancestrais nas notas do álbum: <i>“Quando os europeus levaram os negros como escravos nos EUA, nossos ancestrais trouxeram sua cultura com eles. Eles misturaram sua música com instrumentos modernos, e criaram o blues, e isso inventou o rock ‘n’ roll, o rhythm and blues, o jazz e tudo mais. O blues vem daqui. Cantamos, choramos e entramos em transe. Fazemos Bori, fazemos Voodoo. Nossos ancestrais trouxeram isso para os EUA. Pouco a pouco, a música conquistou a todos.”</i></b></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">Agora com 72 anos, Mona atua como diretor musical da banda orientando um novo grupo de jovens músicos que compõem a nova Azna de L’Ader. Zabaya já está disponível em vinil e Bandcamp via Sahel Sounds. A edição em vinil vem com um livro de fotos e encarte.</span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><u><span style="color: red; font-size: x-large;">HIGHLY RARITY!!</span></u></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><a href="https://mega.nz/file/ZkdxXJQa#m4COStS7un6q5cGc7BpdGUZjHrk1MdPwuzAtQTkgJiE" target="_blank">EXCELLENT NIGERIAN</a> BAND WITH INTENSE AND STRIKING SOLOS, FUZZY GUITAR AND PULSE DRUMS!! AZNA DE L'ADER WAS THE MOST PSYCHEDELIC NIGERIAN BAND OF ALL TIME. THE BAND WAS LEADED BY "NIGER MONA", KNOWN FOR HIS FANTASTIC CLOTHES AND HENDRIX INSPIRED GUITAR!! IT'S ROCK AND ROLL WITH A MIX OF WESTERN ROCK WITH LOCAL RHYTHMS!! THE NAME IS INSPIRED BY "AZNA", A REFERENCE TO THE PRE-ISLAMIC ANIMIST RELIGIONS OF CENTRAL AREA OF NIGERIA AND THE TRANCE-INDUCTING MUSIC OF THE "BORI" POSSESSION CULTS!! THE BAND HAS NEVER RELEASED ANY RECORDINGS BUT NOW THIS COMPILATION HAS BEEN OUTSTANDING THE ONLY RECORDINGS COMPILED FROM THE RADIO NIGER (ORTN) ARCHIVES!! <b><i>CONSUME WITHOUT ANY MODERATION!!</i></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Although they are not well known outside their country, Azna de L'Ader is one of Nigeria's pioneering rock bands. They have been playing together in different formations for over 40 years, mostly in the Tahouar region. Azna's music is a shocking take on 1970s psychedelic rock, including heavily fuzzy guitar solos and thunderous percussion, which lives in a similar stylistic realm to that of Zamrock. The band is led by Mona, a keen guitarist who has been its only constant member over the decades and has been dubbed the “Hendrix of the Sahara”. Despite having great prominence in the area, they never recorded an album for lack of studios. Sahel Sounds has now released Zabaya, the first official release of Azna de L'Ader. The 8-song disc compiles highlights of the band's recordings restored from the Radio Niger (ORTN) archives.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>Talking about the Western influences in her music, Mona explains that it's all tied to her ancestors in the album's liner notes: <i>“When Europeans took black people as slaves to the US, our ancestors brought their culture with them. They mixed their music with modern instruments, and they created the blues, and that invented rock 'n' roll, rhythm and blues, jazz and everything in between. The blues come from here. We sing, we cry and we go into a trance. We do Bori, we do Voodoo. Our ancestors brought this to the US. Little by little, the music conquered everyone.”</i></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Now 72, Mona serves as the band's music director guiding a new group of young musicians who make up the new Azna de L'Ader. Zabaya is now available on vinyl and Bandcamp via Sahel Sounds. The vinyl edition comes with a photo book and booklet.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcu_N5VOy9IKF61AROwVTJv6wRmheGo3tiMJuKfqpfjnlhq2j5-3gos9MH9ImI-2Eei97-xPlWbBF5ZcsWgkBWcsA72ElNd3y3vSEMZJ1blq-mJc6l5RT_NbjmZlcNRTAEiRks-sAPUxTIlEKHlvsxHmdh11MGY_vTlB2_MTHvtwc_3CKuc-DnUByV/s885/AZNA%20DE%20L'ADER%20-%20BACK.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="836" data-original-width="885" height="302" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcu_N5VOy9IKF61AROwVTJv6wRmheGo3tiMJuKfqpfjnlhq2j5-3gos9MH9ImI-2Eei97-xPlWbBF5ZcsWgkBWcsA72ElNd3y3vSEMZJ1blq-mJc6l5RT_NbjmZlcNRTAEiRks-sAPUxTIlEKHlvsxHmdh11MGY_vTlB2_MTHvtwc_3CKuc-DnUByV/s320/AZNA%20DE%20L'ADER%20-%20BACK.jpg" width="320" /></a></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com2tag:blogger.com,1999:blog-1503460058341590944.post-46580314945011885632022-08-15T23:04:00.002-03:002022-08-15T23:04:58.705-03:00SENSORY SYSTEM - Sensory System (1974 Denmark Hard Blues Rock)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtA37Ir9CtRimofdorI2QFXREBRw-XorIDrjpTYg4D8bEAQX-rKvmuSGJ2GhST157WyE3tmIHmajJIw5YXtr6qoOUhYAGOX_W3dTklBUQsQRD50D-Y8Bt_ZEvXjArw_vSJPo0RobR5wjwWv2OEdjZwchuE0HOZUzw2fYMS3gfWdRZWWXqebmYGn1f4/s658/Sensory%20System%20-%20Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="658" data-original-width="648" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtA37Ir9CtRimofdorI2QFXREBRw-XorIDrjpTYg4D8bEAQX-rKvmuSGJ2GhST157WyE3tmIHmajJIw5YXtr6qoOUhYAGOX_W3dTklBUQsQRD50D-Y8Bt_ZEvXjArw_vSJPo0RobR5wjwWv2OEdjZwchuE0HOZUzw2fYMS3gfWdRZWWXqebmYGn1f4/w394-h400/Sensory%20System%20-%20Front.jpg" width="394" /></a></div><br /><div style="text-align: center;"><span style="color: red; font-family: Creepster; font-size: x-large;">DA SÉRIE: REPOSTAGEM PRA ETERNIZAR O VENENO!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b>ALÉM DESTE ALBUM SER UMA RARIDADE É ÍTEM BÁSICO EM QUALQUER COLEÇÃO DE QUEM CURTE UM BOM HARD ROCK SETENTISTA DA GEMA!! BANDA VINDA DA DINAMARCA QUE TINHA UMA SONORIDADE QUA VAI DO HARD ROCK AO BLUES/BOOGIE COM UM PIANO BEM LEGAL!! A BALADA DA FAIXA 2 É PAULADA NA NUCA!! É MEMORÁVEL E JÁ VALE O DISCO!! DEPOIS, NA FAIXA 6 TEMOS OUTRA BALADA MUITO PAULADA COM VIOLINO DE FUNDO MUITO CHAPANTE!! DE RESTO É HARD DE PRIMEIRA LINHA COM GAITA DE BOCA, PIANO E TUDO MAIS!! O NÍVEL TÉCNICO DOS MÚSICOS É EXCELENTE!! <span style="color: #ffa400; font-size: large;">VENENO ALTAMENTE RECOMENDADO!!</span></b></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">Banda dinamarquesa com uma carreira paralela alemã usando o nome da banda System!! Começou a tocar no início dos anos 70, gravando seu primeiro álbum em 1972, embora não tenha sido lançado até 1974!! Em 1973, a banda excursionou pela Noruega e Alemanha!! Em 1974 seu álbum de estreia foi finalmente lançado, na Dinamarca, usando o nome de Sensory System e intitulado apenas de “Sensory!”!! Já na Alemanha como autointitulado “System”!! O segundo álbum, de 1975, também foi lançado em ambos os mercados com nomes de bandas diferentes, mas com o mesmo título, “What We Are”!! A banda se dissolveu em 1976!! Antes da Sensory System, Jørgen Werner estava na Maxwells, que também teve uma carreira alemã!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="color: red; font-family: Creepster; font-size: x-large;">FROM THE SERIES: REPOST TO ETERNIZE!!</span></div><div style="text-align: justify;">BESIDES THIS ALBUM BEING A RARITY IT IS A BASIC ITEM IN ANY COLLECTION!! A GOOD 70's GEM HARD ROCK!! BAND COMING FROM DENMARK THAT HAD A SOUND THAT GOES FROM HARD ROCK TO BLUES/BOOGIE WITH A VERY COOL PIANO!! THE BALLAD IN TRACK 2 IS VERY GOOD!! THEN, ON TRACK 6 WE HAVE ANOTHER VERY GOOD BALLAD WITH A VERY SMOOTH BACKGROUND VIOLIN!! FOR THE REST IT IS FIRST LINE HARD WITH HARMONIC, PIANO AND EVERYTHING ELSE!! THE TECHNICAL LEVEL OF THE MUSICIANS IS EXCELLENT!! POISON HIGHLY RECOMMENDED!!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Danish band with a German side career using the band name System!! He started playing in the early 70's, recording his first album in 1972, although it wasn't released until 1974!! In 1973, the band toured Norway and Germany!! In 1974 their debut album was finally released, in Denmark, using the name Sensory System and titled simply “Sensory!”!! Already in Germany as the self-titled “System”!! The second album, from 1975, was also released in both markets with different band names, but with the same title, “What We Are”!! The band dissolved in 1976!! Before Sensory System, Jørgen Werner was at Maxwells, who also had a German career!!</div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Z9EZQNud-NLT5sQBDNErGrk6i07fbnVjHngPElhPAdpH9lilJQQqz_u3UUViQm7CWZ43AQf2rjcxFiHI1IcGYloyffHELHb6qhzMyFIylcMbnK1E_VUUKtK33tVMySE5vUCKc7wWWGx572TpJkbI_-VG10gHr9VxOZeC74L31pi0sHectnq3cT_V/s706/Sensory%20System%20-%20Back.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="706" data-original-width="692" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Z9EZQNud-NLT5sQBDNErGrk6i07fbnVjHngPElhPAdpH9lilJQQqz_u3UUViQm7CWZ43AQf2rjcxFiHI1IcGYloyffHELHb6qhzMyFIylcMbnK1E_VUUKtK33tVMySE5vUCKc7wWWGx572TpJkbI_-VG10gHr9VxOZeC74L31pi0sHectnq3cT_V/s320/Sensory%20System%20-%20Back.jpg" width="314" /></a></div><br /><div style="text-align: center;"><span style="font-size: medium;">Bass, Backing Vocals – Flemming Bjergby </span></div><div><div style="text-align: center;"><span style="font-size: medium;">Drums, Percussion, Backing Vocals – Rene Wulff </span></div><div style="text-align: center;"><span style="font-size: medium;">Guitar – Krishna Yarbrough </span></div><div style="text-align: center;"><span style="font-size: medium;">Guitar, Vocals – Jørgen Werner </span></div><div style="text-align: center;"><span style="font-size: medium;">Lead Vocals, Harmonica – Brian Burr-Philipp </span></div><div style="text-align: center;"><span style="font-size: medium;">Violin – Finn Ziegler</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;">01. Red Man<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">02. Never Knowing<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">03. Experience, My Teacher<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">04. While Nixon Plays the Piano<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">05. Come On<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">06. Biggan, Be Gone<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">07. I'll Take You<span style="white-space: pre;"> </span> <span style="white-space: pre;"> </span></span></div><div style="text-align: center;"><span style="font-size: medium;">08. Winter's Over</span></div></div><div style="text-align: center;"><br /></div><div><div style="text-align: center;"><a href="https://mega.nz/file/F1VG0ajC#jvk5eiAQ4o9W1ZW3_-ne_Q7HABv1nlEBPtI3tP01c5s">https://mega.nz/file/F1VG0ajC#jvk5eiAQ4o9W1ZW3_-ne_Q7HABv1nlEBPtI3tP01c5s</a></div></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com3tag:blogger.com,1999:blog-1503460058341590944.post-71051944855936657912022-08-04T18:55:00.003-03:002022-08-04T18:55:54.321-03:00[REPOST] CLARK HUTCHINSON - Blues (1968 UK Blues)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFD0kLsoPfTeGMe9tb6kocrUuJQYTf3IGcEFfkWw-jXdAggwrceqOXglnmL_7AcWcVzaY8jzU89nipArgVn1C-lqbDF0FGtwYi6-y0mJ9SAh4aLbjB1DHeA_7p5daKkpH7rVU4wC5U8De665pBIugzlWU3NflV2JSCmK-ZChMFsC8YqD36J6CiEZec/s1428/Front.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1402" data-original-width="1428" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFD0kLsoPfTeGMe9tb6kocrUuJQYTf3IGcEFfkWw-jXdAggwrceqOXglnmL_7AcWcVzaY8jzU89nipArgVn1C-lqbDF0FGtwYi6-y0mJ9SAh4aLbjB1DHeA_7p5daKkpH7rVU4wC5U8De665pBIugzlWU3NflV2JSCmK-ZChMFsC8YqD36J6CiEZec/w400-h393/Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;">REPOSTAGEM A PEDIDO DOS ENVENENADOS!!</span></div><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;">REQUEST REPOST!! RARE POISON GREAT BLUES!!</span></div><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;"><a href="https://mega.nz/file/AtsnkSIQ#YsWVa7Ipx94WHkOkaLKUUGJhjbp3bpn59Fd6oxw2mq8" target="_blank">HIGHLY RARE RECOMMENDED!!</a></span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><span style="color: #ffa400;">ESTE CARA, APESAR DE TER SIDO CONVIDADO PARA INTEGRAR AS BANDAS MOODY BLUES E COLOSSEUM, PREFERIU SEGUIR SEU ESTILO PRÓPRIO NUMA CARREIRA SOLO!! </span>OS AMANTES DE UM BOM SOM AGRADECEM ESTA DECISÃO, POIS O CARA É FERA E MUITO BOM NO QUE FAZ!! JÁ TOCOU TABLA COM SAN GOPAL E JÁ MESCLOU BLUES E JAZZ COM ELEMENTOS ÍNDIOS!! </span></div><div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: medium;">ESTE ERA PRA SER O PRIMEIRO DISCO DE CLARCK HUTCHINSON, MAS ISSO FICOU POR CONTA DO ÁLBUM "A=MH2", QUE FICOU COMO PRIMEIRO ALBUM LANÇADO!! E ESTE, TOTALMENTE BLUES, FOI LANÇADO APENAS 26 ANOS DEPOIS, SOMENTE EM 1994!! UM VENENO BLUESEIRO DE ALTA QUALIDADE E QUE SAI UM POUCO DAQUELE BLUES TRADICIONAL!! <span style="color: #ffa400;">ALTAMENTE RARO E RECOMENDADO</span>, NÃO SÓ AOS BLUESMANÍACOS, MAS TAMBÉM AOS AMANTES DE UM BOM SOM DA ERA "ROCK N'ROLL GOLDMINE"!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;">Mick Hutchison começou a tocar com os Sons of Fred, uma banda de rock selvagem dos anos sessenta, que ele deixou quando começou a mudar seu estilo de tocar guitarra para música indiana!! Apesar de ter ofertas de Moody Blues e Colosseum ele preferia ter suas próprias experiências musicais tocando tabla com SAM GOPAL fazendo blues com um mix de jazz e elementos indianos!! Também excursionou por clubes de Londres com U.F.O. e MIDDLE EARTH!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">Ele se juntaria a Andy Clark, músico e compositor de blues, tecladista e grande vocalista, e Pete Sears no baixo, logo substituído por Walt Monahan!! O grupo seria completado com Franco Franco na bateria!! Em 1968, incentivados por seu empresário, gravaram esse álbum de blues!! As circunstâncias da gravação não eram muito boas e a banda passava as noites em um porão dos prédios de uma revista de música!! Mesmo com todo o esforço não conseguiram assinar o contrato que queriam para o álbum e o mesmo acabou não sendo lançado!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">Trata-se de um grande álbum de blues, em sintonia com os primeiros grupos de blues rock britânicos como Fleetwood Mac, Chicken Shack ou Groundhogs que começavam a explorar novas sonoridades tentando sair das limitações do blues tradicional!!</span></div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipikUdvcarG0BlpDrLvwoCUQICvf4kulpS78k3ZlIXpEW6kggKwahmxXn83Ute0CviscGSnHpZa21pIvnaHA9nd39wPXu3Gd0jFEbGFQzEZYKPMZ6MI3EEHvf8bEJomcLrZdYZmzJeme10sTPU1eSBhhBAeeRR6efrU4bjfKekIcdpXkhlAtkSzGRv/s2835/Inside.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1417" data-original-width="2835" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipikUdvcarG0BlpDrLvwoCUQICvf4kulpS78k3ZlIXpEW6kggKwahmxXn83Ute0CviscGSnHpZa21pIvnaHA9nd39wPXu3Gd0jFEbGFQzEZYKPMZ6MI3EEHvf8bEJomcLrZdYZmzJeme10sTPU1eSBhhBAeeRR6efrU4bjfKekIcdpXkhlAtkSzGRv/w400-h200/Inside.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><b>THIS GUY, DESPITE HAVING BEEN INVITED TO JOIN THE BANDS MOODY BLUES AND COLOSSEUM, PREFERED TO FOLLOW HIS OWN STYLE IN A SOLO CAREER!! HAS PLAYED TABLA WITH SAN GOPAL AND MIXED BLUES AND JAZZ WITH INDIAN ELEMENTS!! THIS WAS TO BE CLARCK HUTCHINSON'S FIRST ALBUM, BUT THE DISCOGRAPHY WAS "A=MH2", WHICH WAS THE FIRST ALBUM RELEASED!! AND THIS ONE, TOTALLY BLUES, WAS RELEASED JUST 26 YEARS LATER, ONLY IN 1994!! HIGH QUALITY AND ESCAPES THOSE TRADITIONAL BLUES!! HIGHLY RARE RECOMMENDED NOT ONLY FOR BLUESMANICS, BUT ALSO LOVERS OF A GOOD SOUND FROM THE "ROCK N'ROLL GOLDMINE" ERA!!</b></div><div><div><br /></div><div style="text-align: justify;"><i>Mick Hutchison started playing with Sons of Fred, a wild rock band from the sixties, which he left when he started to change his guitar playing style to Indian music!! Despite having offers from Moody Blues and Colosseum he preferred to have his own musical experiences playing tabla with SAM GOPAL making blues with a mix of jazz and Indian elements!! He also toured London clubs with U.F.O. and MIDDLE EARTH!!</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>He would join Andy Clark, blues musician and songwriter, keyboardist and great vocalist, and Pete Sears on bass, soon replaced by Walt Monahan!! The group would be completed with Franco Franco on drums!! In 1968, encouraged by their manager, they recorded this blues album!! The recording circumstances weren't very good and the band spent their nights in a basement of a music magazine building!! Even with all the effort they couldn't sign the contract they wanted for the album and it ended up not being released!!</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>It is a great blues album, in tune with the first British blues rock groups such as Fleetwood Mac, Chicken Shack or Groundhogs who began to explore new sounds trying to get out of the limitations of traditional blues!!</i></div><div><br /></div><div>- Andy Clark / keyboards, vocals</div><div>- Mick Hutchinson / guitar</div><div>- Walt Monahan / bass</div><div>- Franco Franco / drums</div><div><br /></div><div>1. Bad Loser</div><div>2. Crow Jane</div><div>3. Guess I Have To Set You Free</div><div>4. CH Boogie</div><div>5. Maybe In The Morning</div><div>6. Someone's Been At My Woman</div><div>7. Just Wanna</div><div>8. The Summer Seems Longer</div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com4tag:blogger.com,1999:blog-1503460058341590944.post-36682079607592080962022-07-29T18:44:00.004-03:002022-07-29T18:48:02.268-03:00THE BAROQUES - The Baroques [1967 US Psych Rock Baroque Pop]<div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrB3ktKFeDHHC-IfmGuaf72uqqLQ8w00tO5m79gvwnhoiCgBY1dWo3QGP13u9OoJcjkWCxZlJyrwyW6ncVJMrUSuz7MGcgBYuGcA-W99OvT5j9WcNouLFbhd6UwZqXp1CNBR05qqvwsDlq_K7uQR79v1KzqyajtOntivksbfyUsW9oekaLTUqg1U9j/s1701/Baroques%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1701" data-original-width="1701" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrB3ktKFeDHHC-IfmGuaf72uqqLQ8w00tO5m79gvwnhoiCgBY1dWo3QGP13u9OoJcjkWCxZlJyrwyW6ncVJMrUSuz7MGcgBYuGcA-W99OvT5j9WcNouLFbhd6UwZqXp1CNBR05qqvwsDlq_K7uQR79v1KzqyajtOntivksbfyUsW9oekaLTUqg1U9j/w400-h400/Baroques%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;"><a href="https://mega.nz/file/Mp0FmCgZ#RXYA8IhOD2B3SO6x-wUR2zVKB64SPqa3sqnhRFjS1zA" target="_blank">VENENO RARO</a> E QUE VALE A PENA DAR UM TÉKINHO!!</span></div></div><div style="text-align: center;"><span style="color: #ffa400; font-family: Creepster; font-size: x-large;">UMA VIAGEM BEM AGRADÁVEL E SEM NÓIA!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;"><span style="color: #fcff01;">EMBORA O SOM DOS CARAS TENHAM BOAS PITADAS DO POP, O QUE TEMOS AQUI É UM BOM PSYCH ROCK COM ALGUM TOQUE LEVE DE GARAGE!! TUDO É MUITO BEM FEITO E ÚNICO!! </span>NADA DE EXCEPCIONAL, MAS AGRADÁVEL DO INÍCIO AO FIM!! NO GERAL ELE É MUITO BOM!! TEM UMA VIBE ESPECIAL, SEM FLOWER POWER E NEM EFEITOS DESNECESSÁRIOS!! SABE AQUELES ÁLBUNS QUE, PARA ALGUNS, PRECISA SER ESCUTADO MAIS DE UMA VEZ PARA REALMENTE BATER!! ESSE É O CASO!! NÃO FOI O QUE ECONTECEU COMIGO!! PARA MIM BATEU DE CARA!! MAS A BATIDA FOI AUMENTANDO A MEDIDA QUE ESCUTEI MAIS VEZES!! NÃO ENTENDO COMO NÃO SE TORNOU MAIS POPULAR, POIS TEM ORIGINALIDADE, ALGO DIFÍCIL DE ENCONTRAR NESSAS BANDAS MAIS OBSCURAS!!</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">A HISTÓRIA DOS CARAS COMEÇA EM 1966, EM MILWAUKEE, WISCONSIN, QUANDO ASSINOU CONTRATO COM A CHESS RECORDS E CRIOU ESSE SEU ÚNICO ÁLBUM!! DEPOIS DE UMA SEMANA DO ÁLBUM LANÇADO, JUNTAMENTE COM SEU SINGLE "MARY JANE", AMBOS FORAM RAPIDAMENTE BANIDOS PELOS DJS DE RÁDIOS LOCAIS!! ELES ENTENDERAM QUE "MARY JANE" ERA UMA CANÇÃO PRÓ-DROGAS, O QUE NÃO ERA REALMENTE ISSO, MAS NO ENTANTO, A BANDA RESOLVEU SE APROVEITAR DESSA REPUTAÇÃO E COMEÇOU A PUXAR ACROBACIAS SELVAGENS E OUSADAS DURANTE SEUS SHOWS!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">O ÁLBUM EM SI É EXTREMAMENTE ÚNICO!! SIM, BANDAS POR TODA PARTE ESTAVAM TENTANDO CAPTURAR A ORIGINALIDADE EM UM DISCO, MAS OS "TEH BAROQUES" CONSEGUIRAM MELHOR DO QUE A MAIORIA!! SEU HÍBRIDO PSICODÉLICO/GARAGE/POP FOI FEITO POR OUTROS, MAS A ESSÊNCIA SOMBRIA QUE ESTÁ REPRESENTADA NESTE ÁLBUM FAZ DE SEU SOM SUA PRÓPRIA IDENTIDADE!! POR EXEMPLO, "IOWA, A GIRL'S NAME", QUE COMEÇA O ÁLBUM, MOSTRA A AURA SOMBRIA E DE DESGRAÇA QUE UMA BOA PARTE DO ÁLBUM FORNECE!! ALGUMAS DESSAS CANÇÕES, SEM DÚVIDA, SE ENCAIXARIAM PERFEITAMENTE DENTRO DE CENAS DE UM FILME DE SUSPENSE!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><u><span style="color: #ffa400;">O lado A apresenta o único single do álbum, "Mary Jane"</span></u></b>, uma faixa de destaque que imediatamente chama sua atenção com um piano elétrico infeccioso que vem batendo em cerca de 25 segundos na faixa. Isso, acompanhado pelos vocais de Jay Borkenhagen (que soam como se sua caixa de voz tivesse sido emendada com a de uma abelha bumble!) fazem desta uma experiência de escuta verdadeiramente única. Mais uma vez, eu tenho que aplaudir a bateria, uma vez que claramente adiciona sabor a esta fatia de êxtase rítmico.</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><b><u><span style="color: #ffa400;">No entanto, a banda teve seu lado mais calmo, exemplificado por "Seasons"</span></u></b>. Com um maravilhoso cravo sonoro encontrado por toda parte, essa beleza de canção é uma das faixas sonoras mais suaves do álbum. Ao contrário do nome da banda, eles geralmente não são considerados como um grupo que gravou música de natureza barroca. Eles são mais classificados como psicodélicos com influências de garagem. No entanto, "Seasons" é uma clara exceção, e não deve ser ignorado por alguém que gostaria de uma fantástica peça de música barroca.</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">Como dito, tinham um som único, raramente encontrado em outros lugares do mundo da música. O fluxo gago de <b><u><span style="color: #ffa400;">"Rose Colored Glasses"</span></u></b> certamente lhe dá um soco distinto, com os vocais de Brokenhagen mais uma vez dando a esta canção uma adição deliciosamente estranha. </span><span style="font-family: Merienda;">No entanto, há ainda melhores exemplos de sua natureza idiossincrática; </span><b style="font-family: Merienda;"><u><span style="color: #ffa400;">"Bicycle"</span></u></b><span style="font-family: Merienda;">, provavelmente a música mais estranha aqui, ficará alojada dentro de sua cabeça por uma eternidade! Com uma melodia muito estranha que de alguma forma funciona no álbum. </span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">A música do lado B, <b><u><span style="color: #ffa400;">"Boop"</span></u></b>, só contém sons sem sentido repetidos ao longo de toda a faixa. É certamente memorável não só por isso, mas pelo quão excelente soa aos ouvidos. O som sombrio encontrado na maior parte do álbum é completamente invisível aqui, com este som muito alegre e divertido. </span><span style="font-family: Merienda;">Em outros lugares, há </span><b style="font-family: Merienda;"><u><span style="color: #ffa400;">"In Silver Light"</span></u></b><span style="font-family: Merienda;">, que é centrado em torno de bongos lentos que certamente separam esta faixa das outras do álbum. Encharcado de magia psicodélica extrema, é certamente atmosférico estar em uma fogueira em uma noite de verão. Há também <span style="color: #ffa400;"><b><u>"There's Nothing Left To Do But Cry"</u></b> </span>que soa como as sessões de The Byrds "Mr. Tambourine Man" foram emendadas com suas sessões de "Fifth Dimension" com um tinge de garagem não encontrado em nenhum desses dois álbuns.</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">No geral, trouxeram uma borda única e deliciosa ao seu som que foi amplificada pela musicalidade esplêndida e um vocalista que tinha uma voz perfeitamente combinada com a musicalidade de Dean Nimmer, Jacques Hutchinson e Rick Bieniewsk. <b>Parece quase cruel que esses caras nunca fizeram outro álbum!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="font-family: Fredoka One;">História</span></b></div><div style="text-align: justify;"><span style="font-family: Fjalla One;">Em 1966, a banda foi formada como "The Complete Unknowns", com Rick Bieniewski no baixo, Jacques Hutchinson na guitarra e vocais, e Dean Nimmer e Wayne Will tocando bateria. A banda começou como uma banda de rock de garagem tocando as músicas populares associadas ao gênero durante o período. Após sua primeira turnê em Wisconsin, Will foi convocado para lutar na Guerra do Vietnã, então a banda o substituiu pelo multi-instrumentista Jay Borkenhagen. Com o novo membro, a banda mudou sua identidade musical para psychedelic rock e mudou o nome do grupo para The Baroques. A banda tornou-se notável por seus teclados barrocos, riffs de guitarra fuzz, e jams totalmente assustadores.</span></div><div style="text-align: justify;"><span style="font-family: Fjalla One;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Fjalla One;">As apresentações ao vivo da banda chamaram a atenção da Chess Records em janeiro de 1967. A gravadora, conhecida principalmente por lançar material de R&B, assinou contrato com a banda em um esforço para incorporar uma nova oportunidade de marketing. A banda foi gravar seu primeiro single no Ter Mer Studios, localizado em Chicago. O single, ambos concebidos de material original por Borkenhagen, foi produzido por Ralph Bass. Em junho de 1967, a banda lançou seu primeiro single, "Mary Jane" b/w "Iowa, A Girl's Name", que foi banido pelas estações de rádio locais dentro de uma semana do lançamento para referências pró-drogas percebidas. Na realidade, não havia referências pró-drogas e o lado A, "Mary Jane", foi concebido como uma declaração antidrogas.</span></div><div style="text-align: justify;"><span style="font-family: Fjalla One;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Fjalla One;">A controvérsia trouxe aclamação regional para a banda, e eles ficaram conhecidos por suas performances ao vivo excêntricas. Após a proibição de seu single, a banda lançou seu único LP, The Baroques, que incluiu as duas músicas do single. O álbum tornou-se um sucesso regional, mas a banda foi incapaz de se ramificar fora do estado, pois sua gravadora não era bem conhecida por distribuir álbuns de rock, muito menos rock psicodélico. Ainda assim, a banda estava no auge da popularidade e estava se apresentando em uma quantidade maior de shows, mas a Chess Records os retirou de sua gravadora. Um último esforço autofinanciado foi produzido em 1968, mas com o pequeno marketing o single só alcançou aclamação regional. A banda se desfez mais tarde naquele ano.</span></div><div style="text-align: justify;"><span style="font-family: Fjalla One;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Fjalla One;">Jay Borkenhagen foi para a Califórnia e gravou um LP na década de 1970 com uma banda chamada Feather. Jacques Hutchinson tornou-se professor de comunicação na Universidade do Colorado. Dean Nimmer tornou-se professor de arte na Massachusetts College of Art. Rick Bieniewski tornou-se um vendedor viajante.</span></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglFCosPC-6sfkxVEjEoFQ7p51i14iGPi0V-2YEuO2TPdEX3yq6qkcvY4cFqVhlasx9zL2DKBlhMimn7ff849PQgXVNRXXcRGAKaQUBljEDV85lNtUp7qWvNPOGfJXoX02XBAtgxzSm5iYxZDYqdPt86Fp9KTcW8DsbMPejiSMDvsyReZ1I63LPEg8H/s1890/Baroques%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1890" data-original-width="1890" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglFCosPC-6sfkxVEjEoFQ7p51i14iGPi0V-2YEuO2TPdEX3yq6qkcvY4cFqVhlasx9zL2DKBlhMimn7ff849PQgXVNRXXcRGAKaQUBljEDV85lNtUp7qWvNPOGfJXoX02XBAtgxzSm5iYxZDYqdPt86Fp9KTcW8DsbMPejiSMDvsyReZ1I63LPEg8H/s320/Baroques%20-%20Back.jpg" width="320" /></a></div><br /><div><br /></div><div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><a href="https://mega.nz/file/Mp0FmCgZ#RXYA8IhOD2B3SO6x-wUR2zVKB64SPqa3sqnhRFjS1zA" target="_blank">ALTHOUGH THE SOUND OF THE GUYS</a> HAS A GOOD PIECES OF POP, WHAT WE HAVE HERE IS A GOOD PSYCH ROCK WITH SOME LIGHT GARAGE TOUCH!! EVERYTHING IS VERY WELL DONE AND UNIQUE!! NOTHING EXCEPTIONAL BUT ENJOYABLE FROM START TO FINISH!! OVERALL IT IS VERY GOOD!! IT HAS A SPECIAL VIBE, NO FLOWER POWER AND NO UNNECESSARY EFFECTS!! YOU KNOW THOSE ALBUMS THAT, FOR SOME, NEED TO BE HEARD MORE THAN ONCE TO REALLY BEAT!! THAT'S THE CASE!! THAT'S NOT WHAT HAPPENED TO ME!! FACE UP FOR ME!! BUT THE BEAT WAS INCREASING AS I LISTENED MORE TIMES!! I DON'T UNDERSTAND HOW IT DIDN'T BECOME MORE POPULAR BECAUSE IT HAS ORIGINALITY, SOMETHING HARD TO FIND IN THESE MORE OBSCURE BANDS!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">THE GUYS' STORY BEGINS IN 1966 IN MILWAUKEE, WISCONSIN, WHEN THEY SIGNED A CONTRACT WITH CHESS RECORDS AND CREATED THIS HIS ONLY ALBUM!! AFTER A WEEK OF THE ALBUM RELEASED, TOGETHER WITH THEIR SINGLE "MARY JANE", BOTH WERE QUICKLY BANNED BY LOCAL RADIO DJs!! THEY UNDERSTOOD THAT "MARY JANE" WAS A PRO-DRUG SONG, WHICH IT WAS NOT ACTUALLY THAT, BUT HOWEVER, THE BAND DECIDED TO TAKE ADVANTAGE OF THIS REPUTATION AND STARTED PULLING WILD AND BOLD stunts DURING THEIR SHOWS!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">THE ALBUM ITSELF IS EXTREMELY UNIQUE!! YES, BANDS EVERYWHERE WERE TRYING TO CAPTURE THE ORIGINALITY ON A RECORD, BUT THE "TEH BAROQUES" DID IT BETTER THAN MOST!! HIS PSYCHEDELIC/GARAGE/POP HYBRID WAS MADE BY OTHERS, BUT THE DARK ESSENCE THAT IS REPRESENTED IN THIS ALBUM MAKES HIS SOUND ITS OWN IDENTITY!! FOR EXAMPLE "IOWA, A GIRL'S NAME", WHICH STARTS THE ALBUM, SHOWS THE DARK AURA AND DOOM THAT A GOOD PORTION OF THE ALBUM PROVIDES!! SOME OF THESE SONGS WOULD NO DOUBT FIT PERFECTLY WITHIN SCENES OF A SUSPENSE MOVIE!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">The A-side features the album's only single, <b><u><span style="color: #ffa400;">"Mary Jane"</span></u></b>, a standout track that immediately grabs your attention with an infectious electric piano that comes crashing in at around 25 seconds into the track. This, accompanied by Jay Borkenhagen's vocals (which sound like his voice box has been spliced together with that of a bumble bee!) makes this a truly unique listening experience. Once again, I have to applaud the drums as it clearly adds flavor to this slice of rhythmic ecstasy.</span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">However, the band had its calmer side, exemplified by <b><u><span style="color: #ffa400;">"Seasons"</span></u></b>. With wonderful harpsichord sound found throughout, this song beauty is one of the smoothest soundtracks on the album. Contrary to the band's name, they are generally not regarded as a group that recorded music of a baroque nature. They are more classified as psychedelics with garage influences. However, "Seasons" is a clear exception, and should not be ignored by anyone who would like a fantastic piece of Baroque music.</span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">As said, the Baroques had a unique sound rarely found elsewhere in the music world. The stuttering flow of <b><u><span style="color: red;">"Rose Colored Glasses"</span></u></b> certainly packs a distinct punch, with Brokenhagen's vocals once again giving this song a deliciously weird addition. However, there are even better examples of its idiosyncratic nature; <b><u><span style="color: red;">"Bicycle"</span></u></b>, probably the strangest song here, will be lodged inside your head for an eternity! With a very strange melody that somehow works on the album. The B-side song <b><u><span style="color: red;">"Boop"</span></u></b> only contains nonsensical sounds repeated throughout the entire track. It's certainly memorable not just for that, but for how excellent it sounds to the ears. The dark sound found in most of the album is completely invisible here, with this sound very upbeat and fun.</span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">Elsewhere, there's <b><u><span style="color: red;">"In Silver Light"</span></u></b> which is centered around slow bongos that certainly set this track apart from the others on the album. Drenched in extreme psychedelic magic, it's certainly atmospheric to be by a campfire on a summer night. There's also <b><u><span style="color: red;">"There's Nothing Left To Do But Cry"</span></u></b> which sounds like The Byrds' "Mr. Tambourine Man" sessions were spliced into their "Fifth Dimension" sessions with a garage tinge not found on either of these two albums.</span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda; font-size: x-small;">Overall, they brought a unique and delicious edge to their sound that was amplified by splendid musicianship and a vocalist who had a voice perfectly matched to the musicianship of Dean Nimmer, Jacques Hutchinson and Rick Bieniewsk. It almost seems cruel that these guys never made another album!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><u>History</u></b></div><div style="text-align: justify;">In 1966, the band was formed as "The Complete Unknowns", with Rick Bieniewski on bass, Jacques Hutchinson on guitar and vocals, and Dean Nimmer and Wayne Will playing drums. The band started out as a garage rock band playing the popular songs associated with the genre during the period. After his first tour of Wisconsin, Will was drafted to fight in the Vietnam War, so the band replaced him with multi-instrumentalist Jay Borkenhagen. With the new member, the band changed its musical identity to psychedelic rock accompass, and changed the group's name to The Baroques. The band became notable for their baroque keyboards, fuzz guitar riffs, and downright creepy jams.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The band's live performances came to the attention of Chess Records in January 1967. The label, known primarily for releasing R&B material, signed the band to a deal in an effort to incorporate a new marketing opportunity. The band was recording their first single at Ter Mer Studios located in Chicago. The single, both conceived from original material by Borkenhagen, was produced by Ralph Bass. In June 1967, the band released their first single, "Mary Jane" b/w "Iowa, A Girl's Name", which was banned by local radio stations within a week of release for perceived pro-drug references. In reality, there were no pro-drug references and the A-side, "Mary Jane", was intended as an anti-drug statement.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The controversy brought regional acclaim for the band, and they became known for their eccentric live performances. Following the ban on their single, the band released their only LP, The Baroques, which included both songs from the single. The album became a regional success, but the band was unable to branch out out of state as their label was not well known for distributing rock albums, let alone psychedelic rock. Still, the band was at the height of popularity and was performing a greater number of shows, but Chess Records dropped them from their label. A final self-funded effort was produced in 1968, but with little marketing the single only achieved regional acclaim. The band disbanded later that year.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Jay Borkenhagen went to California and recorded an LP in the 1970s with a band called Feather. Jacques Hutchinson became professor of communication at the University of Colorado. Dean Nimmer became a professor of art at the Massachusetts College of Art. Rick Bieniewski became a traveling salesman.</div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><div><span style="font-family: Fredoka One;">A1 Iowa, A Girl's Name 2:44</span></div><div><span style="font-family: Fredoka One;">A2 Seasons 2:59</span></div><div><span style="font-family: Fredoka One;">A3 Mary Jane 2:42</span></div><div><span style="font-family: Fredoka One;">A4 Rose Colored Glasses 2:36</span></div><div><span style="font-family: Fredoka One;">A5 Musical Tribute To The Oscar Mayer Weiner Wagon 3:31</span></div><div><span style="font-family: Fredoka One;">A6 In Silver Light 2:05</span></div><div><span style="font-family: Fredoka One;">B1 This Song Needs No Introduction 2:58</span></div><div><span style="font-family: Fredoka One;">B2 There's Nothing Left To Do But Cry 2:54</span></div><div><span style="font-family: Fredoka One;">B3 Bicycle 2:24</span></div><div><span style="font-family: Fredoka One;">B4 Purple Day 2:50</span></div><div><span style="font-family: Fredoka One;">B5 Boop 1:43</span></div><div><span style="font-family: Fredoka One;">B6 Love In A Circle 2:29</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com1tag:blogger.com,1999:blog-1503460058341590944.post-60413902647517294662022-07-21T19:20:00.005-03:002022-07-21T19:22:20.429-03:00THE EARTH - Elemental [1968 UK Hard Prog Blues Rock]<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-H0wiuC8CGlulyqzq4Ocd34lj2YF0EsBztz_Vn0tpNJcUW8Dr8rK8xrF3dOGZ6FPgNMvsLuG8kg0QNghtURIcWbwLi4t-Nmyt8Yaz-M9I0M3QlpjLWqRcn8ODz0wGiD_JKBMq0qJP4xxhN-4eH8s6D4baDOVJVmNDUdtephVLjs2RW19bNvGImR7n/s600/The%20Earth%20-%20Front.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-H0wiuC8CGlulyqzq4Ocd34lj2YF0EsBztz_Vn0tpNJcUW8Dr8rK8xrF3dOGZ6FPgNMvsLuG8kg0QNghtURIcWbwLi4t-Nmyt8Yaz-M9I0M3QlpjLWqRcn8ODz0wGiD_JKBMq0qJP4xxhN-4eH8s6D4baDOVJVmNDUdtephVLjs2RW19bNvGImR7n/w400-h400/The%20Earth%20-%20Front.jpeg" width="400" /></a></div><br /><div style="text-align: justify;"><span style="font-family: Luckiest Guy; font-size: large;"><span style="color: #ffa400;"><a href="https://mega.nz/file/c5UgQRRQ#7Rc0nzJu2EWeWVnPyS0qZR-9Toi-PTNYhwP1fBS-Wkw" target="_blank">ÓTIMA RARIDADE!!</a> PRIMEIRO TRABALHO GRAVADO DE "ALAN PARSONS" COMO MÚSICO!! </span>AQUELE MESMO CARA DO "ALAN PARSONS PROJECT" E QUE ESTEVE ENVOLVIDO NA PRODUÇÃO DE VÁRIOS ÁLBUNS DO ROCK, ENTRE ELES, ABBEY ROAD E LET IT BE DOS BEATLES E THE DARK SIDE OF THE MOON DO PINK FLOYD!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><span style="font-family: Merienda;">A BANDA FAZIA SHOWS NUM PEQUENO CLUBE CHAMADO "COFFIN CLUB", QUE SEMPRE ESTAVA LOTADO!! ELES TOCAVAM TODAS AS SEXTAS E SÁBADOS À NOITE, DAS 22h ÀS 4h, E TRABALHAVAM DURANTE O DIA PARA, CONFORME ELES, PAGAREM SUA DÍVIDAS COMO MÚSICOS!! ATÉ QUE NUMA DESSAS NOITES UM PRODUTOR MUSICAL VIU OS CARAS E OFERECEU A OPORTUNIDADE DE GRAVAR UM LP!! </span></b></div><div style="text-align: justify;"><b><span style="font-family: Merienda;"><br /></span></b></div><div><div style="text-align: justify;"><b><span style="font-family: Merienda;">O MESMO FOI GRAVADO NUM ÚNICO DIA, ALI PELO FINAL DE 1968, E MIXADO NO DIA 10 DE JANEIRO DE 1969!! APESAR DISSO, O LP NUNCA FOI LANÇADO!! <span style="color: red;">PORÉM, PARA NOSSA SORTE, O VOCALISTA DA BANDA, IAN HARRIS, CONSEGUIU MANTER UMA CÓPIA ORIGINAL</span> EM "GOMA -LACA", E SÓ POR ISSO HOJE ESTAMOS PODENDO TER O PRIVILÈGIO DE OUVIR E CONHECER ESSA JÓIA PERDIDA DO ROCK!!</span></b></div><div style="text-align: justify;"><b><span style="font-family: Merienda;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-family: Merienda;">VALE LEMBRAR QUE, EM 2015, ELE FOI LANÇADO PELA "DIAMOND PUBLISHING" (RECORD COLLECTOR), EXCLUSIVAMENTE EM VINIL, PELA SÉRIE RARE VINYL, LIMITADO A 500 EXEMPLARES, COM CERTIFICADO DE AUTENTICIDADE NUMERADO À MÃO POR "IAN SHIRLEY", EDITOR DO RECORD COLLECTOR RARE PRICE GUIDE!! <span style="color: #ffa400; font-size: medium;">ESTA É UMA RARA OPORTUNIDADE DE OUVIR "ALAN PARSONS" COMO GUITARRISTA DE BLUES E TAMBÉM COMO FLAUTISTA!! É UM DOS GRANDES DISCOS PERDIDOS DOS ANOS 60!!</span></span></b></div><div style="text-align: justify;"><b><br /></b></div><div style="text-align: justify;"><span style="color: red; font-family: Fredoka One;">VALE A PENA LER A HISTÓRIA CONTADA PELO PRÓPRIO VOCALISTA DE COMO TUDO ISSO ACONTECEU EM DETALHES!! O TEXTO ESTÁ LOGO ABAIXO PARA VOCÊS!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><u><i>A história da banda The Earth contado por Ian Harris (vocalista da Earth):</i></u></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">"Não acredite em nada que você ouve e apenas na metade do que você vê". Eh? "Homem Concreto Sussurrante, me chame de Concreto Sussurrante. Você se importa se eu sentar, tocar com você? Eu tenho meu sax e eu realmente curto seu humor, cara". Esse cara tinha cerca de 1,5 metros de altura, vestindo um casaco do ex-exército, cachecol longo e botas desgastadas. Sua barba tinha partículas da última refeição que ele havia comido e seu cabelo na altura dos ombros tinha brigado com um pente. Ele estava procurando um show.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Estamos no final do verão de 1968. Estou no porão gasto do 39, Gerrard Street, no Soho London, antigo clube de jazz 'Old Place' de Ronnie Scott antes de se mudar para Frith Street. Eu a renomeei de 'The Coffin', uma armadilha mortal sem saída de incêndio e apenas uma escada apertada para o nível da rua. Saúde e segurança... não nos anos 60!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Eu estava em uma banda, uma banda de blues chamada 'The Earth', 4 jovens brancos tocando blues. Eu havia respondido recentemente a um anúncio no 'Melody Maker', o poderoso órgão para músicos e fãs de música. O anúncio era de uma banda para administrar um clube na Gerrard Street e o proprietário do aluguel Jack "me chama de Sr". Fordham estava procurando um grupo empreendedor para administrar o lugar para ele. Nós nos encontramos com o intimidador Sr. Fordham, um ex-boxeador e 'empreendedor' do Soho que tinha vários negócios locais, incluindo a primeira lanchonete de Londres no mercado de Berwick Street. "Bem rapazes", começou ele "Vocês podem ter o clube nas noites de sexta e sábado, sem álcool, eu vou fornecer refrescos, levar o dinheiro na porta e dar-lhe uma porcentagem". "Parece bom para mim" eu disse nervosamente, a banda toda concordou e afinal, não tínhamos nada a perder.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Phil, Barry, Alan Owen e eu nos conhecíamos desde os tempos de escola. Em 1964/5 <b>nós éramos Mods e convivemos juntos indo a boates e testemunhando o melhor da música ao vivo. Georgie Fame, John Mayall com Eric Clapton, The Yardbirds, Graham Bond, Peter Green e até lendas do Blues como Sonny Boy Williamson e Howling Wolf. Foi um movimento óbvio para nós formarmos uma banda, sendo inspirados por toda aquela grande música. Tocamos versões cover de clássicos do Soul e do Blues, tocando ao redor da área do norte de Londres.</b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Em 1967, sentimos que precisávamos de alguém para assumir as funções de guitarra principal, pois Alan Owen estava sentindo a tensão de tocar tanto o ritmo quanto o solo. Anunciamos no Melody Maker e testamos vários guitarristas que não eram adequados <b>até Alan Parsons responder ao anúncio, chegando à casa de Phil num sábado de manhã em um carro Messerschmitt Bubble. Alan tem 1,80m de altura e testemunhar ele saindo de um carro Bubble foi algo que nunca vou esquecer. Ele tinha com ele sua guitarra elétrica feita à mão e parecia e tocava como Jeff Beck. Na verdade, sua peça de audição foi Jeff's Boogie, ele foi oferecido o show no local.</b> Não havia como voltar atrás para a banda agora. Não podíamos acreditar na nossa sorte e o repertório da banda mudou com o estilo bluesy de Alan e ele até tocava flauta! Na época em que Alan entrou para a banda, éramos chamados de 'Conviction'. No palco nós vestimos jaquetas de 'Waiters', que eu tingi a mão de uma cor diferente para cada membro da banda e fiz estêncil com flechas de condenados...!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Depois de algumas semanas de ensaio, nosso primeiro show com Alan Parsons na guitarra foi em North Finchley. <b>O salão estava lotado, tocamos o primeiro set de clássicos do soul como 'Conviction' e depois do intervalo Alan se juntou a nós no palco, eu anunciei que a banda agora se chamava 'Blues Tattoo'. Agora tocávamos blues - 2 bandas pelo preço de 1 - e o público ficou louco por nós. Muitas vezes me pergunto se alguma outra banda mudou de nome durante um show! Eu tenho um single demo da nossa primeira gravação daquele ano. <span style="color: red;">Gravado na sala da frente do apartamento do conselho de pais de Barry Mitchell em Kingsbury, Londres, duas faixas gravadas em um take em torno de um microfone solitário - Rock Me Baby e Telephone Blues, ao vivo e cru!</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Londres em 1968 era um ótimo lugar para se estar - pré-terrorismo, pós-hippie - a ressaca roxa de 1967, as pessoas ainda sorriam umas para as outras nas ruas e havia um cheiro de rebelião no ar. Havia tanta música ao vivo e toneladas de pequenos clubes atendendo ao florescente Boom do Blues, como era chamado. Intocado pela presença de 'New Man', tocar blues era uma coisa viva vital, a música de verdades duras e energia sexual. Folheando uma cópia do Melody Maker da época, vejo shows listados para Muddy Waters, Free, Taste, Ten Years After, Aynsley Dunbar, Keef Hartley, Pete Brown's Battered Ornaments e uma encarnação inicial do Jethro Tull.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Então, é sábado à noite, cerca de 9 horas da noite e estou na linha Bakerloo para Piccadilly Circus, a estação de metrô mais próxima do clube. Estou vestido com roupas de segunda mão compradas em 'Jumble Sales', meu cabelo é comprido e não tenho barba, vivendo o sonho ou o quê? O Coffin Club abriu às 22h e jogamos 2 ou 3 sets até as 4h. Sempre levávamos o equipamento na sexta-feira à noite em nossa velha van Bedford. Tínhamos reunido nossos recursos limitados para comprá-lo, £ 45 bem gastos!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">A parte comercial de estar em uma banda é muito importante, todos trabalhando para o bem comum. É uma verdadeira democracia quando todos concordam, mas um regime fascista quando não concordam. Nunca permitimos que um ego dominasse e nos dávamos bem na maior parte do tempo. Todos nós tínhamos empregos diários razoavelmente pagos, exceto Alan Parsons, que aos nossos olhos era a profissão mais invejável, engenheiro assistente nos estúdios de gravação de Abbey Road! Recebeu uma ninharia e nunca teve dinheiro. Todos pensávamos que poderíamos ganhar dinheiro extra administrando o clube, mas infelizmente o Sr. Fordham não era justo e saímos daquele lugar com menos de £ 1 cada para um trabalho de fim de semana. No entanto, o dinheiro não era a nossa força motriz, apenas gostávamos de jogar.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b>Para mostrar nosso compromisso com a banda, compramos para Alan uma bela guitarra Cherry Red Gibson S.G. em 'Hire Purchase' para substituir seu esforço feito à mão. Alan é um músico talentoso e apaixonado e todos acreditávamos que ele seria bem sucedido. Desde então, ele passou a ter uma carreira fantástica e bem documentada no mundo da música.</b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Agora rebatizado de 'The Earth', nosso palco era austero para os padrões de hoje. O kit básico de bateria Ludwig de Phil ladeado por dois amplificadores, um Vox AC30 e um amplificador WEM Bass, um microfone para mim e outro para Alan, um Selmer P.A. sistema com uma câmara de eco Watkins 'Copy Cat', sem frescuras, sem dinheiro! <b>Tocamos padrões de blues e versões cover de nomes como John Mayall, Fleetwood Mac de Peter Green e nossos heróis, Cream.</b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Desenhei um panfleto para a noite de abertura do Coffin Club, mandei imprimir 500 que Phil Brockton e eu distribuímos aos transeuntes na Oxford Street ( 'damas' entraram de graça na noite de abertura! ) Também pintei uma placa para anexar para as grades do clube com um mago tipo 'Gandalf' com a mão apertando estendendo para ajudar os apostadores a descer as escadas (eu estava lendo Senhor dos Anéis na época!)</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">O clube fez muito sucesso e estava lotado todas as noites do nosso mandato de cerca de 9 meses. Tocando sexta e sábado à noite, das 22h às 4h e trabalhando em um emprego diurno, acho que pagamos nossas dívidas ao blues. Nós construímos um grande número de fãs de blues e turistas, e até conseguimos um artigo favorável no 'Disc and Music Echo', um jornal semanal de música na época. Jogando até as primeiras horas da manhã, a atmosfera estava suada, esfumaçada e efervescente de emoção. <b>Qualquer um que gostasse de uma 'jam' foi convidado a subir ao palco para o último set. Tenho lembranças de muitos grandes momentos tocando com músicos consumados, jazzmen renegados tocando blues! <span style="color: red;">Nós nunca tomamos isso como garantido, se ao menos tivéssemos gravado alguns desses shows históricos.</span></b></div></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Uma noite fatídica no clube, um produtor musical veio nos ver tocar, a notícia se espalhou sobre nós e ele nos ofereceu a oportunidade de gravar um LP. semana e as gravei em 1 dia em um pequeno estúdio de gravação na Tottenham Court Road, Londres.</div><div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">O produtor comprou um organista chamado Roy Quilley como parte do acordo. A inclusão de Roy causou alguns problemas dentro da banda, a atmosfera mudou e Barry e Phil decidiram sair. Eles estavam tocando em um pub com um guitarrista que, ridiculamente, achava que era Jimi Hendrix, mas não era. Pouco depois de gravar o álbum, a banda não existia mais. O LP nunca foi lançado, mas consegui manter uma cópia original de goma-laca.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">"Um dos grandes discos perdidos dos anos 60" um jornalista me disse recentemente quando toquei o disco para ele. Vou descrevê-lo como 'Blues-Prog-Rock' com uma grande ajuda de ótimas guitarras de Alan Parsons, sua primeira gravação. Poderia ter sido um concorrente.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">O Ronnie Scott's Club original na Gerrard Street foi inaugurado em 1958 e foi palco de alguns dos maiores nomes do Jazz de todos os tempos. Sonny Rollins, Roland Kirk, Bill Evans, Dexter Gordon e os melhores músicos britânicos incluindo Tubby Hayes, Phil Seaman e Peter King que, entre outros, estavam no coreto naquele minúsculo porão no Soho, os Beatles até foram lá para uma noite fora em 1963. O clube tornou-se uma sala de ensaio durante o dia durante 1968 e foi usado por Jimmy Page com o Led Zeppelin incipiente, deveria haver uma placa azul na parede fora do histórico 39, Gerrard Street! Eu não posso acreditar que meus amigos e eu tocamos no mesmo espaço que esses grandes nomes da música. Éramos jovens e ingênuos, achávamos que o mundo estava aos nossos pés e tudo era possível. - Ian Harris, 2015 -.</div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitxePhb23sfx20LoxZSi3-JZNSn6oLmC8ph7d00hJ7157gmSx-uatv3J7jLUCYRZ-iB8t8e9NHwzuv9WWyPZAXbs0hcS78dJFP4SWOzmznGaio5YHsz81QOfFPJ3OcHZ2HPtsesLygj0DgqigXbz0pOBVVi9BGHgLZ_BKc6kV8ls6M953ysAEavwx2/s594/The%20Earth%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="589" data-original-width="594" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitxePhb23sfx20LoxZSi3-JZNSn6oLmC8ph7d00hJ7157gmSx-uatv3J7jLUCYRZ-iB8t8e9NHwzuv9WWyPZAXbs0hcS78dJFP4SWOzmznGaio5YHsz81QOfFPJ3OcHZ2HPtsesLygj0DgqigXbz0pOBVVi9BGHgLZ_BKc6kV8ls6M953ysAEavwx2/s320/The%20Earth%20-%20Back.jpg" width="320" /></a></div><br /><div><div style="text-align: justify;"><span style="font-family: Fredoka One; font-size: medium;">GREAT RARITY!! FIRST RECORDED WORK OF "ALAN PARSONS"!! THAT SAME GUY FROM "ALAN PARSONS PROJECT" AND WHO WAS INVOLVED IN THE PRODUCTION OF MANY ROCK ALBUMS, AMONG THEM, ABBEY ROAD AND LET IT BE BY THE BEATLES AND THE DARK SIDE OF THE MOON BY PINK FLOYD!!</span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-family: Merienda;">THE BAND MADE SHOWS IN A SMALL CLUB CALLED "COFFIN CLUB"!! THEY PLAYED EVERY FRIDAY AND SATURDAY NIGHT FROM 10PM TO 4AM AND WORKED DURING THE DAY TO AS THEY PAY THEIR DEBT AS MUSICIANS!! UNTIL ONE OF THESE NIGHTS A MUSIC PRODUCER SAW THE GUYS AND OFFERED THE OPPORTUNITY TO RECORD AN LP!! IT WAS RECORDED ON A SINGLE DAY THERE IN LATE 1968 AND MIXED ON JANUARY 10, 1969!! </span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">THE LP HAS NEVER BEEN RELEASED!! LUCKY, THE BAND'S VOCALIST, IAN HARRIS, HAS MANAGED TO KEEP AN ORIGINAL COPY IN "GUM LACA" AND JUST FOR THAT TODAY WE CAN LISTEN TO THIS POWERFUL AND LOST ROCK POISON!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Merienda;">IT IS WORTH REMEMBERING THAT, IN 2015, IT WAS RELEASED BY "DIAMOND PUBLISHING" (RECORD COLLECTOR), EXCLUSIVELY ON VINYL, BY THE RARE VINYL SERIES. LIMITED TO 500 COPIES, WITH HAND NUMBERED CERTIFICATE OF AUTHENTICITY BY "IAN SHIRLEY", RECORD COLLECTOR RARE PRICE GUIDE EDITOR!! THIS IS A RARE OPPORTUNITY TO HEAR "ALAN PARSONS" AS A BLUES GUITARIST AND AS A FLUTIST!! IT'S ONE OF THE GREAT LOST RECORDS OF THE 60'S!!</span></div><div style="text-align: justify;"><span style="font-family: Merienda;"><br /></span></div><div style="text-align: justify;"><span style="color: red; font-family: Merienda;"><b>BE SURE TO READ THE STORY TOLD BY THE VOCALIST OF HOW ALL THIS HAPPENED IN DETAIL!! THE TEXT IS SOON BELOW FOR YOU!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><u>The history of the band The Earth told by Ian Harris (vocalist of Earth):</u></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Phil, Barry, Alan Owen and I had known each other since schooldays. In 1964/5 we were Mods and had socialised together going to clubs and witnessing the best of live music. Georgie Fame, John Mayall with Eric Clapton, The Yardbirds, Graham Bond, Peter Green and even Blues legends such as Sonny Boy Williamson and Howling Wolf. It was an obvious move for us to form a band, being inspired by all that great music. We played cover versions of Soul and Blues classics, gigging around the North London area.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">In 1967 we felt we needed someone to take on lead guitar duties as Alan Owen was feeling the strain of playing both rhythm and lead. We advertised in Melody Maker and auditioned various guitarists that weren't suitable until Alan Parsons answered the Ad, arriving at Phil's house one Saturday morning in a Messerschmitt Bubble car. Alan is 6 foot 5 inches tall and to witness him climbing out of a Bubble car was something I will never forget. He had with him his hand made electric guitar and looked and played like Jeff Beck, In fact his audition piece was Jeff's Boogie, he was offered the gig on the spot. There was no looking back for the band now. We couldn't believe our luck and the band's repertoire changed with Alan's bluesy style and he even played flute! At the time of Alan joining the band we were called 'Conviction'. On stage we wore 'Waiters' jackets, which I hand dyed a different colour for each band member and stencilled with convict's arrows...!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">After a few weeks rehearsal, our first gig with Alan Parsons on lead guitar was in North Finchley. The hall was packed, we played the first set of soul classics as 'Conviction' and after the break Alan joined us on stage, I announced that the band was now called 'Blues Tattoo'. We now played the blues - 2 bands for the price of 1 - and the crowd went crazy for us. I often wonder if any other band has changed their name during a gig! I have a demo single of our very first recording from that year. Recorded in the front room of Barry Mitchell's parents council flat in Kingsbury, London, two tracks recorded in one take around a solitary microphone - Rock Me Baby and Telephone Blues, live and raw!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">London in 1968 was a great place to be - pre terrorism, post hippie - the purple haze hangover of 1967, people still smiled at one another in the streets and there was a whiff of rebellion in the air. There was so much live music and tons of small clubs catering for the burgeoning Blues Boom as it was called. Untouched by the presence of 'New Man', playing the blues was a vital living thing, the music of hard truths and sexual energy. Leafing through a copy of Melody Maker from the time, I see gigs listed for Muddy Waters, Free, Taste, Ten Years After, Aynsley Dunbar, Keef Hartley, Pete Brown's Battered Ornaments and an early incarnation of Jethro Tull.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">So, it's Saturday night, about 9 o'clock in the evening and I'm on the Bakerloo Line to Piccadilly Circus, the nearest Tube station to the club. I am dressed in second hand clothes bought from 'Jumble Sales', my hair is long and I am unshaven, living the dream or what? The Coffin Club opened at 10pm and we play 2 or 3 sets between then and 4am. We always took the equipment on Friday evening in our battered old Bedford van. We had pooled our limited resources to buy it, £45 well spent!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The business part of being in a band is so important, everyone working for the common good. It's a true democracy when you all agree but a fascist regime when you don't. We never allowed one ego to dominate and got along just fine most of the time. All of us had reasonably paid day jobs except for Alan Parsons who had what to our eyes was the most enviable profession, assistant engineer at Abbey Road recording studios! He was paid a pittance and never had any money. We all thought we could earn extra cash from running the club but sadly Mr. Fordham was less than fair and we crawled out of that place with less than £1 each for a weekends work. However, money was not our driving force, we just loved playing.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">To show our commitment to the band we bought Alan a beautiful Cherry Red Gibson S.G. guitar on 'Hire purchase' to replace his hand made effort. Alan is a gifted and passionate musician and we all believed he would be successful. He has since gone on to have a fantastic and well documented career in the music business.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">Now re-named 'The Earth', our stage set up was austere by today's standards. Phil's basic Ludwig drum kit flanked by two amps, a Vox AC30 and a WEM Bass amp, one Mic for me and one for Alan, a Selmer P.A. system with a Watkins 'Copy Cat' echo chamber, no frills, no money! We played Blues standards and cover versions from the likes of John Mayall, Peter Green's Fleetwood Mac and our heroes, Cream.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I designed a flyer for the opening night of the Coffin Club, had 500 printed which Phil Brockton and I handed out to passers by in Oxford Street ( 'ladies' got in for free on the opening night! ) I also painted a sign to attach to the railings of the club featuring a 'Gandalf' type Wizard with his clutching hand reaching out to help punters down the stairs ( I was reading Lord Of The Rings at the time! )</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The club was really successful and was packed every night of our tenure of about 9 months. Playing Friday and Saturday night, 10pm until 4am and working a day job, I think we paid our dues to the blues. We built up quite a following of blues fans and tourists, and even got a favourable write up in 'Disc and Music Echo', a weekly music paper at the time. Playing until the early hours of the morning, the atmosphere was sweaty, smoky and fizzing with excitement. Anyone who fancied a 'jam' was invited on stage for the last set. I have memories of many great moments jamming with consummate musicians, renegade jazzmen playing the blues! We never took it for granted, if only we had recorded some of those historic gigs.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">One fateful night at the club, a record producer came to see us play, word had got round about us and he offered us the opportunity to record an L.P. We hired a basement room beneath a cafe near Swiss Cottage, wrote 9 original songs in a week and recorded them in 1 day in a small recording studio off Tottenham Court Road, London.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The producer bought in an Organist by the name of Roy Quilley as part of the deal. Roy's inclusion caused a few problems within the band, the atmosphere changed and Barry and Phil decided to depart. They had been playing in a pub with a guitarist who laughably, thought he was Jimi Hendrix, he wasn't. Shortly after recording the album, the band was no more. The L.P. was never released but I managed to hang on to an original shellac copy.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">"One of the great lost albums of the 60's" a journalist told me recently when I played him the album. I will describe it as 'Blues-Prog-Rock' with a large helping of great guitar playing from Alan Parsons, his first ever recording. It could have been a contender.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">The original Ronnie Scott's Club in Gerrard Street opened in 1958 and played host to some of the greatest names in Jazz of all time. Sonny Rollins, Roland Kirk, Bill Evans, Dexter Gordon, and the best of the British players including Tubby Hayes, Phil Seaman and Peter King who, among others, stood on the bandstand in that tiny basement in Soho, The Beatles even went there for a night out in 1963. The club became a rehearsal room in the daytime during 1968 and was used by Jimmy Page with the fledgling Led Zeppelin, there should be a blue plaque on the wall outside the historic 39, Gerrard Street!</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">I can't actually believe that my friends and I played in the same space as those greats of music. We were young and naive, thought the world was at our feet and anything was possible. I wonder what happened to Whispering Concrete? Record Collector magazine are releasing The Earth L.P. 'Elemental' in December via their Rare Vinyl series. It's a limited edition of 500 with my sleeve artwork. - Ian Harris, 2015. -</div><div style="text-align: justify;"><br /></div><div style="text-align: center;"><span style="font-size: medium;">Ian Harris, vocals.</span></div><div style="text-align: center;"><span style="font-size: medium;">Alan Parsons, lead guitar and flute.</span></div><div style="text-align: center;"><span style="font-size: medium;">Barry Mitchell, bass guitar.</span></div><div style="text-align: center;"><span style="font-size: medium;">Phil Brockton, drums.</span></div><div style="text-align: center;"><span style="font-size: medium;">Alan Owen, guitar. (Alan left the band after playing a few gigs at the Coffin Club).</span></div><div style="text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-size: medium;">01.Miseducation 3:08</span></div><div style="text-align: center;"><span style="font-size: medium;">02.Sea Of Faces 2:36</span></div><div style="text-align: center;"><span style="font-size: medium;">03.Earthworm 2:14</span></div><div style="text-align: center;"><span style="font-size: medium;">04.Rain On The Roof 5:55</span></div><div style="text-align: center;"><span style="font-size: medium;">05.Something Above Us 2:47</span></div><div style="text-align: center;"><span style="font-size: medium;">06.Blues Tattoo 2:03</span></div><div style="text-align: center;"><span style="font-size: medium;">07.Don't See You Much These Days 1:58</span></div><div style="text-align: center;"><span style="font-size: medium;">08.In The Land Of The Blind 2:22</span></div><div style="text-align: center;"><span style="font-size: medium;">09.Angel Of Death 4:44</span></div><div style="text-align: center;"><span style="font-size: medium;">10.Rock Me Baby 2:54</span></div><div style="text-align: center;"><span style="font-size: medium;">11.Telephone Blues 4:38</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com6tag:blogger.com,1999:blog-1503460058341590944.post-26925796401529847062022-07-09T17:08:00.005-03:002022-10-15T19:43:46.407-03:00RED WHITE & BLUES - The Early Years [1971 Hard Blues Rock]<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTKzS8FQGjQ1vo4irc6yYBufHa26UbLEGOJ68OQ5gSJykFzWda3omK8fwcGbkS4zl8yBgnyuj_LMAnSYKPtsbeI8WHT6ixQPyNxyFo5D4Xrmr-PtgOVLvLId1jf7TgtNiZqxwyJV6qkfOObdM8LI3iYxPydwyVuk6GB7cSiLFNV5h592MPjkJznNVd/s789/CAPA%20NOVA.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="780" data-original-width="789" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTKzS8FQGjQ1vo4irc6yYBufHa26UbLEGOJ68OQ5gSJykFzWda3omK8fwcGbkS4zl8yBgnyuj_LMAnSYKPtsbeI8WHT6ixQPyNxyFo5D4Xrmr-PtgOVLvLId1jf7TgtNiZqxwyJV6qkfOObdM8LI3iYxPydwyVuk6GB7cSiLFNV5h592MPjkJznNVd/w640-h632/CAPA%20NOVA.png" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div style="text-align: center;"><span style="color: red; font-size: large;"><u><b><a href="https://mega.nz/file/lkdzkJSL#0yHWix4IofJ6VR-xwhAM3U8UcxcxVaM-OPFKuBU383U" target="_blank">RARIDADE MÁXIMA!!!</a></b></u></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;">🎸<span style="font-family: Bebas Neue; font-size: medium;">BANDA EXTREMAMENTE RARA FORMADA EM ROCHESTER(NY) ALI PELO FINAL DOS ANOS 60!! AS MÚSICAS FORAM GRAVADAS NO PALCO DO TEATRO DA UNIVERSIDADE DE ROCHESTER PELA "BRIGHTON SOUND" EM 8 BOBINAS DE ROLO!! </span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: medium;">ATÉ HOJE NUNCA FOI LANÇADO EM LP NEM EM CD!! AS FITAS FORAM ACHADAS POR "JOSH JETTY", FILHO DO BATERISTA DA RED WHITE & BLUES, "EARL JETTY", O QUAL REPASSOU AS CANÇÕES PARA OS VENENOS!! </span><span style="font-family: "Bebas Neue"; font-size: large;">NA VERDADE O FILHO BUSCA ATÉ HOJE ALGUMA GRAVADORA INTERESSADA EM LANÇAR ESSE ÁLBUM OFICIALMENTE NO MERCADO, MAS ATÉ O MOMENTO NÃO SURGIRAM INTERESSADOS!! </span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue;"><span style="font-size: medium;">A GRANDE DIFICULDADE É QUE, MESMO O BATERISTA SENDO SEU PAI, ELE NÃO DETÉM OS DIREITOS AUTORAIS DAS MÚSICAS E NEM IMAGINA QUEM SEJAM OS DETENTORES, POR ISSO É QUE ESSAS MÚSICAS ESTÃO PERDIDAS NA OBSCURIDADE!! </span>🎸</span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: medium;">VALE LEMBRAR QUE DEPOIS DESSAS GRAVAÇÕES A BANDA MUDA O NOME PARA "JOSHUA", GRAVANDO MAIS ALGUMAS PEROLAS QUE TAMBÉM FICARAM NA OBSCURIDADE E LOGO VOU POSTAR PARA OS ENVENENADOS AQUI NO BLOG!! </span></div><p></p><div style="text-align: justify;"><span style="color: red; font-size: large;"><b>🎵</b><span style="font-family: Luckiest Guy;">O SOM DOS CARAS É UM PRIMOROSO MIX DE HARD BLUES ROCK</span></span><span style="font-size: medium;"><b>, </b><span style="font-family: Bebas Neue;">NA MESMA LINHA DE CACTUS, COM ALGUMAS LONGAS JAMS PODEROSAS!! MERECIAM UMA GRAVADORA E UM ÁLBUM BEM PRODUZIDO QUE CERTAMENTE FARIA SUCESSO ENTRE COLECIONADORES E AMANTES DO BOM, VELHO E OBSCURO ROCK AND ROLL!! </span></span></div><div style="text-align: justify;"><b><span style="font-size: medium;"><span style="color: red;"><br /></span></span></b></div><div style="text-align: justify;"><span style="font-family: Luckiest Guy; font-size: medium;"><span style="color: red;">SEM DÚVIDA NENHUMA TEMOS AQUI A MAIS ALTA RARIDADE DO BLOG COM REMASTERIZAÇÃO E CAPAS FEITAS COM EXCLUSIVIDADE PELO VENENOS DO ROCK!!</span> </span></div><div style="text-align: justify;"><b><span style="font-size: medium;"><br /></span></b></div><div style="text-align: justify;"><span style="font-family: Bebas Neue; font-size: medium;">O ÚNICO CONSELHO QUE DOU É QUE ESSE VENENO PODEROSO E RARO NÃO DEVE SER CONSUMIDO COM NENHUMA MODERAÇÃO!! </span></div><div style="text-align: justify;"><u style="color: #ffa400; font-family: "Luckiest Guy"; font-size: x-large;">POSTAGEM COM SELO "RARIDADE MÁXIMA"!!</u></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><b><u>JOSH JETTY, FILHO DO BATERISTA, FALOU ISSO SOBRE AS GRAVAÇÕES:</u></b> <i>"Por que essas coisas não são liberadas? Se alguém tem os direitos disso... por que eles estão permitindo que ele se perca na obscuridade? Nunca recebi nada do meu pai... não tanto quanto um bastão de bateria. Agora, eu tenho rótulos querendo colocar isso para fora ... mas eu não posso... Eu não possuo os direitos... e quem faz, obviamente, não se importa. Isso realmente me irrita. Eu não me importo com dinheiro, eu só quero que a música do meu pai seja ouvida... não acumulado... Só não sei por que isso foi arquivado por 45 anos."</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="color: red; font-size: medium;"><b><u>OBSERVAÇÃO IMPORTANTE:</u></b></span> O blog não obtém qualquer fim lucrativo e nem comercializa obras, sejam protegidas ou não. Para todas essas bandas esse é um veículo de publicidade para seus trabalhos, mas se mesmo assim, <b>ALGUM MÚSICO OU DETENTOR DE DIREITOS AUTORAIS SE SENTIR LESADO POR DIVULGAÇÃO INADEQUADA, NOS COMUNIQUE E TIRAREMOS A POSTAGEM DO BLOG IMEDIATAMENTE!!</b></div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiStyO-AIymYpDw59L2WsWvqVvYxDV5YmDIwe1T3J_T-MC1NS3Aav6OIyoRucjnq0kkYK3SLr93A0ORYDJRZ-5HR82jihmwXV2BR4f9GYkTdXe1Pv1XxECptEtfBH5Rd78l9j-MwN3KfCaG5ZRyV1zIS8ziDS3XyWsk1dukNgMV5td2IU4G0O_JjpXp/s791/Red%20White%20&%20Blues%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="781" data-original-width="791" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiStyO-AIymYpDw59L2WsWvqVvYxDV5YmDIwe1T3J_T-MC1NS3Aav6OIyoRucjnq0kkYK3SLr93A0ORYDJRZ-5HR82jihmwXV2BR4f9GYkTdXe1Pv1XxECptEtfBH5Rd78l9j-MwN3KfCaG5ZRyV1zIS8ziDS3XyWsk1dukNgMV5td2IU4G0O_JjpXp/w400-h395/Red%20White%20&%20Blues%20-%20Back.jpg" width="400" /></a></div><br /><div><div style="text-align: center;"><span style="color: red; font-family: Creepster; font-size: large;"><u><a href="https://mega.nz/file/lkdzkJSL#0yHWix4IofJ6VR-xwhAM3U8UcxcxVaM-OPFKuBU383U" target="_blank">MAXIMUM RARITY!!!</a></u></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;">🎸<span style="font-family: Josefin Sans;">EXTREMELY RARE BAND FORMED IN ROCHESTER(NY) IN THE LATE 60's!! THE SONGS WERE RECORDED ON THE STAGE OF THE THEATER AT THE UNIVERSITY OF ROCHESTER BY "BRIGHTON SOUND" ON 8 ROLL REELS!! </span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">UNTIL TODAY IT HAS NEVER BEEN RELEASED ON LP OR CD!! THE TAPES WERE FOUND BY THE SON OF THE DRUMMER "EARL JETTY", WHO IN TURN PUT THEM UP FOR HIS FOLLOWERS ON YOUTUBE!! THE SON IS SEARCHING FOR SOME LABEL INTERESTED IN RELEASING THIS ALBUM OFFICIALLY ON THE MARKET, BUT SO FAR NO INTERESTED RISE!! </span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">THE GREAT DIFFICULTY IS THAT, EVEN THE DRUMMER BEING HIS FATHER, HE DOESN'T OWN THE COPYRIGHT TO THE SONGS AND DOESN'T KNOW WHO THE HOLDERS ARE, THAT'S WHY THESE SONGS ARE LOST IN THE OBSCURITY!! </span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;">IT IS WORTH REMEMBERING THAT AFTER THESE RECORDINGS THE BAND CHANGES THE NAME TO "JOSHUA", RECORDING SOME MORE PEARLS THAT ALSO STAY IN THE OBSCURITY!! SOON I WILL POST THIS TOO HERE ON THE BLOG!!🎸</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><u>🎵THE SOUND OF THE BAND IS AN EXCELLENT MIX OF HARD BLUES ROCK</u>, IN THE SAME LINE OF CACTUS, WITH SOME LONG POWERFUL JAMS!! THEY DESERVED A RECORD LABEL AND A WELL PRODUCED ALBUM THAT WOULD SURELY BE A SUCCESS WITH COLLECTORS AND LOVERS OF THE GOOD, OLD ROCK AND ROLL!! </span></div><div style="text-align: justify;"><u><span style="font-family: Josefin Sans;"><br /></span></u></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><u>WITHOUT A DOUBT WE HAVE THE HIGHEST RARITY ON THE BLOG WITH REMASTERIZATION AND COVERS MADE EXCLUSIVELY BY VENENOS DO ROCK!!</u> THE ONLY ADVICE I GIVE IS THAT THIS POWERFUL AND RARE POISON SHOULD NOT BE CONSUMED IN ANY MODERATION!! POST WITH THE SEAL "MAXIMUM RARITY"!!</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><u>JOSH JETTY, SON OF THE DRUMMER, SAID THIS ABOUT THE RECORDINGS</u>: "Why aren't these things released? If someone has the rights to it...why are they allowing it to get lost in obscurity? I never got anything from my father. .. not as much as a drum stick. Now I have labels wanting to get this out... but I can't... I don't own the rights... and whoever does it obviously doesn't care. It pisses me off. I don't care about money, I just want my dad's music to be heard... not hoarded... I just don't know why this was shelved for 45 years."</span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><br /></span></div><div style="text-align: justify;"><span style="font-family: Josefin Sans;"><u><span style="color: red;"><b>IMPORTANT NOTE</b>❗</span></u>: The blog does not make any profit and does not sell works, whether protected or not. For all these bands this is a publicity vehicle for their works, but if even so, <u><b>ANY MUSICIAN OR COPYRIGHT HOLDER FEEL INJURED BY INADEQUATE DISCLOSURE, COMMUNICATE US AND WE WILL REMOVE THE POST FROM THE BLOG IMMEDIATELY!!</b></u></span></div></div><div><span style="font-family: Bebas Neue;"><br /></span></div><div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><u><b>EARL JETTY</b></u>: Drums</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><u><b>WERNER FRITZSCHING</b></u>: Guitar [<b><span style="color: #ffa400;">future Cactus band</span></b>)👀</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><u><b>BARRY SULLIVAN</b></u>: Bass</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><u><b>IVAN SAG</b></u>: Keyboards</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><u><b>BILL SCHULTZ</b></u>: Vocals</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><br /></span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">01. Big Time Spender 5:02</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">02. Dream 7:46</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><b>03. Feel So Bad 9:28 🔊</b></span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;"><b> <a href="https://youtu.be/7WXXEH1iOnk">https://youtu.be/7WXXEH1iOnk</a></b></span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">04. Gambler's Blues 7:52</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">05. Goin' Down to Mary's 5:02</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">06. Middle Indic Melody 4:38</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">07. Out 12:19</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">08. Smile With You Again 9:19</span></div><div style="text-align: center;"><span style="font-family: Bebas Neue; font-size: medium;">09. When I Was a Boy 9:25</span></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com2tag:blogger.com,1999:blog-1503460058341590944.post-73760522672842216502022-07-04T20:44:00.001-03:002022-07-12T15:51:26.771-03:00NUEVO MEXICO - Hecho En Casa (1975 Mexico Prog Psych)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yp8cYxd3exkNzVtPXYzcobI71YKJJIoeKU3IEUXhAwXTF9LUc60d8TC1J1Kj-r41yWLwNEO2nq081KdioDdr0iHZ63cbybXb4UX3-Ftr7DYeoraB-s3NwLJgNXkoxy9sT1Nd-G4B5PzaV33Hta1_ZGg5fjyGX7HrHanFU-cbgu8zy0WZwk6eDte7/s1110/Nuevo%20Mexico%20-%20Front1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1110" data-original-width="1110" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yp8cYxd3exkNzVtPXYzcobI71YKJJIoeKU3IEUXhAwXTF9LUc60d8TC1J1Kj-r41yWLwNEO2nq081KdioDdr0iHZ63cbybXb4UX3-Ftr7DYeoraB-s3NwLJgNXkoxy9sT1Nd-G4B5PzaV33Hta1_ZGg5fjyGX7HrHanFU-cbgu8zy0WZwk6eDte7/w400-h400/Nuevo%20Mexico%20-%20Front1.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><b><span style="color: red; font-size: large;">PRIMEIRO ÁLBUM DESSA ÓTIMA BANDA MEXICANA</span><span style="font-size: medium;"> QUE FAZIA UM PROGRESSIVO COM USO ABUNDANTE DE FLAUTA COMO ISTRUMENTO SOLO!! A PRESENÇA MARCANTE DO VIOLÃO COM ALGUMA CARGA DE HARD ROCK FAZ LEMBRAR DO JETHRO TULL!! </span></b></div><div style="text-align: justify;"><b><span style="font-size: medium;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-size: medium;">MAS AQUI ENCONTRAMOS TAMBÉM A FUSÃO COM A MÚSICA PRÉ-HISPÂNICA NA FAIXA "DESPUÈS DE LA MORTE" ONDE A IDEIA ERA CAPTURAR UM RITUAL TRADICIONAL DA CAÇA AO VEADO, A LENTA AGONIA DO ANIMAL, A FESTA DOS ABORÍGENES E A CHEGADA DOS ESPANHÓIS NA ÉPOCA DO CANIBALISMO!! TUDO ISSO RETRATADO ATRAVÉS DE UM REQUIEM CANTADO EM LATIM!! </span></b></div><div style="text-align: justify;"><b><span style="font-size: medium;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-size: medium;">MAS TEMOS TAMBÉM TRAÇOS DA MÚSICA CLÁSSICA NA FAIXA "SINFONIA DE ROCK Nº 1" QUE É DIVIDIDA EM 3 MOVIMENTOS!! NA PRIMEIRA PARTE REFLETE UMA PROFUNDA INFLUÊNCIA DE RAVEL!! NA SEGUNDA A COISA FICA MAIS DINÂMICA, COM UMA MAIOR INTERAÇÃO ENTRE O ROCK, MÚSICA DE CONCERTO E ELEMENTOS PRÉ-HISPÂNICOS!! </span></b></div><div style="text-align: justify;"><b><span style="font-size: medium;"><br /></span></b></div><div style="text-align: justify;"><b><span style="font-size: medium;">JÁ NA PARTE FINAL O SOM É MAIS LENTO E TODO TINGIDO DE COROS ANGELICAIS!! CERTAMENTE ESTAMOS DIANTE DE UM DOS GRANDES ÁLBUNS DO ROCK MEXICANO ONDE OS CARAS CRIARAM SUA PRÓPRIA MÚSICA COM MUITA PERSONALIDADE!! UMA REFERÊNCIA INDISPENSÁVEL DA VEIA SINFÔNICA DESENVOLVIDA NO MÈXICO!!</span></b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>Em 1971 Carlos Mata (guitarra), Miguel Suárez (bateria) e Armando Suárez (baixo) formaram um trio chamado Abraham Lincoln. Eles foram abordados por uma gravadora, que se ofereceu para gravá-los com a condição de que eles mudassem de nome. Mata líder do grupo, fez uma escolha de sorte e surgiu o Novo México. Um quarto elemento, o flautista Jorge Reyes, deu a cara definitiva à banda.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Lá eles gravaram alguns singles não rastreáveis. Mas as pressões continuaram. Foi pedido ao guitarrista que mudasse de baterista, ao mesmo tempo que lhes foi assegurado que esta era a condição essencial para gravar uma longa duração. Não eram tempos para se enfeitar e estabelecer limites; Carlos Mata aceitou e Francisco López entrou para substituir Miguel Suárez. Mas a interferência externa provocou uma pausa temporária e depois de alguns altos e baixos, o grupo se estabilizou com a seguinte formação: Carlos Mata, Raúl Noriega (baixo), Francisco López e Jorge Reyes. Finalmente, o quarteto conseguiu um contrato (com outra empresa) e gravou "Hecho en casa" (1973), embora demorasse dois anos para chegar ao mercado: o primeiro álbum de rock progressivo feito no México apareceu oficialmente em 1975.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>"Hecho en casa" é um disco avançado para o cenário nacional. Quando apareceu, soou de acordo com o momento; mas se considerarmos que havia sido registrada dois anos antes, nela encontramos várias sementes que floresceriam com maior consistência na década seguinte. O primeiro álbum do New Mexico contém alguns momentos decisivos para o desenvolvimento do progressivo nacional. O uso da flauta como instrumento solo, a presença vigorosa do violão com forte carga de hard rock e a seção rítmica pesada relacionaram-nos ao Jethro Tull.</i></div><div style="text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZDRqeu8vVbTridIGWtiiFj2M79LlUaxsLbfy-a_mbZlx9o1PWDR6I5ZN4r_vLOTMMaL4jPw5srIdc1NkWohJj8kc6vhO-cStTEFxGBwLlQ6F7vk7st-zGwVkMoehCJ4IpIfDLtFJZ8wwa9YYS60qyXmmJQ0Z9chP6vIdiUtcrjAGDxiopEIVRac8L/s1110/Nuevo%20Mexico%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1110" data-original-width="1110" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZDRqeu8vVbTridIGWtiiFj2M79LlUaxsLbfy-a_mbZlx9o1PWDR6I5ZN4r_vLOTMMaL4jPw5srIdc1NkWohJj8kc6vhO-cStTEFxGBwLlQ6F7vk7st-zGwVkMoehCJ4IpIfDLtFJZ8wwa9YYS60qyXmmJQ0Z9chP6vIdiUtcrjAGDxiopEIVRac8L/s320/Nuevo%20Mexico%20-%20Back.jpg" width="320" /></a></div><br /><div><div style="text-align: justify;"><b>FIRST ALBUM OF THIS GREAT MEXICAN BAND THAT MADE A PROGRESSIVE WITH ABUNDANT USE OF THE FLUTE AS A SOLO INSTRUMENT, STRIKING PRESENCE OF THE GUITAR WITH SOME LOAD OF HARD ROCK THAT MAKES ME REMEMBER OF JETHRO TULL!! BUT HERE WE ALSO FIND THE FUSION WITH PRE-HISPANIC MUSIC IN THE "DESPUÈS DE LA MORTE" TRACK, WHERE THE IDEA WAS TO CAPTURE A TRADITIONAL RITUAL OF DEER HUNTING, ENJOY THE ANIMAL'S AGONIA, THE FESTIVAL OF THE ABORIGENS AND THE ARRIVAL OF THE SPANISH AT THE TIME OF CANNIBALISM!! </b></div><div style="text-align: justify;"><b><br /></b></div><div style="text-align: justify;"><b>ALL PICTURED THROUGH A REQUIEM SONG IN LATIN!! BUT WE ALSO HAVE TRACES OF CLASSICAL MUSIC IN THE TRACK "ROCK SYMPHONY Nº 1" WHICH IS DIVIDED INTO 3 MOVEMENTS!! THE FIRST PART REFLECTS A DEEP INFLUENCE OF RAVEL!! THE SECOND GETS MORE DYNAMIC, WITH MORE INTERACTION BETWEEN ROCK, CONCERT MUSIC AND PRE-HISPANIC ELEMENTS!! </b></div><div style="text-align: justify;"><b><br /></b></div><div style="text-align: justify;"><b>IN THE FINAL PART THE SOUND IS SLOWER AND ALL DYED WITH ANGELICAL CHOIRS!! WE ARE CERTAINLY FRONTING ONE OF THE GREAT MEXICAN ROCK ALBUMS WHERE THE BAND CREATED THEIR OWN MUSIC AND LOTS OF PERSONALITY!! AN ESSENTIAL REFERENCE FOR THE SYMPHONIC VEIN DEVELOPED IN MEXICO!!</b></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>In 1971 Carlos Mata (guitar), Miguel Suárez (drums) and Armando Suárez (bass) formed a trio called Abraham Lincoln. They were approached by a record company, who offered to record them on the condition that they change their name. Mata leader of the group, made a lucky choice and New Mexico emerged. A fourth element, the flutist Jorge Reyes, gave the band the definitive face.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>There they recorded some untraceable singles. But the pressures continued. The guitarist was asked to change drummers, while being assured that this was the essential condition for recording a long duration. These weren't times to dress up and set boundaries; Carlos Mata accepted and Francisco López joined to replace Miguel Suárez. But external interference caused a temporary pause and after some ups and downs, the group stabilized with the following lineup: Carlos Mata, Raúl Noriega (bass), Francisco López and Jorge Reyes. Finally, the quartet got a contract (with another company) and recorded "Hecho en casa" (1973), although it took two years to reach the market: the first progressive rock album made in Mexico officially appeared in 1975.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>"Hecho en casa" is an advanced album for the national scene. When it appeared, it sounded like the moment; but if we consider that it had been registered two years earlier, we found in it several seeds that would bloom more consistently in the following decade. New Mexico's first album contains some decisive moments for the development of national progressive. The use of the flute as a solo instrument, the vigorous presence of the guitar with a strong load of hard rock and the heavy rhythm section related us to Jethro Tull.</i></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><span style="font-size: medium;">Carlos Mata: Guitar</span></div><div style="text-align: justify;"><span style="font-size: medium;">Francisco Lopez: Drums</span></div><div style="text-align: justify;"><span style="font-size: medium;">Raul Noriega: Bass</span></div><div style="text-align: justify;"><span style="font-size: medium;">Jorge Reyes: Flute</span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>1. Dreams (Sueños)</b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b> <a href="https://youtu.be/w7Jr4Ta25bs">https://youtu.be/w7Jr4Ta25bs</a></b></span></div><div style="text-align: justify;"><span style="font-size: medium;">2. Sinfonía de Rock No. 1</span></div><div style="text-align: justify;"><span style="font-size: medium;">3. Preludio</span></div><div style="text-align: justify;"><span style="font-size: medium;">4. Después de La Muerte</span></div><div style="text-align: justify;"><span style="font-size: medium;">5. El Talón de Aquiles</span></div><div style="text-align: justify;"><span style="font-size: medium;">6. Vamos a Soñar, Vamos a Vivir</span></div></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><a href="https://mega.nz/file/Yw1jmTrR#CuEg046Tl1PzZqRFxnm0BMYhBJjpM1ZQGOxPj_cFwrg"><span style="font-size: medium;">https://mega.nz/file/Yw1jmTrR#CuEg046Tl1PzZqRFxnm0BMYhBJjpM1ZQGOxPj_cFwrg</span></a></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com1tag:blogger.com,1999:blog-1503460058341590944.post-71594409703891643812022-06-05T16:04:00.001-03:002022-07-12T15:52:07.330-03:00FOREDAY RIDERS BLUES BAND - Foreday Riders Blues Band (1969 Aussie Blues Jazz Prog Psych)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXjAROF-5StKwifHuBeHDqyNKeA8vebKzKC3Ih7AXmfqQyVSWkNdZ6oT-EvMIA_7UkiykwmXtO6_mim3n7HXPClZ9e5yKyVYGbtRYfPgvofag318Sogxs7XbFC8HWFyH-F3Gs9wcTeZza3Ic3uaap1nsK0jxYYc5AbueAPv8yVUBRIaCInA9Wd7aE4/s900/Foreday%20Riders%20Blues%20Band%20-%20Front.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="900" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXjAROF-5StKwifHuBeHDqyNKeA8vebKzKC3Ih7AXmfqQyVSWkNdZ6oT-EvMIA_7UkiykwmXtO6_mim3n7HXPClZ9e5yKyVYGbtRYfPgvofag318Sogxs7XbFC8HWFyH-F3Gs9wcTeZza3Ic3uaap1nsK0jxYYc5AbueAPv8yVUBRIaCInA9Wd7aE4/w400-h400/Foreday%20Riders%20Blues%20Band%20-%20Front.jpg" width="400" /></a></div><br /><div style="text-align: justify;"><span style="color: #ffa400; font-size: medium;"><b>VENENASSO BLUES AUSTRALIANO RARO E ALTAMENTE RECOMENDADO!!</b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><br /></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>PARA TODOS OS COLECIONADORES SÉRIOS DE BLUES AUSTRALIANO AQUI TEMOS SEM DÚVIDA UM DOS MAIS RAROS E MAIS PROCURADO!! A BANDA FOI FORMADA EM 1967 POR UM GRUPO DE AMIGOS DA ESCOLA, TODOS INFLUENCIADOS PELO BLUES DO REINO UNIDO E DE CHICAGO!!! MAS EM 1969 A BANDA COMEÇOU A TRILHAR SEU PRÓPRIO CAMINHO COM UM BLUES COM ALTAS DOSES DO JAZZ E DO PROGRESSIVO!! </b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>NA ÉPOCA DO ÇANÇAMENTO DESSE LP APENAS 50 CÓPIAS FORAM VENDIDAS, TORNADO A CÓPIA ORIGINAL UM DOS LPs AUSTRALIANOS MAIS RAROS ATÉ O MOMENTO, SENDO QUASE IMPOSSÍVEL ENCONTRAR UMA CÓPIA HOJE EM DIA!! DEPOIS DA BANDA CHAIN, A FOREDAY RIDERS BLUES BAND É A SEGUNDA MAIS LENDÁRIA BANDA DE BLUES DO PAÍS!!</b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b><br /></b></span></div><div style="text-align: justify;"><span style="font-size: medium;"><b>AQUI TEMOS UM BLUES RAÍZ COM PITADAS FORTES DA PSICODELIA E DO JAZZ!! O VOCAL FEMININO É BEM BACANA E OS MÚSICOS ALTAMENTE COMPETENTES FAZEM DESE LP UMA AUDIÇÃO ALTAMENTE RECOMENDÁVEL!! EMBORA NÃO TÃO PROGRESSIVO QUANTO OUTRAS BANDAS BASEADAS NO BLUES DO PAÍS COMO CHAIN, CARSON OU MESMO THE ASTECS, O ÁLBUM É O FINO DO BLUES COM UM SOM MAIS CRÚ, MAS EXUBERANTE!!</b></span></div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>No panteão do blues australiano, nomes como Chain, Matt Taylor, Dave Hole, Dutch Tilders e The Backsliders são bem conhecidos. Não tão conhecido, mas de igual relevância é essa banda de Sydney The Foreday Riders. Além de ser uma das primeiras bandas tradicionais de blues formadas no país (ao lado de Adderley Smith Blues Band e Bay City Union) e uma instituição fundamental no desenvolvimento do blues australiano, the Foreday Riders tem a distinção de ser uma das bandas de blues mais longas do país. Os irmãos Ron King (vocal, gaita) e Jeff King (guitarra, dobro) têm dirigido a banda desde que montaram a primeira formação solta por volta de 1967. Como entusiastas do blues de gosto impecável, os irmãos estavam ouvindo sons britânicos de R&B como The Rolling Stones, The Yardbirds e Manfred Mann. No entanto, eles se inspiraram nos mestres originais do blues elétrico de Chicago, como Muddy Waters, Little Walter Jacobs, Jimmy Rogers e Howlin' Wolf, além do blues country mais terroso de Memphis Minnie e Lightning Hopkins.</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>É difícil apontar essa formação original, mas os membros durante o final dos anos 1960 incluíram Rick Lock (bateria), Clive Disbery (guitarra), Peter Anson (guitarra; ex-Missing Links, Jeff St John e The Id), Mark Punch (guitarra), Rolli Utzinger (piano), John Murphy (baixo), Dave Drury (baixo), Jill Drury (vocal) e Broderick Smith (vocal, gaita). A partir do início da década de 1970, outros membros em um cenário de muitas trocas incluíram Phil Colson (guitarra), Tony Pedroza (guitarra), Andrew Reid (guitarra), Harvey Fiske (guitarra), Leszek Karski (guitarra), Ian Winter (guitarra), Shane Pacey (guitarra), Billy Rylands (guitarra), Ron Tabuteau (guitarra), Graeme Gibbs (baixo), John Power (baixo), Harry Brus (baixo), Tim Partridge (baixo), Alan Britton (baixo), Andrew Ross (baixo), Ernie McInerney (bateria) e John Simone (bateria).</i></div><div style="text-align: justify;"><i><br /></i></div><div style="text-align: justify;"><i>Em termos de gravação, the Foreday Riders lançou um dos primeiros álbuns independentes de edição limitada, Foreday Rider Blues Band, em 1969. Foi uma gravação muito primitiva em muitos aspectos e permanece notável não só pelo seu valor de raridade. Provavelmente apenas 300 cópias foram pressionadas e, de acordo com seu status de prensagem privada DIY, veio em uma linda jaqueta impressa de tela de seda.</i></div><div style="text-align: justify;"><i>-------------------------</i></div><div style="text-align: justify;"><b><span style="color: #ffa400;">AUSTRALIAN BLUES RARE AND HIGHLY RECOMMENDED!!</span></b></div><div style="text-align: justify;"><div><b>FOR ALL SERIOUS AUSTRALIAN BLUES COLLECTORS HERE WE HAVE WITHOUT A DOUBT ONE OF THE RAREEST AND MOST WANTED!! THE BAND WAS BUILT IN 1967 BY A GROUP OF FRIENDS FROM THE SCHOOL, ALL INFLUENCED BY BLUES FROM THE UK AND CHICAGO!!! BUT IN 1969 THE BAND BEGAN TO TAKE THEIR OWN PATH WITH A BLUES WITH HIGH DOSES OF JAZZ AND PROGRESSIVE!! </b></div><div><b><br /></b></div><div><b>AT THE TIME OF THE RELEASE OF THIS LP ONLY 50 COPIES WERE SOLD, MAKING THE ORIGINAL COPY ONE OF THE RAREEST AUSTRALIAN LPs TODAY, AND IT IS NEARLY IMPOSSIBLE TO FIND A COPY TODAY!! AFTER THE BAND CHAIN, FOREDAY RIDERS BLUES BAND IS THE SECOND MOST LEGENDARY BLUES BAND IN THE COUNTRY!!</b></div><div><b><br /></b></div><div><b>HERE WE HAVE A ROOT BLUES WITH STRONG POINTS OF PSYCHODELIA AND JAZZ!! THE FEMALE VOCAL IS VERY COOL AND THE HIGHLY COMPETENT MUSICIANS MAKE THIS LP A HIGHLY RECOMMENDED HEARING!! ALTHOUGH NOT AS PROGRESSIVE AS OTHER BLUES BASED BANDS IN THE COUNTRY LIKE CHAIN, CARSON OR EVEN THE ASTECS, THE ALBUM IS THE THIN BLUES WITH A RAW BUT SOUNDING BUT EXUBERANT!!</b></div><div style="font-style: italic;"><br /></div><div style="font-style: italic;">In the pantheon of Australian blues, the likes of Chain, Matt Taylor, Dave Hole, Dutch Tilders and The Backsliders are well known. Not as well known, but of equal relevance is this Sydney band The Foreday Riders. In addition to being one of the first traditional blues bands formed in the country (alongside the Adderley Smith Blues Band and Bay City Union) and a key institution in the development of Australian blues, the Foreday Riders have the distinction of being one of the most successful blues bands. long in the country. Brothers Ron King (vocals, harmonica) and Jeff King (guitar, double) have been running the band since they formed the first loose lineup around 1967. As blues enthusiasts of impeccable taste, the brothers were listening to British R&B sounds like The Rolling Stones, The Yardbirds and Manfred Mann. However, they drew inspiration from the original Chicago electric blues masters like Muddy Waters, Little Walter Jacobs, Jimmy Rogers and Howlin' Wolf, as well as the more earthy country blues of Memphis Minnie and Lightning Hopkins.</div><div style="font-style: italic;"><br /></div><div style="font-style: italic;">It's hard to pinpoint this original lineup, but members during the late 1960s included Rick Lock (drums), Clive Disbery (guitar), Peter Anson (guitar; ex-Missing Links, Jeff St John and The Id), Mark Punch ( guitar), Rolli Utzinger (piano), John Murphy (bass), Dave Drury (bass), Jill Drury (vocals) and Broderick Smith (vocals, harmonica). Starting in the early 1970s, other members in a scene of many exchanges included Phil Colson (guitar), Tony Pedroza (guitar), Andrew Reid (guitar), Harvey Fiske (guitar), Leszek Karski (guitar), Ian Winter (guitar), Shane Pacey (guitar), Billy Rylands (guitar), Ron Tabuteau (guitar), Graeme Gibbs (bass), John Power (bass), Harry Brus (bass), Tim Partridge (bass), Alan Britton (bass) ), Andrew Ross (bass), Ernie McInerney (drums) and John Simone (drums).</div><div style="font-style: italic;"><br /></div><div style="font-style: italic;">In terms of recording, the Foreday Riders released one of the first limited-edition independent albums, Foreday Rider Blues Band, in 1969. It was a very primitive recording in many ways and remains notable not only for its rarity value. Probably only 300 copies were pressed, and in keeping with its DIY private pressing status, it came in a gorgeous silk screen printed jacket.</div></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXVxs7nF4d3MxsT2kkw5ohrkeEzX3o8Ebv4s930U08ixAckaHo2Jbo-Xa_Vsn3Y6FCQzXwCLDH7ZIndbZjIeolyLhYE14z0Z2iXg5vgV2DBy4dp5Ks3HA8YQnPIAuem104esiV2SBg3-wro1-nyes-Twi3D49rgR7FRXVTkbPY1QEylPGDuJpU1UUC/s900/Foreday%20Riders%20Blues%20Band%20-%20Back.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="702" data-original-width="900" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXVxs7nF4d3MxsT2kkw5ohrkeEzX3o8Ebv4s930U08ixAckaHo2Jbo-Xa_Vsn3Y6FCQzXwCLDH7ZIndbZjIeolyLhYE14z0Z2iXg5vgV2DBy4dp5Ks3HA8YQnPIAuem104esiV2SBg3-wro1-nyes-Twi3D49rgR7FRXVTkbPY1QEylPGDuJpU1UUC/s320/Foreday%20Riders%20Blues%20Band%20-%20Back.jpg" width="320" /></a></div><br /><div style="text-align: center;">- Jill Drury — vocals</div><div><div style="text-align: center;">- Broderick Smith — vocals</div><div style="text-align: center;">- Jeannie Lewis — vocals</div><div style="text-align: center;">- Ron King — vocals, harmonica</div><div style="text-align: center;">- Jeff King — guitar, slide guitar</div><div style="text-align: center;">- Clive Disbery — guitar</div><div style="text-align: center;">- John Murphy — bass</div><div style="text-align: center;">- Dave Drury — bass</div><div style="text-align: center;">- Rolly Utzinger — piano</div><div style="text-align: center;">- Richard Lock — drums</div><div style="text-align: center;"><br /></div><div style="text-align: center;">01. When I Die — 3:22</div><div style="text-align: center;">02. Dreaming Rent — 4:10</div><div style="text-align: center;">03. Wind Blues — 3:27</div><div style="text-align: center;">04. Cocaine Blues — 4:47</div><div style="text-align: center;">05. Survival Blues — 2:17</div><div style="text-align: center;">06. Can’t Trust Nobody — 2:10</div><div style="text-align: center;">07. I’ve Got To Get To My Baby — 4:38</div><div style="text-align: center;">08. Here And Now — 7:38</div><div style="text-align: center;">09. Tomorrow — 7:37</div><div style="text-align: center;">10. Thunderstorm — 11:16</div><div style="text-align: center;"><br /></div><div style="text-align: center;"><a href="https://mega.nz/file/B1EmwKzI#gj_81jBLe9bm5_Tcqvy3_8AkyqNIU_bcc-baKEGgfXY">https://mega.nz/file/B1EmwKzI#gj_81jBLe9bm5_Tcqvy3_8AkyqNIU_bcc-baKEGgfXY</a></div></div>Menegonhttp://www.blogger.com/profile/15238592982356257140noreply@blogger.com5