sexta-feira, 13 de julho de 2018

DIA 13 DE JULHO DIA DO ROCK (SERÁ MESMO?) - DAY 13 OF JULY ROCK DAY (WILL IT BE?)


APESAR DE SER POLÊMICO, E EU NÃO CONCORDAR MUITO COM ESSA DATA, APESAR DISSO, 13 DE JULHO, É COMEMORADO O DIA MUNDIAL DO ROCK, MAS SOMENTE NO BRASIL!! É ISSO MESMO!! AQUI SE COMEMORA UM DIA "MUNDIAL" QUE NA VERDADE NÃO É MUNDIAL!!

Pra quem não sabe...a explicação é que no dia 13 de julho de 1985, ocorreu o festival Live Aid, simultaneamente em Londres e na Filadélfia. Na ocasião, Phill Collins, da banda Genesis, que participou dos dois shows, declarou aquele como o “Dia do Rock”. Mas a data não é tão mundial assim. Nem os americanos nem os ingleses levaram isso a sério. Só brasileiros e as rádios rock do Brasil, desde aquela época, passaram a considerar esse o Dia do Rock. 

O Live Aid teve sim grande importância pro rock. Reuniu grandes bandas e a causa foi humanitária. Ajudar a população da Etiópia a combater a fome da população. Não se discute isso. A causa foi nobre, mas aí considerar essa data como dia mundial do rock é forçar a barra. Tem tantas outras datas significativas pra se comemorar o dia do rock... 

Mas...já que, apesar da minha contrariedade com a escolha da data, se o Brasil adotou dia 13 de julho, que assim seja!! O que importa realmente é evidenciar o rock n roll, que não é apenas um estilo musical, mas uma filosofia de vida, uma forma de pensar, agir, de postura e atitude!! Esse gênero extraordinário que mudou o rumo da história mundial!! Tanto nas artes como no comportamento!! O que vale é evidenciar o rock....pois dia de rock é todos os dias!! Então..sinta o rock, escute o rock...VIVA O ROCK N ROLL!!!
---------------------------
EVEN TO BE POLYMIC, AND I DO NOT AGREE TOO MUCH WITH THIS DATE, TO PASS THIS TODAY, JULY 13, CELEBRATE WORLD ROCK DAY, BUT ONLY IN BRAZIL !! THAT'S RIGHT!! HERE CELEBRATES A "WORLD" DAY THAT IN TRUTH IS NOT WORLDWIDE !!

The explanation is that on July 13, 1985, the Live Aid festival took place, simultaneously in London and in Philadelphia. At the time, Phill Collins, of the band Genesis, that participated of the two shows, declared that like "Day of the Rock". But the date is not so worldwide. Neither the Americans nor the English took it seriously. Only Brazilians and the Brazilian rock radio stations, since that time, have come to consider this the Day of Rock.

Live Aid was of great importance to rock. It brought together big bands and the cause was humanitarian. To help the population of Ethiopia to fight the famine of the population. This is not discussed. The cause was noble, but to consider that date as world rock day is too much. There are so many other significant dates to celebrate the day of rock ...

But ... since, despite my annoyance with the choice of date, if Brazil adopted July 13, so be it !! What really matters is evidence of rock n roll !! This extraordinary genre has changed the course of world history !! Both in the arts and in behavior !! What is worth is evidence of the rock .... because rock day is every day !! So ... live the rock, listen to the rock ... LIVE THE ROCK N ROLL !!!

ALGUMAS SUGESTÕES PRA ESCUTAR - SOME SUGGESTIONS FOR ROCK DAY

FREE WILL - Needle And Spoon [Live Jabberwocky 1970]
https://youtu.be/jHZhTtxDJeU

YOUNG FLOWERS - The Pusher [1969]
https://youtu.be/w8dXeuoSLhQ

MERRYWEATHER - Sun Down Lady [1969]
https://youtu.be/OWd_O2dTVrk

FRESH AIR - For What It's Worth
https://youtu.be/l-sKF1o12nY

SOUTHERN CREED - Keep On Rockin [1977]
https://youtu.be/cF92O6Li250

STACK WADDY - Leavin' Here [1971]
https://youtu.be/ikRmqnKJXfg

ALTAMIRA - My Souls On Fire [Rare Aussie 1973]
https://youtu.be/JErI5SER1wc

FREE WILL - Free Will Boogie [Live Jabberwocky 1970]
https://youtu.be/TlEtf7acTJg

LOBBY LOYDE - George 1971
https://youtu.be/zOv-pExAY_0

AUNT MARY - I Wish I Could [1971 Swedish Radio]
https://youtu.be/YevnTdMajt0

TOO MUCH - Grease It Out [1971 Japan Hard Rock Blues)
https://youtu.be/H2j3n5aNgNg

terça-feira, 10 de julho de 2018

PACIFIC GAS & ELECTRIC - Live 'N' Kicking At Lexington (US Blues Acid Rock Funk R&B 1970)


BOM VENENO AO VIVO!! GRAVADO AO VIVO NO CENTRO FEDERAL DE REABILITAÇÃO DE DROGAS, EM LEXINGTON, ESTE ALBUM FOI PROGRAMADO PARA SER LANÇADO PELA GRAVADORA COLUMBIA, MAS DEVIDO A PROBLEMAS LEGAIS ELES DESISTIRAM E NUNCA LANÇARAM!! TRINTA E SETE ANOS DEPOIS, WOUNDED BIRD FINALMENTE CONSEGUIU FAZER O ESPERADO LANÇAMENTO!! A SONORIDADE É BLUES ACID ROCK TINGIDO DE FUNK E GOSPEL EM LONGAS JAMS!! VENENO BACANA!! VALE UM TÉKINHO!!!

Em 8 e 9 de agosto de 1970, a Pacific Gas fez dois shows no centro federal de reabilitação de drogas em Lexington, Kentucky. O cineasta Lawrence Schiller estava lá para fazer um documentário da banda, da instalação do centro e de seus detentos. A Columbia (agora propriedade da Sony) também estava lá, gravando os shows de um planejado álbum ao vivo. Quando o filme de Schillers não entrou em lançamento nacional (ele só foi exibido duas vezes na Califórnia antes de ser arquivado por um juiz), a Columbia decidiu parar o trabalho do disco e arquivou o lançamento.

Ainda bem que uma pesquisa recente descobriu que a Sony ainda tinha as fitas ... cerca de 9 multi-faixas não mixadas e 4 mestres estéreo. Estes mestres estéreo estão agora disponíveis em CD graças ao Wounded Bird. Esta é uma chance única na vida de ouvir a banda em seu elemento natural, no palco. Nenhum outro álbum ao vivo completo foi lançado pela banda. É documento único.

As fitas master revelam uma energia feroz de todos os músicos da banda. Você poderia dizer que esta banda sabia o que estavam fazendo, e tendo sido gravada em 1971, este é um verdadeiro álbum ao vivo, sem truques de estúdio ou melhorias para atrapalhar uma performance soberba. É ótimo ouvir como essa banda se solta fora dos limites do estúdio.
---------------------------------------------------------------------------------

Recorded live at the Federal Drug Rehab Center in Lexington, KY, August 1970. This live album by Pacific Gas & Electric was slated for release by Columbia, but, due to legal problems, they never actually issued it. Thirty seven years later, Wounded Bird finally provided the record's first release.
August 8th and 9th of 1970, PG&E did 2 shows at the federal drug rehab center in Lexington, KY. The filmmaker Lawrence Schiller was there to make a documentary of the band, the facility and it's inmates. Columbia (now owned by Sony) was also there, recording the shows for a planned live album. When Schillers film didn't go into national release (it was only shown twice in Califórnia before being shelved by a judge) Columbia chose to stop work on the record.

Recent research has uncovered that Sony still has the tapes... about 9 unmixed multi-tracks and 4 stereo masters. These stereo masters are now available on CD thanks to Wounded Bird. This is a once in a lifetime chance to hear the band in their natural element, on stage. No other full live album has ever been released by PG&E.

The master tapes reveal a fierce energy by all the players, along with masterful playing. You could tell this band knew what they were doing, and having been recorded in 1971, this is a true live album, no studio tricks or enhancements to get in the way of a superb performance. It's great to hear how this band let loose outside the confines of the studio. The engineer who dubbed the master tapes told one band member that he was so impressed, he gave a copy to the head of Sony Legacy for consideration to be released. If you're a PG&E fan, or a Blues and R&B fan, it would be well worth dropping a note to Sony Legacy to help get this out.


Charlie Allen: vocal
Brent Block: guitar
Frank Petricca: bass
Ron Woods: drums
Ken Utterback: lead guitar

01. Old Slop In 'A' (11:20)
02. Are You Ready? (06:25)
03. Next Time You See Me (02:38)
04. Elvira (03:16)
05. 32-20 Blues (06:09)
06. One More River To Cross (03:12)
07. Motor City Is Burning (12:39)
08. Jelly Jelly (16:30)

segunda-feira, 11 de junho de 2018

Repost: STONE GARDEN - Stone Garden (1969 US Hard Psych Acid Rock)


MAIS UMA REPOSTAGEM A PEDIDO 
PRA ETERNIZAR O VENENO!!!
VENENASSO HARD PSICODÉLICO ACIDO ALTAMENTE RECOMENDADO!! 

A BANDA COMEÇOU A TOCAR AINDA EM 1965 COM REPERTÓRIO DE DOORS, HENDRIX, CREAM, STONES, ALÉM DE OUTRAS BANDA, JUNTO COM MATERIAL AUTORAL!! EM 1969 NUM ESTÚDIO CASEIRO DE UM AMIGO REGISTRARAM O SINGLE 45" DE "OCEANS INSIDE ME" E "STOP MY THINKING", QUE NA ÉPOCA FOI LANÇADO COM APENAS 300 CÓPIAS!! O SOM ERA TÃO BOM QUE ACABOU ENTRANDO NA PROGRAMAÇÃO DE ALGUMAS RÁDIOS LOCAIS, O QUE AJUDOU OS CARAS A ABRIREM AS PORTAS PARA UM ESTÚDIO DE GRAVAÇÃO PROFISSIONAL, ONDE GRAVARAM O RESTANTE DAS SUAS MÚSICAS ORIGINAIS QUE PERMANECERAM INÉDITAS A TRÉ 1998 QUANDO A ROCKADELIC COMPILOU TUDO NUM LP E LANÇOU NO MERCADO!! E AQUI ESTÁ ENTÃO ESSE REGISTRO QUE, SENÃO É UM PATASSO, É AO MENOS UM CHUTE NA NUCA!!!

Popular title on the Rockadelic label and clearly above average transition document from late 60s S F Bay Area eclectisism into crude Northwest hardrock. The band was once thought to be an early version of Fraction which is not true, although their 45 (on Fraction's label) packs a similar intensity and is present here in two versions, both excellent. The LP is enjoyable all through with highpoint in a couple of hard guitarpsych excursions on side 2, and the band shows more talent and variation than the standard basement outfits from the era. Extra points for obvious teen psych remains, and even the goodtimey track about being busted for pot in S F is agreeable. One of the best of the label's more recent releases. Very nice gatefold packaging although the Stonehendge image may remind some of "Spinal Tap". (via Acid Archives)


Gary Speer (vocal
Russ Pratt (vocals, organ)
Dan Merrell (vocals, bass)
Neal Speer (vocals, drums)
Paul Speer (guitar).

01. Oceans Inside Me
02. It's a Beautiful Day
https://youtu.be/XDpzrpZDTGw
03. World Is Coming to an End
04. Bastard
05. Da Da Da Da, Da
06. Stop My Thinking - (45 Version)
07. Assembly Line
08. Woodstick
https://youtu.be/3lnUDCfNGVE
09. SF Policeman Blues
10. Oceans Inside Me - (45 Version 

or

sábado, 2 de junho de 2018

POWERFULL VENENOS - Playlist Rarities Venenos do Rock (Hard Acid Psych Blues Rock)


Playlist POWERFULL VENENOS!!! Uma playlist do meu canal VENENOS DO ROCK no YouTube cheia de venenos raros e obscuros!!! Por enquanto "apenas" 61 venenos na lista...músicas raras e obscuras!! Seleção extraída das profundezas da mina de ouro do rock!! Não consumam com moderação!!!! Compartilhem!!

Playlist POWERFULL VENENOS!! A playlist of my channel VENENOS DO ROCK on YouTube full of rare and obscure poisons!! For now "only" 61 venenos in the list...rare and obscure songs!! Selection drawn from the depths of the rock gold mine!! Do not consume in moderation!! Share it!!

segunda-feira, 21 de maio de 2018

STACK WADDY - Hunt The Stag: Outtakes Live & Rarities [Hard Blues Acid Psych]


VENENASSO RARÍSSIMO E MATADOR!!!
AQUI TEMOS UM ÁLBUM QUE REÚNE OUTTAKES, MATERIAL AO VIVO NA BBC EM 1971 E OUTRAS RARIDADES BEM LEGAIS NUNCA ANTES USADAS!!! A SONORIDADE É HARD BLUES ACID PSYCH DA MELHOR ESPÉCIE E A ENERGIA DOS SONS É INCRÍVEL!! É PATADA NA NUCA DO COMEÇO AO FIM!! VENENO RARÍSSIMO E ALTAMENTE RECOMENDADO!!!
OBS: Esse álbum saiu da obscuridade recentemente quando foi incluído num Box Set chamado The Complete Works 1970-72. 
NOTE: This album was recently included in a Box Set called The Complete Works 1970-72. 
A seleção ao vivo dá uma boa idéia sobre o que fazia em seus shows ao vivo, regado a muuuuita cerveja!!! O bizarro Jack And Jill Meet Blind Pugh On The Spot é um dos estaques, parte de um Blues Jam e depois antes de se transformar em um Proto-Punk Rock bem mais embalado!!! Do material de estúdio, Hunt The Stag é um dos destaques e tem uma levada Hard Psych Punk Blues!! A coletânea de músicas do álbum Mama Keep Your Big Mouth Shut é feroz (ela também aparece no set ao vivo) e o velho número Mod de Leavin Here recebe uma re-inicialização energética, anos antes de Motorhead fazer um trabalho parecido!! Juntamente com uma versão ainda melhor de Mystic Eyes, sugere que Peel e seus colegas julgaram mal a junção desta sessão, mas está tudo aqui para você aproveitar!!!

The 3rd and final disc of this box is in the form of outtakes, live material and other such rarities. Hunt The Stag brings together all the tracks previously issued as extras on the Cherry Red 2007 editions of Stack Waddy and Bugger Off. So no new material if you own both of those already. This breaks down into the tracks demoed for the second album, but were ultimately not used (deemed “too slick” by Peel and his sidekick Clive Selwood), a BBC In Concert session from 1971 and the Dandelion compilation item Mama Keep Your Big Mouth Shut (yet another one the Pretty Things had tackled as well) . Housed in a great mini-sleeve with Waddy in full live flow, it doesn’t disappoint in comparison to the albums proper.

The live selection gives you a good idea what the band were all about in concert – thunderous, jokey and beer-soaked and this offering unsurprisingly comes with a heartfelt Peel intro and outro. The bizarrely named Jack & Jill Meet Blind Pugh On The Spot is a highlight, part Blues Jam before splitting into a speedy bit of Proto-Punk Rock (it’s possible they were two songs melded together).
Of the studio material, the title track is a nice piece of heavy-handed Psych/Punk/Blues and Here Comes The Glimmer Man has real atmosphere, restrained power – it really is great, building from a quiet long run into mayhem. The compilation album track Mama Keep Your Big Mouth Shut is ferocious (it also features in the live set) and the punchy old Mod number Leavin’ Here is given an energetic re-boot, years before Motorhead did a similar job. Along with an even better version of Mystic Eyes it suggests Peel and his cohorts misjudged in junking this session, but it’s all here for you to enjoy now.


*John Knail - Vocals, Harmonica
*Steve Revell - Drums, Percussion
*Mick Stott - Electric Guitar
*Stuart Banham - Bass Guitar

1. With One Leap Dan Was By Her Side, 'Muriel' He Breathed - 4:20
2. Ginny Jo - 2:49
3. Hunt The Stag - 2:45
4. Mystic Eyes (Alternative Version) (Van Morrison) - 3:52
5. (Almost) Milk Cow Booze - 4:12
6. Leavin' Here - 2:58
https://youtu.be/ikRmqnKJXfg
7. I'm A Lover Not A Fighter - 2:38
8. Here Comes The Glimmer Man - 5:15
9. Nadine - 3:53
10.Mama Keep Your Big Mouth Shut - 5:19
11.Repossession Boogie - 6:29
12.Lawdy Miss Clawdy...Meets Sooty 'N Sweep - 3:31
13.Jack And Jill Meet Blind Pugh On The Spot - 10:56
14.Mama Keep Your Big Mouth Shut - 3:43

Tracks 1-2 recorded November 20th 1970 at Marquee Studios
Tracks 3-10 recorded May 1971 at Marquee Studios
Tracks 10-13 recorded live at the Paris theatre July 22nd 1971 and broadcast by the BBC on September 12th 1971.
Track 14 originally released 1972


https://mega.nz/#!Jw8H0ayA!g3hHMKe3mr1rQBBmBFWK9MAkumAIWRj27O545B28N-A
or
https://www.4shared.com/s/f7FW7FpJZgm

segunda-feira, 23 de abril de 2018

LEVIATHAN - The Legendary Lost Elektra Album [1969 UK Psychedelic Rock]


EXCELENTE ALBUM PSICODÉLICO COM ALTAS DOSES DE GUITARRAS ACIDAS!! A BANDA ANTES DE 1969 ERA "MIKE STUART SPAN", QUE SE DEDICAVA EXCLUSIVAMENTE AO PSICODELIA, DEPOIS TORNOU-SE LEVIATHAN, MUDANDO UM POUCO O TOM PARA UMA PSICODELIA COM TOQUES PROGRESSIVOS E UM POUCO DO FREAKBEAT TÍPICO DA ÉPOCA!! MUITO BOM SOM!! A BANDA TINHA TUDO A SEU FAVOR, NO ENTANTO, NA ÚLTIMA HORA, O SEU ÚNICO ALBUM FOI IMPEDIDO DE SAIR PELO PRÓPRIO PRESIDENTE DA ELEKTRA, JAC HOLZMAN, QUE NÃO ESTAVA FELIZ COM ALGUMAS MÚSICAS E QUERIA QUE OS CARAS VOLTASSEM PRO ESTÚDIO PRA GRAVAR DE NOVO!! NÃO VOLTARAM!! DEPOIS DISSO, COM AS FINANÇAS ESCASSAS E COM A MORAL DESTRUÍDA POR ESSE EPISÓDIO, ACABARAM SE SEPARANDO E ERA ENTÃO O FINAL DA BANDA LEVIATHAN!! 

MAS A BOA NOTÍCIA DE TUDO ISSO É QUE AS MÚSICAS SOBREVIVERAM NOS COFRES DA GRAVADORA E FOI REMASTERIZADA PELA GRAPEFRUIT RECORDS!!! EMBORA JÁ HAVIA SIDO LANÇADO UMA EDIÇÃO LIMITADA EM VINIL HÁ ALGUNS ANOS ATRÁS, AGORA FOI O TÃO AGUARDADO LANÇAMENTO EM CD DESSE LENDÁRIO ALBUM!!! EXTRAÍDO DAS MASTER TAPES ORIGINAIS DA ELEKTRA, ESSE ALBUM DA GRAPEFRUIT ADICIONA TRÊS FAIXAS QUE NÃO ESTAVAM NO LP, INCLUINDO UM RARO REMIX DA MÚSICA "REMEMBER THE TIMES", QUE À ÉPOCA FOI LANÇADA APENAS NA AUSTRÁLIA!!!

*** Uma curiosidade sobra os caras que, se não é divertida, é um fato que realmente aconteceu!! O guitarrista da banda morreu ao saltar de uma janela de um prédio, tudo sob efeitos e influências do LSD!!! Depois disso os caras fizeram um pacto de não usar mais drogas, mas isso, de virarem caretões, é difícil de acreditar, pois suas músicas nos levam a uma incursão ao mundo do LSD!!



Leviathan, known as the Mike Stuart Span prior to 1969, had everything going for them. Yet their lone album was held back from release at the last minute by Elektra president Jac Holzman, who supposedly wasn’t happy with some of the songs and wanted them to go back into the studio to record more. At that critical point, with their finances in dire straits and their morale destroyed by this action after years of trying to make it, Leviathan broke up.

The good news in all of this is that the music has survived in the vaults and has now been newly remastered by the Cherry Red Records subsidiary Grapefruit Records. It all sounds great!  Although briefly available on limited edition vinyl a few years ago, Leviathan is the long-awaited, first-ever CD release of one of the legendary aborted projects of the late 1960s British psych/prog scene. Taken from the original Elektra master tapes, this Grapefruit package adds three non-LP tracks, including a rare remix of 'Remember The Times' that was only issued at the time in Australia. With a lavish sixteen-page booklet that tells the band's story and includes some priceless period photos and memorabilia, this release is the final, tantalising missing piece in the Mike Stuart Span/Leviathan

*** The Fun Facts: Certainly not fun, but a fact … guitarist Langham fell to his death after leaping through an upstairs window whilst under the effects and influences of LSD. The band subsequently became a resolutely drug-free zone, despite the blandishments of the encroaching psychedelic era.


*Stuart Hobday  - Vocals
*Brian Bennett  - Guitar
*Roger McCabe  - Bass
*Gary Murphy  - Drums

1. Remember The Times - 2:46
2. Second Production - 4:44
   https://youtu.be/LXVX90CfGiQ

3. The War Machine - 5:19)
4. Through The Looking Glass - 5:45
   https://youtu.be/6O5mVwrekWU

5. Blue Day - 6:38
6. Time - 4:00
7. Flames - 4:47
8. World In My Head - 4:29
9. Evil Woman - 7:57
10.Flames (Single Version) - 3:48
11.Just Forget Tomorrow (Single) - 4:19
12.Remember The Times (Australian Single Version) - 2:41

sexta-feira, 20 de abril de 2018

REPOST: Someones Band - Same (1970 UK Blues Rock Prog)


REPOSTAGEM RARA E RECOMENDADA!!
REPOST RARE AND RECOMMENDED!!


BANDA OBSCURA QUE FAZIA UMA BOA COMBINAÇÃO ENTRE O  BLUES ROCK E O PROGRESSIVO, COM ALGUMAS SUTIS INFLUÊNCIAS DO JAZZ E DA MUSICA AFRICANA!! OS VIOLÕES ACÚSTICOS AGRUPAM-SE BEM COM OS SOLOS QUENTES DE GUITARRA E O VOCAL, AS VEZES, PARECE MUITO COM O DE "KIERAN WHITE" DA BANDA "STEAMHAMMER!! O GRUPO REUNIU-SE SÓ UMA VEZ PRA GRAVAR ESSE ÚNICO ALBUM, SENDO QUE, A REUNIÃO FOI ATRAVÉS DE UM ANÚNCIO DA MELODY MAKER, O QUE OS LEVOU A FAZER UMA DEMONSTRAÇÃO PARA A DECCA RECORDS, A QUAL LOGO EM SEGUIDA GRAVOU ESSE ALBUM!! A GRAVAÇÃO FOI NUMA ÚNICA NOITE E O RESULTADO FICOU MUITO LEGAL!! E SE PENSARMOS QUE OS CARAS ERAM PRATICAMENTE MÚSICOS AMADORES QUE SE REUNIRAM APENAS UMA VEZ PRA GRAVAR, DARIA PRA DIZER QUE O TRABALHO É EXCELENTE!!

The rare 1970 album from obscure UK rock band Someones Band. Acoustic guitars meet wild electric guitar solos with a vocalist reminiscent of Steamhammer's Kieran White. Bluesy with a spacey production this should appeal to fans of 60s UK blues and heavy 70s progressive UK rock.
This group got together via word of mouth and an advert in Melody Maker. They made a demo for Decca, who then sanctioned this album, which is now a monster rarity. Given that it was recorded in the course of a single night, it's a surprisingly polished and varied collection of progessive blues and soul. Also the influence of jazz, funk and African music is evident. Acoustic guitars meet wild electric guitar solos with a bluesy vocalist.


- Cecil James - vocals, percussion
- Melvin Buckley - guitar
- John Coxen - guitar
- Terry Powney - bass
- Woody Martin - drums, percussion

01. Country Ride - 5:11
https://youtu.be/BQHdUSIySWc
02. How It Began - 4:46
03. Blues For Brother "E" - 3:53
04. I Wanna Go Where I Belong - 3:58
05. Hands Of Time - 3:49
06. Alice - 3:57
07. Give It To You - 3:01
08. Trouble Is - 3:14
09. A Story - 3:52
10. Manhunt - 4:42
11. Fiddlesticks - 2:37

domingo, 8 de abril de 2018

BARNABUS - Barnabus [1971 UK Hard Rock Blues]


ALBUM SUPER RARO DE UMA BANDA QUE GRAVOU APENAS ESSAS CANÇÕES QUE SÓ DEPOIS DE ANOS FORAM RECUPERADAS!! A BANDA COMEÇOU TOCANDO COVERS DE BANDA COMO BLACK SABBATH, TRAPEZEE E DEEP PURPLE, MAS EM POUCO TEMPO FIZERAM SUAS PRÓPRIAS CANÇÕES!! ABRIRAM SHOWS DE BANDA EDGAR BROUGHTON BAND E TRAPEZE!! A BANDA SE SEPAROU EM 1972, MAS FOI REFORMADA EM 2009 PARA FAZER SHOWS BENEFICENTES!! VENENO RARÍSSIMO!!

The rock band Barnabus formed in 1970, in Leamington Spa, when pop covers band the Jay Bee Kay Pees split. Lead guitarist John Storer and bass guitarist Keith Hancock, enrolled drummer Tony Cox from the also recently defunct Rockin' Chair Blues Band. Barnabus started out playing covers from bands such as Black Sabbath, Trapeze, Deep Purple, to name but a few, but before long they progressed to writing their own numbers, with the help of a young lyricist/poet called Les Bates. They played all over the local area and in London. They were the support act for several "name" bands of the time - Man, Edgar Broughton, Trapeze. They even supported Hawkwind at the Coventry Locarno, and in 1971 recorded an album at Monty Bird's studios, in Snitterfield near Stratford Upon Avon. Barnabus won the Midlands heat of the Melody Maker Rock & Folk contest, in 1972, where the judges were Ozzy Osbourne and Tony Iommi. The band eventually split up a year later, but reformed for a few charity gigs in 2009. All the members now play in other bands, but still play the occasional gig together. The band were promoted by their booking agents as Barnabas Legge although the band stuck with Barnabus themselves.

BARNABUS - America [UK 1971]
https://youtu.be/ezUoGcg36fg


https://mega.nz/#!14kRFDQb!7FPw9DB5wJFOBzltyFepBvV4H6E8fy4IszLSsAjvSE4
or
https://www.4shared.com/s/f-GqC94Esca

sexta-feira, 16 de março de 2018

REQUEST: 13th FLOOR ELEVATORS - A Love That's Sound (1968 US Psychedelic Rock)


ATENDENDO A PEDIDOS DE REPOSTAGEM!! VENENO RECONSTRUÍDO!! AQUI ESTAMOS DIANTE DE UMA RECONSTRUÇÃO DO TERCEIRO ALBUM DA BANDA, RARO E ATÉ A POUCO TEMPO PERDIDO, COM UM CONJUNTO IMPRESSIONANTE DE OUTTAKES, VERSÕES EM 45, INÉDITAS, BACKING TRACKS, MIXAGENS ALTERNATIVAS, GRAVAÇÕES DEMO, ENSAIOS E PRIMEIRAS VERSÕES DE MUSICAS QUE MAIS TARDE FARIAM PARTE DO DISCO "BULL OF THE WOODS"!! A QUALIDADE DO SOM É EXCELENTE!! VENENO PSICODÉLICO RARÍSSIMO E ALTAMENTE RECOMENDADO!!

ATTENDING ORDERS TO REPLACE!! Also seeing the light of day for the first time is a reconstruction of the “lost” third album, A Love That’s Sound (aka Beauty & The Beast). Needless to say, each of these titles come with an impressive array of outtakes, 45 versions, unreleased acetates, backing tracks, alternate mixes and demo and rehearsal recordings.

In 2009, the album was released with bonus tracks as part of the "Sign of the 3-Eyed Men" box set. The set also included a reconstruction of the "lost" third album, A Love That's Sound, which consisted of mostly previously unreleased tracks, and early versions of songs later included on Bull of the Woods.


01. Wait For My Love (unreleased 6th single) 3:28
02. It's You (acetate) 2:44
03. May The Circle Remain unbroken (original mix) 2:38
04. Livin' On (take 1, full take with original vocals) 5:34
05. Never Another (take 8, full take with original vocals) 3:54
06. Dr Doom (take 6, original vocals) 3:24
07. Sweet Surprise (take 5, original vocals) 3:41
08. Moon Song (take 1, unreleased backing track) 3:42
09. Livin' On (take 1, edited and overdubbed lead vocals) 3:29
10. Never Another (rehearsal, unknown take) 3:36
11. It's You (rehearsal, take 3) 2:37
12. Moon Song (rehearsal, take 6) 3:07

sexta-feira, 9 de março de 2018

REQUEST: 13th FLOOR ELEVATORS - Death In Texas (1967 US Psychedelic Rock)


ATENDENDO A PEDIDOS PARA REPOSTAGEM, AQUI VAI UM PATAÇO DA BANDA!! AQUI TEMOS O INFAME SHOW GRAVADO NO HOUSTON MUSIC THEATRE EM 1967 E A REUNIÃO DA BANDA EM AUSTIN NO ANO DE 1973!! VENENASSO RARÍSISMO E RECOMENDADO!!

"...Roky estava tão cheio de drogas antes da entrevista com KAUM (faixa 13) que o repórter encontrou Roky deitado no quarto do hotel com o rosto embaixo do tapete. O que provavelmente explica sua resposta incoerente quando perguntado o que seria o futuro da banda. Disse Roky: - Todos nós vamos, uh ...transformar...em lagartos estrada...(nada a ver né!! Piração total!!) A música Stumble (Fumando o banheiro) é sobre descarregar a marofa no vaso sanitário se a polícia invadir a sua casa, uma situação bem familiar para a banda..."

ATTENDING ORDERS TO REPLACE!!
Death In Texas, which includes the infamous 1967 Houston Music Theatre show and the 1973 reunion in Austin.

Roky was so full of drugs before the interview with KAUM that the reporter found Roky lying on the hotelfloor with his face down in the carpet. Which probably explains his less than coherent answer when asked what the future of the band looked like: "We’re all gonna, uh…. turn into...road lizards!” The song Stumble (Smoke the toilet) is about flushing your stash down the toilet if the police raids your house, a situation not unfamiliar to the band.


01. (I've Got) Levitation 3:27
02. Reverberation 3:27
03. Don't Fall Down 3:33
04. Kingdom of Heaven (Is Within You) 3:47
05. She Lives (In A Time of Her Own) 3:27
06. Jam 1 7:48
07. Jam 3 4:59
08. Jam 4 - Baby Blue 6:27
09. Jam 5 - She Lives (In A Time of Her Own) 4:53
10. Maxine 3:32
11. (I've Got) Levitation 3:29
12. Shake Your Hips 4:40
13. Roky On KAUM 0:11
14. Stumble (Smoke the Toilet) 2:45
15. You're Gonna Miss Me 4:28

sexta-feira, 2 de março de 2018

BEEFEATERS - The Secret Tapes [Denmark 1968 Blues Psych Prog]


VENENO RARÍSSIMO!! TRATA-SE DE MATERIAL RARO DA BANDA!! GRAVADO EM ALGUM LUGAR NA ESCANDINÁVIA, EM 1968, POR UM AMIGO DOS CARAS, TEM UM SOM BOM DEVIDO AO FATO DE QUE FOI USADO UM APARELHO CHAMADO "REEL-TO REEL" COM DOIS MICROFONES, UM NO SOLISTA E OUTRO NO GRUPO!! ERA O MELHOR QUE SE PODERIA FAZER EM TERMOS DE GRAVAÇÕES CASEIRAS NA ÉPOCA!! AS FITAS FORAM CUIDADOSAMENTE LIMPAS E O SOM FOI ESTRUTURADO DE FORMA QUE HOUVESSE PROFUNDIDADE E STEREO!! TUDO ISSO, MAIS O FATO DE QUE A BANDA GRAVOU DESPREOCUPADA, SOA BASTANTE AUTÊNTICO E ORIGINAL, BEM DIFERENTE DAS GRAVAÇÕES DE ESTÚDIO QUE SÃO SUPERVISIONADAS POR GRAVADORAS E TAL...AÍ OS CARAS VIAJARAM TRANQUILOS, FAZENDO LONGAS JAM SESSIONS COM BASTANTE USO DE FLAUTAS E ORGAN FARFISA, MISTURANDO BLUES COM PSICODELISMO, PROGRESSIVO E JAZZ!! ESTAVAM LIVRES, BRINCANDO DE FAZER SOM... VENENO RARÍSSIMO E VIAJANTE!! VALE A PENA DAR UM TÉKINHO!!

"Um precursor dessa banda foi formado em Copenhague no início de 1964, mas sua forte orientação para blues-rock começou apenas com a chegada de Peter Thorup em 1966. Em 1967, The Beefeaters tocou como banda de apoio para Jimi Hendrix, John Mayall e Pink Floyd durante seus shows na Dinamarca. Os dois albuns iniciais da banda foram os melhores esforços de "blues-rock" de primeira classe para arquivar álbuns de John Mayall, Early Fleetwood Mac e até Cuby & The Blizzards. O primeiro álbum foi, junto com Steppeulvene, o álbum dinamarquês mais importante de 1967. Os Beefeaters também não eram inteiramente puristas de blues, eles também exibiam influências de beat e soul. O som (muito bem desenvolvido para 1967) foi em grande parte baseado nos talentos de Thorup como vocalista e guitarrista, mas o órgão Farfisa de Kjærumsgård (às vezes substituído pelo piano) obviamente aumentou o som do grupo. Burnin 'Red Ivanhoe foi um dos muitos grupos que mais tarde copiou esse distintivo som de órgão.

The Secret Tapes - Live Somewhere In Scandinavia November 1968
This is a gold-stroke. Tapes are from around '68. They were recorded privateley by af friend, and the sound is great due to the fact that it was reel-to reel and 2 mics: 1 at the soloist, another at the "group". Tapes are carefully cleaned up, and sound is matrixed in a way so there is both depth and wide stereo, plus the group plays superb.

Recordings from 1968;This CD shows what it was all about in the late sixties. The private (good) recordings reveals a band that take it's time to do the things, and the 'things' are macnificent! Peter Thorup's singing is in a class of its own, and the band is so well playing. This private recordings reveals also a more 'free'an collective style than their studio recordings.

This rare recordings shows what it was all about in the late sixties. The private (good) recordings reveals a band that take it’s time to do the things, and the ‘things’ are macnificent! Peter Thorup’s singing is in a class of its own, and the band is so well playing. This private recordings reveals also a more ‘free’an collective style than their studio recordings.

A precursor to this band was formed in Copenhagen in early 1964, but their strong orientation towards blues-rock began only with the arrival of Peter Thorup in 1966. In 1967, The Beefeaters played as support band for Jimi Hendrix, John Mayall and Pink Floyd during their concerts in Denmark. Both albums were top-notch "real" blues-rock efforts to file along albums by John Mayall, early Fleetwood Mac and even Cuby & The Blizzards. The first album was, along with Steppeulvene, the most important Danish album of 1967. The Beefeaters weren't entirely blues purists either, they also displayed beat and soul influences. The sound (very well developed for 1967) was largely based on Thorup's talents as vocalist and guitarist, but Kjærumsgård's Farfisa organ (sometimes replaced by piano) obviously augmented the group’s sound. Burnin' Red Ivanhoe was one of many groups who later copied this distinctive organ sound.


Peter Thorup – flute, guitar, vocal
Morten Kjærumgaard – organ
Keith Volkersen - bass
Max Nhuthzhi – drums 

01. It’s Not That I Don’t Now 9.58
02. You Changed My Way Of Living  3.59
03. I Put A Spell On You  10.04
04. It Ain’t Necessarilly So  7.08
05. Mister You’re A Better Man  5.54
06. I Want To Know  4.51
07. Night Train  5.02
08. Parchman Farm  5.47
09. Tell About My Baby 12.18
10. I Thought That I Knew 6.17
https://youtu.be/MLscVQuEI0I

quarta-feira, 28 de fevereiro de 2018

FREE WILL - The Tony Caputo Tapes [Bootleg 1971 US Hard Psych Blues Rock]


MAIS UMA JÓIA RARÍSSIMA DA BANDA FREE WIL!! BOOTLEG BEM BACANA E COM QUALIDADE MUITO BOA!! AQUI TEM MATERIAL ANTES DA BANDA SER CONTRATADA PELA RCA E ONDE CONSTA QUATRO CANÇÕES QUE DEPOIS SERIAM INCLUÍDAS NO ALBUM "WHISKY WOMAN", JÁ COM O NOME DE "JUKIN BONE", ALÉM DE MUITAS CANÇÕES QUE NUNCA CONSEGUIRAM GRAVAR!! É UMA CAIXA DE JÓIAS RARAS!! UM BOOTLEG NÃO AUTORIZADO MAS DE QUALIDADE!!

MORE A RARE FREE WIL BAND !! BOOTLEG VERY GOOD AND WITH VERY GOOD QUALITY !! HERE HAS MATERIAL BEFORE THE BAND TO BE CONTRACTED BY THE RCA AND WHERE IT CONTAINS THOSE SONGS THAT WILL BE INCLUDED IN THE ALBUM "WHISKY WOMAN" ALREADY WITH THE NAME OF "JUKIN BONE", ALMOST MANY SONGS THAT WERE NEVER RECORD !! IT'S A BOX OF RARE JEWELS !! A BOOTLEG NOT AUTHORIZED BUT QUALITY !!

Ever wonder what the band sounded like before RCA got a hold of them? These are the original 4-track demos that led to the Whiskey Woman album, from 2nd generation reel-to-reel tapes. Also includes many songs from the era that never made it to record.


Joe Whiting - Lead Vocals/Tenor Sax
Mark Doyle - Lead Guitar/Wurlitzer Piano/Harmony Vocal
George Egosarian - 2nd Guitar
John DeMaso - Bass
Tom Glaister - Drums

01.Treat You Right (3:12)
02.Carry Me Home MK I (5:50)
03.Can't Judge What You Missed (3:46)
04.Someplace Is Something (3:22)
05.Walk On (2:54)
06.I'll Be On My Way MK II (3:30)
07.Get That Shinin' Sun (3:13)
08.Candy Man (3:58)
09.Fool For You (5:42)
10.Wednesday Night Prayer Meeting (3:01)
11.Sayin' It Is Easy (3:06)
12.Ramblin' (3:05)
13.Whiskey Woman (3:56)
14.I'll Be On My Way Mk II (3:21)
15.Carry Me Home Mk II (4:22)

segunda-feira, 26 de fevereiro de 2018

FREE WILL - Cold Cold Morning [1969 US Heavy Psych Blues Rock]


FREE WIL É UMA BANDASSA LEGENDÁRIA QUE JÁ TEM MAIS 2 ALBUNS POSTADO AQUI NO BLOG ANTERIORMENTE, AO VIVO, E QUE SÃO UM PATASSO NA NUCA!! É NADA MAIS NADA MENOS QUE A BANDA PRÉ-JUKIN' BONE!! ESTE AQUI É UM ALBUM DE ESTÚDIO DOS CARAS E, SE NÃO TEM AQUELA ENERGIA TODA DOS OUTROS AO VIVO, É TAMBÉM UM ÓTIMO VENENO E MOSTRA O QUANTO A BANDA TRABALHAVA BEM A MISTURA DE HARD, PSYCH E BLUES!!! ENQUANTO TINHA CONTRATO COM A GRAVADORA RCA ELES VIAJARAM EM TURNÊS COM ZZTOP, FREDDIE KING, THE ALLMAN BROTHERS BAND, THE KINKS, JOHN MAYAL E MUITOS OUTROS NOMES DO ROCK!!! DEPOIS MUDARAM O NOME PARA JUKIN BONE E GRAVARAM OUTROS BELOS ALBUNS!! RECENTEMENTE JUKIN BONE FOI INTRODUZIDO NO HALL OF FAME E JÁ ESTÁ TRABALHANDO COM UM NOVO ÁLBUM COM MATERIAL ORIGINAL EM 44 ANOS!! A BANDA ASSINOU TAMBÉM UM ACORDO DE LICENCIAMENTO EXCLUSIVO COM A AKARMA RECORDS, NA ITÁLIA, PARA O LANÇAMENTO EM VINIL DE ALTA QUALIDADE E DOWNLOAD DIGITAIS DE CINCO ÁLBUNS DA ERA FREE WILL!!!

ESSE ALBUM COL COLD MORNING, ALÉM DO BLUES PSICODÉLICO COM UM TOQUE DE JAZZ E PITADAS DE GARAGE ROCK, TEM TAMBÉM A ÓTIMA TÉCNICA DOS SEUS COMPONENTES!!! OUVIR ESSES SONS HOJE FICA DIFÍCIL DE ACREDITAR QUE ELAS FORAM GRAVADAS EM 1969 E SURPREENDE TAMBÉM, ALÉM DOS RIFFS DE GUITARRAS E DO VOCAL COMPETENTE, OS ARRANJOS DAS MÚSICAS ESTÃO BEM CASADOS NA PSICODELIA PESADA E SUJA DAQUELES ANOS!!! CERTAMENTE FREE WILL ESTAVA ALÉM DE SEU TEMPO!!! SUGIRO ESCUTAR TAMBÉM OS DOIS ALBUNS AO VIVO DA BANDA QUE ESTÃO POSTADOS AQUI NO BLOG E QUE SÃO ATÉ MELHORES QUE ESSE!!! VENENO RARO, BOM E RECOMENDADO!!!

FREE WIL IS A GREAT BAND THAT HAS MORE 2 ALBUNS POSTED HERE IN THE BLOG, THE TWO LIVE, AND THAT ARE EXCELLENT !! IT'S NOTHING ELSE THAN THE PRE-JUKIN 'BONE !! THIS IS HERE A STUDIO ALBUM, AND IF IT DOES NOT HAVE THAT ENERGY ALL OTHERS LIVE, IT'S A GREAT ALBUM AND SHOWS HOW MUCH THE BAND WAS WORKING TO HARD, PSYCH AND BLUES !!! WHILE I HAD A CONTRACT WITH THE RCA RECORDER THEY TRAVELED IN TOURS WITH ZZTOP, FREDDIE KING, THE ALLMAN BROTHERS BAND, THE KINKS, JOHN MAYAL AND MANY OTHER NAMES OF THE ROCK !!! THEN CHANGE THE NAME FOR JUKIN BONE AND THEY RECORD ANOTHER BEAUTIFUL ALBUNS !! Recently JUKIN BONE HAS BEEN INTRODUCED IN THE HALL OF FAME AND IS ALREADY WORKING WITH A NEW ALBUM WITH ORIGINAL MATERIAL IN 44 YEARS !! BAND SIGNED AN EXCLUSIVE LICENSING AGREEMENT WITH AKARMA RECORDS IN ITALY FOR HIGH QUALITY AND DOWNLOAD DIGITAL LAUNCHING OF FIVE ALBUMS OF FREE WILL'S ERA !!!

THIS ALBUM COLD COLD MORNING, BEYOND THE PSYCHEDELIC BLUES WITH A TOUCH OF JAZZ AND GARAGE ROCK PITADAS, ALSO HAS THE GREAT TECHNIQUE OF ITS COMPONENTS !!! HEARING THESE SOUNDS TODAY IS HARD TO BELIEVE THAT THEY WERE RECORDED IN 1969 AND ALSO SURPRISES, BEYOND THE RIFFS OF GUITARS AND THE COMPETENT VOCAL, THE ARRANGEMENTS OF THE MUSICS ARE WELL MARRIED IN HEAVY AND DIRTY PSYCHODELIA OF THOSE YEARS !!! CERTAIN FREE WILL BE BEYOND YOUR TIME !!! I SUGGEST TO LISTEN ALSO THE TWO LIVE ALBUMS OF THE BAND THAT ARE POSTED HERE ON THE BLOG AND THAT ARE TOO BETTER THAN THAT !!! RARE ALBUM, GOOD AND RECOMMENDED !!!


Discography Free Will
Cold, Cold Morning - 1969 
Live at East High 1969
Live at Jordan-Elbridge High School, 1970
Live at Jabberwocky, 1970
The Tony Caputo Tapes, 1971
Live at Mother Earth, Austin 1971
The Basement Tapes, 1970-71
Live On Stage, 2000


Joe Whiting - lead vocal, tenor saxophone
Mark Doyle - lead guitar, vocal, piano
Tom Glaister - drums
Bill  Irvin - rhythm guitar, vocal, lead vocal
George Egosarian - bass
John DeMaso - bass

01 River Deep Mountain High
02 Cold, Cold Morning
03 Name In The Wind
04 Step Inside Love
05 No Resurrection
06 Heart Full Of Soul
07 State Police Boogie
https://youtu.be/u66hagRCy9g
09 Way Out
09 Changes
10 I Believe To My Soul
11 Are You Gone ?
12 Chuck Berry Medley
13 Skaneateles Cellar Incident [Bonus Venenos]

quarta-feira, 21 de fevereiro de 2018

ENIGMA - Ofensiva Pop [1971 Mexico Hard Acid Blues Rock]


ENIGMA É UMA BANDA MEXICANA QUE AINDA CONTINUA NA ATIVA, MAS QUE TEVE O SEU MELHOR MOMENTO NESSE SEU PRIMEIRO ALBUM, COM UM HARD ROCK BLUESEIRO E ACIDO!! ELES COMEÇARAM TOCANDO COVERS DO ROCK AINDA EM 1969 COM O NOME DE "LAS VENTANAS" E DEPOIS, APROVEITANDO A FAMA QUE OBTIVERAM COM SEUS SHOWS, DECIDIRAM MUDAR O RUMO MUSICAL E COMEÇAR A FAZER SUAS PRÓPRIAS CANÇÕES COM UM ESPÍRITO MAIS ROQUEIRO E PESADO!!!

AÍ ENTÃO ENTRA O NOME ENIGMA E ESSE DISCO QUE FOI INOVADOR PARA A ÉPOCA, COM UM HARD BLUES ROCK ACIDO E VIRTUOSO, E QUE CONTRASTAVA COM O QUE SE FAZIA EM TERMOS DE ROCK NO MEXICO, VISTO QUE AS OUTRAS BANDAS MAIS FAMOSAS APOSTAVAM MAIS NO ROCK PSICODÉLICO E PROGRESSIVO!!! EXCETUANDO A BANDA "EL RITUAL" QUE TAMBÉM FAZIA UM ROCK SEMELHANTE AOS CARAS!! A BANDA ENIGMA CHEGOU A SER COMPARADA NO SEU PAÍS COMO UM BLACK SABBATH MAIS JOVEM!!! VENENO MEXICANO RARO E MUITO LEGAL!!! MOVIDO A PEYOTE!!!

ENIGMA IS A MEXICAN BAND THAT CONTINUES ON THE ROAD, BUT THAT HAD HIS BEST MOMENT IN THIS FIRST ALBUM, WITH A HARD ROCK BLUES AND ACID !! THEY BEGAN TO PLAYING ROCK COVERS STILL IN 1969 WITH THE NAME OF "LAS VENTANAS" AND THEN, ENJOYING THE FAME THAT OBTAINED WITH THEIR SHOWS, DECIDED TO CHANGE THE MUSIC STYLE AND MAKE THEIR OWN SONGS WITH A MORE ROCK AND HEAVY SPIRIT !!!

WITH THE NAME ENIGMA THIS DISCO WAS INNOVATIVE, WITH A HARD BLUES ROCK VIRTUOSO, WHICH CONTRASTED WITH WHAT IT WAS IN MEXICAN ROCK, AS THE OTHER FAMOUS BANDS BETTER IN THE PSYCHEDELIC AND PROGRESSIVE ROCK !!! EXCITING THE BAND "EL RITUAL" THAT ALSO MAKE A SIMPLE ROCK !! THE ENIGMA BAND HAS BEEN COMPARED IN YOUR COUNTRY AS A BLACK SABBATH YOUNGER !!! RARE AND VERY COOL MEXICAN ALBUM !!! MOVED TO PEYOTE !!!



01. Under The Sign of Aquarius
https://youtu.be/av5YNNWSHXs
02. Save My Soul
03. 69
04. Simon
05. Live It Up, Mama
06. The Call of The Woman
07. Interwine
08. Sunday’s Coming
09. Alfa
10. Bajo El Signo de Acuario [bonus venenos]

or

quarta-feira, 17 de janeiro de 2018

BILLY BOND Y LA PESADA - Volume 1 e 2 [1971 Argentina Heavy Psych Blues Rock]


VENENO ARGENTINO DE BOA QUALIDADE!! POSTAGEM PARA REMEDIAR UM DESCUIDO HISTÓRICO DE AINDANÃO TER POSTADO NADA DO CARA AQUI NO BLOG!! ELE MERECIA ESTAR AQUI E AGORA RAPARAMOS ESSA INJUSTIÇA!!

Grupo argentino Billy Bond y La Pesada surgiu em Buenos Aires, Argentina, em 1970, e fazia um sonzaço que mistura heavy, blues e psicodelia!! Foi criado para acompanhar o cantor Billy Bond e não tinha integrantes fixos!! Pela banda passaram artistas importantes do rock argentino como o genial guitarrista Pappo e o também genial Luís Alberto Spinetta!! Billy Bond depois do fim da banda se radicou no Brasil e vive até hoje por aqui!! Billy Bond y La Pesada del Rock and Roll agitaram (literalmente) a cena do rock latino durante a década de 1970, tanto que a polícia interrompeu os shows do grupo várias vezes!! Os caras eram maluquetes de primeira linha tanto no som como em atitudes!! Gravaram quatro discos, obras genuínas do rock argentino e latino-americano!! E aqui estão os dois primeiros para os envenenados!! NÃO CONSUMA COM MODERAÇÃO!!!

------------
Born in Italy, Juliano Canterini, known as Billy Bond began as part of the new Argentine beat music generation during the 60s. Backed up by musicians like the Fattoruso Brothers (ex-Los Shakers), he released several singles.

He was one of the owners of the mythical club La Cueva de Passarotus, at Pueyrredón Avenue, which he changed into just La Cueva, and turned it cradle of the Argentine rock. It later moved to Rivadavia Avenue. At this time his desire was to create an "open" outfit; that is, a band which everybody could join and leave whenever wanted. Together with Jorge Álvarez he formed La Pesada del Rock And Roll (The Heavy of Rock & Roll), known as La Pesada and Billy Bond Y La Pesada Del Rock And Roll. Because of it's "free" model, it seemed to be in a state of anarchy – but Billy was there to keep order.

By the end of 1970, Billy Bond y La Pesada released Billy Bond y la Pesada del Rock And Roll, their first album on the Music Hall label, comprising rock'n'roll, blues and hard-rock songs with psycho touches and humorous ironic lyrics. Featured musicians included Pappo, Luis Alberto Spinetta, Javier Martínez, David Lebon, Vitico, Héctor "Pomo" Lorenzo, Black Amaya, Poli Martínez Luis Gambolini, Nacho Smilari and Cacho Lafalse.

By 1972, the formations of the group became more or less stable, wich Claudio Gabis and Kubero Diaz on guitars, Alejandro Medina on bass and vocals, Jorge Pinchevsky on Violin, Isa Portugheis and Jimmy Marquez on drums and Billy Bond on vocals and production. The band would proceed to records with many artist and participate in many of the member's solo albums.

On 1972 they released BIlly Bond y La Pesada Vol. 2, known as La Oreja (The ear) for it's cover. On October 20, 1972, the group participated in the Gran Festival de Rock, a date that would beome a legend. The audience tried to get closer to the stage while, at the same time, a police unit entered the scene and began to repress and arrest people. Billy Bond responded with a Peronist speech, "Violence will be answered with more violence". This prompted the police to arrest him first, which provoked a great outrage in the public, reacting against the police, trashing the place and many police cars. It's attributed that he answered the police with a "¡Rompan Todo!" ("Break everything!"). But actually, when he was taken by the police, someone shouted in outrage "Se lo llevan a Billy! ¡Rompan Todo!" ("They are taking Billy! Trash the place!). After this, the band limited itself to recording albums only, and the shout would become a legend in the history of Argentine Rock.

Aqui algumas informações legais sobre o cara:


Volume 1
01. Salgan al sol
02. Divertido
03. Verdes prados
04. Buen día señor Presidente
05. El parque
06. Cada día somos más
07. Dueño de tu piel
https://youtu.be/Zx3ZpFrVCIo
08. Voy creciendo

Billy Bond (voz)
Pappo (guitarra)
Luis Alberto Spinetta (guitarra)
Nacho Smilari (guitarra)
David Lebón (bajo)
Cacho Lafalce (bajo)
Vitico (bajo)
Javier Martínez (batería)
Black Amaya (batería)
Hector "pomo" Lorenzo (batería)
Luis Gambolini (batería)

Volume 2
01. La pálida ciudad
02. La maldita máquina
03. Blues para mis amigos
04. Que descanses en paz
05. Para qué nos sirven
06. Voy a ver un amigo
07. La marcha de San Lorenzo

Billy Bond (voz)
Pappo (guitarra)
Alejandro Medina (bajo)
Kubero Díaz (guitarra)
Javier Martínez (batería)
Jorge Pinchevsky (violín)

sábado, 25 de novembro de 2017

DO WHAT THOU WILT: The Satanic Rites Of British Rock 1970-1974


COLETÂNEA COM BANDAS RARÍSSIMAS!! LANÇAMENTO SÓ EM VINIL!!
SOMENTE 205 CÓPIAS FORAM ORIGINALMENTE LANÇADAS E COM AS CAPAS NUMERADAS E PINTADAS A MÃO!! SÃO OBSCURIDADES DOS ANOS 70 DESENTERRADAS DAS PROFUNDEZAS, COM ALGUMAS GRAVAÇÕES SOANDO UM POUCO PRIMITIVAS NUMA SONORIDADE HEAVY PROTO ROCK!! ABAIXO INFORMAÇÕES SOBRE AS FAIXAS E BANDAS QUE APARECEM NO LP!!

COLLECTING WITH RARE BANDS! RELEASE ONLY IN VINYL !!
ONLY 205 COPIES WERE ORIGINALLY DISTRIBUTED AND WITH NUMBERED AND HAND PAINTED COATS !! THEY'RE WAVES OF THE 70 's WITHOUT DEEPLY, WITH SOME PRIMITIVE RECORDS IN HEAVY PROTO ROCK SOUNDS! BELOW INFORMATION ABOUT THE TRACKS AND BANDS THAT APPEAR IN THE LP !!

"stylish cdr version of instantly sold out 200 copies only bootleg album. 'do what thou wilt - the satanic rites of british rock delivered from acetates and rare pressings 1970 - 1974' features 14 tracks from unknowns such as camelot, pony, shado, heatwave, sioux, yellow, wooden lion and more. the recordings are often very primitive as apart from 2 or 3 tracks which were released on private pressings, all the remainder did not get further than acetate stage, making this album the only way to hear these tracks"

GRIND - Rip Off [UK 1973]
https://youtu.be/mtmND8vzvMo
-----------------------
CAMELOT: Nothing has been left to devour over in a literary sense with CAMELOT, but their single-sided emidisc acetate offering should suffice to satisfy's anyone's hunger for primitive heavy rock!!

PONY: "I'm a mover" maybe more familiar to die-hard fans of blues rockers FREE, but here's a more raucous and battered version from PONY's surviving acetate recorded circa 1970. Backed with "Better by you, better than me" as more famously recorded by Spooky Tooth.

SHADO: Another incredible bunch of unknowns who were fortunate enough to be handled by local promoter, John Hessenthaler who is still in the business over 35 years later!! "Evil city" is the A-side of their 1974 single for Montrose records.

HEATWAVE: Led by guitarist Mervyn Selby Read in the early 70s, this Welsh band were making plenty of carnivorous noises in the valleys with their single for Harp records ("One-eyed man" c/w "9-9-9")

GRIND: One of the clearest and BEST examples of British proto punk along with Crushed Butler, 3rd World War, Hawkind and Mick Farren's Deviants who all formed a fairly decent chunk of anarchic rock on the British heavy rock underground circa 1969-1974. Muir, Barber and Hastings laid down these two shit-faced punkers on 31st October, 1973. Unfortunatly, it's only been possible to locate one of their two acetates which leaves another 2 tracks missing, WHAT A FUCKING BAND!!!!!!

SIOUX: Messrs. Holcombe, Natori and pattenden arrived in 1973 with an EP pressed up by SRT. Hipping yarns ensued with the recording of "Prosmoe", "Warlove", "You're all I need" and "Happiness in the sky". Christ knows what happened to SIOUX, but let's hope they carried on rocking!!

SARDONICUS: A bunch of anonymous punk unknowns whose collective venom spews out and throws up two disturbed rockers. "Evaporate Brain" and "Nymph" were recorded at County Recording Services in Bracknell, Berkshire in 1973.

YELLOW: The only band on this compilation that had any real luck as they had a single out on CBS in the late 60s and went on to enjoy other releases. YELLOW regrouped after two splits and laid down some demos at Impulse studios inNewcastle and then at Multicord studios in Sunderland from where this demonic and twisted beast arose in 1971. A quickly formed Abreaction record label released "The Hobo song" alongside "Daylight Child" by LUCAS TYSON who went on to become CIRKUS. Also included on the EP were BRASS ALLEY and TRIOLOGY.

TONGE: A Brighton band featuring Alan Grinyer (vocals), Dave Barnard (bass), Eric Wright (guitar) and Nick Oldfield (drums). TONGUE recorded a session for their local radio station circa 1972. 2 tracks were loaded onto acetate "Old father time" and "Looking at the world".This song later became "When they take me away" on a Depression demo.

WOODEN LION: There were 2 bands calling themselves WOODEN LION in Britain in the early 70s. This WOODEN LION are an unidentified bunch of long hairs who recorded "Tales of evening" and "Rise of the moon" and walked away with a crumbling acetate.

BARE SOUL: BARE SOUL came from East Yorkshire circa '69 and recorded several tracks in a studio based in Hull which had recorded future stars like Mick Ronson and Def Leppard !! Flash reveals BARE SOUL's envious appetite for pure destruction perfectly!!

UNICORN: Another "never heard of 'em" act who were assembled for a short time in 1970, but managed to record "Another world" and "Going home" in Hollick and Taylor studios, Perry Barr, Birmingham, They probably carried on but under a different name when they realised that there was another act called UNICORN who were already signed and making records with the Big T label at the same time.

LUCIFER: "Fuck you" sums up this entire project suitably. LUCIFER was Peter Walker of late 60s psychedelic set THE PURPLE GANG. Having retired himself from this band as the lead singer and kazoo player in 1969, Walker turned to his old affair with witchcraft and joined a coven. Obviously the big wig labels wouldn't touch this shit with a lengthy bargepole so he decided to go it on his own. "Fuck you" was his first ventured and advertised it in underground mag OZ for 50p as "A love song - FUCKROCK" the lucky bleeders were also entitled to a Fuck You poster too (plus P+P)!!
--------------------------------------------------

terça-feira, 21 de novembro de 2017

REQUEST: LED ZEPPELIN - Dancing Avocado [Fillmore West 1969]


RARE AND GREAT BOOTLEG!!
 VERY GOOD QUALITY AUDIO!!
BOOTLEG HIGHLY RECOMMENDED!!
HAVING MANY REQUESTS FOR A REPOSTING!!

ATENDENDO A VÁRIOS PEDIDOS DE REPOSTAGEM!! RARÍSSIMO E ÓTIMO BOOTLEG COM QUALIDADE DE AUDIO MUITO BOA!!

ESSE ALBUM NÃO DEIXA DÚVIDAS QUANTO A PERFORMANCE DA BANDA AO VIVO!! ARRASADOR!! ESSE SHOW NÃO É SÓ PARA ZEPELIANOS, POIS É PSICODELIA MISTURADA A UM HARD ROCK BRUTO E ARRASADOR!! CADA MEMBRO DA BANDA TÁ NA SUA PLENITUDADE E POR ISSO A PERFORMANCE DOS CARAS É INSPIRADA COM LONGAS SUITES!! VENENASSO ALTAMENTE RECOMENDADO!!


"Este registo nem parece ser uma gravação soundboard devido à forma como os instrumentos estão equilibrados. A voz de Robert Plant soa um pouco mais baixo que o normal, mas é quase um detalhe. Vindo de dois microfones colocados diretamente no palco isso poderia explicar por que sua voz está mais baixa. Os instrumentos são captados bem, mas os microfones são colocados por trás do vocalista."

01. As Long As I Have You (Medley) (20:12)
02. Killing Floor (8:52)
03. White Summer/Black Mountain Side (10:23)
04. Babe I’m Gonna Leave You (7:14)
05. Pat’s Delight (12:19)


https://mega.nz/#!EwdHSQIC!Ij0f4-aJSEp3BS6BoYl4cQwPkPchbP_GlYA3QVo4JuU
or
https://www.4shared.com/s/f6RS_6sAoca

sábado, 28 de outubro de 2017

THE COLOURED BALLS - Summer Jam Live Sunbury [Aussie 1973]


VENENO AO VIVO GRAVADO NO FAMOSOS FESTIVAL DE SUNBURY NA AUSTRALIA!! A SONORIDADE É LONGAS JAM SESSIONS DA BANDA COLOURED BALLS COM A PRESENÇA ESPECIAL DO GUITARRISTA LOBBY LOYDE APRESENTANDO UM BLUES ROCK PESADO E CHEIO DE IMPROVISAÇÕES!!! É UM ALBUM PARA QUEM GOSTA DE LONGAS SUÍTES QUEBRANDO TUDO!! VENENO RECOMENDADO COM GUITARRAS PASSEANDO SOLTO PELA TUA MENTE EM LONGAS SESSIONS!!

Recorder live at Sunbury in 1973!! Featuring Lobby Lloyde and the Coloured Balls, with special appearances by Billy Thorpe and Leo de Castro. Extremely rare, long out of print and impossible to find!! "Going Down" is pretty damn good heavy blues rock. But man, "God" is something ELSE. Extremely good and heavy, and less explicitly blues-based. It also ends on four minutes of KILLER guitar noise, so that's a plus. Side A is blues rock; it's admittedly played loose and jammy and gives itself plenty of room to stretch out into more interesting and fun areas than you'd expect from the genre (moreso on the much shorter "Going Down" than on the lengthy "Help Me / Rock Me Baby", surprisingly), but it's still ultimately blues rock.  "God", however, fills up all of side B with almost nineteen minutes of triple-filtered, crystalline hard rock, with all of the good stuff left in and absolutely no bullshit tolerated.



01. Help Me - Rock Me Baby (11:40)
02. Going Down (6:45)

https://youtu.be/sjJzNNCKK-w
03. God (18:43)

segunda-feira, 18 de setembro de 2017

RAIN - Live Christmas Night (1971 US Hard Rock Blues)

VENENO RARO E RECOMENDADO!!
BANDA FORMADA EM NOVA YORK EM 1970 E ANTES SE APRESENTAVAM COM O NOME DE "THE INVISIBLE SIDESHOW"!! LANÇOU ESSE RARÍSSIMO ALBUM GRAVADO AO VIVO NO MARINER HOTEL E DEPOIS DISSO FOI GRAVAR SEU PRIMEIRO ALBUM EM ESTÚDIO, MAS NÃO SE SABE O QUE ACONTECEU COM O ALBUM!! TALVEZ TENHA SIDO ESQUECIDO EM ALGUMA GAVETA!! UMA PENA PORQUE POTENCIAL OS CARAS TINHAM!! A SONORIDADE DESSE ALBUM AO VIVO É HARD ROCK BLUESEIRO BEM BACANA PARA QUEM GOSTA DO ESTILO!! A BANDA NA ÉPOCA ABRIU SHOWS PARA O NAZARETH E THE AMBOY DUKES!!

RARE AND RECOMMENDED VENENO!!
BAND FORMED IN NEW YORK IN 1970! BEFORE PRESENTING THE NAME OF "THE INVISIBLE SIDESHOW"!! LAUNCHED THIS RARE ALBUM LIVE RECORDED AT THE MARINER HOTEL! THEN IT WAS RECORDING YOUR FIRST ALBUM IN STUDIO, BUT YOU DO NOT KNOW WHAT HAPPENED TO THE ALBUM!! MAYBE HAS BEEN FORGOTTEN IN SOME DRAWER!! THE SONORITY OF THIS LIVE ALBUM IS HARD ROCK BLUEBERRY VERY GOOD FOR WHO LIKE STYLE!! THE BAND IN TIME OPENED SHOWS FOR NAZARETH AND THE AMBOY DUKES !!

Brad Morse - Vocals
Helmut Getto - Guitar
Ted Paris - Bass
Mich Guerin - Drums
Gary Culotta - Piano

1. Tulane - 3:42
2. Billy Goat - 4:31
3. Boogie With Me Mama - 5:28
https://youtu.be/GmqwUlJBVbY
4. C. C. Rider - 8:11
5. Movin' On - 7:00
6. Tater Pie - 4:03
7. Built For Comfort - 7:22

or

quarta-feira, 6 de setembro de 2017

THE SHELTER PEOPLE - The Shelter People (Full EP 2017)


AINDA HÁ LUZ NO FIM DO TÚNEL!!
O ROCK N ROLL AINDA ESTÁ VIVO!!


O Rock 'n' roll ainda está vivo!!! Essa banda The Shelter People, de Tulsa, é a prova viva disso!! Uma banda moderna de rock psicodélico-blues-rock que está trazendo o verdadeiro e bom rock de volta com estilo!! Parece que saíram direto de uma máquina do tempo de 1968!! Isso tanto musicalmente quanto visualmente!!

Os músicos da banda são muito bons, provavelmente os melhores de Tulsa atualmente. Eles tem influências nítidas de Jimi Hendrix, Howlin 'Wolf, Cream e Led Zeppelin e fizeram justiça a isso, representaram bem os ídolos o tempo todo, com uma performance perfeita,  alta performance, longas jam sessions, solos de guitarrae interlúdios de bateria impressionantes. Cedrtamente esses caras aqui estão respirando e trazendo e trazendo de volta as raízes de Led Zeppelin, Black Sabbath, Hendrix e do blues.

Esse EP tem toda energia e todas as longas jam sessions que suas performances ao vivo. O trio oferece quatro músicas nostálgicas de sons dos anos 60 e 70 que incluem "Going Back Home", uma obra-prima de blues-rock de oito minutos de duração. O EP tem um som intenso e bluesy que nos remete aos anos dourados do rock novamente. O Shelter People está trazendo o genuíno rock 'n' roll de volta e estamos saudando isso aqui no blog Venenos do Rock. Poucas bandas atuais mereceram estar entre os venenos e aqui está uma delas com toda certeza!!!

VENENO ALTAMENTE RECOMENDADO!! O BOM E VELHO ROCK AND ROLL ESTÁ DE VOLTA COM A THE SHELTER PEOPLE!!

** Pessoal, postei esse álbum com a devida autorização dos integrantes da banda. Descobri os caras, gostei muito do que ouvi e entrei em contato com eles. Foram muito bacanas. Elogiaram o meu blog e disseram que seria bom pra eles uma divulgação num blog desse porte. Bacana isso né pessoal!!! Os caras além de tocarem pra caramba são gente fina demais!! **

-------------

STILL THERE'S A LIGHT AT THE END OF THE TUNNEL!! ROCK N ROLL IS ALIVE!!

Rock 'n' roll is still alive!!! This band The Shelter People of Tulsa is the living proof of this!! A modern band of psychedelic rock-blues-rock that is bringing the real and good rock back with style!! Looks like they came straight out of a 1968 time machine!! Musically and visually!!

The band's musicians are very good, probably the best in Tulsa today. They have clear influences from Jimi Hendrix, Howlin 'Wolf, Cream and Led Zeppelin. They performed well with idols, with perfect performance, high performance, long jam sessions, impressive guitar solos and battery interludes. Certainly these guys are breathing and bringing back the roots of Led Zeppelin, Black Sabbath, Hendrix and the Blues.

This EP has all the energy and all the long jam sessions that its live performances. The trio features four nostalgic songs from the '60s and' 70s that include "Going Back Home," an eight-minute blues-rock masterpiece. The EP has an intense and bluesy sound that brings us back to the golden years of rock again. Shelter People is bringing the genuine rock 'n' roll back and we're hailing it here on the blog Venenos do Rock. Few current bands deserved to be here on the blog and here is one of them for sure!!!

HIGHLY RECOMMENDED BAND !! THE GOOD AND OLD ROCK AND ROLL IS BACK WITH THE SHELTER PEOPLE!!!



Garon Burch - Bass & Vocals
Dakota Hurley - Guitar & Vocals
Justin Mathais - Drums

1. Too Many Days Have Gone By 05:14
https://youtu.be/v2BvTsaiHLU
2. What It Means To Love 04:40
3. Some Blues 04:27
4. Goin' Back Home 07:59
https://youtu.be/_r_T7JJNvpc